Archive for the Yuri Manga Category


Yuri Manga: Swap⇔Swap, Volume 1 (すわっぷ⇔すわっぷ)

June 6th, 2016

swap^2You may recall that I recently reviewed Only ☆You~Anata to Watashi no Futari Bocchi Keikaku in which a reasonable premise went south almost instantly.

Today, we’re going to talk about Swap⇔Swap, (すわっぷ⇔すわっぷ), Volume 1, by Tomekichi in which a horrible premise manages to almost not go bad until the last few pages.

Ichinose Haruko is the dark-haired girl on the cover with the weird eyes. Nikaido Natsuko is the blonde. They have vaguely similarish names and are in the same class. Haruko keeps to herself and is a good student. Natsuko is fashionable and garrulous. And, quite suddenly and inexplicably, when they bump into one another lip first, they…switch bodies.

I know, I know. It’s a totally cringe-worthy plot device. And worse, when we learn that Haruko is also quietly obsessed with girls with large breasts, and they switch back and forth by kissing, one immediately starts to imagine where this is going. Only, it doesn’t. Not really. Not yet.

Neither Natsuko nor Haruko are particularly put out by their relationship. And they seem to have a solid grasp of where the “no-go” zone is. When Natsuko wants to switch in order to have Haruko take a test for her, Haruko puts the brakes on switching and instead studies with Natsuko to get her grades up. In return, Natsuko introduces Haruko to her friends and they all go out shopping and to the pool and other average fun. Most importantly, Haruko and Natsuko tell their friends about their weird relationship, and their friends…accept it. It’s  a normal slice-of-life comedy, in which they kiss to switch bodies and switch back. It peaks when Haruko switches bodies to give allergic Natsuko the chance to play with a kitten and everything is just kind of sweet and cute.

All is well, with mild humor and goofiness until we meet a second couple who can switch bodies. And suddenly, the editor demanded more service. What was a readable, mildly silly gag comedy becomes a breast-fetish gag comic without humor, for the last 10 pages. And then it abruptly stops. Presumably, there will be a second volume.  But I’m not sure if the thin veneer of Yuri in Haruko’s sort-of burgeoning interest in Natsuko will be developed more than the breast fetish, so I’m on the fence about continuing.

Ratings:

Art – 6 Not quite dreadful, but Haruko’s weird eyes help you know who is in which body.
Story – 5 There is no story, only a premise
Characters – 8 Actually kind of decent, which is surprising
Service – 2, rising to 5 by the end.

Overall – 7

I’m not going to say this was spectacular, but it wasn’t terrible, either. And if the Yuri is developed, it has some potential to be good. If the breast fetish is developed instead, it has potential to be dire.





Seven Seas Announces New Yuri Manga Licenses!

May 31st, 2016

kaseToday out of Seven Seas we’ve gotten some pretty good news. They’ve got two new Yuri manga announcements.

First, they are continuing to bring you Morinaga Milks’ newest work with Secret of the Princess, (which I have reviewed here in Japanese).

And even more exciting, they’ve licensed a series that has made the Okazu Top Ten lists more than once and was named the Best Yuri Manga of 2014, Takashima Hiromi’s Kase-san and… series! (Here are my reviews of Asagao to Kase-sanObentou to Kase-san and Shortcake to Kase-san.) This is really a great series and I’m glad we’ll be seeing it! Thank to the folks at Seven Seas!





Yuri Manga: Otome no Teikoku, Volume 3 (オトメの帝国) Guest Review by Mariko S

May 25th, 2016

OnT3Oh blessed Guest Review Wednesday, how I love you. We welcome back Mariko S with the third of her review series taking a look at Kishi Torajirou’s Otome no Teikoku, Volume 3. (オトメの帝国) (If you’ve just joined us do check her reviewe of Volume 1 and Volume 2!) Mariko is really hitting her stride here, so take it away!

Ladies and gentlemen, we have reached our cruising altitude and the captain has turned off the “Fasten Seatbelt”sign. I didn’t realize when I was first reading it, but, revisiting Otome no Teikoku V.3 for this review, it is obvious to me now that this was the volume that brought me from casually interested to fully invested in these stories. As I was making notes, I found to my surprise it contained no less than four especially memorable chapters that I described using this pattern: “The ______ chapter!” Let’s talk about them!

