Yuri Manga: Yuri Hime, Volume 2 (Part 1)

November 1st, 2005

What is there to be said about Comic Yuri Hime, Volume 2 except “Yuri, Yuri and more Yuri!” ^_^ In fact, there’s *so* much good yuri in this volume, I’ll have to do this review in two parts…or maybe three.

The only real complaint I ever had about Yuri Shimai was that it was a tad on the young and innocent side for me. Well, Yuri Hime showed some interest in moving away from that into a slightly more adult outlook. And now, with Volume 2, I think Yuri Hime has finally hit the exact right note. It’s adult without being pornographic, and sweet and cute without being lolicon. Just the kind of thing that I’ve been looking for – and the kind of thing we have been publishing at ALC Publishing. In fact, there’s so many good things about this issue that I may sound a little giddy – I apologize in advance. ^_^

Let me start with the cover, because the two smiling faces that grace it are of some significant import. Drawn by Hibiki Reine, the illustrator for the Maria-sama ga Miteru novels, we are greeted by Chika (on the left) and Miyu (on the right). Both these characters are from the ongoing cover stories from the old Yuri Shimai volumes. Once again, let me just remind you that Chika’s story was turned into two Drama CDs entitled “Koi Shimai” which was eventually turned into a manga, that continued in Yuri Hime as “Hatsukoi Shimai.” This all confuses the heck out of everyone but about three people. Just go with it – it makes sense if you just get all the damn books and look at them. :-) I reviewed the Koi Shimai Drama CDs some time ago in 2004: CD 1 review and CD2 review. And now I will leave this topic quite suddenly to move on in an abrupt fashion – don’t worry, we’ll come back to it later.

I won’t go into detail about all the other stories’ histories, since I just went over them in my review of Yuri Hime, Volume 1, last week.

The first story of the book is the second, long-awaited installment of “First Kiss” by Taishi Zaou and Eiki Eiki. Once again we watch Reiko and Ayano torture each other with Unresolved Sexual Tension. If you remember that the pair who draws this manga is extremely well known for their yaoi manga, it won’t be too surprising. :-) Reiko and Ayano are pining for each other – but inexplicably, neither can see the desire and loneliness in each other’s eyes – perhaps because they don’t really look at each other. Also, I just want to say that while I REALLY like my doctor, if she EVER sucks on my finger that messily, a lawsuit would definitely be in order. I mean really. LOL

This volume also contains some spiffy color pictures of Reiko nekkid and Reiko and Ayano as adults, in bed – a nice parrallel to the younger pair in bed last volume. (And a palpable sign of the maturing of yuri that this volume represents.) Volume 3 continues this story – will they get together? Probably. ^_^

“Shoujo Bigaku” is a second story from Chi-Ran in which an unsuspecting “normal” girl is overwhelmed by the presence of an openly gay, openly amorous transfer student. Only in this case, the so-called normal girl, Yuno, is actually as queer as a three dollar bill. So of course, she does everything in her power to not be discovered by the openly gay Shinri. Shinri pegs Yuno in about 3 seconds flat – just about the time she finishes saying that Japan is a lesbian paradise. It’s hopeless, Yuno. Shinri uses all her magic lesbian skills – and a few well-placed kisses – to make Yuno see things her way. Rabu rabu.

The first essay is on early 70’s Yuri – more specifically Oniisama E, the early yuri classic by Ryoko Ikeda. Great art to support the essay. ^_^

The story of Letty the Witch and Tsugumi the Miko continues the morning after they spend the night in the same bed. Letty freaks – then remembers that it was all platonic, but something is wrong with Tsugumi! She’s coming down with a cold…or something. They go out to enjoy a beautiful day and discuss how they are connected forever by a red string. Tsugumi collapses and a stranger who suddenly appears tells Letty that its because she took Tsugumi away from the shrine. Letty drives off the stranger, but she comes back and tells them that Tsugumi is cursed. Tsugumi apologizes, thinking back on their times together, for having been a bother to Letty. The chapter ends with Letty screaming Tsugumi’s name…. It’s a pretty surprising chapter for what has been so far an innocuous, but pleasant story. I guess we’re anticipating many more volumes of this magazine, if we’re adding in actual plot complications, huh? A good sign, I think.

