Archive for the Yuri Manga Category


Yuri Manga: Comic Yuri Hime Wildrose, Volume 1 (百合姫 Wildrose)

December 13th, 2007

Comic Yuri Hime: Wildrose, Volume 1 (百合姫 Wildrose) is an anthology from Ichijinsha, the folks who put out Yuri Hime magazine. Many of the artists are already contributors to YH, and some are known for outside series.

The stories in the collection are variations on the “two schoolgirls in love” theme, much like the ES ~ Eternal Sisters and Yuri Tengoku anthologies. Most of them involve sex, very few of them involve plot or characterization.

The entirety of the collection can be summed up by describing one story, drawn by Morishima Akiko, in which the two protagonists, having kissed, wonder out loud “What’s next?” And as they progress to “what’s next” we get a sort of shortened version of every lesbian’s internal coming out – without the lesbian identity, of course.

Which leads me to today’s digression. Recently, on the Yuricon Mailing List, we had a discussion about how few Yuri characters are “out and proud.” The majority of posters said that it was enough for a character to be “obvious” to be considered “out,” with me disagreeing, as usual. lol I feel that in order to be considered out, one has to actually be able to say, “I am a lesbian.” Otherwise, you’re just “obvious.” Not the same thing at all to me.

This all made me realize something I hadn’t ever put into words before, so here we go – “Yuri” is, almost by definition, a character with lesbian interest who is *not* lesbian-identified.

Even my beloved Queens of Yuri, Haruka and Michiru, never came out. They were obvious, but never once did they say “we’re a couple” or “we’re lesbian.” Yes, the creator later said that. And yes, they were characters in a shoujo manga in 1994. But the point is – they are not “out” in the context of the canon. In fact, when confronted directly in the anime, Haruka denies that they are a couple (I have a theory about that, but I’ll skip it for now) and in the manga asked in return if it really mattered whether she was a man or a woman? This was probably as close as Takeuchi could get to coming out at the time, but it was still ambiguous enough for many people to deny their “obvious” relationship.

If a character self-defines as a lesbian, then she’s out. But the LARGE majority of Yuri characters are not out – they are “just, in love” with this-person-who-happens-to-be-female. Much like the large proportion of BL characters who are amazingly not gay, although they only have sex and relationships with other men.

When pressed, obviously “lesbian” characters in manga will often say, “I like women” or “I don’t want to be labled” rather than say “I am a lesbian.”

I imagine that some of this can be chalked up to the Japanese preference for obfuscation and some to the fact that ambiguity sells better. And to add to this, the fact that long-term couples in real life don’t walk around saying “Hi, we’re lesbians,” so in actual *lesbian* manga (and real life,) you still don’t have overt “outness.” Rica and Miho going to Gay Pride, are rare indeed. There’s far more like Nene and Jun, who have sex, fall in love, and generally are a couple, without *ever* acknowledging that that is what they are. You know – “More than friends, less than lovers.” (A phrase that I later commented allows a person to have her cake and eat it too. Pun intended.)

So most of the stories in Wildrose are in this space – girls in love, having relationships – and sex – with other girls, but they’re not lesbians. Just, you know, in love.

Here is what I thought was the best story of the collection. It begins with Yumi and Sachiko clones. The Yumi clone, Mari, tells us – and all her classmates – that she and the Sachiko clone, Michika, are in love. And we see them sitting next to each other in class where Michika passes Mari an eraser, their eyes briefly meeting not particularly meaningfully. Then Mari tells us that they go out for a bite after school together, so we see them sitting next to one another at a snack counter – but apart as if there is no connection. In fact, it becomes apparent that the relationship is one-sided and our cheerful little Yumi clone is a stalker. Her friends freak out and try to stop her, but she gets away from them as she follows the subject of her desire. Her friends go one way, but we see behind the wall where the two girls are now together, embracing passionately. Mari and Michika make love, and Michika apologizes for not being more forthcoming recently. Of course she is forgiven. The next day at school, the classmates all demand to hear that they have a relationship directly from Michika’s mouth. “From my mouth” she says, and leans over to kiss Mari. The classmates all apologize for their doubt and we’re left smiling, because it was a stupid, but fun, almost-Marimite parody story. With no lesbians.

