Archive for the Live Action Category


Reverse 4 You, streaming on Netflix

March 25th, 2026

On a pink and blue background with a gold clockface design, two women in casual clothes sit not quite back to back. by Eric Potter, Guest Reviewer

In Reverse 4 You, 19-year-old Jattawa, or Wa for short, is studying to be a lawyer and working odd delivery jobs while living alone with her 15-year-old sister, Vivi. Rather than just being normal sisters supporting and looking out for each other, they also happen to have special powers. Wa can freeze time or even reverse it by as much as 10 minutes, which she often utilizes whenever an accident occurs or she made a mistake—but only once per day, and cannot use it to fix something major right after using it for something that was comparably minor. Vivi can see out-of-the-blue visions at out-of-the-blue times of the future, albeit mostly of Wa’s future—but has no personal control over the visions, with some being more vague than others. And she can never see her own future. This still comes in handy in its own way when it comes to knowing exactly when Wa will be home at the front door and what food she is bringing over.

Then one fateful day, Vivi declares to Wa that the Wa was going to meet her soulmate at the university. While Vivi only made out a silhouette of the mystery person, she otherwise relays a precise scenario that will take place so Wa could identify him. Both naturally assume they are talking about a guy at the start. Meanwhile, Wa misses a food delivery deadline by a couple minutes, and the receiving client—a delinquent-seeming, tough-talking no-nonsense type girl—rubs in her failure with zero empathy. Wa later finds out that this same girl, named Four, is known across campus for having an attitude and engaging in fights. And just when it started seeming to Wa that Vivi may have been wrong (despite it being established that she historically never is), all the pieces of her vision come together to the point where Wa finally realizes the only person it could be is, you’ve guessed it, Four.

Once revealed that the soulmate in question is another woman, both sisters interestingly skip past the usual routine of denial before coming around to the idea, and instead readily accept it and adjust their thinking accordingly. Vivi was driven to pair her sister with her destined boyfriend, but just as easily shifts her drive to pairing her with her destined girlfriend instead. And for Wa’s part, she is more awkward with Four being her soulmate given the non-best first impressions the two started with. But after Wa reverses time to save Four from an accident, they begin growing closer from that point forward. Four softens up, and Wa finds out how misunderstood Four is and that she is someone who just does not take crap from anyone, for herself as well as the people she cares about.

Much of the series just centers around Wa and Four’s relationship, with all the traditional high points, conflicts and your standard soapiness. Because Wa uses her power more sparingly by this point, it was almost easy to forget the story’s sci-fi angle, at least until it comes into major play in the third act. One of the real highlights of this series is Vivi herself, in which it simply cannot be denied what an adorable delight she is, which actress Natnicha Polsombat plays with such genuine naturalness. It succeeds in making viewers feel what they should once the story takes a dark turn toward the end, and Wa is forced to make a choice that will unearth eye-opening revelations that shed a whole new light on everything, and answer the riddle of whether or not love is a strong enough force to conquer fate.

There are really just two issues I have with this series, one far more major than the other. Starting with the bigger one, midway through Four drinks herself stupid due to a misunderstanding with Wa (of course), and Wa tries guiding her safely inside, and then Four engages getting intimate with Wa on the spot. To which Wa ultimately goes along with. All the way. I swear I remember a similar scene like this having happened in The Loyal Pin, and it makes me wonder a little—does Thailand have different standards on what constitutes a consensual state of mind, or is this considered “passable” due to it being a same-sex relationship and the assumption that viewers would give no thought to it? Either way, there was nothing “comfortable” about watching what was trying to pass off as a sweet moment, and it took me a while afterwards to get behind this series again as the story got back on track.

The more minor issue was the ending—not before the credits, where we receive a genuine payoff of a conclusion, but midway through said credits when we get a scene of an extra bit of character interaction (not between Wa and Four) that cemented bitterness. If that was supposed to be the final ending, it felt like capping the series off with an odd note from nowhere, which made me wonder if this was supposed to leave open for a season 2 that I find no information on.