Takahashi Mako’s story for this volume, “Tiger Lily” is shocking for the radical change in apparent age for her characters. They actually appear to be high school aged for once. The story centers around two students who take on, respectively, the roles of Wendy and Tiger Lily in Peter Pan. “Wendy” remembers everything about “Tiger Lily” because, she says, she remembers everything about the person she loves. But she can’t remember a teacher who has made her his favorite and is surprised whrn Tiger Lilly mentions him. Wendy does remember that Tiger Lily had a thing for that teacher, though. It’s all complicated young love as remembered by an old lady. A surprisingly non-psychotic entry by Mako and one that didn’t make me cringe with distaste.

“Nanami to Misuzu,” the continuing adventures of a rich chibi cat girl and her friend who plays the straight man to her physcal comedy, were marginally amusing this time, with the addition of Sakaki from Azumanga Daioh. Not really – but you know what I mean. She might as *well* be Sakaki. There was one very funny gag and the rest were just…gags.

Last for today’s update came the winner in this half, Morinaga Milk’s sequel to the very first Yuri Shimai story, “Even If We’re Not Friends”. In this story, “When the ring finger is kissed” (or something like that. I’m not great at conditionals) we go back to our original couple, Nana and Hitomi. The first several pages of the story are absolutely beautiful color pages of the two girls kissing and undressing. It’s so well done, so tasteful and sexy at the same time that it may set a new standard for yuri manga. It turns out to be a dream – Nana’s under alot of pressure recently with mid-terms, and she hasn’t been able to see Hitomi at all. But Nana has, once again, been avoiding Hitomi – this time because she’s freaked out by Hitomi’s desire to go further with their relationship. What’s flipping Nana out is the fact that she also wants that, but she’s scared out of her gourd. On the final day of mid-terms Hitomi takes matters into her own hands. She shows up at Nana’s house, armed with sleepover materiel. Nana gets over her bad self and the two make their beautiful memory. Happy sigh.

This story was excellent. Simply excellent. The art on the color pages was breathtakingly sweet, and the story didn’t make one squick. Nana’s behavior, while marginally irritating *was* consistant wth her personality as it was given to us in the first story. And Hitomi’s was, as well – her forthright expression of desire was no less lovely for its frankness. Top o’the Yuri class for Morinaga Milk.



Events: Yuricon at Comic Fusion Grand Opening

October 31st, 2005

You are invited to join me on November 5th at the grand opening of Comic Fusion at 42 Main St. Flemington, NJ.

Yuricon staffer and long-time friend Stacy has been running Comic Fusion online for some time now, and she and her business partner have decided to expand from clicks to bricks, with a move into a nifty store in Flemington. I was there this past Saturday helping set up and I have to say it’s a really nice store!

While Comic Fusion is primarily a collectibles and American comics store, they do have a very nice anime toy section, with some lovely items of interest to the yuri fan. I’ll be highlighting some of the great stuff you can pre-order from Comic Fusion all week, but I’ll start off the week by mentioning some of the fun items that they have in stock – just to entice you to drop by and join us. :-)

While setting up the anime section I found this nifty Kanzaki Akari from Battle Athletes figurine. I didn’t even know there *was* an Akari figure. Now if we can only find a Kris Kristopher, or a Mylandah one, huh? LOL

When I saw this Maggie from ROD The TV figurine, I nabbed one for myself. Most of the Maggie figures make her look a little vapid and passive and this one has her in full cool Paper Master mode. Plus you can’t beat the price. :-)

What collection of yuri-flavored figurines can ever be complete without Shimei Ryomou from Ikkitousen, aka Battle Vixens? There’s also at least one Sonsaku Hakufu statue in stock and two, (cooler, IMHO) available for pre-order.

Comic Fusion does do manga pre-orders and they discount pretty deeply online, as well as have contests every month with cool giveaways, so if you don’t have a specific favorite store and want exceptional customer service, discounts and to suport a close friend of Yuricon, drop by Comic Fusion for your cool toy and manga needs! :-)

And don’t forget – I’ll see you on Saturday, Nov. 5th for the grand opening. I’ll be bringing fun yuri giveaways for anyone who shows and says they love yuri!



Yuri Manga: Yuri Hime, Volume 1

October 28th, 2005

Only three months late and just in time for the arrival of Yuri Hime, Volume 2 comes the “more detailed” review of Yuri Hime, Volume 1 I promised back in July.

