Archive for the Yuri Manga Category


Cutey Honey a GoGo Manga, Perfect Volume (Japanese)

November 14th, 2007

I hereby nominate Go Nagai as a candidate for having his head put into one of those head tubs from Futurama. I don’t think we can afford to lose this kind of genius.

In April of this year I found and fell in love with Cutey Honey a Gogo. My biggest complaint was the volume ended abruptly, right in the middle of the story. And no Volume 2 ever appeared. It was criminal, when you consider how awesome CHaGG was. Then, one innocent day, Amazon Japan emailed me with one of its automated suggestions and lo and behold! It was for Cutey Honey a Gogo, Perfect Edition. Oh, how I rejoiced.

It is perfect (and totally not coincidental) timing for this volume’s release, as a new Cutey Honey Live-Action TV series is running even as we speak. Review will be forthcoming…of course.

Historically, Cutey Honey is rather important to us, the Yuri audience, and especially those of use who are female. Honey was the first, ever, magical heroine who succeeded all on her own, without a man in her life. It’s true that the Hayami family existed in the anime (Seiji, his kid brother and repulsive grandfather,) but they were there to primarily serve as victims, hindrances, perverts and other forms of comedic relief. Honey didn’t need them – in fact, she probably would have done a lot better if they had gotten out of her way. The fact that there has been some light to moderate lesbianism in pretty much every version (excepting Seed, which really isn’t about Honey at all) just keeps it on the list of series we should keep an eye on.

Cutey Honey a GoGo originally came out about the same time as the Live Action movie and Re Cutie Honey. And like those two, it was pretty great. Honey in these versions was much more like the original Honey; smart, fun-loving and mischievous. She’s also self-reliant and strong, with a clear emotional bond with Aki Natsuko.

In the original manga Na-chan was Honey’s classmate, another student at St. Chapel Jogakuen. In all three of the 2004 versions, Na-chan was a police detective. MAJOR powerup for Na-chan. I approve. She’s awesome as the tough-as-nails cop. Much better than as Honey’s beloved, but ineffectual, school friend.

So this perfect volume includes CHaGG Volume 1 and the never-before printed Volume 2. (For which artist Itoh Shimpei apologizes in the back, but I have no doubt that it is not his fault.)

Volume 2 picks up the story after Honey has been staying with Na-chan for some time. Na-chan is not falling for Honey, or anything, but as Seiji picks on her about it, Na-chan just says, “all the flowers are blooming.” When she had lived alone, she had tried to take care of all sorts of plants, but no matter what she did, they just died. As soon as Honey arrived, the flowers all blossomed. I (and Seiji) think that’s an apt metaphor for Chief Aki Natsuko’s life as well. ^_^

The plot picks up with more Panther Claw baddies doing the usual bad stuff and Honey doing the usual to stop them, with Na-chan bringing up the rear carrying the heavy artillery.

But they learn that bizarre things are occurring at – can you guess? – St. Chapel Jogakuen! So Na-chan signs up as a teacher and Honey as a student and they head off to this mysterious and strict private girl’s school.

They are met by the obviously sadistic Miharu-sensei, who was not a Panther Claw operative as I suspected, but another nod backwards to Honey’s history and the odious Histler. And here’s where the story gets wacky. ^_^

Honey’s roommate, Ayumu, is a nice kid. But Miharu-sensei, when she can’t catch Honey during her nightly transgressions, and frustrated with her inability to punish Na-chan who drives her nuts, targets Ayumu. Honey appears to be stalked by a dark, large and very gloomy upperclassman, who ultimately (I’m skipping a lot here) turns out to be in love with Ayumu. She blames Honey for Ayumu’s troubles, and attacks her, but when the Panther Claw attacks the school and lots of random, unnecessary and unpleasant deaths occur, she backs off and let’s Honey stop Spider Claw. The horrible deaths are yet again a nod back to the original work in which *everyone* died. Horribly.

At the end of this volume, Sister Jill-sama names four new top Claws – Black, Gold, Cobalt, and Scarlet and if you watched Re CH or the live action movie, you’ll be familiar with the names. At the end of the book, Na-chan vows to protect Honey (not the first time she has done this, and we all know where that leads) and Honey vows to fight to the bitter end to stop Sister Jill.

