Archive for the Yuri Manga Category


If I Could Reach You, Guest Review by Luce

June 7th, 2023

A woman stands looking out onto a purple night sky, holding a sitting girl's hand.Welcome once again to Guest Review Wednesday! We have a whole bunch of guest for the next few weeks, so let’s this part started! Today we once again welcome back Luce, who will be taking a look at a completed series. Take it away, Luce!

I’m Luce, collector of books and sometimes I even read them. I come bearing a review of a series that’s been out for a while and is complete, If I Could Reach You by tMnR. Enjoy!

The very first pages of the manga, tinged with blue, show us the exact moment Uta realised that she’d fallen in love – the exact moment her sister-in-law became her crush. A year later, Uta is in high school and is living with Reiichi, her older brother, and Kaoru, the aforementioned sister-in-law. No matter how she tries, she cannot get over this love, her ‘too late’ love. If I Could Reach You is the examination of this binary star system of Uta and Kaoru, and how they keep circling each other, never quite able to clear that distance, nor leave.
 
A tragedy, to me, is a story in which fate cannot be fought. It marches on, tramples over all in its path, and death seems the only escape from it. Is this a tragedy? No, not really. But I think it shares some similarities. It is circular, somehow, an invetability to the telling of it. Uta loves Kaoru. Uta knows it’s hopeless, but cannot give it up. She knows that Kaoru sees her as a sister only, which only makes it worse – Kaoru wanting to be closer in a familial way speaks to what Uta wants, but not for the reasons she wants it. The manga is seven volumes, so it’s not so prone to the endless circling that some romance manga seem to get into, but it’s certainly not decisive in its action. It moves quite slowly, building up layers of paint onto the canvas, until you finally get the whole picture – or is it? Some things are left untold even by the end, left to our imagination.
 
The drama felt pretty realistic and down to earth. It’s fairly obvious that Kaoru and Reiichi’s relationship isn’t quite working even at the start – the blurb of the first volume tells you that – but the actual reason is kept right until the end of the manga, as the issue comes together. The fall out is realistic. It’s not so much a soap opera of a shoujo manga, but a more melancholic tide of no one quite being happy, but none are able to address it, nor particularly face it, so it continues.
 
Having said that, I don’t see this as a depressing manga. It doesn’t feel hopeless, to me. It feels like a snapshot of lives not my own, just watching them play out, unable to impact them in any way. There are plenty of moments of levity, and characters that change the tone, not interested in dwelling in pity. Kuro, and her relationship with Miyabi, is an interesting aside, and Konatsu, although she has her own regrets, has her own unique way of dealing with things too. I think this manga is about uneven relationships, really, where feelings don’t quite match each other, and the strain that can put on them – and whether they can survive it. I’m not so keen on the portrayal of love as some unending emotion, unable to be shaken or swayed, but I can forgive that, as I do with many manga.
 
The art is fairly simple, but gives itself space to breathe – the emotions come through clearly. There was a panel in the first volume, where Uta has a dream in class about Kaoru kissing her – the panel of her jolting awake is the thing I remember most. The despair, the horror, perhaps the relief that it hadn’t actually happened, or the disappointment. It was this panel that really caught me, and made me carry on with it. There are lots of big panels and expressions which made me stop – if I had one complaint, it would be that everyone is a little stretched, with long limbs. It’s not unusual for manga, but does make me wonder about everyone’s heights, sometimes.
 
Although I enjoy this series, I’m having trouble with who to advise might like it. It has a little of the realism of How Do We Relationship? But isn’t so swift in its story-telling. It doesn’t really have the clear narrative of many shoujo, and it’s neither a wholly happy story nor a big drama. Perhaps if you like stories with something of an open end, this might appeal. If I had to compare the mood of it, it would be to Solanin by Inio Asano, in its relatively mundane, melancholic realism in depicting messy and imperfect relationships.
 
Story: 6
Art: 6
Yuri: 5
Service: 3 (the odd bath scene, not done salaciously as far as I recall)

Overall: 6

E here: Fantastic review, Luce. “…this manga is about uneven relationships” really puts it all into perspective for me. Terrific. Thanks so much!

 
 




Watashi o Tabetai, Hito de Nashi, Volume 6 (η§γ‚’ε–°γΉγŸγ„γ€γ²γ¨γ§γͺし)

June 1st, 2023

A small child lays on some rocks, smiling broadly, while a scaled clawed hand stroke her face. Shiori confides to Miko how she met Hinako…and how it has ruined Hinako’s life. At last, the pieces of the puzzle that is Hinako begin to fall into place.

Watashi o Tabetai, Hito de Nashi, Volume 6 (η§γ‚’ε–°γΉγŸγ„γ€γ²γ¨γ§γͺし) is a stunningly gorgeous, creepy-in-a-shivery-good-way volume of a fantastic series.

