Archive for May, 2021


New Episode on Yuri Studio!

May 13th, 2021

I saw a Twitter meme and decided to make a Yuri video! ^_^ In this episode I look at a few key tropes of Yuri and how the genre is evolving.

S02 E02 Yuri: How it Began – How It’s Going

 

Here’s the value-add for today’s post: Why You Should Click “Like” on Every Video You Watch and Actually Like

If you’ve watched any videos on Youtube, you’ll see folks exorting you to click “like” and subscribe. There’s a reason why. Youtube-oniisan judges all videos pretty harshly. If a video goes up and doesn’t get likes along with its views, YT-oniisan thinks the video is a loser. It won’t tell it’s cool friends about it, and even if you tell folks, it won’t share the news.

I’ll give Youtube props, all creators get links to their explanation of the algorithm, so it’s not like this info is buried. The bottom line is, if you watch a video, but don’t also “like” it, YT considers that a “meh.” If you react and comment, YT considers that a thumbs up and your video gets on that queue of suggested videos on the right on a watcher’s list. If you watch tons of videos on a topic, the other videos by the people you have already liked are bumped up onto your suggestions. If folks click on your videos from their suggested video list, they get more like that. (It is true that if you click often enough you’ll start to see angry shouty men and weird kiddy cartoon snuff, but if you carefully cultivate your actual clicks and block that shit it will continue to give you the Sailor Moon theme Moonlight Desetsu on koto.

When you click like on a video – and, even better, add a comment – Youtube-oniisan grudgingly admits that, for a kid, you’re not bad. That’s why YT doesn’t care if the “comments” are high quality or not. It’s your bro, a grunt of acknowledgment is as good as a well-thought out response.

Youtube validates that video in the algorithm, more people see it. And here’s the point  – to make money on Youtube folks need a minimum number of subscribers and watch hours, so people who do YT for money need those new eyeballs. I had asked for subscribers last year to enable auto-subtitling. Once I got it, I don’t care so much how many subscribers I have. (Of course, if I ever do have 6 figures worth of subscribers, that’ll be a whole new story.) Right now Yuri Studio has about 1/8th the number of watch hours it needs to be monetized so that’s also not super high priority, but one day, maybe, who knows.

All of this is to explain to you just why, when I ask you to please “Like” a video on Youtube, it’s because that really makes a difference! Subscribe to the channel if you want notifications of new videos, obviously and support us on Patreon, because our Patrons make these videos possible!

Thank you for your watches and your likes, and your questions and comments! I’ve got the next video topic all lined up so I’ll see you next time on Yuri Studio!





Dear Noman, Volume 1 – Guest Review by Luce

May 12th, 2021

Welcome to another Guest Review Wednesday here on Okazu! Today we have a new Guest Reviewer, Luce, who is going to take us through a series I haven’t even had a chance to look at, so yay, I’m totally ready to learn something new. ^_^ Please give Luce you attention and consideration!

I’m Luce, long-time follower of this blog, and I own too many Yuri manga. Not that that’s much of a bad thing, though… I can be found as silverliningslurk on Tumblr, and farfetched #1235 on discord. Anyway, on with the review!

Mashiro is ostensibly a normal school girl—except she can see ghosts and spirits. After a terrifying encounter with one, she meets Bazu, a crow Noman (the name this series gives to anything not living) and Nelly, who both work for the Border Preservation Society. Due to an accidental bond (read: kiss) with the vitriolic Bazu, Mashiro ends up deciding to work with them to bring Nomans to peace and prevent them eating souls.

There are likely a good many series that deal with a supernaturally gifted human teaming up with a supernatural being to fight monsters, and I doubt this series will do anything new, per se. We have the initial monster, the one the new girl manages to talk around from violence, and the more obviously sentient one. I haven’t read too many of these, so it’s not a tired trope for me. It’s interesting enough, even if the grading system the Society uses for these monsters confuses me somewhat. I hope future volumes will shed some light on it.

What is probably slightly more novel is a canon lesbian. Well, at least one. It’s not the happiest of stories though, as she is a Noman… But it is possible it could take a turn for the better. Another character states that her death happened at least a few years ago, and says that things have ‘changed for the better’. Not that that helps her much, at the moment. This volume leaves that story on something of a cliffhanger, albeit a low stakes one, so we’ll have to find out in the next volume. As for being yuri between the main characters, it has potential. The only problem is the visual age gap. I say visual because Bazu, being a crow Noman, doesn’t have a stated age, and clearly didn’t age by human standards whilst alive, so it’s hard to tell. Her body is most definitely adult, while Mashiro says she is fourteen, and looks younger partly because she’s small, and partly because she’s drawn to look young. Age is a funny thing in manga anyway.

Quite a lot happens here, although the pacing didn’t feel rushed to me. I’m curious to see what happens with the lesbian noman, and with what I imagine to be foreshadowing, in that Mashiro frequently writes letters to her deceased older sister. I also want to see Bazu and Mashiro evolve and grow, regardless of whatever it will turn into a relationship or not. Bazu is pretty harsh and aggressive initially, although we see later than she has a good reason for her hatred. Mashiro is a little naive, and perhaps blunt, but she does genuinely care about Bazu, and wants to learn more about her. I’m intrigued to see the effect they have on each other.