Bar none, this is my *favorite* version of Honey. I can only hope and pray and the manga gods are smiling favorably upon this lone fan and wait to see if we ever get more. It worked once, I’m not going to stop now. ^_^

Ratings:

Art – 7
Story – 8
Characters – 9
Yuri – 5
Service – 7

Overall – 8

How much do you think it would cost me to pay Nagai and Itoh to continue this series for me? ^_^





Yuri Manga: Comic Yuri Hime S, Volume 2

November 13th, 2007

I admit it – I’m reviewing in size order, largest to smallest. My parents are coming at the end of the week and I’m trying to get the piles down to a size my father can watch the TV over. No joke.

Today, I’m going to tackle the second largest object in the pile, Comic Yuri Hime S, Volume 2. ^_^

Just as a reminder, CYHS is the brother compilation to Yuri Hime, in which artists who are well known for drawing highly servicey, moe and/or fetishy Yuri for a male readers are drawing Yuri for a more mixed audience.

My opinion of this magazine remains the same – it’s not as bad as I feared, but it’s not as good as I hoped. The “moe” part of the fandom means that many of the characters seem waaaaaaaayyyyy ootsy-cutesy or baby faced and I just will never, ever find that appealing. Sorry. If you do, then you will like this magazine better than I do.

The magazine begins with a few color pages on the recent Blue Drop anime, once again mirroring our conversations on the Yuricon Mailing List.

The first story is “Cassiopeia Dolce,” by Takagi Nobuyuki, creator of Kokoro Library. Anna arrives at Dolce to be the new worker and is surprised, confused and alarmed by the fact that the dolls are people, the people are really strange, and the girls seem to be kissing one another, and her, with alarming frequency. The story was just sort of silly, until the saliva string length contest began and I checked out. Not sexy at all. Ecch.

Kurogane Ken’s story “Watashi no Kido” was kind of suspended between two things that weren’t fully developed. The end of the world is coming and a bunch of girls gather on the roof to greet their death. Just as the end begins, Misa spots Yuma, who she had never had a chance to tell how she feels. In trying to call out to her, Misa falls off the roof, but (no deus ex machina here) ends up floating as the multiple-kanji explanation is given over the world PA system that I didn’t fully comprehend. Yuma and Misa end up floating together in space and kissing as the world probably doesn’t end, but I can’t be sure. lol When I have more time, I’ll give this one a closer look. Despite myself, I like Kurogane’s work.

“Flower Flower” by Iwami Shouko pickes up after Princess Nina has established her seme role over poor Princess Shuu. Shuu struggles to find a way to make Nina be nicer to her, which succeeds, but only in private. Poor Shuu. Poisoning Nina seems like the easiest route. The art is cute, the story is sort of soppy and I can see it going on eternally like this. I don’t dislike this story, but I hope something happens. Passive-aggressiveness isn’t a plot.

“Yappari Idol” by Araki Kanao lost me right from the first page. You like loli/moe, it’s perfect. Grow these kids up so that they are not repulsively young and then maybe I’ll care. Young idol is a lesbian, so gropes and kisses another idol. Yes, young lesbians are known for this kind of behavior and not say, years of confusion and self-loathing. Reading this story made me feel ucky.

Still with the schoolgirls, but much less nasty was “Sketch,” by Yoshitomi Akihito (Blue Drop.) Rika asks Sae to do a portrait of her, so she can give it to the person she likes. Sae knows that Rika’s seeing a sempai. As she works on the picture, she starts to realize that she’s in love with Rika. As Rika goes off to go on a date with the sempai, she gives all the pictures to Sae who, after a moment of hesitation, kisses her. The story is given a little depth and humor by the addition of a great analogy about apples being eaten. This story was sweet without being sickly and I like Yoshitomi’s art.