Those problems aside, the eight-episode Reverse 4 You really turned out to be a pleasant surprise that made clever use of its sci-fi gimmicks in an otherwise traditional GL story that turned out more elaborate than one would have predicted. This was my first Thai live-action Yuri that did not star Freenbecky, and it really felt like a lucky find by chance on Netflix.

Ratings: 

Story—8 (would have been a 9 if not for that problematic middle, and your mileage may vary with the usual soapy drama)
Characters—9 (all the characters have their charm, but the score’s mostly for Vivi!
Service—2
Yuri—10

Overall—8 (same reason as the story grade)





ClaireBell

December 22nd, 2025

Promotion poster for the Thai series ClaireBell. It shows Claire and Bell in bed in their prison cell. Claire is in the upper bed and is handing a red rose to Bell, in the lower bed.by Frank Hecker, Staff Writer

Content warning: This series includes multiple scenes featuring blood, violence, and sexual assault.

Many of the key developments in Thai live-action yuri have been sparked by first-timers taking big chances on new productions. Idol Factory could not find sponsors for GAP: The Series, self-funded it, and then saw it become wildly successful, make stars of Freen Sarocha Chankimha and Rebecca Patricia Armstrong, and kick off a still-growing wave of Thai yuri series. Fan-created Nine Star Studios took a chance on thirty-something Faye Peraya Malisorn and saw her become a star in the age-gap romance Blank. Now actors and first-time producers Mai Davika Hoorne and her husband Ter Chantavit Dhanasevi have taken Thai yuri into new territory with the prison drama ClaireBell, airing uncut on the OneD streaming service and with significant edits on YouTube.

The Bell of ClaireBell is a naïve young woman who celebrates her university graduation at a nightclub with her boyfriend and their friends, has someone stash their drugs in her purse unbeknownst to her, is caught in a police raid, tried for drug dealing, and sent to prison. There she languishes, abandoned by her boyfriend, too ashamed to reach out to her terminally-ill father, and brutalized by the reigning prison gang. She then slowly falls into the orbit of “rabid dog” Claire, a seemingly-psychopathic inmate convicted of the savage murder of a schoolteacher, and finds protection and (ultimately) love in her arms. Meanwhile around them others live out their own lives in prison: Claire’s elderly cellmate sliding into dementia, a corrupt warden and his upright son whom he hires as a guard at his wife’s urging, the “3D” gang of two sisters and a cousin who control the prison’s black market, and Bell’s cellmate, who offers friendship but may want something more.

The first thing to be said about ClaireBell is that it looks and sounds fantastic: Made on a relative shoestring budget of 30-40 million baht (about $1 million US), it has set design, cinematography, and music and sound design comparable to those of “prestige TV” from services like Netflix, HBO Max, or Apple TV. It also has a high level of acting. Newcomers Pangjie Paphavarin Sawasdiwech as Bell and Mable Siriwalee Siriwibool as Claire are joined by a company of veteran Thai actors, some of whom (including Davika and Ter themselves) have been stars and award-winners or nominees in other productions. I’d especially single out Noon Siraphan Wattanajinda as “3D” leader Dao and Belle Kemisara Paladesh as Bell’s cellmate Kae; their struggles for dominance over the inmate hierarchy amid their own personal troubles drive some of the most compelling subplots in the series.

Those who go looking will find various things to critique in ClaireBell: A few of the plot elements, most notably the circumstances behind Claire’s imprisonment, strain credulity. The 8-episode runtime somewhat rushes the development of Claire and Bell’s relationship. Yuri purists may object to the inclusion of heterosexual couplings (including one scene jarringly intercut with a love scene between Claire and Bell.) And, most amusingly, the product placements that helped fund the series cause the action to occasionally pause as Claire and Bell feed each other slices of bread out of a prominently-displayed loaf, enthusiastically consume yogurt or instant ramen, or comment on the softness of each other’s bras.

But quibbles aside, ClaireBell is top-tier television. Among Thai series I’ve watched I would put it next to The Loyal Pin in terms of overall quality, and I think it almost as significant for the continued development of Thai yuri as was the original GAP. Idol Factory has now imploded in an orgy of financial mismanagement and executive and cast resignations, with Freen and Becky leaving to pursue their own paths. Nine Star is struggling for relevance after Faye’s departure under controversial circumstances (did she jump or was she pushed?). In contrast, Davika and Ter seem to be as competent producers as they were actors. I hope their Mine Media production company builds on the success of ClaireBell to create further yuri series whose quality convinces other Thai production houses to up their game.

