It’s a stock romance trope – one partner loses their memory of the other and ends up falling in love all over again. It’s a great trope, because when done well, a character in a stable, loving relationship gets to feel the thrill of a new love and the other partner gets to woo their lover all over again. Cheerful Amnesia, Volume 1 by Tamamushi Oku (creator of Yuri harem romp I Don’t Know Which Is Love, reviewed on Okazu by Luce), somehow manages to create a story that sacrifices all the wonderful bits of the memory loss trope for not-terribly-funny gags about underwear and having sex.
Our late friend Bruce’s last review here on Okazu was of the Japanese edition of this manga. I’m sorry to say, I agree with his summary, “Arisa and Mari have been living together for some years. But as the story begins Arisa is lying comatose in the hospital, suffering from a severe case of plot device. When she awakens, she has no memory of Mari or their life together. Mouth wide open she wonders who this lovely, unfamiliar, unsmiling woman is sitting by the bed. When Mari informs her she’s her lover, Arisa’s little brain short-circuits. She blushes, shrieks, squirms, squees, wriggles, and generally provides evidence as to why Mari never once smiles through the rest of the Manga.”
In a nutshell, this is the main problem with this manga. At no point do Arisa and Mari have a single important conversation about…anything. Was Arisa’s amnesia from accident or disease? No idea. How does Mari like her coffee? No idea. What did they do for fun? No idea. What was Arisa like before her coma? No idea, except that she initiated sex. Instead of asking Mari any one of a thousand questions about their lives together, Arisa obsesses about the idea that their bras are in the same drawer. Instead of learning how to foster a new intimacy, Arisa freaks out over and over at the idea that she has had sex with her lover.
It feels very much like Arisa has returned to her life as a 14 year old. And maybe, if that had been said, it would have worked. Instead she’s an adult person completely- repeatedly – befuddled by the idea that she had a life with a woman with whom she lived. As Bruce said, “From this point on Arisa has to get reacquainted with the intimacies that go with living as a couple. She doesn’t manage it well. She actually doesn’t manage it at all. She’s just so embarrassed and excited and squirmy to know that her lover is this lovely, unfamiliar, unsmiling woman (wait, wasn’t that page 1? Yes, and many, many pages beyond). It’s heavy going for Mari as they work their way from holding hands to soapy bath-times to the frilly underwear. It’s heavy going for us all.” Oh Bruce, how I miss you. ^_^;
I can totally see how this series could read like a very fun, goofy 4-koma, if one read a page or two at a time. As a volume, I felt so desperately sad for Mari who has the body of her lover back, with the soul of a gaping child inhabiting it. I also know a LOT of people really love this series and were looking forward to it being out in English. I am very happy for them! I’d recommend reading this series first, then taking a look at I Don’t Know Which Is Love, to see how the creator’s work has and (has not) changed.
Ratings:
Art – 6
Story – It could have been amazing
Characters – My sympathy to Mari in these trying times
Service – Mari injures her hands so Arisa has to gasp! wash her
Yuri – 9
Overall – 6
The team at Yen Press did a great job with this volume. I honestly wish it were worth it. If you are interested in Tamamushi Oku’s work, I highly recommend the interview on Yuri Times. Part 1 and Part 2 have been translated into English, thank you Ayumi-san!
Melissa is a witch driven to excel. Her partner Tanya is a hard worker, but, for some reason, her skills simply won’t increase, which frustrates Melissa beyond her tolerance. Together the two of them are determined to form a bond known as The Witches’ Marriage, which will allow them to attain greater abilities. But first, they must deepen their bonds.