“Otome-iro Stay Tune” by Fujieda Miyabi was hysterical. Back in the studio with Arise and Hina, Arise is voice-acting the very Yuri story of a shoujo manga series that takes place at St. Lotecia’s Academy. Hina’s surprised, she’s not really a shoujo manga fan. Arise segues into using the manga as a pretext for playing with Hina’s hair, but talking about it in a way that listeners would get totally the wrong idea about what was going on in the studio. ^_^ The program producer and director approve. The last issue was so short, we barely had time to see who was who, but this issue was much better. I can see that this story isn’t going to be deep or emotional, but as art, characters and story are all kind of fun, I’m okay with it. As “funny” teasing goes, this was WAY better than Nina heaving books across a room.

“Minus Literacy.” I just don’t know where it’s going. We pick up at the end of last chapter with Iinchou somehow having been involved in Takeyama’s family drama, in which her deceased family left her millions of dollars in debt with only a big house filled with priceless treasure and money – and a maid. I just don’t get it.

If you are fan of the Lucky Star art style, you will probably enjoy “Kokoya Riron.” I am not. Therefore this short story filled with adorable little SD creatures assumably doing incredibly cute, yet somehow Yuri things was completely lost on me. It started with a snake puppet hissing “suki” and just went downhill from there.

Madoka has a boyfriend. In any other world, this would be a good thing, but if you are the ghost protagonist of “Honey Crush” by Tsubaki Asu, is it not. You would be reduced to playing mean-spirited little tricks on your love and her boyfriend in hopes of breaking them up. Kyouko arrives in time to stop ghost girl from kissing Madoka after inhabiting her boyfriend’s body. Kyouko confesses to Madoka, who plainly says she’s not interested. In the end, neither ghost nor girl are willing to give up on Madoka. Why? I have no idea. :-)

“Nanami to Misuzu” remains exactly the same as it always is. Goofball situations with Bwa-wa-waaaah punchlines. A new character shows up, in lieu of a plotline, a cute ninja girl this time.

In “Kuroi Hitomi no Majou” a serious first-year confesses to Satomi, who reacts coldly, then tortures herself about it. In the fine tradition of shounen manga, her “no” is completely ignored, because you know, she really didn’t mean it. Or something. Two Hakamada Mera stories where the girls didn’t skeeve me. It’s a miracle. They still have huge cabbage patch heads, though.

And last of all, the one story I was most looking forward to, the second chapter of Sudou Kaoru’s “Otome Kikan Gretel.” We last left Yuu in a state of complete and utter confusion as she inexplicably defeated a gigantic monster with powers she is now informed are “Aube” – Appearance of Unlimited Bio Energy. In other words, Nagi explains cheerfully, we’re all witches here. Mariya and Nagi defeat the big-ass monster, but it’s not really dead yet, so Nagi commands angry Mariya to kiss Yuu – deeply. It turns out that Yuu’s power is to absorb the powers of anyone she kisses, so…. The kiss occurs, Mariya and Yuu combine to defeat the plug-ugly Formica and thus it is that Yuu’s all-girl school life begins. This story is so dumb, I love it.

While Comic Yuri Hime S isn’t as full of joy for me as Yuri Hime is, it’s not bad, either. I’d like to see a lot less of the moe/loli/cute, but there’s just nothing I can do about that.

Overall – 6

I forgot to mention this yesterday – for some reason, in both YH magazines, there’s a bunch of reviews of manga that in no way at all look Yuri. Now, to be fair, I didn’t actually read the descriptions, but it really looks like a rattlebag of manga with no rhyme or reason. I suppose I should read the reviews to find out why they were mentioned, but I’m not going to. ^_^





Yuri Manga: Yuri Hime, Volume 10

November 12th, 2007

Yuri Hime, Volume 10 comes in at a bulky 400 pages. Wow. Despite that, I’m going to try and review it in one post, because I have a gigantic backlog of things to review and only a week before I go away and don’t care for a while. So, let’s see if I can keep the story synopses short and sweet. (But not alliterative, because that would be annoying.)

To begin with, this volume comes with a lovely clear file with the cover picture of Seriho and Sarasa (in tie, notably designed by Alice Quartet. AQ is another Fujieda series about five clothing designers. Yes, five.) Very nice.