The “Ears” Chapter!

The very first chapter in the book gets us started with a huge bang. This chapter is a showcase for one of Kishi-sensei’s unique talents – depicting fantastic eroticism with non-sexual situations. Mio’s hair has grown out, and is starting to cover her ears. As they talk about it and Shizuka-senpai demonstrates how she should tuck it behind her ears to show them off, she finds that Mio’s ears are incredibly sensitive. Shizuka begins to caress and tease them, and Mio responds with achingly believable pleasure – not the “I’m gonna come!” silliness like in the Ai and Chie karaoke chapter of volume 1, but the giddy pleasure of being touched in a good way by someone that you desperately want to go further. From personal experience, I will agree that ears are a vastly underestimated place for good touching. ^_^;

After a little teasing, Shizuka gives Mio the chance to reciprocate and do “whatever (she) would like” to her ears. Mio’s choice? She claps her hands over her senpai’s ears and blurts out a bold, gushing confession of love. Shizuka acts like she does not know what Mio said, but I’m not so sure!
The “Dentist” Chapter!
A perfect example of the type of unconventional vignettes that make this series stand out, this chapter is a wonderful window into the relationship of Ayano and Miyoshi. Miyoshi has some cavities and needs to go to the dentist. Ayano goes with her, and at first is just ribbing her about it and taking a little schadenfreude at Miyoshi having to do something that she doesn’t want to. But as she watches Miyoshi go through the procedure and sees the very real pain she is experiencing, it stops being funny and Ayano sympathizes deeply with her. Ayano tearfully hopes for it to end soon, but of course when it’s over can’t admit to Miyoshi how deeply she was affected by her friend’s suffering.
The “Home Date” Chapter!

The buildup to this chapter is just as delectable as the thing itself. All of Ai and Chie’s chapters are fantastic in this volume. First, we have a cute chapter of the two flirting adorably over Chie’s hairstyle – overheard by Ayano and Miyoshi, they declare with certainty how obvious it is that Ai and Chie are in love (using “恋” which specifically refers to romantic love).

The second years then all get together at Miyoshi’s to celebrate Christmas in the Japanese style. At this point, the big group chapters have become real highlights, because they feel so lived-in. The camaraderie and fun really feel like something girls might actually do, not moe stereotypes of girls’ activities. For the gift exchange, Ai ends up with a toy model of a battleship, which Chie promises to help her build.

We next see Ai dwelling fondly on the memory of their promise to build it together, daydreaming about how it might go when they do, stressing over how to invite Chie over, and finally Chie’s adorable enthusiasm to get started when Ai finally musters up the courage to ask. Which leads up to… the home date! A full chapter of love-love goodness ensues. Eventually, laying quietly in Ai’s lap while she builds the model, Chie remarks that if they were in a movie, this would totally be the point when they kiss…

The “Family Restaurant” Chapter!
The final chapter, involving Yuu and Mari, is a perfect bookend complement to the first chapter in this volume. It’s achingly erotic without being at all sexual, and clearly shows the intoxicating control dynamics of their relationship. It is one of the sexiest things I can remember where everyone is fully clothed.

Yuu and Mari get a lot of chapters this volume, and one of the things that gets set up is Yuu’s (understandable) annoyance with Mahi-Mahi. She tries to maintain her refined and controlled demeanor with them, but the spastic force of the twins is utterly alien to her. Mari, much more easygoing, has a much easier time handling them. At New Years, we get to see a vulnerable side to Yuu – she does not do well with crowds, and clings to Mari. They run into Mahi-Mahi, who get separated by the crowd and are helpless without each other. Mari comes to the rescue, but has to leave Yuu alone to do it. Yuu is peeved by this, and Mari expects a “punishment” for it…

… Which finally comes when Yuu suggests they go to eat at a family restaurant after school. They get a booth in a back corner, and the games begin. Yuu slowly and confidently pushes Mari’s boundaries, playing her like a beloved instrument. Mari protests, because it’s her role to protest, and feel the naughy embarrassment of complying with her girlfriend’s demands. Eventually she gets so worked up, she does something without being told, which breaks the spell of the moment and ends the scene, but allows us to see the sweet side of their interactions as Mari is terribly amused at Yuu’s puffed-up “outrage.”

