Yuri Anime: Noir, Volume 3

August 15th, 2005

Just as a reminder, it’ll be a short week for Okazu, since Otakon is coming up on Thursday. I’ll have my computer, and there’s a small chance that I’ll be updating, but no promises! ^_^

Okay, so despite the fact that my life is nearly 100% Maria-sama ga Miteru right now, I thought I’d move off it for a sec, and harken back to the golden days of yesteryear, when yuri anime existed, and women who carried guns ruled the small screen. That’s right, its time for Noir. (You can use the search feature up on the top of the page to find my reviews of Volumes 1 and 2, because I’m too lazy to look them up for you. Just stick in the word “Noir” and the links’ll be the top ones.)

In this third volume several significant things happen. For one thing, the gradual character development of the second volume is left behind, and the sense that something important is looming just ahead is notched up several, erm, notches. The character Chloe is introduced in this volume and, most importantly, in Episode 10, one of the faceless henchmen actually gets *wounds* when he is shot! And here I have been saying that that never happens. Wrong again, Erica.

Before I comment on Chloe, let me first mention Altena. Altena was a completely wasted character. For someone who got so much build-up through the series, they really never *did* anything with her. She was supposed to have been the other Soldats branch, supporting the “pure,” ritualistic Noir, as opposed to the crime syndicate assassin-for-hire Noir, but they really never managed it. Bee Train has improved at stroy writing since this anime, so I won’t beat it to death, but really, Altena was a waste. Which is a shame, ’cause she might have been cool. (Not as cool as Inccontabile, who I still think would have made a better adversary.)

And then there is Chloe and her spork. (Damn you Dreiser, for destroying my brain with that image!)

Chloe is meant to be creepy and cool and scarily ubercompetent. And fandom seems to agree, overwhelmingly. But I think she’s pretty boring, myself. In the Volume 3 liner notes, we learn that of the four major characters Mirielle and Kirika were created by one woman, Chloe by another and Altena by a third. The three characters designs were integrated for the story. I don’t think it worked, sorry. Chloe would be great in say, ./hack‘s The World, but in France, she seems utterly ridiculous. I realize that I am in a minority of one when I say that Chloe and Kirika together as a couple would not only be horribly unsexy, but utterly, mind-numbingly boring. And don’t get me started on that cape. LOL And it’s a damn shame, because as everyone knows, Chloe’s voice is done by the utterly fabulous Hisakawa Aya, for whom I have nothing but the most immense respect. She does her best to bring some depth to this role, but its a doomed effort, since Chloe really just doesn’t have any. I will say for Chloe that in this volume, at least, she gets some modicum of personality – and we get the glimmer of Chloe’s genuine desire to be paired wth Kirika. So that works whether I like it or not. ^_^

Be that as it may, Volume 3 starts to pick up the action a bit from the slightly slower and more melancholic Volume 2. In general, it’s a great set of episodes, with a hint of the “40 versus 1” that will come in the future, in which Kirika can stand in a open space and not be shot by the several dozen men shooting at her, while she takes them down with a bullet each. Totally realistic. ;-)

Ratings:

Art – 7 (Chloe’s face is often uneven and the people stand out as really bad in front of lovely detailed backgrounds.)
Story – 8
Characters – 8
Music – 9
Yuri – 6

Overall – 8

Watching Noir is like the old potato chip tagline – you can’t watch only one. It simply *begs* for a 26-episode all night carbohydrate and alcohol-laden marathon. Great, goofy, henchmen-slaughtering fun.



Maria-sama ga Miteru Sixth Novel, Part 2 Final

August 12th, 2005

Valentinusu no Okurimono Atoben

Valentinusu no Okurimono (Valentine’s Gift) – Part 2

“The Red Card”

Mifuyu is one seriously, unpleasantly obsessed person. In the anime, she seemed harmless and a little sad – in the novel, she’s creepy.

1) Mifuyu’s grandmother was a “old girl” of Lillian and her mother only ever wanted to go as a child. But they lived too far away and she couldn’t, so she focused her obsession on little Mifuyu. When Mifuyu was accepted for kindergarten, mom did a dance.