The volume starts out with “Clover” the beginning of a new series by Hiyori Otsu; a tale of four sisters, a transfer student, an embarrassing situation and whimsical desire to ride on the luggage rack of a subway car. Thumbs up as always from me for Otsu’s art and characters.

“Arcadia” is a story of love between Yui-chan, a typical schoolgirl and Nanako, a wandering spirit that loves her. There was nothing particularly stand out about this, nor was it in any way horrible. Sweet and forgettable.

Ash and Towa play out two parts of the same story in “Epitaph,” in which chance(?) encounters bring a mother and daughter together.

Miura Shion’s Yuri essay covered a story I had never heard of – “Honey Honey-Pie” from a collection called “So Long.” I’ve got it in my Amazon JP cart now.

“Apple Day Dream” continues as Kaoru attempts to find the guts she needs to tell Mayu how she feels, while Mayu takes the opportunity on their date to explain that she is neither tsundere or an ice queen – it’s just in her nature to be that way. I almost liked this chapter. The clothes were nice, at least. (This is meant to be ironic, as the story *is* about clothing designers.)

The newest chapter of “Cleo the Crimson Crises” (still a great title) follows Suo’s friend Momo as she’s approached, glomped and “befriended” by newcomer Kiki (whose name screams “watch out – bad thing lives here!) while Cleo hugs Suo in lots of interesting poses. I keep waiting for something to happen, but the art is such a train wreck, I’m not sure I’ll notice when it does. ^_^

I was surprised to find that Kazuma Kowo’s story was continued from last volume in “Tsumasamadachi October.” Nanao meets Mastumoto-sensei by chance and when the teacher’s friends make fun of them, implying a crush, Nanao is fast to deny it. But Mastumoto is just as fast to say that she’s damn sexy and she can prove it. Nanao is left with a drunken teacher sleeping it off on the sofa. Personally, I’d write on her face or something. lol I liked this story for reasons I can’t quantify. I just liked it.

Chi-Ran has a story in which two girls are in love and they kiss. Brilliant! “Himitsu Shoujo” is pretty much like everything else she does.

One of my top three stories in the book, “20 musume x 30 otome” (The 20 year old girl and the 30 year old virgin) by Morishima Akiko follows the trials and tribulations of 30-year old art teacher Keiko, when she agrees to go out with her 20-year old student Emi. Blinded by Emi’s shinyness and youth, Keiko comes to face with lots of issues she didn’t know she had. It’s cute, it’s about grownups and it’s got a sweet ending.

Takahashi Mako once again explores the world of neurotic Yuri in “Kumo no Ito”. It was yuck – creepy horrible kids doing creepy horrible things, but hey, it’s LOVE! Gah.

“Strawberry Shake” was brilliance. Best chapter yet. Hayashiya Shizuru’s art is really peaking. Love love love, is all about as Julia and Ran learn what Zlay band lead Ryou wanted with them after all. And once they clear the level of dealing with the clothes – which were great, btw – they run into the big boss. They are being asked to kiss on stage. This precipitates a major crisis and an even more major confession. It was a terrific chapter from beginning to end. It was worth getting the book just for this.

But, since we *have* the book already, we also ought to enjoy “Ameiro Kouchkan Kandan” by Fujieda Miyabi. Sarasa barely notes the fun of the school trip, so focused is she on things at home. The other girls aren’t stupid – they recognize love when they see it, but Sarasa is still mortified when Haru fills them in on the fact that it’s someone older. Meanwhile, at the tea shop, two customers ask Seriho if she misses Sarasa, ’cause she seems out of it. Seriho agrees that when Sarasa’s not around, she let’s things slide, but the two women, who admit to having been together for 15 years ,say they they weren’t talking about the shop. When Sarasa returns, Seriho has a suprising (and happy-making) question for her. Wonderful chapter. Wonderful story. I love Fujieda’s ability to do Yuri with high moe content that is neither fetishy, nor shallow.

Ryounosuke tells us a bit about himself, and his life, before he considered becoming a woman in “Mermaid Line.” He tells Mayumi that he’s considering beginning hormone therapy, but has some issues – and obviously, so does Mayumi. Will this bring them closer or break them up? You’ll have to read the chapter to find out.^_^ I like how this story is dealing with deeper feelings, and confusions and worldviews, without being strident.

