Archive for the Yuri Manga Category


Still Sick, Volume 3 (スティルシック)

October 2nd, 2020

In Volume 1, we met Shimizu Makoto, a fairly successful team leader at a company, who has a secret life as a Yuri doujinshi artist. When her co-worker, office lady Maekawa Akane discovers her secret, she’s sure the jig is up. Only it turns out that Maekawa has a secret of her own, she’s a former manga artist. In Volume 2, as Shimizu encourages Maekawa to return to the world of manga, they both struggle with their relationship; Shimizu with accepting that she is a woman who loves women and Maekawa with human relationships at all.

In this final volume of the series, Still Sick, Volume 3 (スティルシック), by Akashi, Maekawa and Shimizu’s gavotte around one another is not yet over. Shimizu will be more honest about her feelings, and so will Maekawa, but love isn’t the only thing Maekawa has to deal with. She’s got a LOT of issues on her plate. We, and Makoto, watch over her as she deals with each layer of the walls she’s built around herself. Only when all that has been addressed, will they be able to just…be together.

It seems a lot of plot for one volume to cover, but in all honestly, I think this volume really does the job. At no point did I feel that this end was rushed, or aborted. Sure, I’d like to have seen them more after this story ended, but when it ends, there’s no dangling plotlines or handwaves needed to fill in a gaping hole. As a narrative effort, I give it top marks. I think to do so much character development, the art suffers here and there, but as this series has never been about the art, it’s a small, acceptable sacrifice.

For an office romance Yuri based on a really silly plot, Still Sick has turned out to be a pretty satisfying meal in three volumes.

Ratings:

Art – 6
Characters – 9
Story – 9
Yuri – 9, LGBTQ – 7
Service – 3 some noodling around, underwear, bed

Overall – 9

 

I look forward to Tokyopop’s Volume 3 in English, which should be headed our way in February 2021!





Mayu, Matou Volume 3 (繭、纏う)

September 30th, 2020

In Volume 2, I noted that this series is detailing a love triangle, but only one participant seems to have noticed. In Mayu, Matou Volume 3 (繭、纏う) by Hara Tsukiko, two students of the three are now aware that something is happening and with that, the triangle may at last be broken.

It’s time for the seniors to have their long tresses cut at Hoshimiya Jogakuen. That hair will become the uniforms worn by future generations of students…but not everyone finds it easy to part with something that has been an element of their lives for so long. If you think about that for even a moment, that’s an obvious truth. Hair is so key to our own identity of ourselves, and for these girls, even more a huge part of their existence.

But, beyond their personal struggles, something is unraveling in the school. Rumors are flying like…well, like the strands of hair that this school has got to be covered with. Youko hears that student body’s Prince, Hana, has left the school – we know, and she guesses, why.  Beyond belief she finds Hana at the waterside and finally, Hana’s eyes are turned towards this underclassman who might just be able to save her from herself.

This is the first volume where the hair doesn’t get in the way of the story. If anything, this volume is filled with hair being cut, separated, tied up and likewise moved both allegorically and literally out of the way. And, for the first time, Hana realizes that there is a way out of her self-imposed servitude to someone who either does not (or perhaps, can’t,) want her. When Hana looks away from Hoshimiya, Youko is there. When Hana finally turns to Youko for salvation, we feel that maybe the ghosts of the past might be set aside yet.

The cover of this volume is some damned fine art. It completely captures the veil of hair the students wear, and the entire story of Youko and Hana in one breathless moment.

Ratings:

Art – Outstanding
Characters – 8
Story – 7
Service – N/A
Yuri – 7 One side of the triangle is filled in

Overall – 8

This was a very good volume of a series I didn’t think would actually ever be likely to engage me, what with all the hair.

I’m waiting on a pinhead for Volume 4, hoping to see a Youko and Hana freed from the emotional and physical burden of their hair but, hopefully, not their love.

Volume 1 and Volume 2 of Cocoon, Entwined are available from Yen Press. Volume 3 is out late summer 2021. I hope you’ll take a moment to notice the unbinding of both plot and hair. ^_^





Our Teachers are Dating, Volume 1

September 28th, 2020

When Hayama-sensei and Terano-sensei show up to school one day, everyone can see that something’s up between them. The shared looks, the blushes… Sure enough with nary a panel’s worth of prevarication, it turns out that Hayama Asuka, the gym teacher and Terano Saki, the science teacher, are dating. News gets around pretty quickly, but students, teachers and administration have no complaints, in fact, it is pretty universally agreed that they are darling together. It’s all good in Pikachi Ohi’s Our Teachers Are Dating!, Volume 1.

I’ve been raving about this series since it’s launch in Comic Yuri Hime in August 2018, for a number of key reasons. The most important part is that it is so incredibly adorable and charming, with oodles of sugary sweetness, your biggest problem is worrying about tooth decay. ^_^

But in small, yet significant ways, this series, as moe as it explicitly is for the characters and even, for once, this reader, Ours Teacher Are Dating! actually treads some new ground. First and foremost, both Terano-sensei and Hayama-sensei are wholly equals in both a personal and professional sense. They are eachers, of an age, of very similar personality and admirably suited to one another. We don’t *actually* get that all that often in any romance manga. Stories, even romances, are driven mostly by conflict, and opposite types make for good easy conflict. Here conflict is driven by communication issues. What conflicts we do have are exceptionally small and personal, relatable, if we work from the idea of two extremely shy adults have who never had to feel or deal with any of this.

