Yuri Manga: SHIBUYA Gal Yuri Anthology (SHIBUYA ギャル百合アンソロジー)

July 4th, 2019

The “gal” is, in her own way, as stock a character in anime and manga, as the ninja. With her hair artfully asymmetrically arranged, her cell phones and nails intricately decorated, and her school uniform sweater tied around her the waist of her shortened skirt, we are accustomed to seeing the “gal” in a dismissive light, shone on teen girl culture by disapproving adults who nevertheless sexualize those same young women, even as they scold them for being young and carefree. The gal is Generation X’s “those kids are/do/too much…..”  You know, like…adolescent girls in every age. Creepy old dudes who creep, creepy old ladies who complain, when all the girls want to do is shop and eat, do karaoke and be left in peace.

So it was with some actual hesitation that I picked up SHIBUYA Gal Yuri Anthology (SHIBUYA ギャル百合アンソロジー), from Yuri Hime Comics. Named after the part of Tokyo which gals are mythically said to inhabit, was it gonna be filled with creepy hypersexualization or moldy morality plays about leaving that life? Thankfully, it was neither. With few exceptions, the stories in this collection are commitment free and fun and wholly lacking any kind of creepiness. I say with exception, because yes, there are a couple that are, by my standards, a bit creepy. YMMV.

I find I kind of like the one’s best where a gal has a normie alter ego, and then transforms into a hyper-fashionable gal at the behest of another girl. Which puts the first story of the collection right in my wheelhouse. Yoromo’s “Reverse Line” follows a gal’s encounter with a former Youtube Gal star at a makeup counter, which motivates the retired gal to resurrect her persona. It was very cute.

No surprise at all I liked the two older gals who live together and the story in which a gal changes a young woman’s life by visiting the izakaya she works at. I’m always going to be a sucker for food and romance between people who click. The final story, which follows a nice girl who falls for the gal at her school was surprisingly touching, as well.

Ratings:

Everything is variable as it is an anthology

Overall – 7

SHIBUYA is a pleasant, not-particularly-significant anthology exploring love between girls that includes gals.

 



Kakegurui Season 2 Anime (English) Guest Review by Mariko S.

July 3rd, 2019

It’s Guest Review Wednesday here on Okazu and today I a very pleased to once again welcome back Mariko S with another terrific review. I hope you’ll all setting for a treat and let Mariko wisk us away to a world of unhealthy obsession. Take it away Mariko!

You may recall that I previously gave a qualified enthusiastic review of this little “high stakes high school gambling addict” sports anime’s first season. Well, it seems its bombastic debut was popular enough to bankroll a second season, so what do Yumeko and the gang have in store for us this year?

To recap, in an elite private school where the children of Japan’s upper crust seemingly don’t study at all, but do spend all day gambling the GDP of small countries on increasingly elaborate contests, wildcard transfer student Jabami Yumeko arrived to shake up the status quo. She took down (and subsequently befriended) an escalating series of insurmountable opponents from the all-powerful Student Council in search of the pure essence of gambling and the chance to compete against the Yin to her Yang, President Momobami Kirari. Having miraculously won the right to stay in her gambling paradise, the season closed with a tease showing a hospitalized woman who looked like Yumeko folding paper cranes…

Kakegurui, Season 2 opens in media res on Yumeko gambling for some painful stakes with old frenemy Midari and a new goth loli girl. The next episode rewinds to tell us why: for some reason, Kirari has decided to step down from her position at the head of the school and offer it up to a school-wide election to be determined by – what else? Gambling. Since the position of Hyakkaou Gakuen student council president is apparently something akin to both Don of a mafia family and maybe head of a shadow government, the election has drawn the interest of a motley crew of teens from the other branches of the Momobami group, determined to take power for themselves. Every student in school is granted 1 chip, and whoever has the most chips at the end of the election period is the new president. May the games begin.

Let’s just get this out of the way – this season was a massive disappointment to me. We can start with its fatal case of “sequelitis.” Basically, the creators decided to repeat everything from the first season, but MORE. The absurd gambling games are even more far-fetched and less-related to anything resembling actual gambling. The grotesque faces that accented the escalating stakes last season, that were so unique and added such strong emotional visualization, are now omnipresent and ratcheted up to 10. Instead of the contests being a battle of wits and wills between Yumeko and a clearly defined opponent, the games this time are gimmicky and involve bloated groups of 3 or more gamblers. In fact, Yumeko regresses completely as a character this time out – you can barely call her the protagonist, as she functions almost entirely as a pure gambling id to catalyze the people around her. We learn nothing new about her, she does nothing to deepen her personality, and in fact in some of the episodes she is literally sidelined as the other characters work out their issues. She does and says things that directly counteract her previously demonstrated core values, and even the things she directly said moments ago. The first season supported Yumeko as both a force of nature and a complex person, and one who would show her gradually escalating excitement at the art and science of each gambling moment in lunatic ways. This time, she’s basically a service delivery device where the slightest hint of any opportunity to gamble making her come is her entire character.

