Archive for the Yuri Manga Category


Yuri Manga: MURCIÉLAGO, Volume 5 (English)

March 20th, 2018

In Yoshimurakana’s MURCIÉLAGO, Volume 5, little girls wearing yellow boots and carrying blue umbrellas are turning up strangled and the police are stumped.

Kuroko works on the case…and one of the bereaved mothers. She also finds time to meet with her erstwhile opponent at Virginal Rose, Teresa, now going by her real name, Narumi, who has gathered the Virginal Rose survivors and is trying to make a safe space for abused girls. Kuroko offers to underwrite the shelter/school if they work as informants, an idea that has been used in some of my favorite literature for centuries, so I approve.

In the meantime, we are subjected to the trials of Sora, who was kidnapped by the killer, so that we can be creeped out by the storyline. It is successfully creepy.

 Kuroko wraps this storyline up swiftly, for which I am now twice thankful. Even more thankfully, the end of the book see the return of weird-eyed Reiko the sniper in a new, exceptionally violent chapter. 

Final chapters are both silly and awful in equal part. Hinako is coming across as ever more unhinged. 

Reading this manga has taught me a lot about myself. I’ve known since Ikkitousen days that I do not mind violence as long as it is between two equally matched people. Exploitative or abusive violence enrages and disgusts me (probably much as the kind of violence I don’t mind makes other people feel, I imagine.)  I like weapons expertly handled. There is no form of hand-to-hand combat that I find dull, but man, do I really dislike the idea of people being beaten to death by skillless jerks with bats. Pisses me off no end to see people beaten by cowards who have to gang up or sucker punch victims. Huh. So, this too, goes into the folder of “no” when it comes to tolerable violence. On the other hand, I have a mental folder for tolerable violence. Huh. 

Yuri? Yes. Kuroko’s amassed quite a harem by Volume 5. Chiyo is her steady, of course, and we see her with Nanami and Matoi and of course Yuria, the medical examiner (who I had completely forgotten by Volume 10 in Japanese, which I was reading along side of this. Good thing she was here to remind me who she was. ) 

Ratings:

Art – 6 No less ugly than usual
Story – 5 Violence against little girls is in the no folder.
Characters – 8 Manipulative and vile, but I like ’em.
Service – 10 Nothin’ but
Yuri – 8  Having a lesbian psychopath as a protagonist definitely keeps this rating high. ^_^

Overall – 9

I love the next arc and any and all time spent with Reiko. Spider ahoy!





20th anniversary Revolutionary Girl Utena Manga: Beautiful Thorns (少女革命ウテナ20年記念日新作)

March 18th, 2018

Image Restored/Edited by abbysayswords for The Empty Movement, 2018.

In my review of the first chapter of the 20th anniversary Revolutionary Girl Utena manga, we discussed Touga and Saionji and how they regained some memory of Anthy and Utena after 20 years had passed.

Today, before I begin discussing the 2nd chapter of the 20th anniversary Revolutionary Girl Utena manga by Saitou Chiho and Be-Papas,  which ran in the March 2018 issue of Flowers magazine, I ask you to take a moment to think back on high school. For most of my readers, that will be long enough ago for memories to have begun to fade. Think back 20 years ago. Who were you then? What did you want? I remember little of high school and even less of myself in my early 30s. It’s a long time ago.

Arisugawa Jyuri (we have an official transliteration of her name at last) also remembers little of the past. On the eve of a photo shoot, she dreams of drowning.

Jyuri is an accomplished famous fencer. In her mid-30s, there’s no reason to assume her skill is any less now than it had been. In the final match for the World Title, her opponent appears….it’s a man, who wears a rose ring! They fight, but the electrical system shorts out due to a lightning strike and the match will have to be postponed. She wonders who that man was and Miki, who had attended the match to cheer Jyuri on, comments, confused, “What are you talking about? Your opponents were all women.”

As we might have expected, beautiful, long-limbed and graceful, Jyuri is also a professional model. And, as we watch, our eyebrows crawling ever higher, she does a photoshoot…is that fucking Ohtori?! Yes, it is Ohtori, and she stands in the greenhouse, or sprawls across the chairs with signs that literally point to the waiting room, while our skin crawls. 