Ratings (variable, so everything is averaged):

Art – 6
Stories – 6
Characters – 6
Yuri – 9
Service – 7 (lots of undressing)

Overall – 6

If what you like best is young women finding love and sex with one another Wildrose is perfect. If you’re looking for something with more awareness of lesbian identity, go re-read Rica tte Kanji?! :-)

 





Yuri Manga: Reijin na Hito

December 6th, 2007

Today’s thanks go to Erin for the object of today’s review. It came from out of the blue and I absolutely love it, so thank you!!

Yumi is a woman with a gift. She loves women. Her gift is to bring women understanding about the people and things that are most important to them, to make them see what they really need to focus on, and to envision their own happiness and dreams, by sleeping with them. Because Yumi’s gift is so powerful, she sleeps with a lot of women, to help them all find the happiness they deserve. A dream job, really. :-)

Reijin na Hito (Beautiful Woman) is one of the few collections based on stories that ran in MIST Magazine, the classic adult-, and often lesbian-themed, “Ladies Comics” manga magazine that ran in the mid to late 90’s. It’s a testament to how many issues of MIST I am still missing that of all the chapters in this book, I had only read the first. I have a new purpose in life – I *must* find the other issues. (This is me making a determined face.)

So, in each chapter, a woman is in a relationship already, but is either unhappy – usually due to low self esteem or lack of faith in her lover – or doesn’t realize what she has. Yumi comes onto the scene and everyone goes gaga for her. She’s apparently unworldly in her beauty, something the art doesn’t *quite* live up to. The protagonist falls for Yumi’s beauty and that *something* which is her gift. By the end of the story, Yumi’s unconditional love and angelic magnificence has made the protagonist realize how important her real lover is. Protagonist and lover live happily ever after and Yumi moves on.

This was basically the plot for all but one chapter, which was my favorite.

In that one chapter, we meet supermodel Yamagata Hiroko. She’s incredibly famous and popular, and has recently done a nude photo collection. Now, to understand the significance of this, you kind of need to understand the bigger picture in the Japanese idol world. Doing a nude photo shoot is very much a two-edged sword for a Japanese model. On the one hand, it guarantees her insto-popularity, but on the other hand, those fans are probably all the “wrong” kind. In other words, she may increase her popularity, but she loses the respect of the industry. On the ever-present third hand, doing nudes is practically required by the industry, which then labels you as a slut and tosses you out the door because you’re not pure anymore and they’re looking at then newest 14 year old to walk in. And I wish I were kidding when I say all of this, but I’m not. The masterwork of a movie Perfect Blue is predicated around this same conundrum.

So, when Hiroko puts out her nude photo collection, people start saying that she’s washed up, that she did that to increase her waning popularity and because she’s old. (She’s probably 24.) Her ego takes a big hit and she practically has a breakdown. And then Yumi shows up. It turns out that she and Yumi are not only on-again, off-again lovers, but perfectly suited to one another. And, as they talk and make love, Yumi not only gives Hiroko back her self-esteem, she allows her to see herself and her dream clearly. Hiroko’s dream, it turns out, is to design clothes – not just any clothes, but to design the perfect outfit for Yumi. In the morning Yumi wakes up to find herself alone and reads a letter from Hiroko explaining this. Yumi begins to cry as she reads, and we learn that she deeply and truly loves this woman. It was bittersweet and, considering the book as a whole, kind of touching.

Reijin na Hito is not world shaking, nor is Kobayashi Takumi my favorite MIST artist. But the stories are basically sexy, empowering in a way and 100% lesbian. (I so desperately wanted to type “have no icky men to ruin the story” here ironically but didn’t, because you just know someone was going to quote that out of context…. ^_^) And for sheer rarity, it’s plain cool to have it.

Ratings:

Art – 7
Story – 7
Characters – 6
Yuri – 10
Service – 8

Overall – 7

Again, thank you Erin, it’s very cool and much appreciated addition to the world’s largest Yuri collection, which is taking over my house. ^_^





Yuri Manga: Red Garden, Volume 2

December 2nd, 2007

In every way but one, Red Garden, Volume 2 is the perfect (for me) Yuri manga. The one way it is less than perfect is that it doesn’t really have any Yuri. But aside from that, it’s pretty perfect! ^_^

Volume 2 picks up right after Volume 1, in the middle of a battle between our four protagonists and a beast man. It becomes immediately apparent that 1) Kate is the leader and linchpin of the four and that; 2) Rachel tastes the best, because she’s *always* the one with fangs dug into her shoulder.