When Mifuyu’s father was transferred for work, mom complained that it was grounds for divorce (not that she meant it. Mifuyu tells us that they are very close – a little *too* lovey-dovey for her taste…)

When they returned to the area, Mifuyu was able to take the exam for Lillian students (since she was once, technically, a student) and got in to the high school.

2) Even though Sachiko and Mifuyu are the same age, Sachiko always acted like an onee-sama, even when they were little. (The anime did an incredibly adorable rendition of their story, so nothing new to add there.)

3) Because Sachiko had given her her handkerchief and had accepted chocolates in thanks, Mifuyu has, all these years, thought of Sachiko as someone with whom she could become friends. When she returned to Lillian, of course, Sachiko had no idea who she was. And this has scarred her.

4) She attempted to give Sachiko chocolates their first year, but found Sachiko confronted with a LONG line of first-, second- and even third-years, who Sachiko summarily dismissed with “What reason do you have for giving me these? What reason do I have to accept?”

This year Mifuyu gets to school super early to give her the chocolates, but when Sachiko comes through the gate, just can’t do it, because being near Sachiko is too much for her.

5) Mifuyu actually creeps herself out as she “stalks” Sachiko that morning. She remembers the treasure hunt and follows Sachiko as she heads to the greenhouse. The description of super-earnest Sachiko looking this way, then that, and taking a deep breath before entering to hide the card is really *cute.*

6) Mifuyu watches Sachiko refuse chocolates that day – she’s much more gentle and mature this year. The card, like Poe’s Tell-Tale Heart, weighs on her soul. She realizes that Sachiko’s card is meant for an angel – but that she herself is a devil.

The anime is almost identical to the novel with the exception of making Mifuyu less creepy. At the very end, when Mifuyu later sees Yumi once again, she greets Yumi who gives her a perplexed look. Mifuyu smiles, because she realizes that with the new hairdo, Yumi doesn’t recognize her at all. As Sachiko and Yumi walk away, Mifuyu thinks that they make nice soeur couple.

Part 3

“The Greatest Day of Rosa Chinensis’ Life”

This part wins, hands down, for being my favorite of all the V-Day stories. LOL Guys will probably want to avoid this section, because 2/3 of it is menstruation-related.

1) Rosa Chinensis, Mizuno Youko is sitting alone on a bus. Which is good, because the section starts with her saying, “This sucks.” ^_^

She’s suffering miserable cramps. She’s annoyed that only women must suffer this feeling – it’s completely unreasonable. This month came with particularly bad cramps AND 5 days early. AND she’s coming down with a cold. AND today is the day of her university entrance exam.

(Oh, a quick digression – I’ve mentioned how the different characters “speak” differently in text. Sei jumps from really complex thoughts to simple language, Yumi is pretty straightforward, and Yoshino’s sentences are nigh on impenetrable. Well, Youko thinks in very adult sentences with a fair amount of kanji and combined kanji phrases.)

She launches on a long internal monologue about while she knows it’s evolution and all, having your period sucks rocks. ^_^

Not only is she miserable, but she really can’t take anything for the pain or fever, because it would make her dopey – and she had that entrance exam. She had no appetite for breakfast and only managed a 1/2 cup of hot milk, so now she feels anemic.

Now that the exam was over, she had taken two pills and was feeling pretty “duh” and she couldn’t remember why she was on the bus going to school at all. She knew there was some reason she wanted to go to school – but just can’t figure it out.

While lost in thought, Youko misses the bus stop for Lillian.

2) When she reaches the school, there is a line of students in front of the statue of Mary. Youko walks to the front where the student at the head of the line offers to back away so she can pray. Youko realizes that it is a line of students about to exchange chocolates and she remembers why she came back to school – it’s Valentines Day!

3) Once Youko gets to the school, she’s hemorrhaging (Not my choice of word – hers) and really needs to get to a bathroom. She’s looking for a western style bathroom, because its way less awkward – and anyway, she wants to sit. “Stomach hurts, stomach hurts, stomach hurts…” all the way to the buildings.

