Archive for the Yuri Manga Category


Tsukiatte Agetemo Iikana, Volume 8 (付き合ってあげてもいいかな)

October 20th, 2022

“The characters and the art have grown, Tamifull’s narrative skills are excellent here. We’ve been with them through a lot…and we’re still here as they enter the next phase of their lives.” In Volume 7, Saeko and Miwa moved on. Still friends, Miwa encourages Saeko in her new relationship. And Saeko encourages Miwa to find someone new.

In Volume 8 of Tamifull’s Tsukiatte Agetemo Iikana, (付き合ってあげてもいいかな), Miwa has, indeed found someone. But she’s holding back because 1) is it just that Tamaki reminds her of her old sempai? Or 2) that she’s older and therefore doesn’t want to – even unintentionally – manipulate the younger woman into a relationship. Tamaki, on the other hand, makes her feelings clear during their band camp. And so, Miwa follows her heart.

And now Saeko has to face the thing that she’s not had to face before. Her jealousy of Miwa was one of the reasons they had to break up, but that was pure possessiveness. Now she’s watching as Miwa and Tamaki are building something and she’s struggling with it. She’s grown up a bit…and she has her own relationship to deal with. But…

At the band’s first live club performance, Miwa meets Yuria for the first time…and they get along famously, leaving Saeko to comedically worry what they are saying about her. ^_^ It’s a stereotypical scene, but one that works every time. ^_^

Tamaki is very serious about this relationship with Miwa. Saeko is still working on her boundaries with Yuria. All is well, as the volume comes to an end and Tamaki invites herself over to Miwa’s place with very definite mischief in mind.

This volume feels exactly like the moment a clogged drain starts working again. Everything that had blocked up between Miwa and Saeko is gone and they can support and love one another as friends. Seeing them root for each other (even if sometimes Saeko is faking it, which is going to have to be a thing addressed in a future volume) is so much better a feeling than watching them struggle to make sense of them as a couple. The band stuff always feels tangential, but it’s not – it’s very much part of their lives. This is what life looks like – people and places and activities that slip by almost before you can remember it happened and the next thing, you’re older and making a whole new set of mistakes. ^_^

Ratings:

Art – 8
Story – 9
Characters – 9
Yuri – 9
Service – 5

Overall – 9

I am convinced that if the manga had started here in Volume 8 it would not have been as popular as it is, but having started where it did, it resonated with a lot of people…and nwo we’re seeing a path forward. If I had to guess, I’d say this series ends at graduation. It’ll be interesting to see where it does go from here. Volume 9 sports a different cover design again, I assume it’ll take us in a new direction!





Ohana Holoholo, Volume 1 French Edition, Autour d’elles, Guest Review by Fraise

October 19th, 2022

Hello and welcome to Guest Review Wednesday on Okazu! We have a brand new reviewer today and I’m very excited, because she’s reviewing a series that I loved in Japanese, but which has not made it to English. I reviewed the whole series in Japanese here on Okazu and found it complex and compelling. I hope our French-speakers in the audience will pick this series up. The mic is yours, Fraise!

In a few words: I am a historian (M.A.) specialized in popular and scientific representations in media, mainly newspapers. I write mostly non-fiction under my legal name but will occasionally dabble in fiction under my pen name. You can fine me on Twitter @aurantium.

“Loneliness is the human condition. Cultivate it. The way it tunnels into you allows your soul room to grow.  Never expect to outgrow loneliness. Never hope to find people who will understand you, someone to fill that space. An intelligent, sensitive person is the exception, the very great exception. If you expect to find people who will understand you, you will grow murderous with disappointment.”
                                                                                         – Janet Finch, White Oleander

« Rien ne vaut son chez-soi. »
“There’s no place like one’s home.”