Secondly – and this is a bit of a handwave, something we must accept without question – everyone around Hayama-sensei and Terano-sensei are absolutely fine with this and have overtly, publicly, accepted their relationship. This will continue as the story goes on. Small, personal miscommunications / world-changingly huge public acceptance. Friends, family, colleagues, even new encounters with queer folks. Hayama-sensei and Terano-sensei will change their world for being visible within it. I can testify to that from personal experience. ^_^

All that said, what we read this book and it’s following volumes for is the sheer joy Hayama-sensei and Terano-sensei take in one another’s company. There is a sex scene, but it is arguably not very service-y at all, as it presented as two adults learning about each other in a realistic and uncontrived scene.

Technically, this book is quite wonderful. Erika Teriquez’s lettering absolutely captures the fully goofiness of our lovestruck protagonists. Jennifer Ward’s translation, and Rebecca Scoble’s adaptation all give us the seamless feeling we look for in an English-language edition of a manga.

Emotionally and physically, Hayama-sensei and Terano-sensei give freely of themselves and we get to enjoy their enjoyment of these new feelings and experiences.

Ratings:

Art – 8 Super fluffy and adorable
Story – 8 Fluffy love story
Characters – 9 Fluffy lovers
Service – 3 Some nudity and underwear
Yuri – 10

Overall – 9

Another authentic manga reading experience, a great Yuri manga, Our Teacher’s Are Dating! by Pikachi Ohi is an absolute delight for anyone who loves love. ^_^ I look forward to you all telling me how squee-worthy they are. Okay-sauras!

Thanks very much to Seven Seas for the review copy!





Yuritora Jump ~ Ultra Jump Yuri Digital Anthology~, Volume 3 (ユリトラジャンプ~ウルトラジャンプ百合アンソロジー~ Vol.3)

September 25th, 2020

Ultra Jump magazine has put out two different Yuri anthologies, featuring work by creators from their ranks. Both Volume 1 and Volume 2 happened to also include work by my favorite artist. Yuritora Jump ~ Ultra Jump Yuri Digital Anthology~, Volume 3 (ユリトラジャンプ~ウルトラジャンプ百合アンソロジー~ Vol.3)sadly, for me at least,  did not include her work.

More damningly, it featured one too many “clever” stories in which a character was being lead on for some unpleasant reason…revenge, or the other character was a compulsive liar, or or something. The details are all now fuzzy, although I real the issue recently, nothing was memorable enough for me to do more than say, “Oh, at least this one isn’t horrible.”

Anthologies are always hit or miss and every collection will always appeal to different people differently. For fans of Yuri artists, there are a few names which might be recognizable. Most probably American readers will be happy to see work from Dr. Pepperco, creator of Goodbye, My Rose Garden. If you follow the same anthologies I do, you’ll also recognize Miura Kozumi’s name, a creator whose work is often featured in Galette meets collections, and possibly Tsutsui‘s.

Because this is a digital only release, I picked it up on Global Bookwalker. It is also available on JP Kindle.

Ratings:

Overall – 6

As an anthology, it wasn’t terrible, but this is probably a volume I won’t go back to. Needs more Hayashiya-sensei.





Otona ni Nattemo, Volume 2 (おとなになっても)

September 23rd, 2020

In Volume 1 of Shimura Takako’s adult life drama, we met Ayano, a grade school teacher, and sever Akari, who meet and sleep together. It’s only later Akari finds out that Ayano is married to a man. Despite this, neither of them can stop thinking about the other.

It is on this precarious footing that Otona ni Nattemo, Volume 2 (おとなになっても) begins I spent the entire volume angry for Akari, as everyone in Ayano’s life seems to make a point of going to her restaurant in order to size her up. While Akari is trying to figure out what she wants from her own life, Ayano and her husband are unable to process their own problems in private, as family issues pop up and take their time and attention. At the beginning, Ayano’s husband announces suddenly that they’ll be divorcing, but by the end of this volume it’s harder to know what they will actually be doing.

The fact that I felt so vexed is probably a good sign, as it meant that I was engaging with the drama, something that Shimura’s work rarely does for me. I had to laugh, because my reaction to this volume is exactly the same as my reaction to the ending of Sweet Blue Flowers; that is to say, I want desperately to pluck the lesbian out of this story and find her a decent girlfriend! Yes, yes, maybe Ayano will become a decent girlfriend. I remain skeptical. ^_^

We get a long look at an episode from Ayano’s youth, in which she was a tall, boyish girl whose friend clearly wanted more than friendship from her.

As I wrote this review, I considered the art. It took me awhile to figure out what I wanted to say. Shimura-sensei has been at this a long time and I was thinking her art has changed a lot. Her fine art, the water color-style paintings that usually grace her covers and fill her art books are really quite excellent. Even rendered in black and white, her “watercolor” work has improved. I don’t think her drafting has gotten worse, but it hasn’t really made the same strides as her “fine” art. I’m too lazy to scan in the images I’m looking at here, but two chapter pages; one in ink and one painted, really make my point. (Fine, I’ll scan them in. Pardon my shitty, quickly done scans. The pages are the same size, but the first one has a white border, fyi.)

There’s nothing wrong with the first image. Nothing at all. It just lacks some quality that the second picture has, a depth of emotion, even in black and white. All of this is of course, in my opinion.

 

 

 

 

 

 

 

 

 

 

 

 
 

 

Ratings:

Art – When it’s good, it is so very good, I just wish that were more often.
Story – ARGH
Characters – In a holding pattern
Service – Nope
Yuri – Yes

Overall – 7

So once again, I find myself in a holding pattern with a Shimura series, waiting to see what is in store for our characters, and hoping, despite myself, that she will write them a good story and not just handwave the end, as she has in the past.