Jyuri is also with Shiori. I have a lot of conflicted feelings about this. I hate series that act like the only possible pairing is among the characters in the story. But bear with me here, because it’ll get even more conflicted. Shiori is Jyuri’s agent and manager. She rejects a costume that shows too much cleavage. “We have to protect Jyuri’s image as a dashing fencer.” Which leads Jyuri to talk about something on her mind – she’s thinking of leaving fencing. Shiori says, well I have to tell you something, too. And standing there is the man who Jyuri fought in the fencing match! Wearing a Rose Seal ring. And, as the Jyuri watches, he poaches her manager. Shiori leaves Jyuri, on the arms of Ruka. Jyuri breaks down crying that she needs Shiori.

We see Jyuri in those days before she took up the uniform of the Student Council. Just another female Ohtori student, as she sees a little Shiori, looking like a princess. A princess, she reasons, needs a prince. So, when Shiori arrives at Ohtori and comments she finds the fencers admirable, Jyuri took up fencing and managed to obtain Shiori’s admiration. She would be this princess’s prince. One day, Ruka find Jyuri on her hands and knees, desperately searching for her locket in a field where she thought she dropped it.  Ruka and Jyuri fight. She is unable to defeat him in this informal bout, but he gives her the locket she has been missing….he knows. He knows what she is.

Ruka and Jyuri face off again. This time he brings them to the dueling ground where Shiori is the Rose Bride. Pushed to her limits, Jyuri has a vision of a young woman, (we recognize Utena,) who floats down from the castle and gives her the “Power to Revolutionize the World.” 

Jyuri sees Shiori sitting by the river, slipping in, and jumps in to save her. She is drowning….she is being left to drown…she is being drowned. We know this scene. We recognize that bench. We can hear the music. We know it and we know that it never happened to Jyuri. 

Young Jyuri wakes in a hospital, where Shiori tells her Ruka died saving her. Jyuri wanders down a hallway and finds herself in a chapel, where child Utena sleeps in a coffin full of roses. The child calls her a goddess of battle and Jyuri remembers that Ruka had called her his “Goddess of Battle, Lily.” The child begins to walk away, Jyuri asks, “where are you going?” The girls replies, “I want to see that girl again.”

Back in the present, Juri finishes the fencing match and fingers the locket, still around her neck. Her opponent removes their mask and it is indeed not Ruka whom she fought, but a woman, (who looks rather put out.)

In the locker room after receiving the championship cup, Jyuri tells Shiori that she’s done. Shiori begins to cry – are you really not going to fence anymore? “No,” Jyuri says, I’m not going to fight for you anymore. I’ve been fighting to be your prince, to protect you.” She accepts that she really just loves fighting and will do it now for herself. 

Shiori seems to understand. She tells Jyuri that she had had a dream of Ruka walking away from her, with a smile telling her that Jyuri has found the thing she was looking for.

Jyuri opens up the locket and we see that it still contains that old picture of Shiori. Carved by hand into the metal of the inside cover it says “Fight Jyuri!” in English. 

The last page shows Ruka and Jyuri walking away from one another. The page says 「戦え樹璃」with furigana that reads “Fight Jyuri”.

Phew. 

So many feels. But what actually happened?

Jyuri experienced three things in this chapter that never actually happened to her. We know that. She did not fight Ruka in the championship bout, she did not see Shiori drown, and…Shiori did not leave her for Ruka. Not 20 years ago. Not now.

It calls into question everything we know about her. What if Shiori never did any of the things we thought she did? The Black Rose arc was clearly feeding off of participants’ dark fantasies. What if Shiori wasn’t ever a master manipulator and was – and always has been – Jyuri’s closest friend who wants what was best for her? We may never truly know. 