Volume 2 follows Kate as she discovers that there are other girls who are also fighting the good fight, and that Lise was once one of them – even when she was innocently sharing an exchange diary with Kate. This of course means that she was already dead, which naturally upsets Kate a bit.

Clare and Kate bond in a way that would totally make them a couple if either of them had the slightest interest in the other. But it does open up the story for several people asking right out if Kate is Clare’s girfriend – in fact so many people ask, that that Kate begins to find it funny. So did I. They were totally gay together.

Rose cries a lot. And Lula gets a few moments of extra crazy Hellsing-esque faces in.

Kate meets Herve’s sister Anna, and he has to pretend to not want to kill Kate while they spend the day together.

And in the end, we see preserved bodies of the Animus’ past, with lots of worms going in and out, for extra creepy.

Oh, and yes, Paula has another chance to stroke Kate lovingly so that Jessica has another chance to have an apoplectic fit.

…and all’s right with the world. ^_^

I was glad to see that we do spend a bit of time in Kate and Clare’s lives, so we get a bit of depth about both of them. I hope that future volumes will cover Rose and Rachel, as well.

Red Garden remains extra violent, half about the clothes, half about the blood, creepy, disturbing and fabulous. If only Clare would just give it up and be the lesbian she obviously is – I mean, random guys on the street, her boss, me, we all think so. So duh already!

Ratings:

Art – 7
Story – 7
Characters – 8
Yuri – 5
Service – 3

Overall – 7 and I enjoyed the heck out of it.

Who can resist four cute girls brutally beating a slavering man-beast to death while wearing charming frocks? Not me, at any rate.





Cutey Honey a GoGo Manga, Perfect Volume (Japanese)

November 14th, 2007

I hereby nominate Go Nagai as a candidate for having his head put into one of those head tubs from Futurama. I don’t think we can afford to lose this kind of genius.

In April of this year I found and fell in love with Cutey Honey a Gogo. My biggest complaint was the volume ended abruptly, right in the middle of the story. And no Volume 2 ever appeared. It was criminal, when you consider how awesome CHaGG was. Then, one innocent day, Amazon Japan emailed me with one of its automated suggestions and lo and behold! It was for Cutey Honey a Gogo, Perfect Edition. Oh, how I rejoiced.

It is perfect (and totally not coincidental) timing for this volume’s release, as a new Cutey Honey Live-Action TV series is running even as we speak. Review will be forthcoming…of course.

Historically, Cutey Honey is rather important to us, the Yuri audience, and especially those of use who are female. Honey was the first, ever, magical heroine who succeeded all on her own, without a man in her life. It’s true that the Hayami family existed in the anime (Seiji, his kid brother and repulsive grandfather,) but they were there to primarily serve as victims, hindrances, perverts and other forms of comedic relief. Honey didn’t need them – in fact, she probably would have done a lot better if they had gotten out of her way. The fact that there has been some light to moderate lesbianism in pretty much every version (excepting Seed, which really isn’t about Honey at all) just keeps it on the list of series we should keep an eye on.

Cutey Honey a GoGo originally came out about the same time as the Live Action movie and Re Cutie Honey. And like those two, it was pretty great. Honey in these versions was much more like the original Honey; smart, fun-loving and mischievous. She’s also self-reliant and strong, with a clear emotional bond with Aki Natsuko.

In the original manga Na-chan was Honey’s classmate, another student at St. Chapel Jogakuen. In all three of the 2004 versions, Na-chan was a police detective. MAJOR powerup for Na-chan. I approve. She’s awesome as the tough-as-nails cop. Much better than as Honey’s beloved, but ineffectual, school friend.

So this perfect volume includes CHaGG Volume 1 and the never-before printed Volume 2. (For which artist Itoh Shimpei apologizes in the back, but I have no doubt that it is not his fault.)

Volume 2 picks up the story after Honey has been staying with Na-chan for some time. Na-chan is not falling for Honey, or anything, but as Seiji picks on her about it, Na-chan just says, “all the flowers are blooming.” When she had lived alone, she had tried to take care of all sorts of plants, but no matter what she did, they just died. As soon as Honey arrived, the flowers all blossomed. I (and Seiji) think that’s an apt metaphor for Chief Aki Natsuko’s life as well. ^_^

The plot picks up with more Panther Claw baddies doing the usual bad stuff and Honey doing the usual to stop them, with Na-chan bringing up the rear carrying the heavy artillery.

