Archive for the Yuri Manga Category


Yuri Manga: Strawberry Panic, Volume 1

June 12th, 2006

I admit it. I’ve been stalling.

Strawberry Panic, Volume 1 is yet another Maria-sama ga Miteru derivative, only this time, (unlike, say, Himitsu no Anjerisu,) there’s an edge of FanBoy-ness that has set my teeth on edge. Hence my stalling.

Let’s start with the single redeeming value of the Strawberry Panic manga – it’s better than the anime, which is very little more than a series of stolen memes from other, significantly better, Yuri series. (At minimal count, folks on the Yuricon Mailing List have identified concepts ripped from Marimite, Utena, Himitsu no Kaidan and Hatsukoi Shimai. We have no doubt that there are many others we haven’t caught.) The memes from Marimite are handled particularly odiously, IMHO. But I digress.

The manga is more generally a tyical girl’s Catholic school hothouse setting. It can claim as much Cream Lemon as Marimite as an antecedent.

Our heroine, Aoi Nagisa, is a typical cute loli-ish Dengeki heroine with the “cute” habit of referring to herself in third person. (I know it’s perfectly normal in Japanese. It still irks me.) On her first day at the unecessarily complicated Astoria school, she meets playgirl Hanazono Shizuma, whose name basically screams “I’m a lesbian!”. Shizuma is, amazingly, the star of not only the school she and Nagisa attend, St. Miator, but also the titulary head of the neighboring Lulim and Spica schools, as well. (Transliterations taken from the manga itself. Don’t whine if you don’t like them.)

I’d like to say that nothing happens, but in fact, quite alot does – mostly small seductions and harmless swooning over upperclassman. The relationships are complex enough that I really don’t feel like explicating. But the over-arching plot is that the annual competition for Etoile – the schools’ “star” (figuratively and literally) is about to be held. Shizuma wants to compete with newly arrived, and therefor horribly uninformed and completely unsuitable, Nagisa. LuLim is holding off this year, leaving only the athletic star of Spica, Ootori Amane and her chosen partner, Konohana Hikari – ironcially the only completely harmless and sweet love story amongst the lot.

In other words, we have a sort of Heaven vs Hell battle going on. (Look at the names again…) Miator’s uniform is black – Spica’s is white. Seriously, it’s about as subtle as a pair of lesbian elephants.

I can’t really put my finger on what bugs me about this series, except that the “almost kisses” make me nuts. And Nagisa is vile and whiny, yet everyone hasn’t stabbed her to death yet. That’s probably what annoys me most. (Go Amane and Hikari!)

In any case, Strawberry Panic will undoubtedly appeal to the same group of people who think Kannazuki no Miko was good. For those Yuri fans who *can* tell the difference between good Yuri and bad, this series will remain, like KnM, a fun train wreck of a story. ^_^

Ratings:

Art – 6
Characters – 5
Story – 5
Yuri – 8
Service  – 7

Overall – 5

It’s not *awful*. It’s just not *good.*





Yuri Manga: Hayate x Blade, Volume 4

June 9th, 2006

I know, it’s been absolutely AGES since I reviewed Hayate x Blade, Volume 3. (If you haven’t read that review you should, because the contest I held for the volume was very funny.) Now, at last, I have the leisure to review Hayate x Blade, Volume 4. I hope it was worth the wait.

We left off in Volume 3 with a one-on-one battle between Ayana and Jun. On the final page of the last volume we were left with that moment just after the fateful blow, but before we learn who lost and who won. This volume opens up with that same same moment. And the winner is…!

Ayana, who takes Jun’s star with her mad Hoshitori Skillz.

Without missing a beat, Jun springs up to interfere in Hayate and Yuho’s battle. Ayana calls after her to stop, but Jun uses language quite unbecoming a young lady and runs off. Yuho, after a life of weakness and dependence, digs way deep and defeats Hayate, taking the “Heaven” star decisively – only to learn that because Jun, as the “Earth” part of the pair lost first, it renders her victory null. Mudou-Kurogane team gets the win.

Jun and Yuho have a wonderful moment, as Yuho awaits an ambulance to the hospital, which renders nearly every character in the book teary (and in some case nose-drippy and drooly as well.)

