Yuri Manga: Galette Meets, Issue 2 (ガレットMeets)

March 1st, 2019

One of the ways artists in Japan build up their professional chops is through doujinshi. Because these self-published or small press books must be completed to deadline and have print runs and sales that can be measured, the comic markets at which they are sold make a very useful proving ground for amateur creators – and a healthy space for self-expression for professionals whose creations must conform to editorial guidance, house style and magazine popularity.

It makes a lot of sense, then that Galette magazine encourages submission of Yuri doujinshi artists for both the quarterly magazine and it’s own doujinshi publication Galette Meets. Galette Meets, Issue 2 (ガレットMeets) is, like Issue 1, all one-shot stories that the editors think are “Just a tad sexy and a little more sweet.”

In my opinion, Issue 2 is much stronger on both art and story than Issue 1. My personal favorite is by Miura Kozumi, a story about a work romance in which the cool, cosmpolitan and apparently worldly sempai who likes women has….no experience with women and is a complete uke in bed, in “Takamine-sempai and Nonchan.” Workplace romance is a popular theme, and so is casual acquaintance, which feels comfortable for this short.

Ratings:

Overall – 8

I like the idea of a Galette having a small proving ground, so to speak, providing other artists a venue for a publication credit.

Galette Meets, Issue 2 is no longer available in print outside Japan, but you can still get it digitally on JP Kindle, US Kindle (in Japanese) and Bookwalker (also in Japanese.)



Yuri Manga: Goodbye Dystopia, Volume 2 (グッバイ・ディストピア)

February 28th, 2019

In Volume 1 of Hisona’s peripatetic manga, we met “Asami” who has left her past behind and “Mizuki” who has left home, after having been thrown away. The two women walk and ride their way through an often-deserted landscape, visiting abandoned buildings and unused railways.

In Goodbye Dystopia, Volume 2 (グッバイ・ディストピア), Mizuki finds herself accompanying Asami to what appears to be a place from Asami’s past. There, she meets Uzuki, a woman who clearly has a history with Asami and there’s something between them. What that is we don’t know by the end of the volume, nor may we ever know. I’m okay with not knowing, frankly. 

What we do learn is that Uzuki is not much interested in the world outside her town (which we, the reader, can guess is at least part of the history between Uzuki and Asami) and also that Uzuki is not particularly troubled to smooth over awkward situations.

We and Mizuki also learn that Asami’s home once stood on the hill where Asami has headed, but it burned down years ago. Amid the plants growing on the plateau, Asami finds another relic of her past as the volume comes to a close. 

I know I’ve said this before, but I genuinely love this story, and all of its unknowns.  There’s no compelling need to know the whole story and I kind of hope we never really do know everything that Asami and Mizuki have walked away from. Instead, I hope that space is given to the future they are headed towards. I love the loose, josei-art style, the fact that panels and sometimes whole pages go by with no dialogue.  

Ratings:

Art – 9 YMMV, but this is right in my wheelhouse 
Story – 10 There is none. I love it.
Characters – 8 
Service – 0 
Yuri – 2 At the moment, it’s in flashback and memory only

Overall – 9

This is one of my favorite series in Comic Yuri Hime and I hope it goes on for a long time.



Yuri Manga: Comic Yuri Hime March 2019 (コミック百合姫2019年3月号)

February 27th, 2019

Today’s review is dedicated to all the Okazu Patrons with especial thanks to our newest Okazu no Miko, Pauline! Your support makes this, and all our reviews, possible!

Kodama Naoko-sensei’s newest series, “Uminekosou Days” gets off to a bang in Comic Yuri Hime, March 2019 (コミック百合姫2019年3月号) and almost immediately settles into territory that makes me, personally, feel very uncomfortable. I have to just assume that Kodama-sensei’s and my areas of interest and ickiness are just not in sync. ^_^; Setting that aside, the plot follows a morose woman who is looking to start a new life after her best friend and boyfriend have had an affair and are now getting married. She’s escaped to a seaside town to become a teacher and immediately becomes involved with a female truck driver and her “family.” One the one hand I am glad to see a story about women and children. On the other hand, I really am not at all interested in children, so this one is going to alternately annoy and freak me out.

Hanimi’s story about love and cookies was adorable, Kanoko and Hime go on a “date” in “Yuri is My Job!” and despite Chibana’s concern, I think we’re still heading towards a crisis with Kanoko. I hope not, but…that girl is not stable.

“Luminous Blue” by Iwami Kiyoko is taking a turn into the unexpected, but Ohi Pikachi’s “Hayama-sensei to Terano-sensei ha Tsuiatteiru” stays just where we like it, in predictably grin-making cuteness.

Yuama’s “Ikemensugi desu, Shiki Semapai!” is developing a romance. Until now it’s not really been anything but admiration on Hana’s part.

“Scarlet” by Yuino Chiri turns uglier, as Iris may have just sacrificed her life for Feine.

Hisakawa Haru’s “Yurikon” wraps up all the married couple’s stories. I’m kind of sad that this particular fantasy didn’t get a third book.

And in Hisona’s “Goodbye Dystopia” Mizuki and Asami’s probably ex, Uzuki, have an awkward, but expository conversation, while Asami visits the ruins of her past.

Hime Cafe interviews Takemiya Jin-sensei, and new stories will begin next issue.