For new readers, let me give a quick historical overview: Comic Yuri Hime, as it is more properly titled, is the newest incarnation of the quarterly yuri manga anthology magazine that was begun in 2003 as Yuri Shimai. The series that became popular from the original magazine were all transferred to the new version, pretty much intact. Only a few name changes show that there was any switcharoo at all. ^_^

Let’s start with the cover, which is more important than you’d think. The cover characters are pig-tailed Chika and wavy haired Miyu not, as you might suspect, Yumi and Shimako. You may remember that the cover artist is Hibiki Reine who *happens* to also illustrate the Maria-sama ga Miteru novels.

Chika and her eventual girlfriend Haruna are the cover characters for the first Yuri Shimai, and the focus of a short story in that issue, which was turned into a Drama CD, and eventually into a manga. Miyu and *her* eventual girlfriend Kirika (I think) were on the cover of the third Yuri Shimai. Remember this…or bookmark it or something, because it *will* all be very important later. Promise.

In the meantime, let’s move on to the content. The book starts off with a color poster of Kouya and Yamato, the lesbian couple from Loveless, drawn as children by Yun Kouga. The back of the poster is the Big, Bad Wolf and Riding Hood envisioned by Shio Sakura, who illustrates the yurified fairytales in each volume.

We start off with the next chapter of “Strawberry Shake Sweet.” This chapter is the usual hijinks between Ran and Julia. Complications this time once again come in the form of band members from all-lesbian band Zlay and Ran herself who seems to be flagging. It turns out that Ran feels as if she is being stalked. Julia nearly loses her mind when she’s volunteered to stay at Ran’s apartment for the night. She most definitely loses serious blood out her nose when Ran offers to give her a massage in thanks. ^_^

Next we’re treated to the sweet “Kuchibiru ni Cherry” by Morinaga Milk. In this continuing saga of the all-lesbian high school, we meet Chiharu who is deeply in love with her best friend, Eri. Eri was a star flute player until she suffered an arm injury. Since then, she’s turned her attention to making sweets, which Chiharu loves as much as she does the cook. One day, while over Eri’s to try a new recipe, Eri offers to serenade Chiharu with her fluter, which becomes a confession of love. All very blushy and sweet as befits Morinaga’s yuri saga.

Following this is a Yuri life essay by Miura Shiwon, all of which are interesting to anyone who can read Japanese.

“Shortcut” by Mako Takahashi is a story about a girl who cuts her hair, and how the girl who loves her simply isn’t fazed at all by it. Personally, I always try to like Mako’s work, but it doesn’t do it for me – the characters always look too young and are too…broken, for me to like them. Of the stories so far, this is definitely the best.

It would be work to translate the next title and my dictionary is all the way over there. So I won’t. But the story is drawn by Himawari Souya and is a fairly tale of a emotional princess and the paladin she loves. It’s cute. Really. The princess gets all jealous of her knight, when she thinks that she’s playing around with commoners…but of course Louise has eyes for no one but her Hime-sama. They make up with a kiss.

“Alice Turn Back the Clock” is drawn by Shinkai Inoue, who drew “Pops” and “Pops 2nd” for Yuri Shimai. The basic premise of “Alice” is the same as those for the earlier series – a relatively “normal” student is drawn into weirdness by a hyper goofball student. Unlike the original series, *this* particular weirdness involves Escher-esque buildingscapes, a sexy Queen of Hearts, a disturbing alien Cheshire cat and a desk island that floats in the middle of an endless sea, along with other Alice-in-wonderland-esque stuff. (Did you know that Alice’s Adventures in Wonderland is the third most quoted book in the *world*?)

Well-known for their yaoi, Eiki Eiki and Zaou Taishi started to do yuri for Yuri Shimai, but just as they were hitting their stride, the magazine was discontinued. Their story of a girl who sexually harasses (in a funny way, you know) “Female Wolf” was followed up by a story that took place in the same school, but involved two of the adults, instead. Reprinted in Yuri Hime, “First Kiss” promises to be the first in a series of stories about the school doctor and her first love, now a teacher at the same school. It’s pretty darn obvious that the doctor has it very, very bad for her friend…but by the end, we still aren’t *quite* sure that the feeling is returned, although we have an inkling that, since this is a yuri mag…it might just. We do learn that they shared their first kiss when they were students at this school. We are also treated to color pages of them in bed together as young women.

