by Paul S. Enns, Guest Reviewer

Becoming a Princess Knight and Working at a Yuri Brothel, Volume 2, by Hinaki, is a silly story, told with lots of sex, and not as good as the first volume, which I reviewed here last month It’s still a mashup of isekai , yuri, and gender bender. Naruse Soushi has been placed in the body of Princess Reina (queen) and is trying to survive as a prostitute named Lillion (lily) in a yuri brothel.

I will again provide translations from Latin into English in parentheses after the first use of the character’s name (like Princess Reina and Lillion above).

Helping Lillion out are her friends Precarie (precariously—she’s the one who did the soul swap), Alsea (sea—assigned to humiliate Lillion, she strongly supports Lillion now), and Lapis Rufus (red stone, or ruby—Lillion’s first regular client). Lillion now faces the challenge of Iris (rainbow), the High-Class Prostitute to which Lillion has been assigned to serve.

Iris’s other attendant is Alga (algae), who comes into conflict with Lillion over Iris’s demands.

The politics of Lillion’s situation and her (the pronoun I use to refer to Soushi-in-Reina’s body) efforts to navigate them are interesting, but I find the path she follows in this book to be absurd. The solution to everything that happens is sex. It’s a let down compared to the first volume.

Being punished by Iris? Sex. Fulfilling Iris’s demands? Sex. Helping Alga? Sex. Lillion trying to master her fire skill? Sex. Confronting the Lady of the Moon (who still should have been named Domina Lunae)? Sex.

Lillion still provides most of the humor. The sketches she makes for Iris’s dress are straight out of standard yuri tropes, but brand new to this world. I also laughed at Lillion’s attempts to activate her fire skill. I have a feeling the pose she makes is a reference to something, but I don’t know what it is.

The finale of this volume has Lillion facing the Lady of the Moon again, complicated by Alga’s interest in the Lady of the Moon. Alga seeks the redemption of her sister, Oleia (olive tree).

There isn’t as much world building in this one. Mostly the politics of being a prostitute. Madam Acanthus (genus acanthus is a family of plants with spiked or thorny leaves) is much nicer to Lillion in this book, probably because Lillion is now a full Soror (sister) in the brothel. Nothing provides any answers for why Precarie took Reina’s soul or what Precarie did with it. When will this be addressed?

I do want to give praise to the art. This volume, it’s the best part of the book. All the characters can be recognized and the backgrounds are well done. I’ve seen many a manga where the background was plain to nonexistent on most pages. The background really helps the setting here.

Translation is, once again, well done. Use of Latin for the proper nouns is still fun.

Ratings:

Art — 8 The best part of this volume.
Story — 3 I can accept sex in stories, but not if it’s 90% of the plot.
Characters — 5 They’ve improved, but I still want to know what’s up with Precarie and Princess Reina’s soul.
Service — 9 for how explicit it is, 10 for how much there is.
Yuri — 9 We’re reminded every chapter that it’s a guy inside Lillion.

Overall — 5

A disappointment over the previous volume. I’ll still check out Volume 3  and Volume 4 after it releases March 4, 2025.

When we left our principals in Volume 8, Miko had been maliciously outed to Hinako as a human-eating kitsune by Tsubaki.  In Watashi o Tabetai, Hito de Nashi, Volume 9 (私を喰べたい、ひとでなし), Tsubaki is appalled to learn that Hinako already knows her friend’s inhuman nature. Miko retaliates by unmasking Tsubaki as a tanuki, and suddenly, the girl’s anger makes sense. Her anger is a relic of the millennia-long war between the kitsune and the tanuki. She lashes out at Miko, forcing her to confront the monster she is, whereupon this confrontation becomes a story about misunderstandings and change and redemption.

Once Tsubaki’s threat is past, Hinako, Miko and Shiori go out on a shopping day, Miko leads the way, and tells Shiori to watch Hinako, the anniversary of her family’s death is approaching. At the cemetery, Shiori, dressed in mourning, finds Hinako, who is able to express some of her deepest feelings for the very first time.

Fans of yokai lore will love this volume, as it gets pretty deeply into both the larger story of tanuki vs kitsune, but also develops personal stories for two more of our resident yokai. With every chapter, Miko is able to leave part of her painful past behind because Hinako accepts her for who she is. Shiori is still a veiled threat, but the veil is starting to fray.

9 volumes into this story, the art is simply stunning. There is a scene in which Hinako stands before the altar in her home. The light shines through the window lighting up the wall, but where it is dark, you can see the ocean moving in. Just…wow.  I have no idea where the story might go, what lore we’ll be delving into, but I am here for whatever Naekawa-sensei offers up. This is a fantastic series full of chills, thrills and emo. ^_^

Ratings:

Art – 9
Story – 8
Characters – 9
Service – Not really, unless yokai lore is your jam
Yuri – Hard to define, let’s say “yes, but”

Overall – 9

This Monster Wants To Eat Me, Volumes 1-3 are available now from Yen Press, Volume 4 will be out this spring.

The Watashi o Tabetai Hito de Nashi anime is scheduled for sometime this year and the trailer on Youtube leans heavily into the art for what I hope will be a magnificent animated work from Pony Canyon and STUDIO LINGS.