Speaking of the visuals, they take a step back across the board. Gone is the surreal artistic masterpiece opening that Yamamoto Sayo put together for the first season, replaced by a workmanlike sequence that just displays the characters as cards, with lots of shots of Yumeko’s bouncing chest. The ending is basically the animators deciding to “yes, and” Yumeko’s rain walk from last season, as this time she turns into some kind of naked busty blue fairy surrounded by rainbows doing the same walk, just more cheaply animated. I lost count of the number of times someone’s chest was groped or faceplanted into. I already mentioned the overuse of the funhouse faces, but, at the same time, overall things felt more static and less inventive. The Momobami clan gives us a ton of unnecessary new characters, each with a distinctive visual design but little run-time to allow them anything but the shortest backstory and motivation. In fact, you could basically say this season was about healing the defeated opponents from last season more than anything else, as one-by-one the contest they take part in allows Yumeko to play Manic Pixie Dream Gambler and show them the heart, the courage, or the brain they always had inside them. And finally, the season ends on a complete “Huh?” Setting aside the resolution to the final gamble, I don’t think it’s a spoiler to tell you that the election isn’t even decided. Things just… end.

Can I say anything positive about this season? I guess one of the things that was interesting was how clear the show tried to make it that Kirari and Yumeko are two sides of the same coin. Kirari is a crazy sadist who sees the school as her personal aquarium and the students as the fish to be used, observed, experimented on, or discarded at whim. Yumeko also kind of sees people as a commodity, in her case, gambling fodder. She is kinder, yes, and almost accidentally more helpful, but is more of a masochist who likes the helpless feeling of chance. Her philosophy seems to boil down to, “if we have a good gamble, whatever happens was meant to be, so everyone should enjoy the outcome,” even if it’s utter devastation. Similarly, Kirari, though powerful, isn’t power-hungry – she just wants to be entertained as well. In her case that doesn’t always mean gambling, as long as she gets to watch someone squirm under her microscope.

On the Yuri front, this season is a step up, at least in quantity. Student Council secretary Sayaka, who is infatuated with Kirari, is given her own episode replete with lily imagery and, I suppose, as happy an ending as could be possible for someone in love with a misanthropic sadist. Midari is around for several episodes, displaying her usual over-the-top lust for stimulation by an alpha dog like Yumeko or Kirari. And one of the new characters, Batsubami Rei, though a kind of butler to the rest of the -bami tribe, is given a tall, handsome, princely aesthetic that charms the many girls around the school that she interacts with. However, the resolution to her story is, in my opinion, problematic. (Can’t say more without spoilers.)

Bottom line, if you liked the first season mainly for the kooky gambling antics, you’ll find more of that here to enjoy. If you were hoping to learn more about Yumeko’s past and see a character drama of ratcheting intensity, or even a magnetic attraction between two the-same-yet-opposite supernovas, you’ll be disappointed. Here’s hoping that if they gamble on season 3, Kakegurui can roll a 7 next time.

Ratings:

Art – 5 A dramatic decrease in quality from last season.
Story – 4 The election framing device was decent enough, but there was not much beyond it except at a superficial individual level.
Characters – 4 The gutting of Yumeko, the glut of little-more-than-sketches new characters, and the near omnipresence of the animal-hoodied loli and her minions as the “election monitors” send this one plummeting.
Yuri – 5 As described above.
Service – 10 Still a 10, but a different sort of 10 this time around. I didn’t care for it.

Overall – 4

Technical Note: Netflix continues to struggle with translations, but one of its mistakes is pretty funny on a meta level. Irrelevant-self-insert-male-narrator Suzui Ryouta’s name is sometimes miswritten as “Suzuki,” which is perfect for his interchangeable blandness.

Erica here: “as happy an ending as could be possible for someone in love with a misanthropic sadist.” is such a great line, I wanted to cut and paste it just to enjoy it all over again. I watched all of Season 1 and wished I had liked it more than I did. I’m sorry for you this wasn’t as solid but am regardless very happy you stopped by to let us know! Since I watched that first season, Netflix suggests this to me constantly – and you know how their ads autostart.. Watching a popular baking show?  Try Kakegurui.

Oh, you like My Little Pony? HAVE YOU LOOKED AT KAKEGURUI

Hey, we see you watched these murder mystery shows…. MAYBE SOME KAKEGURUI NOW?