“Nanami to Isuzu” remains wacky without being funny. I’ll be honest, I barely skimmed this one. If you want to tell everyone how it went, feel free to do so in the comments field. ^_^

Plot complications fall thick and fast, as we get a load of tragic Yuri backstory for Sawacchi in “Aoi Shiro.” Luckily, as quickly as she burdens us with her past, she sheds it in the face of Momo’s cheerfulness, until…gasp! A relic of the past comes back! Shock! Confusion! I found this to be a realllly long chapter for some reason. It wasn’t bad, but it dragged. Maybe half a dozen plot complications at once was a bit too much.

“Tokimeki Mononoke Gakuen” reaches a new level of bizarre as Arare is confronted by her classmates who are distressed at the idea of running a marathon. “If you’re a rain fairy, make it rain,” they say. Sadly, her advice turns them into a room full of teruterubozu, thus practically guaranteeing a beautiful day and a weird-ass end to the chapter. Pun intended.

Morishima Akiko weighs in again, this time with the next droolly-faced entry of “Yuri x Yuri Mimasen.” This time she and her editor take a break from creating Yuri, to attend (and throw lots of cash at) the all-Yuri doujinshi event, “Maiden’s Garden.” Jealous? Who, me? Grrrrrr.

Drama scatters like falling leaves in “Hatsukoi Shimai,” where Miyu and Kirika share memories of themselves as children and face a crisis in which Miyu, who has been given the role of the Princess for the school play (again) runs away form the Drama Club. She is sick to death of playing princesses and wants to do something else, but when she expressed this, she seen as being too big for her britches. She resolves her angst by deciding to play a very tomboyish princess. Akiko learns that Touko-sensei’s time at the school is coming to an end (nooooooo!) and Teshigawara gets extra grumpy to drive of the cute younger girl who’s been hanging around her. Haruna and Chika plan an afternoon of relaxation in their secret place; Chika runs off to get drinks when out of her past comes Haruna’s evil plot complication, erm, sempai. As always, I really like this. But if Touko-sensei and Akiho don’t get together soon, I may be forced to pout.

Hakamada Mera’s “Ame to Hatsukoi” follows the usual progression of rain=angst, sharing umbrella=love, to a first kiss that threatens to become a lot of kisses. Yukari-chan runs away into the rain, terrified of her desire, but Ebi-chan follows with an umbrella of love and more kisses.

Good volume? Yes. Absolutely. Percentage-wise, there was significantly more I loved than any other volume previously. I figure if there’s three stories I really like, then a magazine’s doing good – this one had 7. And the clear file. Yay.

I really wish this magazine would go monthly, but I don’t know how they’d do it. The artists already have brutal schedules.

Overall – 8

If you’re not getting this magazine, then you *are* missing some of the best Yuri out there. Sure, scanlations are nice for you, but I want the artists to be able to pay their bills. Buy it.





Yuri Manga: Applause, Volume 3 (Japanese)

October 10th, 2007

For previously published summaries and reviews of Volume 1 and Volume 2, click the respective links. Now here we are, at Applause, Volume 3.

Applause began its life as a very shoujo manga, but once it hit New York grew up into something thoroughly josei. Both Shara and Shelle, aka Junaque, have left their childhood behind them and so has the artist. Art, story and sensibility have all moved on from the world of the ridiculously privileged atmosphere of a European girl’s school into a still somewhat enchanted, but more realistic look at show business in New York City. (Back to that “practicing ’til you puke” thing. I don’t mind watching people becoming the best of the best – as long as they work for it. No idiot savants with magically appearing mad skillz need apply.)

Shara, having decided to never again wait for Shelle, moves in with a gay couple, Jon and Chris, and their dog Oscar. She returns to the dance studio at which she previously studied and her life, which had been a storm of emotional upheaval, calms down again into something she can live with and in. To add to her happiness, she meets a man, Shalat, who is perfectly compatible with her as a dancer, as a friend and eventually, as a lover. Shalat is part Asian Indian, and he loves his heritage. His apartment is decorated to reflect this, and Shara loves how he is an amalgam of places, times and dreams. The two of them are extremely happy together.