As I have been saying repeatedly, Saitou-sensei’s art has really grown in 20 years. The aesthetic here is even more gorgeous than we remember it. And I’d be okay with an artbook of Jyuri playing dressup. ^_^

Ratings:

Art – 9 Gorgeous
Story – 9 I’m re-reading every word trying to pull out more meaning. Sometimes doing that is ridiculous, but here, it’s always worth the effort.
Characters – 9
Yuri – 4 I don’t know if Shiori and Jyuri are a couple, but they are certainly a partnership
Service – 5 – Jyuri playing dressup as a swordswoman and a lesbian. ^_^

Overall – 9

I am 100% in favor of Jyuri finding herself at the end of this chapter. I am 100% in favor of Utena looking for Anthy. 

The next chapter will have to be Miki. 

Tune back in two months from now when the next chapter is released in the May issue of Flowers magazine!

 

 





Yuri Manga: Galette No. 5 (ガレット No. 5)

March 1st, 2018

Happy 1st Anniversary Galette (ガレット)! With Volume 5, this magazine has hit an important benchmark – one full year of publication. To celebrate their birthday, the folks of Galette are participating in a special multi-creator signing event at the Shosen Book Tower. And, the week after, the magazine is participating in the Yuriten Yuri Fair with a booth. It’s all very exciting. 

Also to celebrate, this fifth issue of Galette has added a long-awaited addition to the roster, Morishima Akiko-sensei with a continuation of her hit series Hanjuku Joshi!

The print volume of this issue includes a Petit Galette insert with Anniversary wishes, and short manga entries.

This was also a damn good volume of Yuri manga.

Takemiya Jin-sensei has a new series.”Anata ha Watashi no Unmei no Hito” with a near-future in which people are expected to find lovers (of either sex) based on whether they are Betas (average) or Alphas (exceptional). But there are also Omegas, one of which our protagonist find herself labeled as. As she hunts around the school for the fabled Alpha she finds, falls for and is roundly dismissed by the Student Council VP. I couldn’t but help remember Zaou Taishi and Eiki Eiki’s manga Renai Idenshi XX (恋愛遺伝子). But I’m gonna trust Takemiya-sensei to handle this better than they did.

The blow away story was Momono Moto and Izumi Kitta’s “Liberty” in which DRAMA happens and for once it piqued my interest. ^_^

I quite liked Nakano Miyahana’s “Junai Entropy” about a girl who is inseparable from twins, but always knows which one is the one she loves.

Lots of color photography, and color art pages, and a color lead page for Takemiya-sensei’s new series. They’ve added some non-black-and white manga pages. AND (yes, i’m gushing a bit here,) there is a credit for the cover design. The art by Pen has been excellent, but now I can thank Blankie at chipco design for the exceptional design work, at last. Excellent work, Blankie-san.

Every issue of this magazine is stronger than the last. I have a wish list of two other creators to be added at least as guests and a short list of “things I’d like to see.” #1 on this list is: Sports Yuri.

Ratings:

Overall – 9

Come on, Galette folks! Gimme a sports Yuri manga series! Please. ^_^





Yuri Manga: Shouraiteki ni Shindekure (将来的に死んでくれ)

February 28th, 2018

“Can’t buy me love,” or so the song says. But Hishikawa Shun is much too young to know that song and and she has much more money than sense, so she approaches classmate Komaki with an offer she could refuse – Shun will pay Komaki for her companionship. And, she’s convinced, more. Komaki doesn’t refuse the first part of the offer, but consistently refuses the additional services requested.

Shouraiteki ni Shindekure (将来的に死んでくれ) is not exactly a likable story, for many reasons. The premise is silly, but it’s played for laughs in a way to guarantee I’ll never so much as crack a smile. Hishikawa is a shouty character, whose reactions to everything appear to be at high decibels and with the ugliest open-mouthed tear-filled weird faces possible. When a bit of creepy service goes over the line, I considered dropping the book altogether, but didn’t.  And I’m kinda-ish glad I didn’t. 

Because, while Hishikawa is a perv and Komaki’s little brother is a perv and I fucking hate comedy based on perving because it’s gross and not at all funny, there’s something here, buried behind the idiotic premise I do find interesting.

