Murder Princess OAV

September 5th, 2007

To the very end, Murder Princess remained a solid, classic old-fashioned action and drama anime.

(FYI:The picture to the left is the cover of 3rd Japanese DVD and is linked to that, but the title above is linked to the 1st Japanese DVD.)

It had a revenge motive, a magical catalyst, a possessed prince and an evil witch. There were castles and ogres and knights in armor complete with Black Knight to be the evil witch’s minion. There were good henchmen, bad henchmen, and hench-androids who were bad, but became good. There was an evil scientist, a doomsday weapon and a troupe of traveling players.

The doomsday weapon was stopped at the last second, as it always is, but not before the usual loss of dear friends.

And the evil witch was defeated in a time-honored method with the most utterly classic death scene possible. Watching it, I could name half a dozen baddies who had died in the same way – but instead of annoying me, it just worked. (Also, evil witch Cecelia got extra evil points for responding to Farith’s request for “why” she had destroyed young Farith’s village with, “No reason. It was there.” I gave that a round of applause.)

And then there was Farith and Alita. After they switched bodies, they exchanged an important vow, became close friends, and were set up in a variety of poses to ensure that people who cannot discriminate wanted to, could insist that they were a couple right off the bat based on screencaps.

Alita is the noble and beautiful princess, Farith the strong, lone wolf bounty hunter and if this had been a straight couple they would have definitely, positively kissed at the end. But they weren’t, so they didn’t.

All the elements were there and they were all put together in a way that worked.

Sure, we’d like to see more overt Yuri in our Yuri, but since the anime ends without Farith and Alita able to switch back to their own bodies, we can project a lengthy future in which they get time to get used to each other – and themselves – in this form. I predict a happily ever after, because, after all, that’s the classic ending.

Ratings:

Art – 8 (not “art” but crisp and clean and good for what it is)
Story – 8 (all around classic)
Characters – 8
Music – 7
Yuri – 4
Service – 4

Overall – 8

If this gets licensed, and I think it will, I hope they release it as two 3-episode disks. 6 1-episode disks, the way it was released in Japan, will be a hard sell over here.



Yuri Anime: Aria OAV Arietta

September 4th, 2007

Even as I watched Arietta, the Aria OAV, I boggled at the sharp upswing in Alicia x Akari coupledom it provided. By the end, one can’t call it subtext at all.

As I am a diehard Alicia x Akira fan, I was less thrilled than some, I imagine.

Nonetheless.

The OAV begins as Akari dreams of herself as the Prima of Aria Company. She should be happy, but then she remembers that Alicia is gone and won’t be coming back. She wakes to find that Alicia is safely still there and she’s a lot more relieved than she expected. When Akari asks Alicia about when she became Prima, Alicia bares her soul to Akari just long enough to express how sad and lonely she was when Grandma left Aria Company.

We learn a little more about Alicia’s past, and get to spend some time with the three fairies of the water as young trainees, as they bond and plan for the future. My favorite scene of the anime, as Akira drags Alicia out on an obvious date, even if it ends up with the three of them together at the end. Young Athena was especially adorable, I thought. To recreate that moment of joy with Akari and bond a little closer with her trainee, Alicia leads the girl up to the tower above St. Mark’s Square to view the city at night. It’s an undeniably romantic scene – and Akari reacts as one might expect, charmed and attracted by her charming and attractive senior. When she expresses a wish that her time with this woman, her important person and the person she loves, will continue for some time, we’re all nodding. Of course.

Several times through this OAV, we get full-on “scenery porn” as Sean Gaffney puts it so accurately. The entire OAV has excellent animation, with a softer, more gentle focus that fits the general tone of the story perfectly.

Yuri aside, this is a lovely example of why I enjoy this anime. Every episode is a slow ride along the canals of Neo-Venezia, with no destination in mind. It really doesn’t matter whether we’ve been past this same square ten times, we’re just glad to see it again in this light, in this season, as opposed to some other. (I’m reading a book right now that basically says that that’s what Venice does to some people – just captivates them and makes them obsess, in a relaxed way, about the quality of the light and the view. So it all works for me.)

As for the Yuri, well, I’m happy for the Akari x Alica fans, but I’m sulking here in the corner for my own fave couple, thanks. ^_^

Ratings:

Art – 9
Story – 8 (I like when we get glimpses of the Primas as youth.)
Character – 8
Yuri – 7
Service – 1

Overall – 8

Aria is still not Yokohama Kaidashi Kikou, but it edged just a little closer during this OAV.



Ichigo Mashimaro Anime OVA 3

September 3rd, 2007

See, here’s the thing.

We all know that, in Ichigo Mashimaro. Miu has a crush on Nobue. It’s also obvious that it’ll never happen. (And not just ’cause Nobue is more interested in Ana and Matsuri. It just isn’t ever going to happen. Nobue and Miu are way too similar to work as a couple, even if everything else managed to work out.)

But recently, I have become convinced that – should everything else work out – Miu and Chika might, possibly work as a couple. But that really has nothing at all to do with Ichigo Mashmaro OVA 3. I just thought I’d mention it.

It’s spring. It’s an extended holiday and Chika really, really wants to go somewhere or do something special. Despite her protests, Nobue has just the thing – a free trip to a B&B in Izu. She’s not willing to help Chika or Miu, but when Ana and Matsuri say that they would go, off they go.

