Archive for the Yuri Manga Category


Yuri Manga: Boku Ai

June 9th, 2004

Today’s review is on a one-shot comic, Boku Ai, which ran in Flower Comics’ Sho-Comi, a magazine for older teens. Sho-Comi tends to have off-beat stories that are violent or filled with strange sex and other fetishes. Boku Ai was the first (as far as I know) yuri manga that they’ve ever run.

The story of Boku Ai is a simple one – Sara and Youko were friends when they were young, but now, in high school, Sara runs with the beautiful people, while Youko is decidedly average. When Sara renews her acquaintance with Youko by sneaking into her room one night and kissing her goodnight, it’s a short trip for Youko from infatuated to seriously gaga.

Sara continues her pursuit with some serious kissing and generally pisses off the rest of the student body, who are all now jealous of Youko.

But Sara has an ulterior motive, as Youko learns when she comes home to discover her mother and Sara’s father in bed together. Youko goes running back to Sara, who calls her a fool and rejects her, claiming that her affection was really only a form of revenge.

Lucky for us, Youko’s stronger than Sara thought and she fights back, ultimately gaining Sara’s respect and love.

It’s not a deep story – it’s only a one-shot, so it seems a little rushed – but the kissing is nice. :-) Everything else about it is average, really.





Yuri Manga: Shiroi Heya no Futari (白い部屋のふたり)

June 3rd, 2004

The arguably oldest Yuri is Shiroi Heya no Futari (白い部屋のふたり) which means “Our White Room”. Published by Ribon Comics in 1973 (back far enough that even I was a child), written by Yamagishi Ryooko, this story is the mother of all Yuri that came after it.

And, oh, what melodrama it is!

Shiroi Heya no Futari introduces us to blonde, doll-like “good” girl Resine, as she’s dumped by a uncaring aunt at a boarding school. Because she’s a late transfer, the school puts her in a room with “bad” girl Simone – with the admonishment to not take notice of Simone and, if it gets too much, she can ask for another room.

Unfortunately for the school, Resine and Simone get along reasonably well, even going so far to actually like one another, then really like one another…then really, really like one another. When Simone plays the Prince to Resine’s Princess in the school play, their kiss is passionate – and real.

Their confession of love is overheard by a classmate and soon the entire school knows about them. In denial, Resine begins dating a young man with a vengeance, but her jealousy for Simone keeps pace with Simone’s own dark feelings. When the pressure becomes too much, Resine runs away, leaving Simone to find her own reconciliation, alone. Of course, Simone, high strung and emotional, finds her denouement in a tragic and pointless death.

Resine, having returned home, finds out about Simone’s death many months later and rushes back to the school. All she is able to do is learn the truth of Simone’s death and swear that she will continue living for the two of them, loveless and cold, forever.

It’s evil of me to say this, but it’s actually a pretty amusing ending, merely by being so hyper-melodramatic.

The story (as you might be able to guess from the names) is set is France, which fits well with the overblown melodrama of the story. The setting was current for it’s time – early 70’s – so the clothes are a scream and there’s underage drinking going on in very French-looking clubs.

Of course this has a tragic ending. Could we expect anything else? Not in the 70’s, no. But the love and physical attraction Resine and Simone had was real – not just akogare/admiration, but actual desire, which made it groundbreaking stuff.

I recommend reading this manga, if only to see one of the mama of Yuri manga and to appreciate our historical roots. Plus, the story’s soap-opera fun. You can still find copies in secondary markets like Amazon JP marketplace and used manga stores.

Ratings:

Art – very 70s. Give it a 8
Story – 8
Yuri – 10
Character – 10, just for Simone’s brooding Heathcliff-ness. ;-)

Overall – 9





Yuri Manga: Houkago or "After School, Part 2

June 1st, 2004

Well, last week I told you that I’d tell you if Houkago was worth your time – and now, after a fortuitous trip to the manga store, I can safely say that it is. ^_^

Houkago, if you remember back a few days, is running in Cookie monthly, and was the story of Itoi, a girl who was finding herself alientated from the people around her at school. When she is invited to go shopping in Shibuya by Ariyoshi, a cool, loner girl in her class, Itoi’s “friends” want to come along. When Ariyoshi denies them the right, they retaliate by bullying Itoi with increasing viciousness. To escape this, Itoi and Ariyoshi find themselves together more and more, until one day, they simply decide not to go back at all. That was the end of Chapter 1.

Chapter 2 finds them hanging out in Shibuya, closing the shops, then the cafes, and ultimately having to avoid police and unsavory types who stalk the night. They find short-term refuge with a girl gang in a bathroom, and after that, a late-night cafe. When morning comes and the trains start again, they can’t bring themselves to go home, so they rent a karaoke box. Ariyoshi starts to look bad, and get woozy, so Itoi uses the last of her money to get them a hotel room.