I think it’s important to note that, while Yuu acts very immaturely at times, that’s ok – she is, after all, a high school girl. Equally important is that Mari is not helpless, or a victim – she is a healthy, well-adjusted girl who is independent, has many friends, and good self-esteem. She takes pleasure in following Yuu’s orders, none of which ever cause her real pain or put her in danger. Their S&M games are a big part of, but not the entirety of their relationship and identities.
What Else is Going On?
There isn’t a particularly long arc this time, but a couple of chapters (including the aforementioned Christmas ones) have all of the second years together again, goofing around. The service factor is *way* down this volume, mostly limited to an Ayano and Miyoshi chapter where Miyoshi makes up a game that’s just a silly excuse for a lot of groping. The debate club continue as before, horsing around while Nononon flubs her attempts to be cool and win Yumimi’s attention.

Honoka and Alicia continue their odd couple antics, getting into a drawing contest which leads an agreement to collaborate on a comic, despite Honoka’s naked attempts to get Alicia to go away. We meet a new character, Shizuka’s graceful, beautiful, refined, and admired friend and classmate, Kaoru. Mahi-Mahi do silly cute stuff involving bunny pajamas. Nao does Nao stuff, indulging her perverted tendencies various ways. Onoda does Onoda stuff, fretting over how to act and whether people will like her, and misreading social situations.

Finally Shizuka and Mio get a couple more chapters, where Mio works up to and eventually gets out her full and honest confession, which, to her surprise, Shizuka is receptive to. There’s a little unrealistic service, but you can really feel Mio’s aching desire, awe, and fear as her dream comes true.

One other interesting thing I wanted to point out is Kishi-sensei’s impressive ability to utilize different art styles for different purposes. Not just chibi characters vs. realistic ones (which he does, too) but the use in Honoka’s story of completely different aesthetics. He typically includes examples of panels of BL manga that Honoka has “drawn,” which appear in a believably amateurish-yet-talented hand-drawn way. Alicia’s drawings similarly show up as very detailed, American comics-styled muscle men that look completely different. Later, even more styles will show up. I think it’s a credit to one’s artistic talent to be able to be so versatile.

The Yuri factor should no longer be in question. There is no dismissing the love in the Ai x Chie, Shizuka x Mio, and Yuu x Mari pairs.

Ratings:

Art – 9
Story – 7
Characters – 7
Yuri – 8
Service – 4

Overall – 8

Thank you Mariko! I love how your reviews have a unique style and can’t wait for Volume 4!





Yuri Manga: HaruYuri (ハルユリ)

May 20th, 2016

In Volume 1 of HaruYuri (ハルユリ), Ichijou Ranko is a boyish, charming young woman and unknown to herself, all the girls fall for her instantly. But none of them go as far as Sakurano Komachi who, on the very first day of school, kisses her and lamprey-like attaches herself to Ranko possessively.

What follows is a series of tedious tropes, delusional “imaginary Yuri” gags (’cause you know, teen girls think just like creepy old guys) for about half a volume, then suddenly we’re in one of those magic schools where the girls all pair off and suddenly everyone turns out to be a couple.

Pairs include the president and vice-president of the student council. (I cannot for the life of me remember the vice-president of my high school student council. Or the secretary. I remember the President, vaguely.) The one couple that softened my attitude towards the book was the unlikely geek doujinshi girl and super-fashionable girl couple – pretty much because the fashionable girl is horrified at herself.

But what about Ranko and Komachi? Lamprey and shark, all the way through.

It sounds like a pretty bad book and I’m not going to say it was good,  but when all the couples start talking and getting to be friends, I kinda found a soft spot for it.

Ratings:

Art – 7 Competently drawn, but wacky facial expressions throughout.
Story – 3 I’ll let you know when one shows up
Characters – 7 Okay
Service – 5 Imaginary, you know, so it doesn’t count. Except that it does.
Yuri – 6

Overall – 6ish, maybe 7 by the end

Is that soft spot soft enough to get Volume 2? I have no idea, honestly. I guess we’ll see.