Since there’s so many girls at the school today, the bathrooms on the first floor all have lines, so Youko has to wait for a stall to be free. While she waits, she whines about how she has never before felt any kind of dissatisfaction with being a woman. She’s never felt that there, objectively, was any difference between the sexes, and she’s always been pleased with her life. She’s very grateful to her parents and her teachers. But this *really* sucks.

While waiting on line, she hears a bunch of girls running outside. She’s amused at the sounds and is glad that the school is so bustling.

4) Once in the stall, Youko hears a series of strange noises, then a girl’s voice shouting “She went in the window!” and more footsteps.

When Katsura asks Yumi what she’s doing climbing through the window of the bathroom, Youko is sitting there, listening. (You’ll remember that Yumi was running from pursuers during the treasure hunt.) When she realizes it’s Sachiko’s Yumi, we get a glimpse of how she feels about Yumi – which is very fondly. Sachiko’s cute little sister is someone that she likes to spoil, like an indulgent aunt. ^_^

Youko takes some more meds, washes her hands, and comes out into the hall in time to meet up with Yumi’s pursuers. She scolds them for running in the hall, which stops them from following Yumi. (They all speak to her in unison, which she finds amusing.)

5) Walking out onto the school grounds, the medicine has begun to kick in and Youko is feeling a bit shaky and odd – like she’s walking through water and all the other students are like fish swimming around. (Which leads one to wonder what *exactly* she took for the pain….)

6) As she walks, she finds herself collecting a retinue of underclassmen, who ask if they can walk with her. She feels like Momotarou, with her army, but they all comment how she has no “kibidango” (a dumpling that gave Momotarou special strength). The girls tell her that they are very happy to be able to accompany her and spend some time talking with her. She’s always been hard to approach because she’s so beautiful and smart etc, etc, but today she seems more laid back, a little bonyari., i.e., doofus-y. Youko laughs as she says that was rude.

This conversation makes Youko realize that she had taken the idea of the dignity of being Rosa Chinensis too much to heart. She never meant to be an unattainable honor student. In fact, she had always wanted to shrink the distance between the Rose Mansion and the rest of the students. At which point, she realizes that she has never once simply wandered the halls of the school and stopped to chat with the students – she’s always had somewhere to go, something she was busy with.

When they reach the Rose Mansion, she looks up at it and sees it completely differently today.

7) Sei is standing inside the Rose Mansion, with some crumbs or something on her face. Youko asks her what she’s eating. Sei wipes her face and smiles, “nothing.” She then goes on to say that Youko looks like Momotarou with his retinue, as done by a female impersonator. lol She greets all the underclassmen, with “welcome, cute guests.”

8) Eriko comes in, hairband slipping, tie in disarray and starts to run (!) up the stairs, exclaiming/asking if they’d heard that Rei’s card had been found.

9) Sei escorts Youko up the stairs, letting the underclassmen follow. When they get upstairs, they can all hear noise from behind the “biscuit-like” door. They all look at each other, then open the door. Inside the council room are 14 people in the room, laughing, smiling, chatting, having tea.

10) Eriko takes Youko’s hand and squeezes it, “Wonderful, isn’t it?”

Sei opens up the window and points out all the students wandering in and out of the mansion, and the school buildings. “At Youko’s request.”

Eriko agrees that they can all retire comfortably now.

11) When the signal is given that the contest is over, the students who were sitting at the table rise, and push their chairs back under the table and turn to the Rosas to thank them for inviting them, tears spring to Youko’s eyes.

Sei asks her is it’s her best day and Youko says no, it’s her “ideal” day – the most ideal day of her entire life.

The End

Afterword

Konno Oyuki begins the Afterword with the usual greeting passage in the beginning of each novel. She mentions that, as this novel was a continuation of the last, it didn’t have the greeting, so it felt an little lonely. ^_^

He then goes on to comment that these two novels are a sandwich: the greeting is the bread, the first section is ham, the next egg, etc.

There are so many food things in these two novels, I can only assume that she was writing hungry. ^_^

Conclusion? Youko’s more fun when stoned, and I worship the author.

