Archive for April, 2020


Otherside Picnic, Volume 3

April 17th, 2020

In Volume 1 we met mystery hunter Sorawo, who nearly died while visiting an “other” world that had access points in our own and Toriko, the beautiful blonde who saved her life. In Volume 2 Toriko and Sorawo and their broker for artifacts, Kozakura, learn of the research into this other world, known as the Ultrablue. Sorawo meets an admiring kouhai, Seto, and proceeds to do everything she can to distance herself, all the time haunted by the mysterious Satsuki Uruma, who clearly connected with the hearts of Toriko and Seto, but whom Sorawo sees as a threatening and manipulative presence.

Now in Volume 3 of Otherside Picnic, after a terrifying brush with death and madness at the end of Volume 2, Sorawo and Toriko decide to take a more aggressive view of the UB, and face it head on. They customize an agricultural vehicle and head into the world to try and map it. With Sorawo’s one UB eye and Toriko’s transparent hand, they have the ability to see the reality of creatures in the UB. But Sorawo can see something that she’s not telling Toriko, who is becoming more and more dear to her. Sorawo can see that Satsuki Uruma…is watching them.

We get a few random glimpses into both Sorawo’s past, which helps explain a lot about her, and Toriko’s, which doesn’t, but offers tantalizing hints. They encounter a foe whose UB ability is deadly and, for the first time, we run into something that actually frightened me as a phenomenon. As a result I kind of want to talk about the horror author Iori Miyazawa bakes into this series. The author’s notes fascinate me, because they are themselves a kind of second-hand urban legend that the work purports to draw upon. “I read this on a board that’s gone now…” is pretty much the Internet version of  “a friend of a friend told me….” The horrors themselves are random and inexplicable, often being “explained” away by something even more inexplicable, which is charming, but doesn’t make the scare any scarier…unless it coincides with something you, personally, carry. Then it’s fucking terrifying.  ^_^

You may remember we tend to stay in Ikebukuro and we know the corner where the Junkudo is across from the ramen shop well. Yes, that ramen shop with a long line is real. The line starts about 10:30 in the morning and goes all day until the shop closes. It’s mostly Japanese folks, but sometimes has foreigners in it…and it’s on my list of things to do, to get on that line and eat there. ^_^ Well, a few years ago, my wife and I had a scary and strange experience nearby. I won’t get into details, but suffice to say the whole scene outside that Junkudo make me deeply uncomfortable to the point of being genuinely terrifying. Which is when I realized how Miyazawa’s horror works.  All the stories need to do is to evoke a place or a feeling that already scared you, and you’ll fill in the rest. Stories of weird beach houses and toilets in the middle of the hotel room, or strange looking constructions in the middle of the woods might not get you, but if you had stayed in a creepy beach house, or a really weird hotel room or saw some kind of bizzarro structure in the woods, you’d be looking for that light switch as you walked down the hall. ^_^;

Volume 3 ends with an important moment, but one that can’t really be considered a climax until we see if anything will come out of it. Toriko and Sorawo need a heart-to-heart ….but it’s not Satsuki Uruma that they need to talk about.

shirakaba’s art is less-irrelevant than usual, which was nice. Hats off to translator Sean McCann and editor Krys Loh, because translating made up fake horrors and making them make sense is way harder than translating things that exist and making them make sense.  

Ratings:

Story – 9
Character – 9
Service – 3
Yuri – 6

Overall – 9

Volume 3 is available on Kindle, Bookwalker Global  and directly from J-Novel ClubVolume 4 just came out in Japanese in March, so I imagine it will be a while before we’re getting the next installment! If you can’t wait, you can grab it digitally on Bookwalker Global, as well!

