Fuji Tamaki’s Kono Yo ni tada Hitori (この世にただひとり) was an interestingly retro book. It reminded me very much of art from long ago in the 1990s. As almost all her main character types followed the same pattern after the first story, I initially thought the book was about the same two women, growing older together, but…no. It was just a stylistic tic.

In the first story a new girl throws a group of friends into chaos, as she breaks up the old crowd with her new games.

There are a few school friends stories, including “Aoimidoro,” in which an athletic girl wishes she too could just look pretty and feminine for a bit. (We really have to change the prince/princess dynamic of girl-girl stories so even the tall, dashing girls get to be girly if they want.)

A story about a woman working on a photoshoot with naked models stands out by not being prurient and kind of sweet, and the boos ends with a short mini-series about sweets, a baker and a rich girl, dusted lightly with a little magic.

There was something comforting about the art, a turn of the 21st century women’s magazine and/or doujinshi feel to it that I liked very much, although none of the stories grabbed me by the throat. (The soy ink did, however. For whatever reason, the pages of this book were practically choking me.)

Ratings:

Art – 8 YMMV, but I liked it.
Story – Variable, let’s say 6
Characters – 6
Yuri – 6, tops
Service – 6 for “Akame no Adrian”

Overall – 7

For a retro feel and nice stories, this is a good change of pace from purely moe work.

Last year I read What Did You Eat Yesterday? by Yoshinaga Fumi. My chief complaint was that while the characters identified as gay, even discussing it with family members and friends, there was little affection between them shown. They were drawn in that “gay eunuch” style beloved by straight women’s media (like movies and Lifetime TV, not BL,) in which gay best friends don’t have messy affairs of their own. Volume 2 improved slightly when they actually touched one another. Gay couple and food = being out, but no kissing allowed.

In contrast there’s old school Yuri, which has physical affection between two women, but no one identifies as a lesbian. In Manpuku Yuri, by Miyabe Sachi, we cleave to the old school – the two women will sleep together and live together, but they aren’t gay. Lesbian couple and food = kissing, but no being out allowed.

Nonoka and Aya live together. Aya works at home, so she is usually in charge of meals. Nonoka works in an office, but when she is on her own or they have time to cook together, she lends a helping hand.

Unlike the complex foods of What Did You Eat Yesterday?, the meals in Manpuku Yuri are simple, few requiring even an explanation, much less an actual recipe. Pages are given over, for instance, to Nonoka’s paroxysms of ecstasy over Aya’s various pancake toppings.

Nonoka and Aya’s life is a happy and simple one. They have separate rooms, but sleep together when it suits them. They do have a physical relationship, that is made plain.

When Nonoka agrees to go to a group date (for the seafood fondue), Aya begins to question whether she is truly happy. Aya’s worries are compounded when she sees Nonoka briefly interacting with a child at the park. She asks if Nononka wants a child and Nonoka, says, someday, probably. Now Aya is in full-blown panic.  When Nonoka comes home from a friend’s wedding, and it turns out she’s caught the bouquet, Aya does the most obvious thing you’d do when the person you live with and love seems to be in the mindset to think about marriage and family… she moves out of the apartment without a word, leaving Nonoka alone and confused and hurt.

I wanted to slap Aya so hard it hurt.

Nonoka who loved to eat, is barely touching food now, until she comes home and finds a hot meal and note from Aya in front of the door. Apparently, Aya heard that Nonoka wasn’t eating right and was sneaking food over to her. Not surprisingly Nonoka, uses the chance to find Aya and confront her. Aya says she wasn’t able to make Nonoka happy…Nonoka is completely confused by this as she was perfectly happy and any problem was all in Aya’s head.

They reunite with a kiss and cute hearts all around them and Aya suggesting they have some dessert together.

So, yes, it was “obvious” that they were together, and they were blissfully happy, except when Aya lost her mind, but would it kill us to get a single “I love you?”