The next few chapters is taken up by us meeting and becoming familar with a whole host of new characters, mostly high school students, members of the student council, as they sharpen their skills for their own upcoming hoshitori fights. Only there’s clearly something else going on her…we’re not stupid. Not only are Kureha and Minori and the others practicing, they are working on special weapons. Why? You’ll have to wait until volume 5 to find out! (But trust me, it’s way cool…)

Isuzu and Momoko are still getting used to one another. Momoko is freaked by Isuzu’s reliance on a crystal ball, and the way she pronounces curses on their opponents during hoshitori. This awkwardness is exacerbated by the appearance of Otoha, a woman with that look that says “I have a clever plan”. And she does – she’s got a plan to separate Momoko and Isuzu and steal Isuzu for herself.

The rest of the volume follows Otoha as she widens the distance between Isuzu and Momoko, eventually challenging Momoko to a duel for Isuzu! (da-da-da-daahhh)

Momoko accepts the challenge – but not the terms. She has NO intention of giving Isuzu up and says so plainly. Isuzu is, in the meantime, overwhelmed that two women are dueling over her – and who wouldn’t be? – and deeply touched that Momoko cares about her that much.

In the end, Momoko (remember when she fought for her Rio-‘neeesan?) remains uber-cool, and wins. And Otoha is forced to deal with her own shinyuu, Michi. It turns out that there was a horrible misunderstanding between them and gee, they like each other after all and it was all a mistake, heh heh. ^_^

It was actually quite amusing, my snarky synopsis notwithstanding. The picture of Otoha and Michi running off hand in hand, looking slightly embarrassed and very relieved at the end of the chapter was priceless.

So let’s sum up:

Shizuku and Hitsugi + Momoko and Isuzu + Otoha and Michi = Good Yuri.

Ratings –

Art – 9 I’ve really come to love Hayashiya-sensei’s art
Story – 9
Characters – 9
Yuri – 7
Service – 2
Overall – 9

This is a GREAT series. Another must-have, IMHO. As far from Moonlight Flowers as you can get, but just as good (if not better) in its own, unique way.





Yuri Manga: Moonlight Flowers

June 7th, 2006

Today’s review would never have happened without James Welker, who introduced me to this manga. He was surprised I didn’t know it – after I read it, so was I. How has this manga slipped under the radar of so many Yuri fans for so long? It deserves fame and recognition, at least. So thanks James, for turning me on to Moonlight Flowers, by Tsugumo Mutsumi.

So, let me just say that this is a *very* good Yuri manga. You should click the link above and buy it right away. Don’t wait.

The first half of the volume follows Sahoko, a bride-to-be as she meets Kaoru, a old high school friend. Kaoru has become a floral designer and she offers to design Sahoko’s wedding bouquet.

Sahoko spends more and more time with Kaoru, which starts Sahoko doubting her feelings for her fiancé. We learn that in high school, Kaoru and Sahoko starred in the school play – and Kaoru fell in love with Sahoko. But, when Kaoru kissed her, Sahoko ran away. Kaoru, after drinking too much, admits that she truly loved Sahoko – and because of her history of difficult family life and regret for driving Sahoko away, she is pretty much reconciled to living alone forever.

Sahoko marries (what a GREAT scene that was, honestly) and immediately regrets it. She hates sex with her husband – they trot out the “she was raped in college” complication, which was horribly overused in MIST magazine – and he almost immediately takes a lover. But Sahoko is spending more and more time with Kaoru until finally, one night after discovering her husband out with his lover, followed by a heinous confrontation, Kaoru and Sahoko become lovers.

Sahoko’s husband retaliates by telling her parents, but Sahoko has found strength in her new love and she tells them – and her husband – that she won’t be coming back. He tries to confine her in their apartment when she comes home to get her things, raping her to show her the error of her ways, but after she begs him for forgiveness and explains quite rationally that she will never be his wife again, ever, no matter what he does, he realizes that its a lost cause. Kaoru comes to save her and together they leave him behind.

What James liked best about this manga was that they do not go to America at this point, they stay in Japan and defy public opinion and pressure to make a life together. What I liked best was that Japanese style quotes 「」 are used in every single scene where quotes are warranted except when Kaoru is explaining how hard life is going to be. She says this isn’t California, and then she says in *Western* “” quotes that saying “I am a Lesbian” is a hard road.