The next entry goes back to the cover characters. As you may remember, the story of Chika and Haruna’s meeting was retold not in the original cover story, but on the original Drama CD from the earlier magazine, entitled “Koi Shimai.” It was turned into a manga in the fourth volume of Yuri Shimai. When the new publishing company bought the magazine, they bought the characters and the story and it continues in Yuri Hime as “Hatsukoi Shimai.” The first HS entry is a short story about Haruna and her beloved little sister, Akiho (who is, because of the second Drama CD, one of my two favorite characters.) Again – it’s a text thing, so if you don’t read the language it won’t mean much to you.

Then comes the next chapter of the manga. Chika, having been frozen completely out by Haruna finds herself in a huge academic slump. The school they are in is pretty tough, so this ain’t so good. Akiho fights against her natural tendency to be overprotective of her sister and arranges for the two of them to get together. Yay.

Then comes the fairy tale of Snow White told as a yuri tale with an all-female cast. I am not enamored of these little stories or that art that accompanies them, myself.

“Kotonoha no Miko to Kotodame no Majou” is the renamed (and thank god for that!!) story by Fujieda Miyabi about Letty the English witch and Tsumugi, the miko she rescued. I honestly adore this series. There’s something so uncomplicated about Tsumugi’s admiration and desire for Letty that it’s plain refreshing. Today’s thrilling adventure – clothes shopping, then bed! Whee! Letty’s a sweetheart, but is in full self-flagellating mode about her desire for Tsumugi (who is totally game and says as much…repeatedly) so she protests much too much. But sleep together they do after a kiss which Letty insists is just a goodnight greeting in her country. Uh-huh. I’ve been to England, dear….I’m not fooled. ^_^

Natsuko Mori is Japan’s most noted lesbian novelist – and a very lovely and gracious lady, I might add, having had the pleasure of her acquaintance. She has been writing essays on yuri since the first YS issue, about love and life and yuri.

Sunao Minakata’s story, “Nanami to Misuzu” (which I am convinced is a title full of puns that I am only partially getting) is about a chibi-ko with cat-ear things and a habit of whining, crying, face-fauting and other oh-so-endearing qualities, and the normal looking girl who does not kill her. You can tell I liked it…not.

At last we reach the always-color Chi-Ran story. This short “plot what plot” entry, which reads like exactly every other Chi-Ran story involves two girls undressing and four pages that would naturally follow “I want to see your body” when two of the four pages are the credits and the first is the set-up.

The rest of the color pages are full of internal ads, reviews of anime we talk to death on the Yuricon Mailing List, and other colorful things.

All of a sudden, we are back in the black and white pages and in the rest of the Chi-Ran story that started so bluntly above. As it turns out, superstar model Mahime has come to an all-girl high school and for reason unknown to her, focused all her attention on our overwhelmed protagonist, Mari, in the sexual tension filled “Shoujo Bigaku”. They end up together, don’t worry.

Akiko Morishima reprints one of her doujinshi stories, about a younger girl and the older one she admires, called “Momo no Aji”. Akiko’s art is very cheerful, everyone has pink cheeks and happy smiles. The story is most notable because they *don’t* end up together. Yet. Perhaps.

This is followed by a report of the Yuricon in Tokyo event, also by Akiko Morishima. She was very funny about this – she did an interview with me and asked me a question that I understood, but had a REALLY hard time answering. How nice that she managed to convey my frog-like expression for this volume. Her version of the event is slightly different than the English-language version she wrote for Yuri Monogatari 3, where she left out my line about if I like it, it’s “Yuri.” ^_^ The funnest part about her reports, to me, are that I can recognize many of the folks there – not just organizer and all around-goddess Rica Takashima, but also translators Ive and Trevor and a lot of the guests, and some of the folks who came dressed up. Between the two reports I feel like I can never forget the event. (That and the fact that the café owner’s wife is now in NYC and we’ve had dinner together.) These things reminds me that it wasn’t a dream…it really happened after all!

Last up is “Let’s go Tengoku” by Izumi Yuu. It’s a slightly disturbing, sort of sexual harassment story, with a happy(?) ending? I’m not in love with it. One girl attempts to convince another to go to paradise with her – by which she seems to mean she wants to have sex. They both look too young and the word “no” doesn’t seem to make an impression, but wait! They really are in love with each other, so it’s okay. Bleah. Thumbs down.