 





Koisuru Meiga (恋する名画)

April 16th, 2020

Yuri reviews, news and interviews are the primary function here at Okazu. Over the years, I’ve also sneakily (sometimes not very sneakily) found a way to include art, music, dance, photography, literature and the like into my reviews in hope that I can encourage you to experience things outside manga and anime…and because Okazu readers are often seeking those things out themselves, we’ve had a lot of great art conversations here. Like Bruce’s discussion of Maurice Prendergast, or the time we looked at Yuru Yuri because of a riff on Velasquez’s Las Meninas. Today we’re going to look at a manga that overtly marries Yuri and fine art, Koisuru Meiga (恋する名画) by Mimoto.

Each chapter in this book, subtitled in English, “The masterpiece I love,” presents a Yuri vignette, tied to a piece of famous art. The first chapter follow a young girl who looks through a window to see a beautiful woman posing, in a way that recalls DaVinci’s Mona Lisa. A few of the paintings were instantly recognizable to me, Munch’s Madonna, (a painting I quite like) Millais’ Ophelia,;but many of the paintings, if not the painters were new to me.  To be honest, paintings are a weak spot in my overall education, so I was delighted to learn about Okamoto Taro’s Itamashiki Ude and a number of the others. We laughed when we got to Fragonard’s The Swing, because it was very Fragornard-y. 

My favorite chapter followed an artist who is once again able to paint her favorite model, in a reproduction of Ingres’ (in)famous Grande Odalisque.

The final story is a Maria-sama ga Miteru-esque piano interlude with a girl and her beloved onee-sama, which was meant to reproduce Renoir’s Girls at the Piano. It made a lovely, classic ending to a veritable gallery of delights. 

Ratings:

Art – 7 Good, but it suffered in comparison to looking up masterpieces. ^_^;
Story – Variable, but none were horrid, let’s say 7 average
Characters – Widely variable from creepy awful twins to adorable lovers
Service – 5 Some nudity. Duh, also some other pointless service
Yuri – 7 

Overall – 8 Should be a 7, but I give it an extra point for general effect. I enjoyed the heck out of it.

I’ve never not hated a Renoir before. It feels weird. ^_^;





Fuzoroi no Renri, Volume 2 (不揃いの連理)

April 14th, 2020

In Volume 1, we met Tanaka Iori, a careerwoman with a job that she does not love, and a former juvenile delinquent girlfriend, Minami, whom she does. Ultimately, we also meet Iori’s obsessive little sister, and Shizuku, who was Minami’s closest friend in juvie.

In Fuzoroi no Renri, Volume 2 (不揃いの連理),  a continuation of the Pixiv comic by Mikan Uji, Minami and Iori, and the almost-relationship between Saori and Shizuku, are joined in shenanigans by a third couple. This couple consists of manga artist Heke and her editor, Shinohara, whom Heke has no idea is also her partner Lala in an online RPG game.

And shenanigans is what volume 2 brings us. This volume is less coherent narrative and more short gag scenarios, than volume 1. Some short flashbacks into Minami and Shizuku’s time in reform school are joined by Heke avoiding work and declaring her love for Lala, without putting two and two together when she’s with her editor. Iori’s complaints about work take a back seat to her relationship with Minami. No one gets a narrative arc; it’s all small, sometimes, goofy moments. And, in the odd moment, there is very sweet romance.

Mikan Uji-sensei’s art is solid, the vignettes are amusing, sometimes sweet, and I am really enjoying this series. I feel like we’re getting a glimpse of people we might not normally see, behaviors not normally looked at and very little fetishizing of any of it.

Ratings:

Art – 8
Story – 8
Characters – 9
Service – 3 Some light nudity, nothing salacious
Yuri – 10

Overall – 9

This is a fun manga and I’m glad we’re getting more of it.





Kaketa Tsuki to Donuts, Volume 1 (欠けた月とドーナッツ)

April 13th, 2020

Uuno Hinako always looks good. Her dress and makeup are always spot on, her hair is always done. She’s always got a smile on her face at work, just the thing to attract a nice man. She goes out to lunch she can’t afford to be with friends, rather than eat alone. That’s what’s expected of her. That’s what is “normal.” So why is she so miserable? In Usui Shio’s Kaketa Tsuki to Donuts, Volume 1 (欠けた月とドーナッツ), she’s about to figure out why.