The next story is a flashback to Kaoru’s youth, when she was in college and in denial. The adult Kaoru had confided to Sahoko that all the people she’d ever fallen for from childhood were women. But at this time in her life, she had yet to see that. (It’s easier than it sounds to not realize things like that. I only JUST realized I had a crush on my babysitter when I was ten. I mean, like, this week. ^_^;)

Kaoru arrives at a beach house with her boyfriend and another couple. The guy’s parents own the house, and he’s so excited to be there at the romantic seaside with the girl he desires. Only, Kaoru keeps putting him off and she really doesn’t know why. She finds the relationship between the parents disturbing – the wife seems pale and unsatisfied, while the husband treats her like furniture, or a maid. A friend of the wife’s, Kyouko, arrives and the uncle is glad to have his wife, Kayoko, out of his hair as he does his art.

That night, Kaoru goes outside for a midnight walk to settle her nerves when she comes across Aunt Kayoko on the beach, her face alight with anticipation and her arms open. Into those arms runs Kyouko and the two fall to the sand kissing. Kaoru is shocked to her core. This was an *amazingly* sexy and romantic scene – the winning scene of the book, IMHO.

Back in town, Kaoru breaks up with her boyfriend and sets out to find Kyouko, who turns out to be a successful businesswoman. Kaoru admits that she too loves women. Kyouko takes pity on her and invites her back home to talk. When Kaoru arrives at Kyouko’s apartment, she finds Aunt Kayoko there waiting to kiss Kyouko hello.

The boyfriend finds out about Kaoru, then vindictively learns about Kyouko and his mother. Enraged, he calls his father, who comes rushing into town threatening to kill Kyouko. As he attacks Kyouko with a knife, Kayoko steps in between them and takes the blow meant for her lover. Although the wound was not fatal, in the ambulance, Kayoko, who had a previously established weak heart, suffers heart failure and dies.

Years later Kaoru is looking at an art exhibit by the father and in front of a painting of Kayoko runs into her old boyfriend. Kaoru is a different person now – they are able to be civil, even friendly. Kaoru walks away thinking about her own love of her life, now lost, but never forgotten. (And, ultimately regained, but she doesn’t know that yet!)

The last story in the volume is a horror thing about a possessed woman I have never really read. ^_^

So the bad things are the outdated ideas about men and women: all men are evil, violent, possessive and rapists and are the natural enemies of lesbians. And all lesbians are stylish and successful. Hah. That’s all I’m gonna say to that.

Good things are everything else, really. The melodrama was very melodramatic, the romance very romantic, the sex reasonably sexy. Lots and lots of lily-filled backgrounds. Positively reeking of lilies, it was! The art is very classic, in everything from the character designs to the backgrounds. This is “Josei manga” at its most typical. But the art is very clean and doesn’t feel trite, even though it really is. And no school uniforms to be seen. Thank heavens.

Ratings:

Art – 8
Characters – 7
Story – 6
Yuri – 10
Service – 6 (a fair amount of rape here and there)

Overall – 8

Okay, it’s still a story about how a lesbian turns a “straight” woman, which is “meh”, but on the other hand, its a story about a successful businesswoman and so NOT about schoolgirls.

Oh, I forgot to mention – Sahoko is blonde and petite and Kaoru is tall and brunette. This looks so familiar somehow…. ^_^





Yuri Manga: Blue, (English)

June 1st, 2006

I have previously reviewed the manga Blue, by Kiriko Nananan and the live action movie based on it. But now the Blue manga is available in English translation and so, deserves a second look… (Note: As of 2015, this is available only from third-party sellers.)

…actually, no it doesn’t. (-_-) Upon re-reading my earlier review, I find that nothing has changed from my original reading of the manga itself. Which does bring me to this point – this translation, and the edition as a whole is remarkably good. Especially as the translation into English seems to have been done by a French company.  All I can say is that from the quality of the paper and the reproduction of the art, to the translation itself, this may well be the *best* translated version of a manga I’ve ever seen.

Ratings:

Art – 6 Very, very stark
Characters – 6
Story – 6
Yuri – 8
Service – 0

Overall – 6

As a Yuri manga, this is a typical bittersweet first love-type story; as a English language edition of a Japanese manga, it’s simply excellent. As I said originally – if you’re trying to put together a decent collection of Yuri manga, you’ll want to have Blue too.





Yuri Manga: Eve’s Apple/Eve no Ringo, Volume 5

May 17th, 2006

While I’m in the mood for trashy manga, let’s finish up this most delightful piece of dreck, Eve no Ringo, Eve’s Apple.

In case you’re new, or have forgotten the…erm, we’ll call it a plot for argument’s sake, here are a list of my reviews of earlier volumes:

Volume 1, Volume 2 and Volume 3 and Volume 4.