Ratings:

Story – 8
Characters – 9
Production – 9
Service – 6
Yuri – 10
Overall – 9

ClaireBell offers a touching romance, compelling performances, and interesting stories, all combined in a high-quality production. It‘s strongly recommended for anyone looking for alternatives to the all-too-common fluff or melodrama of many Thai yuri series.

Extra fun fact: Mable Siriwalee Siriwibool, the “Ble” in “Blejie”, has a masters degree in cellular and molecular science for biomedical applications and is the co-author of several scientific papers.





The Secret of Girls

November 19th, 2025

Promotional poster for the Chinese baihe drama The Secret of Girls, showing the four main characters.Baihe (Chinese yuri) is having a mini-moment. Seven Seas Entertainment just released its first baihe novel, the Baiheverse site is making steady progress on its project of licensing baihe manhua, novels, and other works (including the short film When We Met), and enough other works are being teased for licensing that what has been a mere trickle of official English translations promises to become a growing stream (albeit nowhere near a flood).

Unlike baihe novels, which (like their danmei/BL cousins) mostly seem to traffic in historical fantasy, The Secret of Girls (original title 如果有秘密) is a realistic contemporary baihe drama, now available on the GagaOoLala premium service. As it begins, young Xu Jingxi (He Lei) is laid off from her job, decides to go traveling (for a reason that the GagaOoLala synopsis spoils, but I will not), loses her wallet, ID, and phone while helping another woman, and ends up prevailing on older hotel employee Wen Shan (Sun Cailun) to let her have a room in exchange for working at the hotel.

At first glance the setup is reminiscent of many other yuri works: a free-spirited extrovert who’ll end up softening the frosty exterior of an introverted tsundere. However, Xu Jingxi’s outgoing persona is a cover for her suffering, the nature of which is slowly revealed as her romance with Wen Shan progresses. But the series is about more than the ills of one woman: the back stories of both Xu Jingxi and Wen Shan, and their relationships to their mothers in particular, form a sharp critique of a patriarchal society that demands that daughters show filial piety but offers them little or nothing in return.

Suffice to say, The Secret of Girls is not a series with a “happily ever after” ending, but it’s far from being “tragedy porn.” This is in large part due to the performance of He Lei, who takes what could have been a simplistic character and makes her richer and more complex. (As it happens, He Lei also starred in When We Met, another tale of a younger woman winning the heart of an older one.) Sun Cailun is a worthy companion to her, portraying Wen Shan’s slow and subtle opening up to friendship and then love. I should also mention Li Keyi and Wang Miao, who play hotel owner Ling Yung and bar manager Qin Bei respectively. Their characters support Xu Jingxi and Wen Shan in their evolving relationship and contribute a more light-hearted tone and a very sapphic vibe: The two women live together and are clearly in a relationship of their own, and Qiu Bei’s bar “Her” is advertised as being “Where Ladies Meet.”

My main complaint with The Secret of Girls is with its packaging: It was originally released as 24 five-minute episodes on the WeChat app, and the amount of actual content is such that it could have been (and I think should have been) released as a feature film. However, GagaOoLala is presenting it as 16 episodes, with multiple minutes in each episode taken up by a lengthy OP (which spoils many of the scenes in the series and is untranslated to boot) and even more time taken up in several episodes by an equally lengthy credits sequence. Regarding other aspects, the GagaOoLala version has at least one scene that was almost certainly excised for the Chinese domestic audience; it makes explicit what was already very much implicit in the portrayal of Xu Jingxi and Wen Shan’s feelings for each other.

Rating:

Story – 7 (a potentially clichéd and maudlin plot redeemed by the writing and acting)
Characters – 9
Production – 6 (points deducted for chopping up the material)
Service – 3
Yuri – 10
LGBTQ — 5 (not explicit but very queer-coded)
Overall – 8

The Secret of Girls is not an easy watch at spots, but it’s definitely recommended for viewers who are tired of relatively superficial or melodramatic yuri series (looking at you, Thailand) and want to see a more realistically emotional human drama. It also marks a welcome second outing for He Lei, whom I hope to see more of in future baihe series.