There’s also reviews of books and other items of yuri interest, presents I’ll never get, because I’m not in Japan and can’t get my mail back fast enough, letters, comments, more internal ads for the next issue and the like. All very shiny and wonderful and which I will one day read from beginning to end. But not yet. ^_^

Once again, if you have not gotten YH1, I heartily recommend it, if only to prepare you for the *next* issue which is just about the best Yuri anthology I’ve read, barring of course, Yuri Monogatari ^_^ So run on over to the Yuricon Shop and grab a coupla copies of each (one to read and cut up, one to keep, one to give away to the girl you’re trying to get into Yuri, obviously) and check back soon for the next detailed review for which you will NOT have to wait three months. I promise. YH2 was way too good to wait to talk about!

Ratings:

Overall – 8



Maria-sama ga Miteru Eight Novel, Itoshiki Saigetsu, Part 2 (Second Half)

October 25th, 2005

Notes on the 8th Maria-sama ga Miteru Novel, The Loving Times, Part 2 (Itoshiki Saigetsuki, Ato Ben)

“One Hand Entwined”

This story is told in alternating first person, from Sei’s and Shimako’s points of view. There was very little different in the novel from the anime – just a few details here and there.

***

1)Sei stands under the sakura tree, letting the flowers wash away the world.

When the students call her “Rosa Gigantea” now, she’s not used to it – it’s not her title, it’s her onee-sama’s title. She doesn’t hate the students anymore, like she used to, but she still feels no connection to them.

2) The first time Sei sees Shimako, she’s reminded of Shiori – they don’t look alike, there’s just something similar about them. Sei suffers a profound sense of deja vu, as she feels the same way she did upon seeing Shiori for the first time.

3) Shimako immediately wanted to learn more about Sei. Her face, which looked like a carving, not terribly Japanese, had a look of grief which Shimako’s classmates find sexy.

4) Yoshino was sent by the Yamayurikai to invite Shimako to the Rose Mansion, because she was the only one who knew what Shimako looked like.

5)It irks the daylights out of Sei that Youko understands her better than she understands herself. ^_^

When Youko invokes Shiori’s name, Sei is repelled by Youko and demands that she not speak that name. Sei thinks that it would be a good goal to be able to forget Shiori, but knows she can’t – Shiori is her cross to bear.

Youko says that she thinks that Sei and Shiori would have made bad soeur, but if they had just gone and become soeur, they might have been able to spend the next years accumulating good memories.

Youko admits to being very surprised when Sei asked about Shimako – Sei had the same expression she had had when she had asked about Shiori.

When Youko tells Sei that Shimako reminds her of Sei, Sei comments that if she’s like me, then she has my weak points. Youko responds, “I like your weak points.” Sei shoots back, “I hate your strong points.”

As Youko disengages from this conversation, she comments lightly that she’d better leave or Sei really *will* hit her.

6) Cut from the anime:

After the above conversation, Eriko and Sei walk out of the Rose Mansion together. Eriko wonders if it was all right for her to have remained. Sei says that she thinks it was better that there was a referee.

Sei asks Eriko what she should do. Eriko asks if it would really be that bad if Shimako helped the Yamayurikai out?

7) Another cut scene!

Youko finds Sei wandering the first-year’s hallway, fixing the first-year students collars and ties and generally touching them and making them blush. Youko call her out on this, but Sei just responds Youko’s the one whose always remind Sei about her duties, and upperclassmen are supposed to tell underclassmen about their collars
or ties – she’s just being proactive.

Youko complains – why are you fixing everyone’s ties?

Sei shrugs – It would be unfair not to.

Youko – Being conscious of equality isn’t like you.

Sei – oh look, your tie needs to be fixed, too.

Youko backs off.

8) As they walk out onto the school grounds, Youko points out Shimako. Sei and Shimako lock eyes, and Sei feels “caught.” (In the anime, Sei was by herself at this moment.) She’s feeling self-conscious because Youko can see her reaction to Shimako.

9)Youko confronts Sei to ask why she hasn’t invited Shimako to assist the Yamayurikai with the festival. Sei accuses Youko of becoming an unpleasant person. Sei thinks that Sachiko is a hypocrite, Rei is a fool and Yoshino is a braggart. But she tells Youko that’s she, Youko, is evil.