Oh, and the “biscuit” door. The door to the Yamayurikai’s meeting room is *always*, without fail, described as “looking like a biscuit.”

Just so you know. ^_^



Maria-sama ga Miteru Sixth Novel, Part 2 Continued

August 11th, 2005

Valentinusu no Okurimono Atoben
Part 1, Continued

Main

10) Yumi and Sachiko are in the jeans shop. Yumi hears the rustling of Sachiko’s clothes as she changes, and Yumi goes all “doki-doki”. She begins to imagine Sachiko undressing, then stops herself and blames Sei’s “dirty old man” influence.

Yumi wonders how long the cuffs of the jeans are for Sachiko. For her, there’s enough extra to make a purse – on Sachiko it might only be enough to make a pen case. Yumi then wanders off into a mental rant about how Sachiko’s waist is slender, her legs are long, her bust is bigger than hers, Yumi’s. She complains to God that it’s so unfair. lol

When she sees Sachiko in jeans, Yumi is surprised, because she’s used to seeing her in socks/stockings. She thinks Sachiko’s legs are very grown-up looking and for a brief moment, Yumi understands leg fetishists. (Seriously – that’s what she says!)

11) When Minako questions Tsutako, the photographer covers for Yumi’s first date, not wanting the newspaper club president to know that Yumi and Sachiko are here.

12) Yoshino, in an attempt to make herself feel better, buys herself a book, then orders herself an expensive lunch set (which, if Rei and Chisato ordered, would have blown their whole budget for the date.) She realizes that she just feels lonely without Rei – doing anything with Rei is more fun – even just sitting under the kotatsu reading. Rei fills a hole in her life. With Rei, a breakfast of toast is fine, she doesn’t need fancy food. Without Rei, everything feels empty.

13) We learn that there are several security guards that patrol Lillian during the week but on Sunday, there is only one and the main gate is closed.

To get in to the school, Shizuka tells the guard that they have left books in their classrooms. She tells Shimako that she actually did have that happen once and it get her back onto the grounds, so she’s used it once before to come to the school just to be there when its empty.

Several of Shizuka’s lines in the anime are actually things Shimako thinks, like the line about sudden words being close to the heart.

Shimako resents Shizuka for reaching into the darkness inside her heart and touching it.

14) When Yumi and Sachiko meet up with Yoshino, Sachiko asks Yumi how much money they have left, then asks Yoshino to give Yumi the right amount for the cake set they are going to have at the cafe.

(Let me digress a second again – this is the second time I’ve used the idea of a “set” and I want to explain it briefly. Most Japanese restaurants have price fixed meal choices which they call “sets”. The cake set is probably a choice of one of a limited selection of cake and coffee for a fixed price.)

Yumi is *mortified* at Sachiko for asking Yoshino for money, but Yoshino, while she hands over the money, tells Yumi that she thinks Sachiko is right. It makes her part of the date, and she doesn’t feel as if she’s intruding, or that she should treat, or they should. Yumi, overcome with emotion, rushes over to Sachiko and hugs her arm, then tells her that doing things together with Sachiko today has made her incredibly happy. And it doesn’t bother her one bit that there are people around or that Yoshino is there watching.

Sachiko (have I mentioned how romantic Sachiko is???) reaches down and takes Yumi’s hand in her own and entwines their fingers as they walk. Yoshino, on seeing this mutters “Go! Go!” under her breath. LOL

15) When the three arrive at the café, the woman tells them that it’s so busy that they’ll either have to sit at the counter, or share a larger table with other people. Sachiko had asked Yoshino to join them with “The more the merrier”, which was exceptionally un-Sachiko- like. She now tells the lady to seat them with the strangers – another very un-Sachiko-like thing to do. It shows just how far she’s lightened up.

Of course, the “strangers” are Tsutako and Minako.

In the end, Yumi completely forgot to get the dried cod her mother requested that she buy while out shopping. lol

16) Shizuka’s interfering classmates actually went so far as to create a date schedule book for her and Shimako, with bus schedules, movie times, good places to eat in the area… (these are the same classmates who made her run for Student Council, so they sound like a fun group.)