Look, you watched Into the Spiderverse

 

It’s actually pretty funny, unless I have guests over. ^_^;



Yuri Manga: Comic Yuri Hime July 2019 (コミック百合姫2019年7月号)

July 2nd, 2019

Comic Yuri Hime July 2019 (コミック百合姫2019年7月号) was a little bittersweet for me. It marked the end of a series I hoped would never end, hisona’s “Goodbye Dystopia.” But aside from that there was so much that was else going on, that I didn’t have all that much time to be sad. ^_^

Kodama Naoko’s “Umineko Besso” took a different direction as we get to understand the story of Ayashima, and why she’s taking Mayumi’s intrusion on their happy household so personally.

“Tonari no Rakuen” by Kiriyama Haruka is a cute little adult life story about a working woman who needs a break and the partner who makes sure she gets it.

At last, we’re starting to get the backstory on Yano in “Watashi no Yuri ha Oshigoto Desu!” by Miman. She is not sure that she can trust Hime…and not sure its worth it, but she’s sympathetic to Sumika’s request to fake it beautifully for the sake of the cafe.

It’s school festival time in “Hayama-sensei to Terano-sensei ha Tsukiatte iru” and Terano and Hayama could not be cuter if they tried. Until next month, when they will be even cuter. ^_^ Speaking of cute, Takashima Eku’s “Sasayakuyouni Koi no Utau” remains an adorable young love scenario. I’d add Yuama’s “Ikemensugi Sugi-sempai” to this list, as well. And “Itoshi Koishi” by Takemiya Jin.  All of these series have something that Yuri occasionally lacks – characters who really enjoy each other’s company. And now that I have said that out loud, as it were, I realize that that one thing is totally my boom in a romance. I really like it when characters like each other’s company. ^_^

“Kaketa Tsuki to Donuts” is turning out to be a surprisingly touching, as an office worker begins to question the assumptions she’s made about adult life.

“Scarlet” and “Kimi ga Shine Made Koi Shitai” scratch the horror itch, in completely different ways.

The end of the magazine includes a new JP publisher’s initiative to avoid piracy and the advert for Ohsawa Yayoi’s upcoming new series, about which I will have thoughts shortly. ^_^

Once again, this was a solid issue full of things I read and did not read and liked and did not like. The Yuri gods are in their heaven and all is right with the world.

Ratings:

Overall – 9 if I remember to not read – or even look at – several of the creepy moe series, 6 if I don’t

The August issue is already available and I’m already halfway through it. I love that there’s so much Yuri, but ahhh! I can’t keep up!

 

 



July 9th is the deadline for the 100 Years of Yuri Tour!

July 1st, 2019

 July 9th is the absolute last-chance to sign up for the 100 Year of Yuri Tour of Tokyo!
We’re going to be shopping at stores for Yuri manga and goods, hitting up key places from Yuri anime. We’ll have lectures about Yuri history and hopefully a couple of guests will join us for some chats on Yuri!

PacSet Travel has arranged a onsen resort trip and a lot of fun shopping and eating…we even have a Takarazuka show option, of course. ^_^

Okazu Patrons get a $100 off the deposit and a very spiffy custom-designed t-shirt. ^_^

This is a no-joke once-in-a-lifetime event. We’ve got a few places still open so don’t let this opportunity pass!



How Not to Comment Online Revisited – Commenting Etiquette in 2019

June 30th, 2019

Many years ago I wrote an opinion piece on Okazu that went a little viral (at the time, in the pre-Twitter world) about how to and how not to comment on a blog post. A great number of the things that were relevant at the time are not as much relevant now, but there are still so many ways to come across poorly as we do more and more of our communications on social media.

To be clear, this post is not in response to any circumstance or person or specific or general comments here on Okazu, so if you feel attacked personally, I hope you will think about why that might be, rather than assuming that that is my intention. ^_^ It’s just time we revisited commenting etiquette. I did reach out to Twitter to get some feedback as well. Here, in no particular order and with no particular emphasis, are things not to do in blog comments.

The number one thing to not do:

1. If You Are Not The Editor, You Don’t Need To Edit

This is not as simple as it sounds! I love when you tell me I’ve gotten a fact wrong! Did I mention the wrong publisher or platform or mistranslated a word – I totally want to know. Really. But if someone spelled “the” wrong, then you can let that slide, it’s okay. I’m a pretty shitty typist, so I do go back over my posts every once in a while, too, and I’m still finding typos from 10 year old posts. But a good rule of thumb is if you understood it, so does everyone else. ^_^

 

2. We Have Wikipedia Too

Again, if I, personally have fucked up a translation, or have mistranslated a name or something, yes I want to know! But you know, if a blogger is mentioning Rose of Versailles, no one needs to be told that it’s actually called Berusaiyu no Bara. And that’s not even true, honestly, it’s name is ベルサイユのばら. Transliteration and translation are always evolving and are always, always open to interpretation. ^_^ You can share info for other readers too, without assuming the author doesn’t know. There may have been a reason they chose not to share. I have, in actual fact, done that. I curate what I share here, as does every blogger, reviewer and journalist.