In the sex-charged atmosphere of the room, and given the tension between them, it’s natural that they should kiss and that the kiss might become something more…but one of them leans on a button which starts a stereo blaring and they’re both scared witless and collapse on the bed with exhaustion once they manage to turn the noise off.

Although their “moment” has passed, they admit that they do love one another and decide to be together as long as they can. In the first chapter, it was Itoi who broke down and admitted that she was unhappy – in this chapter Ariyoshi is the one who opens up and cries.

When they finally return to school, rumors abound, but both of them, buoyed by their love for one another, make light of the rumors…and show the bullies that they simply don’t care anymore. In the end, they will spend their days at school waiting until it’s over – then go out and have fun, together.

There are several notable qualities in Houkago…most important, the angst in this story is not about their love. Not one ounce of it. The girls’ attitude is very much “fuck ’em if they can’t take a joke.” Any angst resides completely with their dissatisfaction with school life and the people they are forced to endure. There is no sense of the ephemeral here, either – unlike Blue, we can actually believe that maybe Ariyoshi and Itoi have at least a while together, even thought that’s not important – this story is not about one single perfect moment, nor is it about forever. And it does not link lesbianism and mental disease.

There’s a very emancipated, modern feel about the love in Houkago. The girls aren’t shocked by it, they aren’t traumatized or terrified. They *are* relieved by it, and draw strength from it and ultimately, find immense happiness, not even in a sexual way, but in a close bonding way, in their relationship. So for that, Houkago is a kind of groundbreaking work. It’s a LOOOONG way away from Shiroi Heya no Futari and not just in years.

Maybe that should be the moral of today’s story: Houkago may not read like a groundbreaking piece of work, but the fact that none of the usual stereotypes apply is a sign that things have changed. Perhaps is is a quiet sign that things will never again be the way they were and from now on, we’ll see more and more of this “happy ending” thing in our Yuri.

I guess we’ll just have to stick around and see. ^_^





Yuri Manga: Blue

May 20th, 2004

Before I write today’s review, I just want to let you know that I’ve changed the “Comments” field below so anyone can comment – you no longer have to be registered.

Now, today’s review:

Blue, by Nananan Kiriko, was published by MAG Comics in 1997. Stuck as it was in the limbo space between the tough girl epics of the 1980’s and the new wave of yuri in the early twenty first century (that would be now…), this manga reads like a tentative probe into a sensitive spot.

Blue has a simple storyline – Kayako is a recent transfer student to a seaside school, still tentatively making friends. She becomes interested in the girl who sits in front of her and never really interacts with anyone. One day, on a whim, Kayako invites the girl, Masami, to join her and her classmates for lunch and a new friendship is born. Masami seems nice enough and she and Kayako start spending more and more time together.

One night, Kayako goes out with a few friends to an arranged drinking party with some guys. She ends up at a hotel with one of the guys, but afterwards, she realizes that it was pretty pathetic of her, because she’s fallen in love with Masami. Shortly therafter, she and Masami share their first kiss.

Their relationship becomes a little more exclusive, so when Kayako’s friend who had set up the drinking party comes in screaming at Kayako, she’s really taken aback. The friend is appalled at Kayako for sleeping with the guy *she* liked…for sleeping with him at all, really. In the following days, Kayako is quietly shunned by her circle of friends, but she and Masami become closer than ever – they decide to move to Tokyo together when they graduate, etc, etc.

But summer vacation comes and Masami disappears with no word to either her mother or Kayako. As Kayako’s happiness collapses around her, she’s forced to learn more about the Masami she didn’t know, and face her own fears and jealousies…and be more honest with her other friends.

In the end, Masami and Kayako do not stay together – there really is never any reason to believe they might, to be honest. If either one of them were male, this entire story would simply be a “first love” story and disappear into oblivion. The entire manga seems to be balanced on a pinhead of tension. There just isn’t much there, except the usual day-to-day stuff of adolescence. From my lofty perspective (adolescence was a *long* time ago now) it’s sweet, but not compelling, stuff.

In 2002, a live-action version of Blue was made. I haven’t managed to see it, yet, but I would like to, despite the fact that the movie seems like a slightly blander version of an already bland story. Despite the fact that I strongly believe that the movie-viewing audience is more than ready for a more robust story than this one. Nonetheless…Blue is not a hateful story, just sort of a nondescript, bittersweet “first love” story.