Yuri Manga:Oshi ga Budokan Ittekuretara Shinu, Volume 1(推しが武道館いってくれたら死ぬ)

May 16th, 2016

BudokanorbustSo used am I to feeling frustration born of absolute disinterest in hideously boring characters in previous Hirao Auri manga series, that reading Hirao Auri’s new manga, Oshi ga Budokan Ittekuretara Shinu, Volume 1(推しが武道館いってくれたら死ぬ)instilled in me a wholly new feeling – frustration because I actually care about the characters! It’s a completely different feeling, I assure you. ^_^

Oshi ga Budokan Ittekuretara Shinu (which is a really evocative title that one could have a lot of fun translating: Budokan or Bust; Give Me Budokan or Give Me Death; Push on to the Budokan or Die Trying…) follows an obsessive fan of a minor pop idol group, a woman named Eripyo, and the specific idol she likes, Maina.

Cham-Jam (pronounced “Charm Jam”) is a street pop idol group that is just starting to get some traction. Each of the members has her own set of otaku, of course, and we get to see some of the many unwritten rules involved in being a idol’s fan in this manga. It reminded me of Yumi’s line about a “fan’s pride.” These fans are allowed a certain amount of controlled exposure to their objects of admiration and anything else crosses a line for the idols – and the fans.

Eripyo is friends with two other Cham-Jam otaku, Kumasa and Motoi. Each has their favorite, but it’s easy for us to see that Eripyo’s feeling when she yells that she loves Maina are more complex than just admiration. And poor Eripyo….the mangaka hates her. We can see that Maina has sincere regard for her Number 1 fan, but plot complications force them further and further away from one another.  I have to admit to a few imagined comic “strangling the writer” panels in my head, as poor Eripyo, so deserving of real intimacy with Maina, is beaten bloody with failure. Argh.

The loveliest – and I mean this sincerely – moment of the volume, comes as the members of Cham Jam are participating as models for a “girls festival” fashion show. The audience, mostly fashionable young women, are put off by the idea of a street idol group, and Eripyo and Kumasa are uncomfortable and awkward out of their element. Despite the different social mores of the girls festival, there are Kumasa and Eripyo in the front row when it’s the members of Cham Jam’s turn. Reo, Kumasa’s favorite, even goes so far as to make her signature move towards him as she turns back up the runway. Maina and Eripyo lock eyes, and it becomes immediately apparent that their feelings – nascent and confused – are the same. Maina notices that Eripyo has dressed up for her, so as not to come to this fashion show in her usual UPS-style outfit.

Sadly for readers, this moment is followed by an excruciating Rube Golderbergian plot, that includes mice eating through a string that holds a tanabata tree, which crashes through a window so that Eripyo’s messages to be tied on it  fall outside and are missed in the mayhem. (cf, imagined comic “strangling the writer” panels in my head.)

The upshot is that, while I still imagine comic violence against Hirao-sensei, this time it’s because I really like the characters and want to see them together. So…progress, I guess.

Ratings:

Art – 8 Much improved since early days At least Manga no Tsukurikata had some use, then.

Story – Still frustrating, but there is hope for a decent payoff, unlike Manga no Tsukurikata, which was merely an nihilist exercise in manga-reading.

Character – 8 I really like the otaku group. They aren’t all one thing, but we really get to see the side of this relationship we don’t tend to see if we’re not part of it. And the Cham Jam girls are nice, as well. You don’t feel yucky liking them.

Service – Not really, except for it being a pop idol group, but even the costumes aren’t creepy.

Yuri – 4 Hovering at “I think I feel something for you, but can’t put a finger on it,” to “I can’t look you in the eyes, but don’t know why” with potential

Overall – Gods help me, 8.

I want to know what is going to happen. (Hirao-sensei, they better bloody well get together, you. (insert comic “strangling the writer” panels here.)

Hello redditors: I’ve reviewed 5 of the 6 current volumes here and yes, this is pretty much how it goes.