During their college years, beautiful, poised Maya and “wild child” Michiru were a couple…depending on Michiru’s whims. Small and elusive, Michiru kept throwing herself in anyone’s arms, men and women alike, as if to try and get rid of something by doing so. Nonetheless, she often ended up finding Maya to the point of “squatting” in the same studio as her. Thus continued their strange but peaceful days, until Maya’s disappearance one fateful morning… Only for the woman to reappear five years later on Maya’s doorstep, accompanied by her young son, Yûta. The two women, still attached to each other, decide to live together again, the small makeshift family of three later completed by a fourth member: Nico, an actor with a mysterious connectionand a deep attachment to Yûta. Thus begins a new daily life for each one of them, between work, school, friendship and family.

Thus starts the first volume of Ohana Horohoro (オハナホロホロ), or rather Autour d’elles as it is called in French. A series published in Japan from 2008 to early 2014 inside Shôdensha editions’ Feel Young magazine (the same magazine that published Sakurazawa Erica’s Sheets no Sukima, Between the Sheets in English to give an example) and later in six volumes, it was later translated and distributed in French countries from 2020 to 2021 by Akata. A small note for international readers who may not know about the world of French manga publishers: created in 2001 by Dominique Véret, his wife Sylvie Véret Chang, Erwan Le Verger and Sahé Cibot, Akata is a publisher that, in the last couple of years, has been specializing itself in publishing mangas that deal with various societal topics, from LGBTQ+ topics (Ohana Holoholo, If We Were Adults, Boys Run the Riot) to disabilities (Perfect World, The Sound of my Soul), as well as sexual violence and abuse (Sensei’s Pious Lie). Autour d’elles also serves as the introduction of author Shino Torino to the French-language public, a rather atypical mangaka trying to stay away from formatted magazines so she can keep developing her personal artistic style, and who is recognized in Japan for her way of drawing very human and contemporary characters.

As mentioned before, this series was translated as Autour d’elles in French, which means “Around them”. And it is indeed a fitting title, for around our main “couple” gravitates several colorful characters: Yûta, Michiru’s quiet and sensitive young son, who loves pudding, rocks and Giga Rangers; Nico, their womanizing downstairs neighbor, who can be seen almost constantly squatting in their apartment; and finally  Kuwabara “Hidesuke” Eisuke, an old classmate of Maya that Michiru nicknames “Uglysuke” (Hideuxsuke in the French text). These three  characters (for now) all exist around the pair, and each are given an agreeable degree of characterization, to the point they seem more like full-fleshed characters in their own right, rather than fodder to help our two heroines develop. This first volume also hints at each of them having their own arc and story, in which Maya and Michiru play a prominent role (Yûta) or a more subtle one (Nico, Hidesuke).

From the get-go, one of the most interesting aspects of this series are the visual. Torino succeeds at creating a unique slice-of-life tone that can mix humor and melancholy in the same page thanks to an intertwined narration (where we follow both the characters’ actions and their thoughts) and using black bands to bring out the thoughts. The backgrounds are detailed, small secondary texts adorn various pages, all seem suit to accompany what can only be described as a rich and rather complex narrative, which manages to hit right in the heart. As for the characters, Torino showcases here multiple warm silhouettes with multiple facial expressions, and with emotions that can be deliciously exaggerated in the funniest of ways. The best examples of this are Nico constantly gagging over Yûta, Michiru’s jealous fit over Maya and Hidesuke reconnecting, and finally Yûta with his bright eyes filled with sparks of wonder when happy, and the sorrow in them when sad.

And yet, in spite of all the gorgeous details, Torino also succeeds at crafting an incredible story, with a very specific topic at its center: family, or rather the (imagined, occasionally dramaticized) reality of a blended family, to which Torino adds an LGBTQ+ element via its heroines, who still love each other without resuming a relationship together (they are just roommates for now, keyword: for now), and who come to occupy both a role of mom to Yûta, with Nico acting as something along the lines of a big brother/friendly uncle. With this first volume, Torino also  shows up the formation of this new unit, as well as its ups and downs, like in any family out there.