The one thing the does stand out about this manga is the art. To call it stark would be an understatement. There are no screentones, almost no shading and the characters are drawn realistically – not manga realistically, but actually realistically. This makes the story feel more real, but it makes it damn hard to tell some of the characters apart, if they have similar hair styles. Let’s face it, most mangaka can only draw one face and they stick different color hair and eyes on everyone, so we can see who is who. Take away weird hairstyles or distinct physical attributes, and all colors and most of the shading and all you have left is a bunch of nearly identical shapes. This makes Blue a little tougher than usual to follow, unless you can actually read the conversations. I was able to follow it alot better this time than I was the last time I attempted it. Assumably, one day I will actually be able to read every word with ease and it’ll all make sense. ;-)

So, Blue is only okay, but if you’re a completist and are trying to build a collection of all the Yuri manga ever, you’ll want this one too. ^_^





Yuri Manga: Futtemo Harettemo (降っても晴れっても)

May 19th, 2004

futtemoharetemoWay back, when I was writing about things I didn’t want to write about, I wrote about Futtemo Harettemo. (降っても晴れっても)

Well, recently I revisted this old, “miserable classic” of Yuri by Fujimura Mari, which was published by Margaret Comics back in 1993. And I decided that it deserved a review of its own, not because it’s happy or unique, but because it’s neither. Unlike Pieta, Futtemo Harettemo, does not end with the girl getting the girl, but these two stories have more in common that you’d think at first glance.

Futtemo Harettemo is the story of Nagi and Hiro, two classmates who have instant and almost obsessively deep feelings for one another. This five-volume manga details their encounter, friendship, and the painful things that they do to each other to try and convince themselves that they don’t, in fact, love one another, or wait, maybe they do. This is a really ugly story at times, as Nagi and Hiro are hurtful, sometimes destructive and even homicidal at each other. Hiro ends up being cast as the more emotionally unstable of the two, while Nagi gets the award for being the more selfish. Despite this, or perhaps because of it, there are some genuinely tender moments between the two girls. The internalized homophobia is all too real at times.

Since one of the storylines is Nagi’s conflict at being torn between Hiro (who is admittedly not a very dependable person) and a guy who is clearly and committedly in love with her, you can expect that these two will not get together any time soon. Hiro does get some credit for calling it love first and kissing Nagi several times, trying with increasing desperation to hold onto a girl with whom she is “more than friends, but less than lovers.” (This quote is from a short Japanese movie about lesbian romance entitled 3 Second Melancholy, and a very common Japanese phrase about intense relationships without commitment.)

So, given the fact that Nagi and Hiro do *not* end up together, unlike Rio and Sahako, and the fact that their relation is tumultuous and sometimes violent, why do I say that it has anything to do with Pieta? Because both of these manga, and many of the shorts that are currently being published in Yuri Shimai pair lesbianism with mental illness.

It wasn’t until I re-read Pieta and Futtemo Harettemo in the same week that I realized that both include characters that inflict violence on themselves and, in the case of Futtemo Harettemo, others as well. Which led me to notice that there are several stories in the three volumes of Yuri Shimai that pair lesbian love with a suicidal desire…and it dawned on me that we’re *still* reading the same damn stories from the early twentieth century, when lesbianism itself was considered pathological, and frequently paired with other mental diseases, especially depression. (Although Hiro acts more like a person who is bipolar, IMHO.)

And while I’m marginally annoyed, Pieta at least offers very reasonable and believable explanations for Rio’s behavior, while Futtemo Harettemo simply expects us to care about Hiro and Nagi while they duke it out on the battlefield of unhealthy attraction. If I were one of these girls’ mother, even I’d call this relationship unhealthy and try to put an end to it.

Nonetheless, Futtemo Harettemo was, in the end, a kind of a bittersweet story (as so many Japanese manga were until recently, when the audience began to demand this thing called a “happy ending”). In the last chapter, Hiro and Nagi meet up at a class reunion years later. Both are married and happy, and now, at last, able to be happy for each other. Hiro introduces Nagi to her husband as her “first love,” which was kind of sweet and, at the same time, massively irritating.

Would this story be any different if it were written in 2004, as opposed to in 1993? I think not that much. Nagi, at least would still be married in the end. Maybe, maybe, Hiro might be with another woman, or perhaps she might have been portrayed as less emotionally unstable, but I think that these two could never have gotten together and lived happily ever after. Perhaps it was better that they just moved on. ^_^

In any case, Futtemo Harettemo turned out to be a lot more provocative this time, than when I read it the last time and if you’re the kind of person who is interested in historical Yuri manga, you might want to look for this series in a used manga bookstore.

Ratings:

Overall – It’s complicated to rate something like this, since it is so much a product of its time, but…

Art – 7
Characters – 5
Story – 6
Yuri – 7
Service – 0

Overall – 6