Shimako thinks that the white card was really her heart and that she hid it to protect it, but was really wishing that someone would find it, and understand it. (Shizuka shows exceptional understanding of Shimako’s heart.)

Shizuka takes her leave of Shimako, and tells her that she can have all the cheesecake they bought for dessert as a reward for having to clean up the mess herself. Shimako grumbles a bit at the cleaning part (of course to herself).

17) The scene with Chisato and Yoshino was hacked to pieces in the anime.

Chisato begins by telling Yoshino that she and Rei met in town, walked a bit, then took in a movie, ate handmade lunches they had brought and parted. Rei claimed a lack of budget for the skimpiness of the date, and needing time to write up the report for not lingering.

Yoshino apologizes, because she realizes that it was Rei’s polite way of rejecting Chisato’s interest.

Chisato says that she picked the movie, knowing it really wouldn’t be Rei’s thing (again, that mixed-up questionnaire! Rei likes romance films, but Chisato doesn’t know that.)

At first Chisato is very prideful, telling Yoshino all of this almost as a boast. She starts to cry a little as she talks. She admits to having seen Yoshino on the pedestrian bridge and taking Rei’s arm on purpose to make her jealous.

Yoshino tells Chisato that she really wanted to hit her when she saw that – Chisato admits that she dislikes Yoshino, and thinks of her as a tragic maiden who keeps requiring her knight Rei to save her over and over again. Yoshino says that Rei never *had* to be by her side – she did it out of love.

Chisato asks Yoshino why she calls her “Rei-chan,” then says that Rei called her “Yoshino” 5 times.

As they stand in the foyer hugging, Yoshino thinks that they look like idiots – and they look like best friends.

Dessert

18) Yuki comes into Yumi’s room as she’s practicing the many versions of her phone greeting (depending on who answers the phone). He tells her that it sounds like Buddhist chanting.

And, when she shows no sign of actually dialing, he grabs the phone and dials. She gets it back before he connects. As we know, the phone rings before she gets a chance to dial. :-) It’s Sachiko – she had fun, we’re all happy, see you tomorrow.

After she gets off the phone, Yumi rolls back and forth across the bed in sheer happiness. LOL

End of Part 1



Maria-sama ga Miteru Sixth Novel: Valentine’s Gift, Part 2 (Part 1)

August 10th, 2005

Valentinusu no Okurimono Atoben
Valentinusu no Okurimono, Part 2
Valentine’s Gift
Part 1

The sixth novel picks up immediately following the last line of the fifth novel (which means that there is no usual opening…something author Konno Oyuki comments on in her Afterword.)

There were few surprises in this novel, and those were small surprises. The anime pretty much killed this novel in a death of a thousand cuts. I think that if I had read the novel first, then watched the anime, I’d have been pretty livid, since the anime made everyone seem completely out of character and kind of stupid in comparison to the novel. Especially Yumi. The anime made her seems really doofy, but she’s not at all like that in the novel – and no lame “cliffhanger” where she thinks Sachiko has walked off, thank heavens.

For the record – 16 pages of notes this time – THAT’s how much was changed, cut, or just plain interesting. Again, some of the many things I will comment on were in the anime (no manga is available yet, and I have not yet had the pleasure of listening to the CD Drama), but for whatever reason, if I thought it of note, I jotted it down.

Notes will be in three parts, since there were three parts of the novel. :-)

“First Date Triangle”

The section heads of this particular story were food-related: Hors d’ouevre, main course, etc…

Order

1) As Shimako falls apart in Sei’s arms, crying because Sei will leave when it becomes spring, Sei comforts her with the thoughts that the rest of the Yamayurikai love her and that time moves on, she’ll find a soeur, etc. Shimako thinks, but does not say, that although her friends in the YYK are fine, they are not Satou Sei!

Sei jokes that Shimako seems cranky.

Boy did they leave THIS out of the anime: Sei then comments that, after the school elections she and Shimako embraced. If Shimako wants, now, Sei will kiss her…or do anything else she’d like. (!)