But they learn that bizarre things are occurring at – can you guess? – St. Chapel Jogakuen! So Na-chan signs up as a teacher and Honey as a student and they head off to this mysterious and strict private girl’s school.

They are met by the obviously sadistic Miharu-sensei, who was not a Panther Claw operative as I suspected, but another nod backwards to Honey’s history and the odious Histler. And here’s where the story gets wacky. ^_^

Honey’s roommate, Ayumu, is a nice kid. But Miharu-sensei, when she can’t catch Honey during her nightly transgressions, and frustrated with her inability to punish Na-chan who drives her nuts, targets Ayumu. Honey appears to be stalked by a dark, large and very gloomy upperclassman, who ultimately (I’m skipping a lot here) turns out to be in love with Ayumu. She blames Honey for Ayumu’s troubles, and attacks her, but when the Panther Claw attacks the school and lots of random, unnecessary and unpleasant deaths occur, she backs off and let’s Honey stop Spider Claw. The horrible deaths are yet again a nod back to the original work in which *everyone* died. Horribly.

At the end of this volume, Sister Jill-sama names four new top Claws – Black, Gold, Cobalt, and Scarlet and if you watched Re CH or the live action movie, you’ll be familiar with the names. At the end of the book, Na-chan vows to protect Honey (not the first time she has done this, and we all know where that leads) and Honey vows to fight to the bitter end to stop Sister Jill.

Bar none, this is my *favorite* version of Honey. I can only hope and pray and the manga gods are smiling favorably upon this lone fan and wait to see if we ever get more. It worked once, I’m not going to stop now. ^_^

Ratings:

Art – 7
Story – 8
Characters – 9
Yuri – 5
Service – 7

Overall – 8

How much do you think it would cost me to pay Nagai and Itoh to continue this series for me? ^_^





Yuri Manga: Comic Yuri Hime S, Volume 2

November 13th, 2007

I admit it – I’m reviewing in size order, largest to smallest. My parents are coming at the end of the week and I’m trying to get the piles down to a size my father can watch the TV over. No joke.

Today, I’m going to tackle the second largest object in the pile, Comic Yuri Hime S, Volume 2. ^_^

Just as a reminder, CYHS is the brother compilation to Yuri Hime, in which artists who are well known for drawing highly servicey, moe and/or fetishy Yuri for a male readers are drawing Yuri for a more mixed audience.

My opinion of this magazine remains the same – it’s not as bad as I feared, but it’s not as good as I hoped. The “moe” part of the fandom means that many of the characters seem waaaaaaaayyyyy ootsy-cutesy or baby faced and I just will never, ever find that appealing. Sorry. If you do, then you will like this magazine better than I do.

The magazine begins with a few color pages on the recent Blue Drop anime, once again mirroring our conversations on the Yuricon Mailing List.

The first story is “Cassiopeia Dolce,” by Takagi Nobuyuki, creator of Kokoro Library. Anna arrives at Dolce to be the new worker and is surprised, confused and alarmed by the fact that the dolls are people, the people are really strange, and the girls seem to be kissing one another, and her, with alarming frequency. The story was just sort of silly, until the saliva string length contest began and I checked out. Not sexy at all. Ecch.

Kurogane Ken’s story “Watashi no Kido” was kind of suspended between two things that weren’t fully developed. The end of the world is coming and a bunch of girls gather on the roof to greet their death. Just as the end begins, Misa spots Yuma, who she had never had a chance to tell how she feels. In trying to call out to her, Misa falls off the roof, but (no deus ex machina here) ends up floating as the multiple-kanji explanation is given over the world PA system that I didn’t fully comprehend. Yuma and Misa end up floating together in space and kissing as the world probably doesn’t end, but I can’t be sure. lol When I have more time, I’ll give this one a closer look. Despite myself, I like Kurogane’s work.

“Flower Flower” by Iwami Shouko pickes up after Princess Nina has established her seme role over poor Princess Shuu. Shuu struggles to find a way to make Nina be nicer to her, which succeeds, but only in private. Poor Shuu. Poisoning Nina seems like the easiest route. The art is cute, the story is sort of soppy and I can see it going on eternally like this. I don’t dislike this story, but I hope something happens. Passive-aggressiveness isn’t a plot.