 

3. It’s Opinions All the Way Down

You know the saying about opinions are like assholes, everyone has one? Well that saying has become a little bit more commutative these day. All opinions seem to have assholes, as well. ^_^

Every reader is free to interpret what they read, or watcher what they watch, as they want. Even if you don’t agree. When you are reading a review or commentary or analysis…it is not your job to tell people they are wrong. Unless they are objectively wrong, i.e., Moby Dick is not about a vanilla ice cream cone. And, if the reviewer is saying that it is  – whether they are in an amusingly altered cognitive state or have or have not made a solid case for their point – there’s no reason to become combative if you disagree. You can both be right, and wrong, simultaneously. Creative endeavor is like that. My first point brings me to….

 

4. No, Really, We Get That It’s Problematic

Yurimother knows of what she speaks here. I’m pretty comfortable with my fetishes and my turn-offs. I’m also comfortable surfacing them in turn and leaving it up to you to decide if you’re comfortable with the same things or not. But some folks are not satisfied with that and get super miffed that we’re not just rejecting it outright. We all like problematic things or not-problematic things by problematic creators because we and the creators are all human. Learning to accept that your favoritest series in the world was created by a raging asshole hurts, but learning to accept the parts of that thing that helped you personally grow, can still be important and useful.

 

5. It’s Okay to Say…Nothing

Sooz and Mirielle nail this one. Is it really important that you be “funny” right now? Could that “joke” wait? I bet it could! I bet it could wait forever and pass into the oubliette of never-having-been-said and no one will miss it!  I love writing comments, but there are days when I self-censor the shit out of myself by asking this question. It’s okay…that oubliette is darned big and has plenty of room for things never said outloud. ^_^

 

6. This Blog is Made for You And Me…and That Lady and That Guy, and Those Other People

Mirielle’s point leads me to something I often want to say and can never find a nice way to say it. Bloggers and journalists love readers’ feedback but we’re the ones doing the work. If you are unhappy with a post, an opinion, a conclusion, a choice…then you are always free to start your own site. Being angry with, or even worse, at, the person you’re reading is human. But you don’t have any right to demand anything.

Many of the readers I have on Okazu have become my friends in the real world and I assume that I will meet and befriend many more as I continue to travel and talk and meet people. But I also appreciate it if you don’t presume ownership of this site – or my friendship. I’m not writing that post for you, personally, so if you are unhappy, it’s not critical that I be told. Someone else might have really enjoyed that post. I write a lot of jokes on Okazu for myself (there are several of them in this post) and most of them probably go right over your head. I am not here for you, I am here for me. Just kindly remind yourself of that.

 

7. Don’t be a Dick.

You all remember Penny Arcade’s intro to the Greater Internet Fuckwad Theory? If you missed it, here it is.

Well, it turns out that anonymity is not actually the problem. The problem, it turns out is “Normal Person.” People are possessive about a lot of things…including their very individual perspectives about their individual fandoms. And some measurable percentage of these people react to any deviation from their point of view as if that deviation was meant as a personal attack. This is the literal meaning of “/whatever/ destroyed my childhood.” Imagine actually being a person who actually takes a Ghostbuster movie as a personal insult.

There are too many examples of online harassment against people because they were involved with a thing some individual or group objected to, to link to (and many of these have been astroturfed by hate groups, and were never grassroots as they claimed.) But there are still people, as we saw this very week, whose reaction to a translation they don’t like is to start harassing the translator. As I said yesterday, this is not okay.  I can remember each and every death or rape threat I have received. I have nothing but pity for the sad, pathetic fuckwads who thought that that was an appropriate way of addressing anything, of any kind, ever.

There is never any good excuse for being rude, being unkind, being aggressive or aggressively clueless in comments. The blogger does not owe you, personally, any other time than the time they took to write their post.

It shouldn’t have to be said (and, honestly, is not really being said for Okazu commenters – you folks are awesome!) but if you really, really hate a review, definitely do not call people terrible names online. Write a rebuttal or a strongly worded, polite comment, or rant to friends, but don’t be a dick and harass people.

With these basics of etiquette in mind, you’re ready to move the conversation forward, to add unique perspective and insight, offer praise and express enjoyment of your favorite writers!