I wanted to love this book. So very much I wanted that. My life is pretty much day after day of amazing meals and happy snuggling in our big pluffy bed; how wonderful this story might have been if it wasn’t ball and chained into an old-fashioned construct of a lesbian relationship and heteronormative expectations. Ah well.

Ratings:

Art – 7 Cute rather than good
Characters – 7 Aya was the better of the two until she loses her mind. Then Nonoka seemed perfectly lovely.
Story – 5 It might well have been better if there wasn’t one.
Yuri- 10 /Lesbian – 0
Service – 2 maybe if you squint. There’s implications of sex

Overall – 6

It wasn’t terrible, but I wanted it to be amazing. I blame the editor who didn’t say, “Really? That whole misunderstanding thing is so overplayed. Let’s not go there.”

I’m finally getting to sit down with a few of the wrap-up of the Pure Yuri Anthology Hirari volumes (before setting out to read the new -yay! – volumes Hirari is putting out). The first one I picked up was Wakemonaku Kurushikunaruno (理由(わけ)もなく悲しくなるの), a collection of stories by Hakamada Mera.

As is sort of typical for me, I didn’t really grasp the continuity of these stories in the quarterly anthology releases. It’s not that I didn’t know it was a series, it’s just that I tend to read magazine chapters in a vacuum and if there is a continuity, the collection will make that plain to me. As it did here.

Tsubaki doesn’t really quite fit in with her group of friends at school, and she’s put off by their meanness towards a half-Japanese classmate, Kikuka. Kikuka wears earphones all the time, and Tsubaki wonders if she ever hears their snark. She gets to know Kikuka, and finds that, of course she hears what they say. Tsubaki and Kikuka become closer, forcing a blowout confrontation with Tsubaki’s circle of friends…she chooses Kikuka over them.

Tsubaki is starting to have un-friend-like feelings for Kikuka, and complicating this, it turns out that Kikuka is a fashion model. The girls who once ostracized her now gather around. Tsubaki is torn between jealousy and desire and she and Kikuka have to have it out between themslves in order to repair their friendship.

We then turn towards an unnamed classmate who is clearly meant to be seen as overweight and dumpy. We see the birth of a fetish and an unrequited attraction when she sees a sweaty Kikuka changing out of her gym clothes. The fact that she is not named bugs me  – she might as well be called “plot complication girl.” She apologizes, the chapter ends with nothing more than a heavy girl with a sweat fetish, what?

Moving our gaze back to Tsubaki and Kikuka, they kiss one day, then stress about it, for a while. Kikuka admits that she’s going to be leaving school for modeling, which makes Tsubaki mightily unhappy. It is our unnamed heavy girl who forces Tsubaki to deal with her feelings. She tells Tsubaki that she envies her, being able to be close to Kikuka. Tsubaki realizes that the “pain for no real reason” (the title of the book) she’s been feeling has a reason after all and suddenly makes a decision about Kikuka. They decide to be happy, together, while they can be.

The final chapter of the book once again turns to the heavy girl – I looked long and hard for a name, and she really never gets one. But after facing herself, her unfulfillable desires and living a life full of nothing, she decides she’ll go to school after all.

One hopes that she will find herself in years to come – and I’d actually kinda like a volume about her, now that I think about it. Perhaps, starting with a name.

So this series began with an outsider…then caved on that and made her popular, so it added another outsider. The end feeling is that the intent was well-meaning, but the execution lacked conviction.

Ratings:

Art – 7 Still Hakamada -sensei’s signature style, but so much better than the carnival heads from days of yore.
Characters – 5 The characters were set up to be in some other story and never really fit this one.
Story – 5 It had postential. I blame her editor for not forcing it to fulfill it.
Service – The fetish chapter, so 4?
Yuri – 6

Overall – 6

This was a chapter that became a story, but it needed to have been planned out better. And it might have been, for all we know, had Hirari continued.