When an open audition announcement goes out for brand new Broadway show, Shalat and Shara vow to train and audition together, which they do. And together they make the final round. As the final auditions begin, it is announced that, yes, the auditions are partly to fill background dancers, but one role will be a lead role. To judge who is most suitable for the role, the show’s other lead actress is brought in. As Shalat watches, Shara goes pale, and seems to become completely paralyzed. The lead actress, of course, is to be Shelle Bejart.

When Shara’s name is called, Shalat calls her name too, trying to keep her by his side. Shara completely breaks down, as Shalat tries to coax her into telling him what is wrong. With tears streaming down her face she apologizes and leaves him, to follow Shelle after all, hating her own weakness the whole time.

Shortly thereafter, it is announced that Shelle and Shara will be starring in the most anticipated new Broadway show, “Modern Dancer.”

The story of “Modern Dancer” is about a former dancer Maria, played by Shelle, who has become crippled (emotionally and physically). Another dancer, Tracy, tries to convince Maria that she can still dance. In the climactic scene, Tracy takes Maria into her arms and they dance, even though Maria cannot stand. It’s pretty great melodrama and the art for this scene is awesome and over-the-top every time we see it (and we’ll see this scene *a lot.*)

At first, it’s a terrible fit. Shara and Shelle aren’t speaking and they don’t gel well at all. The media starts to report how they think Shara is a bad choice for the role of Tracy. Whether to provoke Shelle or Shara or just to cover his ass, Georges brings in a young male dancer, Fred – who is instantly irritating – to potentially take over the part of Tracy, if Shara can’t get it together.

Shara takes some time to visit Alphie and Gerald and the gang and get her head on straight.

The media uncovers the fact that Shelle and Shara went to school together. Shelle says that Shara was just another underclassman, that they had no special relationship. Shara, on the other hand, when questioned about Shelle, comments on camera that she never knew anyone with the name “Shelle Bejart” at school.

The two of them continue to breakdown in pieces and the show starts to fall apart too. One day, just as in the last volume, Georges takes Shara out on his yacht. This time, she’s also accompanied by Oscar the dog and when he jumps into the water, so does she. Georges also dives in and again, kisses her, but this time, she doesn’t seem to be affected by it at all. When they arrive back at the marina, soaked to the skin, Shelle is there. She gives them both the cold shoulder.

Georges continues the losing battle of wooing an increasingly frigid Shelle. He holds a big birthday party for her, which Shara attends, but can’t stand to watch the circus that Shelle’s life has become. She leaves, but Shelle follows her in her car.

Shelle confronts Shara and they lose it completely at one another. Shara runs off in anger. Shelle, trying to catch up to her, gets into an accident, which Shara witnesses. Forgetting her anger at Shelle, she goes running over, screaming Junaque’s name, and drags a semi-conscious Junaque from the car. Junaque/Shelle and she cry together. That night they end up back in Shelle’s shore house and once again, they have a few days of bliss together.

Back at rehearsal, no one can figure out why, but suddenly, they work perfectly together. The climax of the play is climactic and breathtaking. Fred is defeated – Shara owns the role of Tracy – sadly, he sticks around anyway.

Meanwhile, back at home, Chris has collapsed. No one knows why, but he is in the hospital.

Then the media attacks again – this time with a call to Shelle. Is it true, she’s asked, that you are Shara were lovers in school? Poor, fragile, confused and weak Shelle, lies. Then tells Shara to stay away – she doesn’t want the media to know about them. Rejected for the third time, Shara falls apart. Again. (It’s true – she was the first to reject Junaque, but I think she’s paid the price, really…)

But the show must go on – and it does. In the last chapter we see the whole of “Modern Dancer,” but it’s almost a reflection of Junaque and Shara’s lives so far. And together they dance their feelings out in a beautiful final scene. “Modern Dancer” will obviously be a success.