Miko and Shiori still don’t like or trust one another, and both are very protective of Hinako, but who else can a youkai trust, but another youkai? Shiori lays out the circumstances after she was defeated in a battle, and a little Hinako took care of her. To thank Hinako, the mermaid princess gave her a little of her blood…then wiped her memory, so she would not be seen as strange by other humans. That action saved Hinako’s life, but has caused her a lifetime of despair.

Unaware of any of this, Hinako has felt increasingly lonely and miserable, and more convinced than ever that she should have died with her family. Shiori stops her from being dragged into the ocean by the souls of the drowned…and finally tells Hinako that they have to talk.

I genuinely love this series. It’s chills down your spine creepy, like a good ghost story, with just enough menace to feel like we’re invested in it, while avoiding real-world horrors. The art is outstanding when it has to be, the youkai are breathtaking, as they should be. 

Ratings:

Art –  9
Story – 8
Characters – 8
Service – Did I mention creepy youkai?
Yuri – ? Miko and Shiori have their own agendas…

Overall – 8

Honestly, this series has been so good, I can only hope that Yen Press grabs this and gives it to us in English. What a great story. I cannot wait for every volume, I always want to know what will happen.





Yuri Espoir, Volume 4 Guest Review by Luce

May 31st, 2023

A girl with lavender hair sits at a table with two water glasses and a carafe looking directly at us, against a purple background with colorful stars.Once again we welcome you to Guest Review Wednesday and welcome Luce back as a Guest Reviewer. This is an ongoing series – we have reviewed Volumes 1-3 on Okazu –  so we’ll get right into it. Take it away, Luce!

Yuri Espoir, Volume 4 opens where the third volume left off, with Kokoro on her date with Mr Hanakago, and goes further into her discomfort with him and the way the world sees her. Amami and Mitsuru see Mr Hanakago, and it turns out Mitsuru knows something of his past, that we get glimpses of, but not a full picture. Amami and Kokoro spend the night at Mitsuru’s house, then we get a few imagine spots by Kokoro about Yuri couples, as per usual.

I will start by saying this volume, and therefore review, has some trigger warnings for self inflicted throwing up, homophobia, depression and suicide.

Some good things about this volume: I liked the relationship of Mitsuru’s parents, and how she doesn’t care how other people see them. They’re all happy, and that was nice to see. There are also three female schoolmates, now grown up, that live together happily, which sounds pretty ideal to me. Kokoro does have two imagine spots, and it’s nice to see her enthusiastic about something, doing her drawing and thinking about cute relationships. I quite enjoyed the last chapter in the main story, the reality being two step-sisters learning to get on, as their parents have moved in together. I do like the variety of relationships portrayed. We also get to see Mr Hanakago’s face and an allusion to his past, the implication is that it wasn’t great.

However. The first scene, we see Kokoro have what looks to be a panic attack. Feeling ill during her date, she tries to make herself throw up, and panics when she can’t, seemingly because if she takes too long, Mr Hanakago will tell her father. It appears to be a one off thing, but still, not exactly what I wanted to see.

But the thing that really got me was that the truth behind one of those imagine spots is, in my opinion, needlessly dark. A girl who clearly has depression starts dating another girl in her class who likes her. Fine. This relationship continues for several years it seems, as they move out and attend college. But her depression stops her from appreciating it, and they start fighting more and more frequently. Snubbed by her girlfriend, they go home separately, and she then sees her girlfriend kissing another of their friends. It turns out that earlier she had killed herself, which is shown on page, and was following them as a ghost – maybe? The time line is a bit confused. But she is a side character. Her death does not advance the main story. The chapter ends with that. It is not discussed, nor the impact shown. The girlfriend’s reaction – whose mother had killed herself when she was younger – is confusing. Not sure if that was a translation thing (seems to be alright for the rest, so possibly more likely the original thing). I might have missed something with regards to that.

If a manga is going to include suicide, I would rather it show the aftermath, not be an afterthought, not shown for the shock value. It may be an end for the person who has died, but it has reverberations for everyone left behind. It happens, I know that. But it’s so far away from what I thought this manga was going to be, I can’t recommend it. It’s been descending into darker tones, with the previous review touching on Yuri Espoir‘s somewhat tone deaf approach to sexual assault allegations, and I’m very disappointed it’s continued this way. I’m also quite disappointed that no helplines or advice are shown at the end of the volume, as it often done when things touch on these topics.

It also concerns me that with the manga going darker – Kokoro has said that she will ‘die’ after high school if she has to marry Mr Hanakago. This was, I believe, started to be that she would cease to be herself in that marriage, but with this volume, I cannot help but wonder if this has a more literal interpretation. I hope I’m wrong, I am hoping for a happier ending right now, but. Who knows? I want to see how it continues for now, but don’t be fooled by the cover – this is no longer a cute Yuri manga.