Witches of the Orient: Les Sorcières de l’Orient

November 12th, 2025

On a white background, four young Japanese women are seen playing volleyball, while the protagonist of the volleyball anime Attack No. 1 is centered, making the shot. The title, Les Sorcières de l'Orient, is red letters, with the Japanese 東洋の魔女, Tōyō no Majo is lettered in blue across the net.Readers of Okazu, may have heard of Attack No. 1, the beloved sports manga and anime about a young woman who rises to become a volleyball star. Surely, you have seen the classic image of protagonist Kozue striking the ball with fierce determination.

There was a real volleyball team….and real “oni coach”. Their story is recounted in the documentary Witches of the Orient: Les Sorcières de l’Orient.  I was able to watch this for free on the Kanopy service with my library card. It is also available on the Hoopla service if your library has that. 

In this documentary, directed by Julien Faraut, who watched Attack No. 1 as child in France, discusses the rise of a factory team of volleyball players, who rose to become Olympic and world champions. It is a movie of triumph of the spirit, and a tribute to Kasai Masae, Miyamoto Emiko, Tanida Kinuko, Handa Yuriko, Matsumura Yoshiko, 
Issobe Sata, Matsumura Katsumi, Shinozaki Yoko, Sassaki Setsuko, Fujimoto Yuko, Kondo Massako and Shibuki Ayano. Through archival footage, first-person interviews and scenes of some of the women sharing a meal and talking about the old days, interspersed with footage from the Attack No. 1 anime, this story had me on the edge of my seat, and I not mean that figuratively. 

In the postwar years in Japan, as the country sought to recover economic power, many companies provided jobs and housing to young people out of school and for women, before marriage. To keep employees happy and foster teamwork,  factories would encourage sports teams which, naturally led to competition. In 1953, the Dai Nippon Spinning Co., Ltd’s Kaizuka factory team, plus a few other factory team members, took the world by storm, ultimately winning 24 consecutive matches during a European tour in 1961, where they were nicknamed the Oriental Witches, by the press. They had mostly determined to quit volleyball after that, but the 1964 Olympics were being held in Tokyo and volleyball was making it’s Olympic debut. They stayed. And won a nailbiter of a match over Russia. I knew they had won and I was still holding my breath at the footage of the final minutes of the game.

Their story has a very sobering facet, as well. We all are aware of the demon coach from Shoujo sports manga and anime in series like Attack No. 1 and Aim for the Ace!. It makes for good drama in fiction, but there is no escaping the fact that these women had an abusive and horrific coach in Daimatsu Hirofumi. It is in part because of him, that bearing up against all odds, in all weathers, with injury or exhaustion was for decades paraded as the pinnacle of training in manga. We can clearly see that these women – who worked a full day and then trained into the late night – were not given what they needed to win, they were tortured and yet, they won anyway. Witches, indeed. 

This is a movie I had been wanting to see for ages and I am very glad I was able to make time for it. I hope you’ll fire that library card up and watch it. (And if you don’t have one, please do go get one! It’s free! It gives you access to books and magazines and ebooks, and movies and other media. My library lends things like sewing machines and telescopes and software. All for about 70 cents a year in taxes. So please, support your local library! 

Ratings: 

Overall – 10





Yuri Research Project: Yuri/GL Live-action Series

September 12th, 2025

Exciting news here at Okazu! We are launching a brand new piece of Yuri research for 2025! Okazu Staffer Frank Hecker and I are taking a look at the way folks who watch Yuri/GL live-action series online. 

If you have watched a Yuri/GL series on Youtube or streaming service, please take one of our short surveys. You are invited to  give us an email if you are open to further interview.

We are conducting online surveys in three languages: 

In English

En Español
Translation by Sara Amaya-Revolo

Em Português
Translation by Alice Coelho

Thank you very much for assisting with our research!
¡Gracias por tu tiempo y tu ayuda con nuestra investigación!
Agradecemos o seu tempo e a sua ajuda com a nossa pesquisa!