And now, it comes down to Maya and Michiru, our main couple… Or rather, duo, for the women have agreed not to resume a relationship.  Although we are told that they used to be together in the past, the first volume shows us exactly why this relationship might have fallen apart, with a Michiru who seems afraid of loneliness and starved for affection, to the point where she literally runs away with Yûta to her  mother’s house the moment she considers that Maya and Hidesuke might start dating after spotting them having a conversation. This all  escalates to an hilarious scene where she takes refuge alongside Yûta at Nico’s apartment, attempting to convince the young man to marry her if Maya decides to go forward with Hidesuke. Needless to say, Nico refuses, for his own reasons and also because he is aware that Michiru is acting on the count of loneliness and despair.

Maya might seem more poised at first sight, the more responsible of the two, yet she has her own demons as well. She does not trust Michiru at all, often acting more like a mother or big sister than a roommate or romantic partner. The first chapter showcases it well, with her literally scolding Michiru for acting up like a child when she throws a tantrum over Yûta and Nico eating her beloved pudding. And yet, she is just as lonely as her roommate, affirming inside her mind that she deserves to be. That Michiru keeps running away from her because she cannot provide the affection the other woman is looking for. It is therefore obvious to the reader that resuming the relationship can only end up in disaster once more, in spite of how much both women want to… Thus giving Torino enough room in the future to develop both characters, and bring them in a position to enter a much healthier relationship with one another than the first

And yet, for now, one cannot help but root for them… And with a scene like the one that closes our first chapter, with both women leaning over each other as the sun rises, who could resist?

Concerning the French edition, the translation from Japanese to French was done by Jordan Sinnes (who also worked on the French language edition of Even Though We’re Adults, also published by Akata) who succeeds in translating, in Molière’s language, the different atmospheres and emotions of the original Japanese text. The quality of the paper and the printing are also remarkable, despite a couple of pages that are a little transparent. The cover is also very soft to the touch, and this first volumes opens up with a gorgeous first page in full color,
depicting the small family having dinner.

Ratings:

ART – 9 : Shino Torino’s art is incredible, and has been praised in both her native country and in French language press alike. One thing to note, she used to be a chief assistant to her friend Chica Umino (March comes in like a Lion, Honey and Clover), with whom she has collaborated more than once on various fanzines. Thus, many publications cannot help but compare the two, albeit I’d argue both women have distinctive styles.
STORY – 8 : the first volume does an amazing job at establishing the world, the characters, their relationships, and so on, while also establishing the foundation of the main storyline, with Hidesuke’s resurgence in Maya’s life being the trigger.
CHARACTERS – 8 : As mentioned, each character feels rounded, with virtues and flaws alike. An extra point goes to Yûta, who is probably amongst the cutest kids in manga.
SERVICE – 3 : Michiru is shown nude once in a brief moment in the first chapter, and topless multiple times in the first bonus story. Said topless scene includes details such as nipples, but in a non-sexual manner. I’d even argue there is something compelling, even beautiful about her naked half, and Maya seems to agree.
YURI – 8 : Michiru and Maya were a couple once, and the manga explicitly hints at both women’s desire to resume their relationship. As a side-note, Michiru and Maya, as well as Nico are all bisexual, and Nico and Maya are said to have dated both men and women. Maya, for her
part, has chemistry with Hidesuke, and was in a relationship with Michiru before her disappearance.

OVERALL – 8 (puddings out of 10)

Autour d’elles, on Akata’s website (French only):
French edition, on Amazon.fr
French edition, on Amazon.ca
Japanese edition of Ohana HoloHolo (), on Amazon.co.jp

Erica here: A fabulously in-depth review, thank you Fraise! This series really blew me away in Japanese and I am so very excited for French Yuri fans to be able to read it! This has a good old classic 00s Jousei feel and Torino’s art is solid Feel Young gold. Vous êtes tous tellement chanceux!





Black & White: Tough Love At The Office, Volume 1

October 14th, 2022

Many thanks today to Okazu Superhero Eric P for sponsoring today’s review!

Shirakawa Junko is used to being at the top of the department pile. She’s beloved by her co-workers, one of the most productive members (the most, really, but she’ll demure out of humility) and is respected. So when newcomer – formerly of sales…SALES, you know!…Kuroda Kayo transfers in, Shirakawa isn’t going to let this woman get a leg up on her.

