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Archive for 2011


Citrus (シトラス) Manga, Volume 1

April 27th, 2011

(If you’ve reached this review looking for the Citrus manga Seven Seas licensed…this is not it. That Citrus is a Yuricest story and I have not reviewed it  – or, indeed, ever bought a volume of it.  This is a completely different series with the same name.)

In a very, very small town somewhere out in the boonies, Shiho goes to school with the few other teens of her age left in that town. Shiho has a dream. Because there are no music teachers in town, Shiho has taught herself to play the piano and is encouraged by the kind words she receives from everyone. Everyone, that is, until a new student transfers in from the big city. Nanami is beautiful, standoffish and no one quite knows what to make of her. Through a handwave or two Shiho ends up being assigned to show Nanami around the school. She plays the piano for Nanami and thinks that she’d like to be the new girl’s friend.

Nanami remains cool towards everyone, despite Shiho’s overtures of friendship, but the day the teacher asks what kind of music they like, everything changes. Nanami, it turns out, plays the piano – at concert level. Shiho listens to the tinkle of her dreams shatter with every polished note. She confronts Nanami about the sin of omission, but Nanami is unapologetic – she castigates Shiho for basking in the adulation of the little people of this little town, rather than learning anything at all about the big wide world.

Thus begins Citrus (シトラス), an afternoon-drama-like manga that follows the lives and likes of the teens in this small town. Shiho, her friends, the “good” boy in class, the “bad” boy in class, Nanami, each one of their inner lives is laid bare for us to read and identify with.

Oddly enough, I had experienced the exact same thing last night watching a documentary about legendary dance choreographer Pina Bausch teaching dance to German teens. Dancing Dreams had almost the same exact feel as Citrus, but in a different venue. School is no less intense for it being an everyday occurrence.

There really is no Yuri to speak of in Citrus. Perhaps Shiho’s feeling for Nanami might, one day, become something more, but by the time Volume 1 ends, Nanami is just another supporting member of the cast that fills Shiho’s stage.

Ratings:

Art – 7
Story – 7
Characters – 7
Yuri – 0
Service – 1

Overall – 7

While it isn’t Yuri, Citrus is a slightly fraught slice-of-life shoujo manga in which there is much drama although nothing much actually happens. It absolutely begs for a TV mini-series in which even less happens. ^_^

Today’s review was sponsored by Okazu Superhero George R! Thanks George, for the pleasure of wallowing in a little teen angst, so I can be happy I’m old. ^_^





MMF: Respect, But Not Love, for Rumiko Takahashi

April 26th, 2011

Rumiko Takahashi taught me that I hate low comedy.

Low comedy, hijinks, farce, or what I refer to as “wackiness ensues,” i.e., the use of physical gags, has been a standard form of humor at least since Greek Drama. (You can’t convince me, however, that prehistoric pies weren’t being thrown in prehistoric faces….)

In live-action performances, low comedy often requires extraordinary physical skill – you can see this watching a Harold Lloyd or Buster Keaton movie. If you like Rumiko Takahashi, I strongly suggest you do watch Harold Lloyd and Buster Keaton movies. You will love them. Even I love them – and I don’t like physical comedy.

In comic performances, low comedy requires, at minimum, excellent timing. Slapping the boke on the back of the head a little too slow ruins the dramatic tension that was created by the boke being a doofus.

In comics or manga, low comedy still  requires excellent pacing. A storyteller must be able to break up the comedy with drama, just enough – not too much – and the drama must never overshadow the comedy. As fanfic writers found, when Ranma 1/2 became the first massively popular series to spawn fanfic here in the US – comedy is hard, and farce is nigh on impossible, to create well in text. So, when faced with a manga built on impeccably timed and framed low comedy, there’s only two routes you can take – one, to desperately try to recreate the slamming doors and “I’ll get you!” comedy and fail miserably or, to forget the comedy and wallow in the drama. Both kinds of fanfic mostly suck, but they taught me how *hard* comedy is to write. Wit, sure, no problem. Low comedy? Forget it. For instance…

Telling you that someone falls out a window and lands on a ladder precariously balanced on a sawhorse, so that they end up walking back and forth on the ladder so that it balances, then they slowly tilt it to one side and walk down to the ground is pretty damn boring. But if you *saw* it, it would be a pretty funny trick, don’t you think? A comic genius like Lloyd or Keaton could turn it into five solid minutes of fun.

Rumiko Takahashi understands humor. She understands that to balance the humor there has to be a smidgen of drama and a sympathetic, if not entirely average, protagonist. She knows how to balance romantic interest without ever really moving the romance forward. She understands how to balance on the ladder, slowly walking from side to side to keep the thing level on the sawhorse of audience attention.

I have sincere respect for Rumiko Takahashi’s skills. She taught me important lessons about balance and timing – lessons I still incorporate in my own writing. But she also taught me something else about myself.

Rumiko Takahashi taught me that I really hate low comedy.





Takarazuka: Gyakuten Saiban ~ Yomigaeru Shinjitsu

April 25th, 2011

Gyakuten Saiban ~ Yomigaeru Shinjitsu (逆転裁判 −蘇る真実−), aka Phoenix Wright~ Truth Ressurected, starring Ranju Tomu, performed by the Takarazuka Cosmos Troupe was a fun, multi-fandom 3-D romp inside a lot of people’s heads.

I have not played – or indeed seen – any of the Phoenix Wright games. They were quite obviously loads of fun to play, as people on both sides of the ocean went gaga for them. Having never seen them, I can’t tell whether the Takarazuka musical based on them is related in a non-superficial way to the game, but I can say this – it was a lot of fun to watch, even if it wasn’t much “like the game.”