Youko says that Shimako not joining the Yamayurikai would be a heavy loss – then
comments that there are other ways to make sure it happens, Shimako could always just run for a position in the elections…

10) Sei comes to a realization (satori) that Shimako is really her wish come true – someone who understands her, a replacement for Shiori for whom she can care, but not desire. Shiori was an angel and therefore, they couldn’t ever be together. But Shimako is human and Sei can remain separate from her. And that, she concludes, would be nice.

11) At a Yamayurikai meeting one day, quite suddenly, Sei calls Shimako “Shimako”,
with no honorific. Soon everyone follows suit. For the first time, Sei begins to enjoy the idea of a “Rose Family” and she starts to forget her unhappiness and discomfort.

12) Shimako sees Sei with Goronta and asks her if she likes animals. When Sei says yes, Shimako wonders to herself is humans are included in that.

13) When Sei finally asks (commands, really) Shimako to be her soeur, more
than the request, it’s the look of loneliness in Sei’s eyes that makes Shimako say yes.

After Shimako agrees, Sei tells her that she’s too serious. Shimako tells Sei that she is too insincere.

When Shimako says the word “Onee-sama,” it reverberates inside her. And she apologizes internally to Sachiko and to all the Rosa Gigantea fans, because she needs this person in her life.

The End



Maria-sama ga Miteru Eight Novel, Itoshiki Saigetsu Part 2 (First Half)

October 24th, 2005

Notes on the 8th Maria-sama ga Miteru Novel, The Loving Times, Part 2 (Itoshiki Saigetsu, Ato Ben)

This book took me a lot longer to read than usual, mostly because of preparations for Onna! and getting Yuri Monogatari 3 to print, but also because of a number of other things which killed my free time completely.

It actually took me almost a week to just get these notes typed up…

There were less notes than usual, only about 10 pages this time. The anime did an exceptionally good job I think of these two episodes. I’m assuming,as a always, that you have seen the anime, and I’m just commenting on things left out, of interest or I forgot that it was there in the first place. ^_^

***

“Will”

The prologue begins with a discussion of the inevitability of time. Time moves on, no one can stop it. At the end of February, when the 3rd-years’ pictures are taken for the yearbook, no one cries. It’s still in the future. But one day, traditionally, a countdown appears in front of the office “Two days until graduation.”

And then….

1) Yumi is positively *shocked* when she realizes that it’s Rosa Chinensis who has grabbed her. She’s sweeping the tree-lined path and is sure some classmate will see them. She thinks Youko may be possessed by a spirit, she muses, when Youko pouts at her(!) and kicks a pebble(!) cutely in protest.

Yumi wonders at all the Rosas using each other’s given names w/out honorifics. (This will come back as a theme over and over in this novel.)

Youko takes Yumi to the milk hall for warm milk. She explains that her parents gave it to her as a child – it’s become a comfort thing. As they walk, Yumi thinks about the school Youko has chosen and comes to the conclusion that she herself would not be comfortable at a co-ed school.

2) Eriko took several exams – she didn’t really care what course of study she took – she’s probably going to a fine arts school. Youko chose the school she tested for on her “greatest day”. She figured that passing that exam that day was a sign.

While she’s talking to Yumi, Youko begins to cry, even though she’s smiling. She’s going to law school because, although she wants to go to a fine arts school, she can’t really help people doing that.

Yumi thinks about Youko’s desire to do something meaningful – that she likes people, and wants to help them. She comments that it’s a good thing Youko doesn’t want to be a surgeon, because that would mean she likes to cut people up.

3) Yumi’s late. Shimako tries to defend her from Sachiko’s wrath “Shimako’s here, where is Yumi?” “We had different areas to clean.” Sachiko stands in front of them and demands an explanation – which sections did they have and how far away were they from each other. She says she wants to see whether Yumi’s excuse holds any water. Yumi is blown away – Wow, what magnificent sarcasm. She compares Sachiko to a stereotypical TV drama mother-in-law.

After she stops being annoyed at Yumi (who stops her cold with a mention of Rosa Chinensis,) Rei whispers that Sachiko was worried – Sachiko throws a fit and lifts a hand as if to strike Rei. But on second thought decides that striking a nidan (second-degree black belt) in kendo is a bad idea, puts her hand down and kicks a chair, instead. Rei teases her, saying that she shouldn’t keep her anger inside, stress poisons you.