Of course, it’s not that easy. They get lost, they arrive, they take a bath, Nobue pervs, they forget ingredients with which to make dinner, they pillow fight and they stave off Miu’s particular brand of insanity throughout. The above picture takes place when, in the middle of the night, in a fight over Nobue’s favoritism towards Matsuri, Miu steals a kiss from Chika and attempts to take one from Ana to prove some kind of point to Nobue that no one really cares about.

In the end, the five girls have a nice holiday in Izu, and in a moment of unusual sensitivity, Nobue waxes nostalgic and a little poetic; which sends little sister Chika into hysterics, of course.

Then they get lost on the way home.

And we would watch this kind of nothing for hours if they let us.

Ratings:

Art – 8
Story – 7
Characters – 8
Yuri – 4
Service – 4 (bath, kissing….)

Overall – 8

Sean, you owe me a Miu x Chika story. I am fully prepared to follow you in the afterlife whining about it for all eternity if you do not finish it.



Last Few Days to Pre-Order and Pre-Reg!

September 2nd, 2007

Just some quickie reminders:

Pre-registration for Yuricon’s 2007 “Yurisai” event closes on September 7.

And Pre-Orders for Yuri Monogatari 5 on the Yuricon Shop will close on September 8. You can still pre-order YM5 on Amazon and Amazon JP through September.



Yuri Anime: My Zhime (Mai Otome), Volume 1 (English

August 31st, 2007

How many fanfics have we seen where the main characters are transplanted to a different location, time or situation than the original source material? The Senshi at an agricultural college, the girls of Marimite visiting (or attending school in) some North American location that just *happens* to be the same place the author lives or attends. There are many series that do that kind of thing within the context of the actual series.

Star Trek:Next Generation used their omnipresent Holodeck to allow a sort of time and space travel (mostly so we could see that characters play dress up) and Xena:Warrior Princess had a few stories which fans called “Uber-Xena” stories, in which Gabrielle and Xena were portrayed as more modern, but equally as silly, characters. (Which led to a whole genre of “Uber-Xena” stories, many of which were better than the actual series. I wrote one Uber-Xena story myself, In the Hall of the Mountain Queen, a title which came to me in a very memorable dream.)

And so we find ourselves regarding the series, My Zhime, aka Mai Otome, in which the characters of Fuuka Academy from My HiME are now suddenly on a planet much like our earth, but more feudal. The HiME are now become Otome – the human nuclear arsenal of each country. The school at which young women are trained to become Otome candidates, Garderobe, is the center of the new conflict. And while all the characters from HiME are moved to the new time/place/location/ their roles, ages and, in some cases personalities, have been altered to fit the new storyline.

I had planned of holding off reviewing this series at all until I finished reviewing all of the My HiME DVDs, but last weekend I decided that I wanted to watch Volume 1. Then, as I watched it, I remembered all over again why I thought it was a vastly superior series to the original. Mostly because it starts off as stupid fun with a hint of plot, continues to be stupid fun with an actual plot, and ends as stupid fun and who cares about the plot, which short side trips to wallow into meaningless angst. The difference is that, IMHO, HiME primarily wallowed in angst with pretensions of having a Serious Plot ™, when in reality, it was all meaningless angst and plot was a self-fulfilling prophecy with reset.

My Zhime, Volume 1, starts off with the arrival of a strange girl from out of the wastelands, at the sophisticated and cosmopolitan city of Windbloom. Yumemiya Arika is strange in the she is a stranger, and that she is clearly an uncultured bumpkin……and she’s just kind of strange, too. But in a good-hearted, honest bumpkiny kind of way. She’s convinced that her mother was, or maybe is, an Otome, so after her guardian dies, she’s come to Garderobe to find her mother. After she witnesses the coolness that is Meister Shizuru Violeta, the Graceful Amethyst, Arika decides to become an Otome, as well.

This plunges her directly into intrigue and politics on both the micro- and macro-cosmic levels, as the great rulers decide her fate and in school as the new student is assessed for her level of threat to the status quo. Because not everyone at Garderobe will become an Otome – only the most talented few. Arika’s immediate rival, Nina, can’t stand the girl, so of course they are assigned to be roommates, along with sweet, blonde, starlet-like Erstin. And this is when I remembered how much I liked this series.

As Arika runs around Garderobe trying to find the council and defend herself (and Chie gets her first lesbian cred powerup) she’s the butt (pun intentional) of many stupid physical, servicey gags. But as she runs around, and later, as she meets her new classmates, I found myself happy to see every familiar face, from Yukino and her pet Haruka, to Ers, or Irina. In fact, as Irina introduced herself I felt something almost nostalgic blossom within me.

This is your basic shounen heroine action series. There will be many battles of one kind or another; an outclassed, apparently idiot savant heroine who will battle her way to the top; magical/mecha creatures; did I mention battles?; conspiracies, politics, intrigue on the grand scale and bullying, teasing and misunderstanding on the small scale; and service.

Yuri in Volume 1 is limited to a single knowing look shot at Natsuki by Shizuru, as she teases Arika in a decidedly sexual way, and Chie’s instant high reading on the Yuri-ometer. Yuri in Zhime is a popular fetish, so we’ll be seeing more as the story progresses.

Art – 8
Characters – 8
Story – 7
Music – 7
Yuri – 3
Service – 6

Overall – 7

All the characters I like are older, cooler and gayer. Is it any wonder I like this series better? ^_^