Kuroda knows Shirakawa’s type and she’s all ready for war. She’s done her research. Shirakawa will bow before her before long.

As Black & White: Tough Love At The Office, Volume 1 opens, the office is about to become a battlefield. And there will be blood shed. This is not for everyone, I know. But I love this manga so much. I can’t help the feral grin that these appalling people bring out of me.

But seriously CW for cold-blooded manipulation, violence and sexual violence. As I said in my review of this volume in Japanese, “This is not a pretty book about an office romance. This is a violent story about two terrible people being terrible to one another.”

Sal Jiang’s art is super stylish and slick. Kuroda is every inch the sales dept superstar, Shirakawa is the perfect HR sempai. But when they are alone, it is all teeth and nails in a visceral way.  When they do team up, there’s nothing and no one that can stand in their way, but their truest rivals are each other – and there are no rules they aren’t willing to shatter to destroy one another.

The team at Seven Seas has given us an equally slick edition to enjoy with color pages in place, a spot gloss on H. Qi’s cover design. The translation keeps up with the shifts in tone and sense in the scene, thanks to translator, Alexa Frank, adapter Asha Bardon and letterer Danya Shevchenko. Nice work on the editing and technical side, as well. Another great manga reading experience.

I won’t attempt to convince anyone to read this despite the violence. You really shouldn’t if you aren’t reading it for the violence. ^_^ But if seeing perfectly matched, equally powerful people go toe to toe is your wheelhouse, you, too, might enjoy this manga. If you want to know where the story is headed, I’ve reviewed Volume 2 in Japanese, as well. That volume will be headed your way in English next spring in April 2023. Something to look forward to. ^_^

Ratings:

Art – 8
Story – 10
Characters – 10
Service – 7 Not a lot of nudity, but a lot of sex and violence
Yuri – 7 See above

Overall – 10

I just love this manga and all the terrible people in it. But my favorite may be their boss who completely knew what he was doing when we sent them up to “work together” and thinks it’s funny. ^_^

This was a really good month for me, with both Black & White and She Loves To Cook, She Loves to Eat out in English and I’m in Love With the Villainess, Volume 5 hitting shelves in print!





Watashi o Tabetai, Hito de Nashi, Volume 4 (私を喰べたい、ひとでなし)

October 13th, 2022

Watashi o Tabetai, Hito de Nashi, Volume 4 (私を喰べたい、ひとでなし) was one of the skin-crawlingest creepy manga I have ever read. If you like youkai and supernatural creature-type creepies, you’re gonna love this volume. ^_^

In previous volumes, we met Hinako, a girl who should have drowned in a family car accident when she was young, and the mermaid who plans on eating her when she’s mature, Shiori. Shiori has taken on the role of protector to Hinako. Even though she’s been clear that she’s just protecting her meal, she’s building some kind of relationship to Hinako, despite herself. Hinako’s only other friend, Miko, likewise protects her, for her own reasons, as we learned in previous voumes. In the meantime, Hinako wanders a world filled with spirits and supernatural creatures who really want to eat her.

Volume 4 begins as rain pours down, drenching everything. Shiori takes Hinako to the ocean and shows her the multitudes of those who died in the water. Her family may be among them, Shiori posits. Shiori sees Hinako’s skin and understands why the girl cannot show anyone her body -it’s damaged beyond recognition as human. As I mentioned in my review of Volume 3, “I think the story does a good job of balancing Hinako’s past trauma, with the seriously-it-is-also-trauma of her current life, without making anything overly preachy or mopey or handwaving it away.

The basketball team is going on their summer retreat and Miko asks Hinako and Shiori to help out. Hinako’s looking forward to time helping the team and just hanging out with other girls…but there is something unnatural, clearly waiting for Hinako in the dark.

I don’t want to spoil this at all…but yowza was this good. It was the kind of tension building where you can just *hear* the soundtrack from the first page right through. The hissing of the rain, the hum of the violins, the stark shock of the reveal…the powerful brass of Shiori finally revealing her true form to save Hinako. This volume was a whole package. 

