Blood C The Last Dark Anime (English)

April 7th, 2014

blood-c-the-last-darkBlood C The Last Dark was an absolutely gorgeous waste of time. ^_^

I never reviewed the TV Blood C for two reasons: 1) There wasn’t really any Yuri, not even if you squinted and 2) I couldn’t see past the murderous rage I felt when the series ended without an ending (having also had not much of a beginning and only a bit of a middle towards the end), a coy “Tee-hee, come see the end in the movie, tee hee!” My deep feelings of “Fuck you, I don’t care how the series ends, because duh, Saya will win and move on…alone in the dark, as she has with every other iteration of the series” kept me from caring.  But enough time has passed and I found myself watching the Funimation release.

If you have not watched the TV series, the movie was different enough (and expository enough) to follow without prior knowledge. In fact, the movie was stand-alone enough to pretty much render all but two things from the TV series meaningless. Hey, nothing like wasting my time for a few months. No biggie.

The movie begins after Saya has recovered her memories and is hunting the bad guy from the series, Fumito, while killing giant people-eating bugs. The number of people eaten in the movie was surprisingly small, since the TV series made a real point of making us watch the gore.

Saya is befriended by a raggle-taggle band of conspiracy theorists who are “hackers” (and one actually is shown using a mouse, but then she is also shown using a keyboard with her feet, so it cancels out.) They meow-meow-mewow to meow-meow the meow-meow, because really who cares? All we’re tuning in for is Saya.

Saya, who power ups when she has to protect a girl. This particular girl is named Mana and is sweet and cute and wants to be Saya’s friend and is lonely since her father was killed and we’re sososo glad that Saya holds her hand. It’d be nice if she could visit Mana from time to time, but of course she won’t.

In the end, Saya wins and moves on…alone in the dark, as she has with every other iteration of the series.

Ratings:

Art – 9 The background art was gorgeous, but faces occasionally Picasso’ed out. Guess we only had time and budget for foreground or background – and streets, buildings and signs are easier.

Story – 3 Shutupshutupshut!! Stop talking!! This could have been 2 final episodes of the anime with no loss at all.

Characters – Scooby and the Gang – 8, Bad guys – 2 Ohgawdpleasestoptalkingyouaresoboring

Yuri – They touched hands! In a tense, emotional moment. 2

Service – 9 Bath scene for no reason at all, except to see to Saya and Mana’s nipples.

Overall – 5 It was really beautifully drawn…and an absolute waste of time and money, plotwise. Nana Mizuki was fantastic as Saya in the TV series, but this part was so grim and cool, it was kind of a waste of her talents.

I’m ready for the next iteration now.



MoCCA 2014 Event Report

April 6th, 2014

I had such grandiose plans for MoCCA this year. I was gonna go to all sorts of parties, hang out with some amazing people. On Thursday, I was so stoked. I felt great, had energy and money…and then I woke up Friday with that stomach bug that was going around. So Friday was killed dead as I spent the day feverish and sick, really hoping that I still could make it in for a bit Saturday.

Three cheers for clean living. I woke Saturday feel perfectly fine, just a bit tired and amazingly managed to survive the longest train ride of my life into the city. (I did not actually think it was possible to take that long on the train into New York from my town.) Ran up to Book-Off, ran down to the 69th regiment armory, ran in to be instantly reminded of why I like MoCCA ArtFest so much. Like TCAF, the focus is on original work, like the best corners of Comiket, there is a lively, thriving community around those original works. Walking through MoCCA there’s a whole lot of people smiling, laughing, hugging and talking…about comics. It’s a kind of nerdvana. ^_^

pajikantTo paraphrase Marguerite Dabaie, from whom I bought some lovely coasters from her Pajikant series, MoCCA isn’t really about “comics comics” – it’s about stories that have to be told and comics is the tool, rather than merely a media.

MoCCA redefines itself a bit every year. This year it was organized almost topically, with “larger” publishers up at the front. By larger, I still mean pretty small, Fantagraphics, First Second, and the like.

Like Comiket, the side rows are peopled by larger small presses, notable names and bigger draws. Also like Comiket, the ever-growing selection of “goods” is sometimes as  good or better than the actual comics. Speaking to my wife about it, we decided that goods are a genuinely fabulous way to really engage and “own” the story that you like so much.

underwireIt was an incredible pleasure to once again have a chance to catch up with Jennifer Hayden, with whom I had an amazing conversation about her illustration for the kid’s book The Liberty Cafe. Because I had been really sick the day before, I just felt absolutely obliged to not touch anything or look through anyone’s books, so Jennifer walked me through the story, commenting on her comic within the illustration technique to keep the reader connected with the protagonist until they “arrive” in the story. It was a terrific conversation with a stellar artist. Jennifer, too, is expanding out into goods, and has an awesome selection of individual original panels of her work, as well as necklaces and other coolness.

I caught up very briefly with Jennifer Camper, who is working on an upcoming queer comics conference (hopefully, I’ll have more info in future days about that for you) and was able to catch some of the ‘How Are Comics Queer’ panel, with Gay Comix pioneer Howard Cruse.

I stopped by the Comic Book Legal Defense Fund’s table, which is hosting a number of top names at the event and had a quick chat with Charles Brownstein, the Executive Director about how busy the organization has been already this year advocating for first-amendment rights. I was – at last! – able to get a copy of the CBLDF Presents Manga: Introduction, Challenges, and Best Practices to which I contributed two chapters. I started reading the book on the way home and I really think the entire team did a fantastic job. If you want a solid overview of Manga history, the demographic genres and/or a guide for your teachers and librarians I absolutely think this book is top-notch. We done good. Charles said he hopes for a revised edition in the future with illustrations.