4) Yoshino likens Rosa Chinensis’ last request to a confession of love, because some of her feeling is left behind with it.

5) This was in the anime, but slightly changed:

Yumi asks Shimako if Sei had any last requests for her, Shimako says that she gave none to her, but Yumi can go ahead and ask her. Yumi apologizes for being the one Sei hugs, but Shimako says she’s happy about it. Yumi gets suddenly anxious about Shimako and begs her to not go away anywhere. All of a sudden, Shimako seems to disappear and reappear, but have no real substance.

As Yumi holds Shimako’s hands, the teacher comes up behind them and takes their hands in hers. She apologizes for throwing cold water on this beautiful expression of friendship, but homeroom is starting…

Yumi is so embarrassed, that she wishes she had a backspace button with which she could erase the last three minutes – her head is buzzing and she feels like a teapot steaming. When Shimako mouths a-ri-ga-to-u to her, Yumi knows she doesn’t have to backspace after all.

6) Cut scene:

After cleaning that day, Yumi sees Katsura. She’s about to call out, when Katsura squats down and begins to cry. Yumi sees some girl holding a tennis racket, talking to Katsura as she, Yumi, was about to call out. (We are told that, during the Yellow Rose Revolution, Katsura and her onee-sama broke up, but were reconciled when it ended.) As Yumi watches the girl with the tennis racket, Tsutako arrives and tells Yumi that the girl wit the racket is the Vice-President of the Tennis Club. As the VP helps Katsura to her feet, Tsutako takes a picture of them. Yumi is about to complain, when Tsu says that that picture was taken at Katsura’s request.

The VP hands Katsura her racket. Katsura looks surprised, but takes it, hugging it to her. Tsutako narrates as all this is going on:

When Katsura split from her onee-sama during the Revolution, she fell for the VP of the Tennis Club.

Yumi immediately grasps the picture – Katsura akogare/admires the VP, but has an onee-sama who is feeling a bit uneasy right now in their relationship.

7) Yumi enters Sei homeroom and even though Sei is smiling, somehow Yumi senses that she’s not her usual self.

(At this point, I note in my notes that Konno Oyuki is genuinely a master of mood – in a sentence or two, we can really *feel* Sei’s melancholy.) Because Yumi thinks Sei’s melancholy is contagious, she takes Sei’s hand in sympathy. This surprises Sei so much that she springs to her feet in shock and Yumi sees an expression on Sei’s face that she’s never seen before.

8) As Sei tries to kiss Yumi, she tells her “Close your eyes like a good girl.” Yumi zooms in on the parts of Sei’s face that look Japanese and thinks that Sei is really lovely. In her head, the scene plays out like a movie shoot, hence the “Cut!” she cries out when she pushes herself away.

Yumi is torn. She’s not hating the idea of kissing Sei, but senses that it’s not really a joke – Sei’s quite serious about the kiss. Yumi’s feeling really torn, and feels genuinely bad for running away. As she stands there, thinking over her own reaction, Sei asks her what she’s thinking Yumi thinks, but does not say, “About the kiss. What else?” She’s thinking about it being a first kiss and the fact that the problem she was having with it is that it was on the lips. In her head, she hears Yoshino calling her fickle.

9) Sei picks on Yumi by telling her that she’s not going on to college at all. Having seen Yumi made her want to stay here as a student.

Sei also says, that although she was never very ordinary, after having met Yumi, she wishes she had been. She tells Yumi that she doesn’t want Yumi knowing where she is going to school, because she fears Yumi might coming running after her “beloved Rosa Gigantea.” Yumi laughs, but thinks that Sei actually hit the bull’s-eye with that.

Sei really did think it would be funny not to tell Yumi that she’d be at Lillian University, and see how long it took Yumi to notice her there. She’s going on to study English and American Literature.