“Yappari Idol” by Araki Kanao lost me right from the first page. You like loli/moe, it’s perfect. Grow these kids up so that they are not repulsively young and then maybe I’ll care. Young idol is a lesbian, so gropes and kisses another idol. Yes, young lesbians are known for this kind of behavior and not say, years of confusion and self-loathing. Reading this story made me feel ucky.

Still with the schoolgirls, but much less nasty was “Sketch,” by Yoshitomi Akihito (Blue Drop.) Rika asks Sae to do a portrait of her, so she can give it to the person she likes. Sae knows that Rika’s seeing a sempai. As she works on the picture, she starts to realize that she’s in love with Rika. As Rika goes off to go on a date with the sempai, she gives all the pictures to Sae who, after a moment of hesitation, kisses her. The story is given a little depth and humor by the addition of a great analogy about apples being eaten. This story was sweet without being sickly and I like Yoshitomi’s art.

“Otome-iro Stay Tune” by Fujieda Miyabi was hysterical. Back in the studio with Arise and Hina, Arise is voice-acting the very Yuri story of a shoujo manga series that takes place at St. Lotecia’s Academy. Hina’s surprised, she’s not really a shoujo manga fan. Arise segues into using the manga as a pretext for playing with Hina’s hair, but talking about it in a way that listeners would get totally the wrong idea about what was going on in the studio. ^_^ The program producer and director approve. The last issue was so short, we barely had time to see who was who, but this issue was much better. I can see that this story isn’t going to be deep or emotional, but as art, characters and story are all kind of fun, I’m okay with it. As “funny” teasing goes, this was WAY better than Nina heaving books across a room.

“Minus Literacy.” I just don’t know where it’s going. We pick up at the end of last chapter with Iinchou somehow having been involved in Takeyama’s family drama, in which her deceased family left her millions of dollars in debt with only a big house filled with priceless treasure and money – and a maid. I just don’t get it.

If you are fan of the Lucky Star art style, you will probably enjoy “Kokoya Riron.” I am not. Therefore this short story filled with adorable little SD creatures assumably doing incredibly cute, yet somehow Yuri things was completely lost on me. It started with a snake puppet hissing “suki” and just went downhill from there.

Madoka has a boyfriend. In any other world, this would be a good thing, but if you are the ghost protagonist of “Honey Crush” by Tsubaki Asu, is it not. You would be reduced to playing mean-spirited little tricks on your love and her boyfriend in hopes of breaking them up. Kyouko arrives in time to stop ghost girl from kissing Madoka after inhabiting her boyfriend’s body. Kyouko confesses to Madoka, who plainly says she’s not interested. In the end, neither ghost nor girl are willing to give up on Madoka. Why? I have no idea. :-)

“Nanami to Misuzu” remains exactly the same as it always is. Goofball situations with Bwa-wa-waaaah punchlines. A new character shows up, in lieu of a plotline, a cute ninja girl this time.

In “Kuroi Hitomi no Majou” a serious first-year confesses to Satomi, who reacts coldly, then tortures herself about it. In the fine tradition of shounen manga, her “no” is completely ignored, because you know, she really didn’t mean it. Or something. Two Hakamada Mera stories where the girls didn’t skeeve me. It’s a miracle. They still have huge cabbage patch heads, though.

And last of all, the one story I was most looking forward to, the second chapter of Sudou Kaoru’s “Otome Kikan Gretel.” We last left Yuu in a state of complete and utter confusion as she inexplicably defeated a gigantic monster with powers she is now informed are “Aube” – Appearance of Unlimited Bio Energy. In other words, Nagi explains cheerfully, we’re all witches here. Mariya and Nagi defeat the big-ass monster, but it’s not really dead yet, so Nagi commands angry Mariya to kiss Yuu – deeply. It turns out that Yuu’s power is to absorb the powers of anyone she kisses, so…. The kiss occurs, Mariya and Yuu combine to defeat the plug-ugly Formica and thus it is that Yuu’s all-girl school life begins. This story is so dumb, I love it.

While Comic Yuri Hime S isn’t as full of joy for me as Yuri Hime is, it’s not bad, either. I’d like to see a lot less of the moe/loli/cute, but there’s just nothing I can do about that.

Overall – 6

I forgot to mention this yesterday – for some reason, in both YH magazines, there’s a bunch of reviews of manga that in no way at all look Yuri. Now, to be fair, I didn’t actually read the descriptions, but it really looks like a rattlebag of manga with no rhyme or reason. I suppose I should read the reviews to find out why they were mentioned, but I’m not going to. ^_^