Let me also remind you that you can purchase any of these 5 volumes through Amazon Japan, simply by clicking the pictures of the cover on each review. It’ll transport you directly to the correct page (as *almost* all of the pictures for these reviews do.)

The first chapter begins with a cheerful Kirika, enjoying a dinner with the evil editor and her friend Matsuda. As Kirika and editor natter on, Matsuda finds the distance between them and him growing exponentially. To assuage his ego, Matsuda visits senior manga artist Miyamae dressed as the editor. Miyamae and Matsuda have a little playtime, but ultimately it only makes Miyamae want the real thing. We get a glimpse of her true feelings.

As usual, the Mio chapter is annoying. While she screws one of the editors, she is *still* planning on defeating Kirika…whatever that means. It’s really exhausting, especially as her goody-two-shoes image is well beyond tarnished.

Evil editor makes a short visit to Kirika’s school festival. She returns the favor by arriving at his office late, just in time to see Miyamae collapse in his arms – and for him to call her by her given name, Mizuho. Kirika leaves unseen, with her heart completely broken. She has to face the fact that Miyamae and Mitsugu have had, and may still have, a relationship.

Matsuda angsts about Kirika, and Kirika angsts about her editor (it kind of makes sense that she’d fall in love with an apparently abusive, yet actually caring, guy, if you think about it.) Matsuda spends some time trying to cheer Kirika up, but she pretty much leaves him behind. When he goes to Miyamae’s, she turns him away with an apology, explaining that she really doesn’t want a fake Mitsugu anymore.

Two of the girls in school are having a torrid affair in the doctor’s office. When Kirika interrupts she finds the doctor and Yurika (now *there’s* a fanfic waiting to happen…) under the bed “studying” the couple. The two girls bail, Yurika and the doctor protest Kirika’s interruption. Yurika mentions casually that she knows a guy who does Adult Videos, would Kirika like to see? Sure!

So they go to the AV studio and the guy finds himself short of a dom. So, Kirika volunteers. Hey, how cool, she’s going to be an AV star! Yurika offers to be sub, and away they go. Since both of them know what they are doing, the director is mightily pleased – and so is Grant Oldman, erm, no, no, not really. It’s the S&M guy from an earlier volume. He likes Kirika’s style. So she’s great as a ojou-sama, but she falls asleep the next day at school and fails her test…

Kirika meets with the S&M guy, who tells her she has good dominatrix style. She’s pleased with herself as she visits the offices of her editor…who assigns her a good project. But, as she watches Mitsugu and Miyamae interact, their free way with each other, she gets more and more depressed. Kirika stands up and announces that she’s leaving manga. Miyamae follows her, but Kirika only becomes angrier and says that she’s leaving to become a professional S&M queen.

Matsuda is still drawing his happy, cutesy manga when Kirika comes to visit. She asks him to join her at her S&M studio. How could he refuse? He’s her best friend! So once again, Matsuda takes a beating for love. Her mentor coaches her on the most beautiful way to do this and in a sudden revelation, Kirika understands…she is now able to administer beautiful torture. Afterwards Matsuda asks if this is really what she wants and she says she’s pretty sure it is.

Yurika and Matsuda run into Kirika in a fetish shop and Yurika slaps Kirika for leaving them. Kirika goes home and draws a bit, remembering how much fun it was to be a mangaka. But then she remembers her editor, and she cools off.

It’s graduation time. Matsuda and Kirika are free! Yurika stops by to visit and they all go to a reception at the magazine’s office. Kirika has decided to return to manga after all – the evil editor bows and welcomes her formally (and politely as Kawai-sensei,) to their magazine, which moves her. Miyamae shows off the diamond on her left hand. Kirika jokes that she’s landed Mitusgu at last. They have a big toast to all the “new” manga artists, at which Kirika’s collar and chain around her neck become visible. Okay, so maybe not *quite* leaving the side job as S&M Queen behind. :-)

Back in high school, Mai, Kirika’s kouhai in the chado (tea) club is thoroughly befuddled as to what to do with all that…tea stuff. As her new underclassmen demand leadership (she tells Kirika) she decides to teach them what *she’s* learned. Kirika, naturally, tells her “How nice – go for it.” ^_^

Ratings:

Art – 6
Story – 6
Characters – 8
Yuri – 4
Service – Yes

It’s utterly without merit. But it really wasn’t *bad*! Like with every volume previously, it was kind of fun and (other than Matsuda’s issues) the sex is guilt and tedium-free. And actually good for a few laughs.