(This seems unlikely, if you remember that she hates reading novels, but this is not true – she only learned to hate *romance* novels. Think about the scene in Ibara no Mori. where Sei reads the entire novel in about an hour. This is *not* the way a non-reader reads. Only hardcore readers read that fast. It was fairly obvious from other comments in her arc that Sei was always a serious reader – she mentions that she read alot by herself quite often. She’s the perfect Comp. Lit. major…says the former Comp. Lit. major. ^_^)

10) Youko watches the girls handing out flowers to the graduating seniors. She remembers that the year before, her classmates played janken to see who would do the honors, but she doesn’t remember playing janken. Then she remember that they all sort of voted her to do it unanimously.

11) Sei thinks the graduation program guide looks like a menu.

12) A classmate asks Sei if she’s nervous. Sei asks if she looks nervous. As she’s talking with the classmate, she thinks to herself that in all these years, she’s never really chatted nonsensically with a classmate before. Suddenly Sei blurts that she’s sorry that she didn’t ever contribute more to the class. The classmate says it couldn’t be helped. She adds that Sei was onee-sama to the entire school.

13) Sei fell asleep at her onee-sama’s graduation…

14) As a child, Eriko was not bored all the time – she was very class leader-y and “let’s go!” all the time.

Sei preferred to be by herself. When Eriko asked “Are you American?” all of a sudden, so impolitely, Sei just sort of snapped.

Because of the fight they had, Eriko and Sei remembered each other from kindergarten. In middle school, they were seated next to each other and Sei remembered her – which was unusual, because she didn’t remember anyone else from that time. At which point the classmate who Sei has been talking to is taken aback to find that Sei does not remember that they have been in classes together for more than one-third of their school years.

15) In her first year, Eriko was in Go club, in her second year, Calligraphy club. Third year was Table Tennis. Eriko was the one who pointed out Sachiko to Youko. She saw that Sachiko’s level of calligraphy was significantly higher than everyone else’s.

Upon meeting Youko, Eriko realized that the other girl was one of those “can-do” type people and immediately decided to not try and compete with her – even though Eriko had initially decided that she’d be class rep and honor student. (Eriko, Sei and Youko were all in the same class their 1st year in middle school.) Because Youko had gained the position of class representative, when Youko came over the first time, Eriko assumed it was to gloat. (Remember, Youko had transferred in to the school just that year.) Youko asked Eriko about her tie, instead, offering an awfully adult kind of reconciliation.

16) Youko is feeling terribly impatient with the graduation ceremony and only wants it to be over. She thinks that she just has to get past the formal farewell address and the reply and it’s over.

She’s sure that Sachiko will do well, but she wonders if her own reserve will hold, or will tears collapse the dam of her emotions. She also wonders if address and reply being done by soeur is accidental or on purpose…and whether it’s happened before.

As soon as Sachiko begins her formal reply, Youko thinks, “This is bad. Very, very bad.” Her eyes fill with tears almost instantly. But the dam that breaks first is Sachiko. As she stands there on the podium crying, Youko looks at Sachiko as if seeing her for the very first time.

17) When Rei joins Sachiko and continues the address, Youko is glad, but also a little jealous.

Youko doesn’t remember the last two graduation ceremonies she attended being this eventful. Last year the mic was broken and no one could hear anything.

18) In the anime, Youko wonders if, had it been she that cracked, would Eriko and Sei save her like Rei did Sachiko. She thinks they’d just laugh. In the novel, she thinks they’d *point* and laugh.

19) In middle school being in a club was mandatory, so Sei joined Reading Club, Youko was in Literature Club. Because of good grades in gym class, Sei was always getting invitations to join from the volleyball and softball teams.

20) Ultimately, Eriko doesn’t really know why she didn’t choose Lillian University.

21) Sei changes the words to the traditional song to fit Yumi – changing the word “beloved” to “adorable”.

22) Eriko is *really* harsh to Yamanobe. When he says he didn’t think he had the right to be there, she replies that because she wished it, he was worthy and so, should have come to the ceremony.

23) As Eriko and Sei think back on their original argument in kindergarten, Sei mentions that she eventually figured out why Eriko thought that she was American. She says that in the past, one of her relatives on her father’s side didn’t have Mongoloid genes. Apparently, she favors that ancestor.

Eriko responds, “Atavism, huh?” Then she asks if that ancestor was American, Sei says she doesn’t know – probably of mixed blood.

Eriko and Sei reconcile after 14 years of antagonism, but afterward, Eriko thinks to herself that Sei’s making it up, probably.

***

The end of the anime was pretty much word-for-word from the novel. ^_^