Lastly, just before I left I made my way to the kids section, (where I was really careful to touch nothing), to the Boom! Studios table, where I had a chance to meet Shannon Watters, one of the creators of the LumberJanes! Squee! Unfortunately for me, they were sold out, so no review until I get a copy, but this comic is one I have been waiting for with great anticipation.

In case you’ve missed the buzz, the LumberJanes is about “Five best friends spending the summer at Lumberjane scout camp…defeating yetis, three-eyed wolves, and giant falcons”. You understand why I want to read this, yes?

About this time, I felt fairly wiped, dragged my butt back onto the train and spent the ride home speaking with a lovely young woman for whom the world is her oyster. In fact, the entire day was basically filled with people, young and old who make their worlds for themselves. And that is exactly why I like MoCCA so much.

Next year, I promise to be healthy and may very well get a room in the city, so I can go to the damn parties. Who’s coming with me?



Off to MoCCA

April 5th, 2014

No news report today, I’m off to the MoCCA event in NYC.



34-sai Mushoku-san Manga Vols. 1-4 (34歳無職さん) Guest Review by Bruce P.

April 2nd, 2014

34-saiIt’s Guest Review Wednesday once again on Okazu and I couldn’t be happier…but that’s because I’ve already read today’s review and I can’t stop laughing. Once again it is my sincere pleasure to welcome back Okazu Superhero, longtime friend, traveling companion and amazing Guest Reviewer Bruce P Yaaaayyy!   

I picked up a copy of 34-sai Mushoku-san (The Unemployed 34-Year Old), (34歳無職さん) Volume 1, by Ikeda Takashi, with the not unreasonable thought that the author of Sasameki Koto might have included some Yuri along the way. I was wrong; four volumes later, and there hasn’t been a hint of Yuri. Instead what we are given is a viciously drawn-out interior monologue of boredom, hopelessness, and personal failure. It’s cruel, peculiar, glacial, and grindingly depressing. Plus it makes me laugh. What a great manga.

The protagonist, who is never named, is a 34-year old woman who lives alone in an apartment and who has lost her job. The first chapter starts right off with a gag–she wakes up and can’t find her glasses (they’re on top of her head). The jokes continue. She doesn’t get up in time to take out the recycling. Her vacuum cleaner falls over. And then it falls over again. What we have here is a wacky slice-of-life story, as our madcap heroine searches for love and employment in the big city! Except…she doesn’t actually ever do any searching for love, or for employment, and as the same jokes begin to repeat, and repeat, it becomes clear that they are not jokes at all. They are symptoms, and despite her best excuses she is a woman in serious trouble.

Though able to deal marginally with others, even if there aren’t many others she ever deals with, at home she lives in a state of almost total paralysis. She cannot pull herself out of her futon until late afternoon, or up from under the kotatsu – Yui from K-ON! all grown up when it is no longer cute. You get the sense that losing the job may not have had much to do with the economy after all. She’s isolated from her family (including a daughter) and has only one acquaintance, a woman she meets occasionally for dinner and who is blatantly drawn with eyes always shut. Her only real companion is her apartment. She just swirls slowly, sleepily around in the drain of her well-vacuumed world. And if that doesn’t make you want to shell out for the multi-volume set, be assured that in Volume 2 she takes dramatic steps to change her life, by contemplating possibly taking dramatic steps to change her life. Contemplation of these steps continues in Volume 3 and Volume 4.

It sounds grimmer than kidneys on toast. Why read it?

(1) Asymmetric though she is, her character is strikingly realistic, and in more spots than are comfortable I can see, in her, a reflection of some of my own unlovely edges. This is both disturbing, and of value when I’m trying to get out of bed in the morning.

(2) It’s beautifully and brilliantly drawn, which nicely counters the subject; some chapters contain no words at all, but are simply picture plays as she bleakly and languorously contemplates her empty life. It’s like mime, in two dimensions, though not as depressing.

(3) Ikeda-sensei has a nice comic touch, and it really is quite funny. Even if laughing at all the pratfalls feels somehow misdirected, like appreciating the Hindenburg disaster on account of it being all bright and sparkly.

(4) Nothing has changed in four volumes. I’m still waiting for the thing to happen.

***

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***

Ratings:

Art: 9. Brilliant. Just brilliant.

Story: 5. Not so much a story as a slowly deteriorating situation. I’m betting on something happening; it eventually did in the classic gently-paced series Yokohama Kaidashi Kikou when Kokone reappeared. My suggestion is to add robots.

Character: 18. She’s not honestly sympathetic, but credit for every year over the age of 16.

Yuri: 0. Unfortunate, but ideally Yuri requires a second character.

Service: 2. A few sponge bath scenes, if you’re desperate enough.

Overall: 8. 34-sai Mushoku-san will not be to everyone’s taste. However, I have never been a fan of action series, and with this one I hit the jackpot.

 



Kill La Kill Contest Answer!

April 1st, 2014

There was, as I said, only one right answer to “Who Was the Best Character?”

As amazing as Ragyo was – and she was the most fabulous villian of the last several years – and as excellent as Ryuuko and Satsuki were, there really can be only one best character.

manshoku

The Banchou of Honnoji Gakuen…Manshoku Mako.

Those of you who voted Mako in the comments, please email me at yuricon at gmail dot com with your name, age and mailing address and I will send you a present in recognition of your wisdom. ^_^