Galette, No. 14 (ガレット) marks a shift in my collection and starts with a multi-layered tale of woe. ^_^

Due to the  pandemic, this issue was offered in limited amount to backers as a physical publication, and eventually, it was offered to overseas backers but, for a number of reasons, I was unable to purchase the physical copy. Mostly, it was timing.

Jumping forward, Volume 15 is also being made available to backers but due to chicanery and corruption on both sides, packages sent by Japan Post to the USPS are now being held up for a minimum of 8 weeks on the Japan side, and who know what will happen on the US side. This is not hyperbole. When I shipped a package from Japan in July, I had the choice of around $200 by DHL (around, but I was completely unable to get an actual estimate off the DHL site, because the English-language page wouldn’t accept the Japanese address and vice versa, of course.  Apparently Tenso will only tell me what it actually costs after I commit to DHL shipping. So I chose JP Post to USPS – this was before the current administration’s open interference with the US Post Office – and was told right up front that it would take 8-12 weeks to ship. I have a package sitting in a warehouse in Kawasaki since July for, as far as I can tell, no reason whatsoever, except to make using a public service unappealing and shifting us to much more expensive shipping by private company, making what was already a huge barrier to overseas purchases practically insurmountable for normal humans.

As a result of this utterly malicious fuckery on both sides of the Pacific, I find myself unable to purchase the physical copies of Galette magazine. I’m saddened, but I upped my backer level, so I get a PDF copy of each volume when it’s released. Yay digital!

So here we are at No. 14, my first digital-only copy. I’ve linked to the Global Bookwalker version, which I also bought, because I wanted to see how it read. Honestly…I love it on Bookwalker. I use Bookwalker on a tablet, and it’s almost the same size as the magazine. I love being able to read the page on a large screen and page through it as I might in a physical copy. When I get the PDF, it reads on a browser as vertical, but I’m going to see if the Bookwalker reader will handle the PDF. It ought to. For those of you in Japan, it is also available on JP Kindle.

All the continuing stories are still continuing, which means ongoing works by Morinaga Milk, Morishima Akiko, Hakamada Mera, Hamano Ringo, Yatosaki Haru, Uno Jinia and Kitto Izumi and Momono Moto;  some of which are doing surprising and sometimes really interesting things. Morinaga Milk’s characters Rena and Yuna have moved into a larger home and are about to embark upon building a life together. This isn’t just “let’s live together,” this is “we’re a couple and this is us figuring out our lives together.” Kitto and Monomo’s “Liberty” has taken a dark turn and I really don’t know at all where it’s going.

But the winner this issue was definitely Hakamada Mera’s “Sekai ga Owarau sono mae ni.” It was just a really good chapter, probably some of the best work I’ve ever seen from her.

There was a fun take on Cinderella by Ei Imura, and the usual compliment of photography and art. All of which make Galette a satisfying read, that I look forward to every issue.

Ratings:

Overall – 9

Volume 15 is available as PDF and physically by mail to backers on Fantia at Gold level or higher, on Amazon JP Kindle and, kind of weirdly, in Japanese on US Kindle, but not yet on Bookwalker.