Satou Asahi doesn’t seem to care for any of these things. She eats lunch by herself, speaks up when she’s offended and doesn’t seem to care what people think. Hinako is fascinated in a way she can’t express. When Satou comes to her rescue with a cute, animal shaped donut, they begins a friendship that confuses Hinako. Why does she find Asahi’s lifestyle so empowering?

Asahi is encouraged by her younger sister Subaru to become closer to Hinako, as she can see that they need each other. As the volume comes to a close, Hinako takes a step to reject what is seen as “normal” and move towards a path she might actually want to go down.

Although Hinako’s clinging to what is expected of her is, predictably, a little annoying, and she is a mope throughout much of the volume, it’s easy to see that this is not a short journey for her, but a long, arduous one. And we can’t but help root for her. Subaru egging Asahi to push past her own guard is very cute. Not at all despite myself, I find this series to be exactly the kind of Jousei Yuri I want more of from Comic Yuri Hime magazine!

Ratings:

Art – 8
Story – 8
Characters – 8
Yuri – 6
Service – 0 Not so much as a bath scene. What a pleasure

Overall – 8

While it is true that what society and family “expects”is still a struggle, I rejoice in the fact that for so many of us, life is more about enjoying the moon and donuts. I look forward to Hinako being one of us.





I Am Not Okay With This

April 12th, 2020

Netflix’s series I am Not Okay With This, an adaptation of Charles Forsman’s graphic novel of the same name, is…interesting. Good interesting, but interesting rather than entertaining, for me.

It begins with a young woman in a white shift, covered in blood, running from what sounds like police sirens. The voice over starts, “Dear Diary….Go…Fuck Yourself.” And from that point on, I did, indeed, binge-watch this story of Sydney, a young woman whose entire already crappy life is turned upside down by even more circumstances beyond her control than usual. At fifteen, Sydney is angry and frustrated by life, and as a result she’s an asshole to people who are probably only actually a little annoying.

Sydney’s got problems, as most people do. She’s hauling around a lot of anger at a father who killed himself, and she’s secretly in love with her best friend, something she comes to understand as the story plays out. But her friend is not in love with her. Instead her best friend is going out with a star of the football team who kind of tries to not be a jerk, honestly.

Unfortunately for Sydney, she’s also beginning to manifest powers of manipulation….powers driven by her anger, mostly. Explosively violent powers. And so, as the season ends, we come full circle to the beginning, with Sydney, running away from sirens in the background.

Sydney’s sexuality is part of the story and it takes her a longer while than it takes us to figure out where her interest lies. But whether it will ultimately be a good thing is still way up in the air as the season ends.

The biggest hurdle in the story is not the horror of it all, or even the tedium of school life, which is thoroughly explored, but that Sydney herself is just not a particularly nice or interesting person. Her “good” column is mostly filled up with Sydney’s genuine affection for her little brother. That said, Sydney is fantastically acted by Sophia Lillis, who captures every single annoying, awkward, self-absorbed quality of queer adolescence competently. The rest of the cast is likewise excellent, with special shout out to Wyeth Oleff as Stanley Barber, Sydney’s confidant and would-be boyfriend.

Ratings:

Acting – 10
Story – 9
Characters – 8 Exceptionally well portrayed
LGBTQ – 4 Sydney figuring it out is a thing
Service – 2 a little dress up

Overall – 8

If you’re looking for a happy teen drama-comedy, this is not the teen drama you’re looking for. If you’re looking for a queer lead paranormal/horror story, a lesbian Stranger Things or had a fondness for the teen drama of Buffy The Vampire Slayer, I Am Not Okay With This will probably scratch your itch. Whether a Season 2 will happen we don’t know, but it does appear that it’s being considered, if not actively made yet. The comic ends with finality, so if there is a S2, it will be going in a different direction.