Phoenix, a rising young lawyer, is distraught that someone he knows has been arrested for a murder in California. Ranju Tomu does a very convincing job as a rising young lawyer, despite the suit. In fact, in some scenes I felt complete confidence that she could pass as a young man on the street if she kept up that body language. Gone was the huge, fake swaggering movements of drag kings, and instead actual body language that read “guy” to me. That was pretty much the first time I had seen that in a Takarazuka show. It interests me greatly. Was it her natural inclination? Was it choreographed? Was it self-study or mere chance?

I’m told that the love story was created out of whole cloth for the musical. That’s okay…Phoenix needed to have a love interest for several reasons – one, it’s Takarazuka, duh!, and two, it provides a short, simple, neat motivation for him bothering to care about Leona Clyde, since we don’t really have too much time to develop that backstory.

Unlike most music written originally for Takarazuka shows, the songs were short and only one repeated the word “aisheteru” endlessly until we couldn’t take it seriously anymore. Tomu has a few songs that really worked to the strongest part of her range. Nanaho Hikaru was, I thought, underused as Edgeworth. She’s got a great voice and a great stage presence. I’d like to see her make Top Star.  Miwa Asahi was great as Leona, and an unusually strong female lead.

Interestingly, this show had “opening credits” as part of the show, something I’ve never seen before.

Despite my lack of familiarity with the source material, I was able to grok the key character points with no difficulty and overall, found this to be a very enjoyable afternoon matinée show on my TV. ^_^

Ratings:

Overall – 8

While watching the show, I found myself having to explain the game to Bruce, which was challenging, as I know of it rather than know it, and didn’t have a DS to show him. Nonetheless, even with the limited information I was able to provide, it was an easy show to follow. I won’t tell you whodunit, but I did learn the word for New York State Governor. ^_^





Looking for Essayists for New Yuricon Essay Page Feature!

April 24th, 2011

You love Yuri – everyone knows that. But, how did you get into Yuri? What was the moment you realized that this was an important part of your life?

Yuricon is looking for short essays (up to 500 words) about your first Yuri anime or manga series and what it meant to you then – and now.

Essays will be collected and some will be chosen for a new feature: What Yuri Means to Me on the Essays Page. Publication is not guaranteed, but we’ll be sure to add as many as we can!

Send your essay to yuricon at gmail dot com, Subject Line: What Yuri Means to Me

Spread the word, and join Yuri artists like Rica Takashima and Akiko Morishima explaining just what Yuri means to you.





Yuri Network News – April 23, 2011

April 23rd, 2011

Yuri Manga

Deb Aoki of Manga.about.com brings good news with a short, but very targeted, interview with Kodansha USA about the localization of the new Sailor Moon and Codename: Sailor V editions.

My wife is going to laugh when I read this to her, because she’s been saying all along that this would happen: Kakifly has announced that the K-ON! manga will continue, in two magazines. One magazine will contain the college life adventures of Yui and the gang, while the other manga will follow Azusa, Jun and Ui’s remaining high school years.

If you’re following the adventures of two college-age women living a cheerful life of poverty in Flat and Flow, Volume 3 is out. (ふらふろ)

The May issue of Mangatime Lovely will include a Yuri story by Uso Kurata called  “Itsuka Ouji-sama ga.” (いつか王子様が)

Save your yen for June when Volume 14 of Hayate x Blade hits the shelves! I promise you will not be disappointed. Based on a tweet by Hayashiya Shizuru-sensei, it looks like a special edition with booklet will be available.

***

Yuri Anime

Section 23 has added the third season of Hidamari Sketch, Hidamari Sketch x Hoshimittsu, to their summer release schedule.

YNN Correspondent George R. has written in to say that in Episode 3, some Yuri has been unnaturally and artificially injected into Hanasaku Iroha: “Jiroumaru, the author staying at Kissuisou, provides more complications as well as the first Yuri in the series. How many series offer you lame slash fiction about the girls in the series. In this case, it’s just a glimpse at an ero-novel featuring the girls together in the bath. Jiromaru is writing it to try to pay his bills. Some folks will find this a jarring turn-off, I just had to laugh at this way of showing his inadequacies. His personality is an interesting mix of arrogance and insecurity.”

***

Snatches of Yuri

Young Gangan magazine has a collected volume that Yuri Japanese lists call Yuri. I have no idea what to expect, except that Young Gangan kinda never makes me happy. The collection is Oshieshirabusu (オシエシラバス) If you get it, let me know how it is. ^_^

Fans of Manga no Tsukurikata will be excited to hear that in late June an original Manga no Tsukurikata doujinshi will be published by the author, according to a tweet by a Comic Ryuu editor.

I know, I know, you were just dying for the day when Mikarun X, Volume 7 is out. Well, here you go.

***

Other News

As I mentioned Thursday, I was honored to be invited to participate in a post-mortem on Tokyopop on ANN’s ANNCast.  I’m pretty certain that Zac, Lissa and I ripped open every seam of poor Tokyopop’s shroud and well-critiqued the dead company’s thread count and stitching of the bed curtains, “rings and all.” It was a great conversation, many thanks to Zac and Lissa for the opportunity!

***

That’s a wrap for this week.

Become a Yuri Network Correspondent by sending me any Yuri-related news you find. Emails go to anilesbocon01 at hotmail dot com. Not to the comments here, please, or they might be forgotten or missed. There’s a reason for this madness. This way I know you are a real human, not Anonymous (which I do not encourage – stand by your words with your name!) and I can send you a YNN correspondent’s badge.

Thanks to all of you – you make this a great Yuri Network!