Hishikawa has very poor people skills. We can see that even when she speaks with her best friend, Saya. Saya seems to understand Hishikawa’s lack of human skills and explains it for Komaki. And, for her part, I genuine believe Hishikawa when she tells us that she’s genuinely in love with Komaki. I just also think she has no belief in herself as desirable or interesting and doesn’t have enough peopling practice to realize that offering money for friendship and sex might get you want, but won’t get you what you need. In turn Komaki doesn’t actually dislike Hishikawa and she is always very, very clear about her boundaries.  I think that Komaki might just train Hishikawa to become a person.

I sure hope so. 

Ratings:

Art – 4 Ugh
Characters – Anywhere from 3-7 variably in a single chapter
Story – 4 Creepiness is not funny. It just isn’t.
Service – 6 No upskirt, but very much in the creepy.
Yuri – 5 – Buried pretty far down, but it’s there and it’s sincere.

Overall – 5

There’s at least one more volume of this series, but I’m likely to give it a pass. I didn’t care enough and more panels of Hishikawa’s shouty, teary, snotty face, or her shouty weird smile face, is not needed in my life.

Oh, heavens, there’s two more volumes! (Volume 2 | Volume 3). If any of you read them, let me know what happens! ^_^

 





Yuri Manga: Bloom Into You, Volume 4 (English)

February 27th, 2018

In Bloom Into You, Volume 4, as the Student Council goes into a stay-over training camp in order to work on their play for the school festival, the principal characters encounter issues they’ve brought with them from their past into their present. 

Sayaka is forced to deal with a memory being pissed all over by her first lover. The sempai, in attempting to absolve Sayaka of any blame for their gay relationship, forces her to use Touko to make a point about being gay anyway. Touko doesn’t mind, but the whole thing is awkward and uncomfortable. Sayaka’s then brought into close quarters with the girl she desires, but cannot have. She cannot not see Touko’s interactions with Yuu, she cannot not know what they mean. She has no course at all but to be stoic, which is in unfair step down from just having an unrequited fantasy. I am still primarily reading this series for Sayaka and really want to see her happy by the end of it.

Yuu learns from a friend and teammate from middle school that her current state of dissatisfaction at being overworked with Student Council stuff marks a pretty major shift from her previous lack of engagement with pretty much everything. I read too much manga, I know, but my mind went directly to another MediaWorks manga that used pathological lack of engagement as a plot complication, Kashimashi Girl Meets Girl. Is this a key development moment for Yuu, or just a thing that is told to us to explain her ambivalence? Unfortunately for readers, we cannot be sure if anything we’re presented has weight of meaning. It could easily be a handwave.

We can be sure that something came to some kind of head when we all see Touko get extraordinarily emotional as they rehearse the play. Kanou-san just got way too close to the truth (as Yuu notes privately,) with her script. Touko is competing with the ideal of a dead older sister  who turns out to have actually been a bit of a jerk. She learns her sister used the people around her and is then told, quite incorrectly, that she’s nothing like Mio. But we readers can see that she is much more like her sister than anyone knows.

If the book took a direction that made me happy, Touko would confront her own behavior in regards to Yuu and change. Yuu would be then given a chance to decide if she wanted to be with this Touko. And Sayaka would meet a nice girl. But realistically, I’m just waiting for the magic handwave that will make Yuu decide she loves Touko and they’ll get married on a rainbow-bathed chapel in the sky. Oh, sorry, switched to Kashimashi again. 

Seven Seas has given us an excellent, authentic manga reading experience with this volume, so we can relax and be perplexed by the story. ^_^

Ratings: (quote directly from the review of the JP volume)

Art – 8
Story – 5 This issue has issues
Characters – 8 
Yuri – 7
Service – 4 Bathing scenes with three girls, two of whom are lesbian.

Overall – 8….

I really want to like this series. I just still don’t know if I do. Huh, just like Yuu feels about Touko. How ironic. ^_^

Volume 5 in English hits shelves in June 2018.  Thanks very much to Seven Seas for a review copy, but I had already gotten it for myself. ^_^