Shimako declines, thinking (again, not saying out loud) to herself that Sei offering such a thing is enough for her. They are too much alike – if they got to close, they’d end up being dependent upon one another to lick each other’s wounds. For Shimako, Sei and she are mirrors reflecting each other’s existence. Shimako’s wish is that RG remain there for her. That Sei was there in her life is enough for Shimako; she doesn’t need to be held.

As in the anime, Sei then puts Shimako’s hand in her pocket and begins to walk. When they reach the statue of Mary, Shimako stops, as customary. However, Sei grabs Shimako’s hand and pulls her past, saying, “For today, don’t.” Shimako goes along with Sei, but it’s the first time she hasn’t stopped and put her hands together in front of Mary. She thinks that Sei is the cranky one, now.

2) Yumi and Yoshino are alone in the Rose Mansion. As in the anime, Yoshino is writing out a list of girls who gave chocolate to Rei, so she can return the favor on White Day (March 14, when boys give girls they like – and return the favor of obligatory V-Day chocolates – with white chocolate.) Yoshino’s pretty pissy about having to do it and complains because Yumi doesn’t have to. Yumi apologizes that her
onee-sama is so fastidious, in a very fond tone. Yoshino is extra pissed, because Rei not only asked Yoshino to do this since she’s really busy, but its extra burdensome because when students found out that last year she gave white chocolate back, it encouraged even more gifts this year. Yoshino grumps that that’s what she gets for having a sexy and soft-hearted onee-sama.

All of this was in the anime, done just slightly differently. Yumi is hoping to ask Yoshino advice for her date with Sachiko. However, what was cut out (or washed out in the anime version) was, Yumi leaning forward and quite suddenly asking Yoshino if they could become closer friends. Yoshino responds by getting all embarrassed and a little gruff. Yumi tells Yoshino that she likes her and, since they are going to be en bouton and one day Rosas together….

Yumi asks, “Do you dislike me?’

(Let me digress for a sec. As I mentioned in my notes for Kibara Kakumei, the second novel, it is quite apparent that, other than Rei, Yoshino has no friends at all, really. So this is a really key moment for both of them.)

Yoshino wonders why it embarrasses Yumi to ask this, and Yumi admits that she can’t just come out and ask Sachiko if she, Sachiko, loves her, Yumi, although she wants to. Yoshino admits that she and Rei tell each other all the time that they love each other. The two girls look at each other and laugh at their mutual embarrassment. Yoshino stands up and puts a hand out and Yumi takes it. With a shake and few ritual words “Yoroshiku,” “Kochira koso” they move from being acquaintances to close friends.

Now that Yumi is more comfortable, she says, “So, can I ask you something – about my date…”

I loved this scene and wish it had been included in full in the anime.

3) A Tsutako scene, like all others where Tsu shows off her understanding of human nature and Yumi boggles. Lol

Tsu, rather facetiously, tells Yumi to look up the word “date” in the dictionary (which she does, which leads from a Japanese dictionary to an English one to a French, which they don’t have on hand. Tsu boggles at Yumi doing this the entire time…) Tsu comments that Rei and Yoshino would, naturally, living next to each other and being cousins and soeur, go out all the time, so Yoshino most likely really
can’t help Yumi with her issues. If Yoshino and Rei go shopping, it’d be a kind of date, so…

Tsutako offers to go on a dry run date with Yumi so Yumi can “practice” her schedule. Yumi thinks she doesn’t have the time as the date is this Sunday. But more importantly, this is the 2nd time we get a glimpse that Tsutako likes Yumi a little more than she lets on.

Tsu suggests going to ask Shimako.

4) Shimako seems listless. Minako wants a preliminary budget for each date and a report by each en bouton and contest winner – Yumi thinks it all sounds oppressive.

When Yumi asks Shimako if she’d asked Shizuka about the date, Shimako falters and Yumi rushes to keep her from falling. Yumi asks her what the matter is, Shimako says that she doesn’t understand Shizuka’s true intentions.

5) This leads Yumi to see Shizuka, who accuses her of coming because Shimako or Sachiko suggested she do. Yumi denies it, but breaks out in a cold sweat.

Shizuka tells Yumi that she’s not a god, or a psychic – she happened to find Shimako’s card entirely by accident.