This is one of the best horror manga I’ve ever read. It’s very much into the slow crawl of fear, instead of jump-scare stuff, and full of questions I have no idea if they’ll ever be answered. Where we’re going is wholly unknown to me, but I don’t care. On atmosphere alone, I’ll keep reading this. Watching Shiori slaughter creatures is pretty darn cathartic, too. Naekawa Sai’s art is solid, without being super slick, and leaves things unseen in an effective way.

This is a great read on a rainy night, when you want to feel just creeped enough out that the noises outside worry you. ^_^

Ratings:

Art – 8
Story – 8 Excellently creepy and ominous
Characters – 8 We’re walking through a world of hungry spirits
Service – Blood. Violence. Monsters. Secrets. More Monsters.
Yuri – Shiori’s interest in Hinako is feeling less like protecting one’s food this time. Miko’s love is honest, to an extent.

Overall – 8

I sincerely hope Yen Press picks this up for translation. It fits their profile and it’s really good. ^_^





My Idol Sits The Next Desk Over Volume 4, Guest Review by Luce

October 12th, 2022
Welcome to another Guest Review Wednesday here on Okazu, featuring the perspective of Luce!
 
Over the course of the first three volumes, we’ve come to know Sakiko, a devoted fan of her favourite idol group Spring Sunshine; Maaya, a possessive fan of the same group; and Chihiro, the favourite idol of both Sakiko and Maaya. We’ve seen Sakiko come out of her shell, Maaya become… well, stay very Maaya, and Chihiro staying on the path of an idol with the support of the other two. Last time, we left on a cliffhanger of sorts, with Sakiko seeing one of the girls who had been somewhat unkind about Chihiro and her boyfriend at a festival at which Spring Sunshine are performing. 
 
In volume 4 of My Idol Sits the Next Seat Over, Sakiko encourages her disparaging classmate to give Spring Shine a watch, and while not converted, she can see that they put a lot of effort in. Chihiro and the group practice for the summer concert, held in an even bigger venue then normal – meaning tough dance routines to learn. We find out a little of Maaya’s home life, and maybe why she’s so… focused on the things she is. Finally, Chihiro and Sakiko plan a surprise for Maaya’s birthday, and Chihiro lands an acting role! 
 
I really liked the storyline with the classmate, and the ending of that – that you can recognise the work that goes into something and respect that without it necessarily being your thing. Her boyfriend was adorable as well. Again, we see that having friends who know and appreciate her idol work is very comforting to Chihiro, who is struggling with the dance routines. This manga is fairly light on the negative aspects of being an idol (although it certainly doesn’t completely shy away from them) but it’s nice to see the background, the hard work that goes into the routines and the staging. I also like how it’s balanced – Chihiro loves her work, but finds some of it difficult and has to work harder at it. 
 
The big thing covered in this volume was Sakiko and Maaya’s relationship. Maybe not when Chihiro is around, but we see Maaya feeling more conflicted about shrugging Sakiko off, and with her backstory, you start to understand somewhat where she’s coming from with her obsessional love of Chihiro. One thing is for sure, and it’s that Maaya needs a better mother than the one she has. She is mellowing a bit though, even though she’d hate anyone to point it out.  
 
This volume also ends on an cliffhanger – a pretty yuri-ish one! Genuinely wasn’t sure how it was going to go, but if you want to find out, volume five is already out! Review upcoming… Eventually. I felt like the Yuri quotient was upped here – Sakiko and Maaya certainly got closer in some aspects. I’m not sure it will actually end up in a romance, but it feels like it’s edging closer that way. We’ll have to see! 
 
Story: 7
Art: 8, it’s bright and sunny, like the subjects
Yuri: a cliffhanger 7…
Overall: 8 
 

If you can forgive Maaya’s worse antics in the first few volumes, especially if you like idols, this is worth getting into.  

Erica here: Thank you Luce for taking the time to keep our attention on this series. I know I appreciate your perspective of the characters dynamics a great deal!