End of Volume

So, yes, heaps of melodrama. I feel bad for Shalat, personally, because he was a nice guy and didn’t deserve the drama. Shelle and Shara clearly do deserve one another. Oh, and don’t feel *too* bad for Georges – there’s a sense I get that he and Fred were very close. ^_^

Technically, the artist clearly hit her peak here. There’s none of the crowded panels and confusion of the first volume here. The only thing – and this is me being picky – is that the dance moves look dorky a lot of the time. OTOH, modern dance looks dorky a lot of the time. So there you go.

Ratings:

Art – 8
Story – 7
Characters – 7
Yuri – 8
Service – 3
Overall – 7

Volume 4 – anyone want to place bets on the ending? I bet you’ll never guess what happens. Seriously – go ahead and guess in the comments. (No cheating if you know. Only if you’re guessing!)





Yuri Manga: Mist Magazine

September 20th, 2007

I really don’t have time to review anything today, since there’s only ten days to go to our “Yurisai” event. Days right now are long, with tasks for Yurisai, then updates on the Yuricon website (Yuri Hime S, Iono-sama Fanatics and Hayate x Blade Drama CD – all 2nd volumes – up on the Shop now!), then getting copies of Yuri Monogatari 5 out in the mail. So I busted my hump today to get everything done early, so I could sit down and relax with a “new” issue of Mist magazine. Then I thought, hey, why not tell you all about it?

Mist was a “Ladies Comics” manga magazine that ran in the mid-to-late 90s. “Ladies Comics” are often adult in nature, with a target audience of adult women. Mist was, basically, lesbian porn drawn by women, for an audience of (presumably straight) women.

The covers, as you can see above, almost inevitably featured Caucasian women who, to me at least, often look Russian. I’m guessing that these are just stock photos that were bought because they look exotic. And the “best friends” poses and early 80s clothing cracks me up.

The stories almost always star an apparently straight woman who is (even if she doesn’t realize it yet) not satisfied with her life. If she’s in a relationship or married to a man, she’s usually just unhappy. Not always, but often. A lesbian love affair usually makes her realize what she’s missing. Sometimes it ends in a happy threesome, but more often, she goes off to live a happy lesbian life.

The lesbian character is more ultrafemme than butch, but sometimes there’s a genuine butch lesbian. The lesbians are *usually* pretty normal and not pulp fiction melodramatic, but there’s a few classic exceptions. (But only one knife fight that I’ve ever read.)

Sometimes the lesbian couple marries a gay couple to shut the families up.

Sometimes, they fly off “to America.”

But sometimes, every once in a while, there’s a story that just about two women who love one another. And who have sex. (They all have sex. It’s a porn mag. Duh.) Not surprisingly, I like those stories best. Second best are the women who aren’t in relationships, but just are swept away by their new-found love.

In almost all cases, the story begins with a sex scene. Then we get the set-up for the story, or the flashback of how the couple met. Then the DRAMA, plus crisis dujour, then more sex. Then they make up and sex. It’s formulaic, but it works for me. ^_^

In an effort to let people enjoy this fine crap, my entire Mist collection, including the one I just got in the mail today, will be part of the Yuri Manga and Doujinshi Library at, you guessed it, our Yurisai event. This is pretty much the only time I plan on ever letting these books out of the house, so don’t miss your chance! (You’re only other option is to get a lunch invitation, and you know how picky I am about those.)

Some of the art in Mist is awesome, some of it is not. Most of the stories are silly, but you know, I like them anyway. They are silly in a sincere and appealing way. And let’s face it, bed talk is absurd, no matter what the language.

Now, I’m going to go read the story of the unhappy housewife and her completely unethical affair with her gynecologist (and her sudden discovery that she’s had a post-miscarriage memory loss, zOMG!)

Ratings:

Art – as bad as 4 and as good as 9, averaging at about 7 or 8, depending on the issue
Story – Silly, formulaic porn – 8
Characters – Naive straight women, worldly hypercompetent lesbians – 8
Yuri – 10, because most stories end with love.
Service – porn, duh – 10

Overall – 8

Other than the few really manipulative or unhappy stories, this is happy lesbian porn. I really like it.