Ratings:

Overall – 8

I don’t want to become complacent or anything, but for now Comic Yuri Hime looks strong and has enough going on that I like, that I’m sort of relaxing as a I read. ^_^ The April 2019 issue is already out, so get ready to find out if annoyed and freaked out by Kodama-sensei is going to be the new standard, again. ^_^



Yuri Manga: Hana ni Arashi, Volume 1 (はなにあらし)

February 25th, 2019

Nanoha and Chidori are going out, and they are keeping their relationship secret from their friends. But, in Hana ni Arashi, Volume 1 (はなにあらし), their feelings are starting to leak into the open, just a teeny bit.

Nothing much happens here in Volume 1. Nanoha is cheerful and Chidori is taciturn, but they work out their differences in real time and their friends are friends. Nanoha and Chidori go out for food, they take care of each other when they are sick, they like being with each other more than with anyone else. They call themselves lovers, but with little time to be alone, a kiss or a touch is all their can manage. 

The final “conflict” of the volume is Chidori feeling put out because she isn’t able to go to the new pancake place alone together, but ends up going with the gang. Nanoha and she promise to return together and the issue goes away. There’s only small crises here, with small resolutions. 

More interesting than the plot to me is the fact that this series by Kobachi Ruka is a Shonen Sunday comic, from Shogakukan. What does that even mean, really? Well, it means that along with the Big Comic Special manga, like My Solo Exchange Diary, the stodgiest of the big four manga companies in Japan has bought into Yuri as a genre. This is not a minor thing. We’ve seen Yuri on and off from Kodansha (we’re speaking here of the Japanese company, not the American subsidiary that is publishing Comic Yuri Hime books) and Shueisha, but Shogakukan has been slower to join the race. Having decided to engage in Yuri, I’m now seeing a pretty solid investment from them. Expect to see more Yuri from them. in coming days.

Ratings:

Art – 6 Adequate to the need
Story – 6 Quiet and sweet
Characters – we barely know them by the end of the volume, but they seem nice enough
Yuri – 3
Service – 1, mostly on principle

Overall – A nice 6

Not outstanding, but definitely erring on the side of sweet and nice. There’s 4 volumes in print in Japan (Volume 2 | Volume 3 | Volume 4) so we’ll see where the story takes us.



Live-Action: Colette

February 24th, 2019

Sidonie-Gabrielle Colette, known as Colette, was a noted French author of the first half of the 20th century, who went on to gain fame as an actor and journalist. Her most well-known works are the Claudine stories, and novella Gigi, upon which the movie and musical are based. She was nominated for a Nobel Prize in Literature in 1948. Her life and career were larger than life – as so many of the talents that inhabited pre-war Paris seem to have been. 

The movie Colette, starring Keira Knightley and Dominic West was a surprisingly excellent retelling of her early career. Beginning with her marriage to Henry Gauthier-Villars, known as “Willy” and her writing under his name, it follows her through their turbulent years together, the popularity of the Claudine stories, their mutual affair with a visiting American woman, the break up of their marriage and ends with Colette touring Europe as an actress with her lover Mathilde de Morny, known as Missy, who was scandalous for wearing men’s clothes, portrayed by Denise Gough.

As you may know, I do not sleep on the plane very well so, with almost 30 hours to kill on the roundtrip to and from Japan, I take some time to watch movies, which I otherwise would not sit through. I watched 5 movies all the way through and 2 I started but did not finish. (The remainder of the movies mini-reviews will be in the postscript.)

Because I really don’t like movies, I’m predisposed to being disappointed when I watch them. Colette did not suck. Her bisexuality was neither erased nor fetishized, her passion for writing and creating centered. Paris was not portrayed as all-white, for which I am grateful.  The writing was a bit predictable, but at this point, movies just are. Her life is well-known, this movie makes no pretense to insight. It’s just a retelling of the woman’s young life as highlights.  IMHO, Knightley does a fine job of plucky young author, Dominic West did a fine job as Kenneth Brannagh as Willy, and while the beginning had a slow start, by the end, I found I had enjoyed it.

Ratings:

Cinematography – 7 Honestly, a bit conservative
Acting – 8 As one would expect
Story – 7 
Queerness – 7

Overall-8

For a reasonably accurate and very pretty movie about one of the Belle Époque‘s most famous women of letters, Colette was a decent watch.

Here are mini reviews of the other movies I watched this time around:

Ant-Man and the Wasp: What a shocker to me that I enjoyed it. I cannot stand Paul Rudd or the type of character he plays, so I was amazed that I didn’t hate the movie, but I actually enjoyed it. I can’t remember any of it now. I thought they did a decent job of showing Hank as a narcissistic asshole, which is how I think of him.

Crazy Rich Asians: Not a fan of rom-coms, (this is a minimalist statement, they make me want to claw my eyes out) but the acting was *superb.* 

The Four Heavenly Kings: The acting for this was the opposite of superb. But Detective Dee and Tsui Hark, so I forgave a lot. Like, really, the whole movie really needs to be forgiven.

Ocean’s 8: Thoroughly enjoyable nonsense. Between this and CRA, Awkafina may be my new favorite actress ever.

I started but did not finish Along with the Gods a Korean action flick and The Great Battle, a Korean historical action movie. Along with the Gods I just couldn’t follow, but turns out (thanks, Richmond!) that this is the second part of a two-parter. The Great Battle was fun, but we landed before the climactic scene. So, I looked it up to find out what happened historically and boy was I surprised to learn the ending. ^_^ I’d recommend this one.