Hors D’ouevres

6) When Sachiko smiles, Yumi thinks that she looks like Maria-sama, but then she decides that she likes the hysterical Sachiko, too. We get a moment of Yumi being besotted – a long look at Sachiko, admiring her outfit, then thinking that what was in the clothes is even better. (!)

As in the anime, they have decided to go Dutch on this date, because they couldn’t agree who would pay. The final agreement is that they would each put in half and Sachiko will give Yumi something for White Day – to keep it all even.

The first place they stop is a bookstore. Yumi sees Yoshino following Rei and Chisato.

7) Yoshino spends a huge chunk of this section reproving herself for following them. Disgusted with her own behavior, she berates herself for scene after scene.

8) Tsutako, who is hoping to get a picture for the newspaper, is hungry. In a cut-out scene, (gosh, I wonder why they cut this?) she spends about two or three pages fantasizing about eating something with rice. lol It’s an entire chapter of Tsu thinking about lunch!

9) Shimako and Shizuka get off to a bad start, which is pretty fairly done in the anime. BUT, we didn’t get to see Shimako wondering if Shizuka picked their meeting place because there were many places to buy food. In fact, Shizuka picked it because she knew Tsutako would be there and thought that it would be fun to try and dodge her, “Playing with fire” a little.

Shizuka points out that Shimako picked the school as their “date” place for the same reason. Bull’s-eye. In fact, as the bus pulls out of the station, Tsu sees Shizuka in the window, and Shizuka sees her as well.

To Be Continued…



Yuri Manga: Ichigo Mashimaro, Volume 2

August 9th, 2005

I’m woman enough to admit when I’m defeated. And there is no doubt in my mind that Ichigo Mashimaro has won by a knockout.

I originally caved back in May, when I reviewed Volume 1 of the manga, but now I’m full blown moe-geeking at the utter cuteness and wacky humor of this story. Look, Ma, I’m a genuine otaku now!

Volume 2 is more of the same nothing that is usual for Ichigo Mashimaro. Miu and Nobue treat everyone – especially each other – with unusual cruelty that somehow manages to be adorable even as its being eviler than just about anything else I’ve ever seen. And that, in a nutshell, is what has got me hooked. I just adore psychotic women. lol

So, in Volume 2, we are introduced to the last of our main cast, the European doll-like Ana, who hails from Cornwall, but has about as much English as the average Japanese elementary school student. In other words – almost none. Watching as Ana tries desperately to pretend to not know Japanese or any of the right customs is just plain hysterical.

The rest of this volume is taken up with several fanservice-y shorts, a bath episode, a Christmas episode, a running gag about a local vending machine that serves up random objects and other goofball stuff that’s funnier than it has a right to be.

And, at last, there’s a hint of the yuri that I just haven’t seen until now. Okay, its true that Nobue hugs Ana when she meets her, but she is drunk at the time. And she clearly thinks of Matsuri as a pet, not as a girl. After reading Volume 2 (and 3, but that’s a later review) I’m sticking with the Miu x Nobue combo. Miu has it bad for Nobue and frankly, I can see Nobue being okay with that. Remember, manga Nobue is 16…not so huge and uncomfortable a gap between that and Miu’s 12. I’m pretty sure we *all* had crushes on older women at that age. (In retrospect, mine was probably my babysitter, Biz Ann.) So, yeah.

The final chapter traces a cold that begins with Chika, but ends up being Miu’s. In her eternal desire to gain Nobue’s attention, Miu demands that Nobue see if she has a fever (she doesn’t….but she will.) As she lifts her face to Nobue, Nobue leans over and kisses Miu on the lips. A little surprisingly, Miu freaks. They then go on to play doctor, in a way that I’m pretty sure I never did as a kid. But I digress. Oh, and the best gag of the chapter is Chika sneezing messily on her older sister. Twice. It’s infantile, and gross, but really, really funny.

Ratings:
Art – 8
Story – 10
Characters – 10
Yuri – 5

For sheer bizarro wacky humor and psycho babydyke-in-training Miu, this manga is a serious win.