Really, I feel like this manga can’t decide what it wants to be. Does it want to focus on Kokoro and Amami? Kokoro and Mr Hanakago? Mr Hanakago and Mr Asahina? The Yuri subcouples? Instead it seems to do everything and not really succeed at much. I’m not against having various story threads, and it has been some time since I read the last volume, but it all seems confused. Additionally, I understand that acting against your family can be difficult, but we don’t see Kokoro try much. She complains that the world sees her as a guileless girl who needs help… But she’s not really done much to even give the reader much evidence to the contrary. About the most subversive thing she does is draw Yuri couples and imagine their life. But she’s doing that for her own benefit, basically just shipping strangers together. It was a nice mechanic when there wasn’t so much else going on, but now it’s just cluttering up the book, especially with such dark stories. I want to see Yuri joy, or even just interesting relationships, rather than darkness.

I’m hoping that this manga turns a corner soon – that Kokoro herself makes a real effort to avoid what’s being decided for her. But with whole chapters dedicated to one off stories, I think the going will be slow.

Story: 5, there are lots of words and not much action
Art: 6
Yuri: 8, mostly for Mitsuru’s family
Service: 0
Unexpected trigger warnings: 9

Overall: 5

I will end as Tokyopop didn’t: suicide is not an answer. There are helplines and advice, and things can and will get better. You are more than your darkest hour, and people will miss you, even if you think they won’t. Please seek help.

Erica here: To continue from Luce’s last point. Here in the United States, 988 is the Suicide Help Hotline. Please call.

Thank you Luce. I also hope this story turns a corner soon. It had a great premise, but is still taking itself very seriously in a way that isn’t working for the story…or for me.





Assorted Entanglements, Volume 1

May 29th, 2023

A businesswoman and a young woman with tattoos hold hands as they lay next to one another, their shoes to the side, smiling gently at one another. In 2019, I first encountered Mikanuji’s Fuzoroi Renri. I followed the series, and have reviewed Volumes 1-5 here on Okazu. Now I’m pleased to take another look at this manga series now that it is out from Yen Press in English.

In Assorted Entanglements, Volume 1, Iori is a 28 year old career-woman in an unfulfilling job. She takes her frustrations out by drinking at a local izakaya, and talking to one of the servers, a cute girl with facial piercings and tattoos, Minami. When Iori wakes up naked next to Minami, both of their lives are about to change.

When I first read this volume, I was deeply gratified at Minami’s character. Pierced and tattooed, she was not a criminal or a gang member. She was still on the wrong side of the tracks in Japanese society, but she was a good person who had gone through some rough spots. 

As I re-read, I am less moved by Iori. Having just finished Sempai, Oishii desuka? Volume 2 (ε…ˆθΌ©γ€ηΎŽε‘³γ—γ„γ§γ™γ‹?) by Mikanuji-sensei, I’m done with sloppy drunks. But, since almost all of the volumes of this series will pair unlikely couples, I’ll roll with it. ^_^

After Minami and Iori are settled, we introduce their foils. First, we meet Minami’s foster sister, Natsuki who greets her with a beatdown. Then we get Saori, Iori’s creepily obsessed little sister. When they meet each other, sparks fly and quickly burn everything around them down. They are a terrible couple that kind of works anyway. ^_^

There will be no resolution with this series – as couples begin to  function with something approaching normality, a new differently dysfunctional couple will be introduced. Once again the team at Yen Press did a fine job for a goofy manga that requires no deep emotional investment.

Ratings:

Art – 8
Story – 8
Characters – 8
Service – 3 Some light nudity, nothing salacious
Yuri – 10

Overall – 8

This series of short gags about odd people forming odd couples is a fun read.





Chasing After Aoi Koshiba, Volume 4

May 26th, 2023

I first encountered this series in 2020 when I found it at Gamers in Akihabara, with bonus clearfile by artist Fly. I reviewed volume 1 and 2 in English and Japanese here on Okazu…then I kind of forgot about it. Volume two had a “Waiting for Godot” feel and even though it was obvious that we were going to learn what happened to Sahoko and Aoi back in high school, I found it hard to care.

As soon as I began reading Chasing After Aoi Koshiba, Volume 4, I remembered why. The high school drama felt very high school, with like and dislikes and confessions and whatnot. It’s not compelling. The entire time I was reading this series, I was really hoping we’d spend more time with the characters ten years later at the reunion.

But this volume did two things that turned everything around and let me tell you how impressed I was!

Firstly, the high school portion of the story ended in a way I did not expect at all. It was the right ending, but I had been steeling myself against the inevitable wrong ending. I was so surprised and pleased. Then the reunion arc also ended in a way that I would not have expected. I don’t know if it was the right way or not – it was a powerful ending that ended the story, for sure. There was no moving forward after that. I wouldn’t call it brave,  but it took some small risk and I appreciate that. More series need to really think about whether relationships ought to work. Takeoka Hazuki put some thought into that. I appreciate it.

Ratings:

Art – 9
Story – 7
Characters – 7
Service – 1
Yuri – 6

Overall – 7

The team at Kodansha did good work with this volume, although I felt that $10.99 price point for a digital was a little much, given that they print price was $12.99.  The ending was better than I expected, but whether it makes the whole series worth a read will be up to you. For me, it was always about the art, which is slick as hell.