All in all, for a series that looks like it could be quite light, it gets surprisingly dark, but it balances these quite well. I like it, and I’m looking forward to the second volume, slated to come out in English from Yen Press in June.

Art – 6
Story – 7
Characters – 7
Service – Bazu has, to borrow another character’s comment from a different series, ‘some mad cleavage’. It is, thankfully, not used in a servicey way, and there aren’t many lingering close ups. I’d say 3.
Yuri – there are kisses between women. They don’t mean a great lot emotionally… Until they do? We shall see. Canon lesbian puts it up to 5.

Overall – 7

Erica here: Sounds like it could be worth a read. Thank you very much for the fab review! This series reminds me a bit of Ghost Talker’s Daydream, with it’s tragic lesbians. ^_^;

You can find Dear Noman, Volume 1 on Amazon, Comixology/Kindle, RightStuf, Global Bookwalker and manga stores near you!





Yuri Events of Note for May and June

May 11th, 2021

As “con season” opens on this second pandemic year, some cons are still virtual, others are giving virtual a try (and we’re all side-eyeing creepy cons who think we’re going to go to a big public in-person gathering this year. I’ll be staying in for a while, then avoiding big crowds for longer, thank you.) But even if you’re staying in, you can enjoy yourself with some incredible Yuri events. Put these on your calendar!

 

Toronto Comic Arts Festival:

Wednesday, May 12 at 7PM (Eastern NA Time) Deb Aoki will be hosting a discussion with the creator of My Lesbian Experience with Loneliness and My Alcoholic Escape for Reality. Watch the interview with Kabi Nagata on the TCAF Youtube channel! (I also highly recommend the Loop Sessions panel with DJs doing live mixes as artists do live drawing online. I would 10000% subscribe to a channel of just this. It was brilliant.

 

Mechademia:

June 5 21:00 JST (8 AM US EST, 1PM BST) Join myself, Verena Maser and James Welker at our Mechademia panel, Transporting Yuri Across Borders. As far as I can tell this is the first Yuri-focused panel at the Mechademia conference. The presentations are all going to be available by video after May 15, so when you register, you can watch them any time. Our panel will be for Q&A and I really hope I’ll see some familiar faces in the online crowd.  I will be pie-eyed. I am NOT a morning person. ^_^ This conference costs $30 for non-academic/student participants; it looks pretty amazing. Register here. Registration opens to the public on May 16.

 

CasaCon:

June 25-27 Stay home and join me at CasaCon!
The event is free on Discord. We’ll be talking about inspiring things in pop culture! I’ll be doing my “Secret” History of Yaoi and Yuri panel! Register here.

If you’d like me to be part of your online event, drop me a line! I’d love to join you virtually. ^_^

 





Touma-kun (冬馬くん)

May 10th, 2021

Last week I talked about an objectively problematic book from Galette Works, by an artist I quite like, The Rain and the Other Side of You. This week, we’re going to look at  book that is objectively also problematic, but subjectively, I really like it anyway. Today we’re talking about Amano Shuninta’s Touma-kun (冬馬くん), also from Galette Works, a collection of her series from Galette magazine.

“Everybody’s boyfriend” Touma-kun is a girl in a girl’s school who thinks all the girls are very pretty and wants everyone to be even prettier. Touma’s not good at studies, but she is a genius with hair and makeup and loves nothing better than to make the girls around her even prettier. Each chapter of the story follows one of the girls or women of the school as this uncarved block, Touma-kun, reaches into their hearts and brings out their inner beauty, then loves that beauty with her heart soul both physically and psychically.

In one chapter, we see Touma do the hair and definitely seduce one of the teachers…when the teacher is called into the principal’s office, the principal nails it in one that she’s been to see Touma-kun….which, along with the fact that Touma-kun tells one of the students that the principal made the salon space for her makes the principal kind of suspect.

Why is this problematic? Well, one could say that Touma-kun seduces the girls as she does their hair and makeup. Touma’s not manipulative in the sense  of using the power she wields over the girls around her. She’s happy to make them prettier, however she can and she gives of herself freely, as well. She won’t be tied down, no matter how many girls want her for themselves…and a few of them do. Touma’s a student and the teacher’s first reaction, upon waking up naked next to her is to scream “What am I doing?” Again, we even suspect that the principal has also sat in that chair. So there’s all of that as well. But intent goes a long way here. Touma’s likeable and not at all creepy, maybe even a little overly simple.

After graduation, Touma’s schoolmates get together hoping that they get one more moment with everyone’s boyfriend, but Touma never shows. Obviously, Touma is not moving on to university, but we do see she’s gotten a job as a hair and makeup stylist, and continues to make the women she works with prettier by whatever means she can.

So…depending on your definitions, maybe problematic, maybe not. From my perspective, while I can see potential problem areas, I found Touma so sincere and honest a person, that it was impossible for me to resent her actions. Your mileage may well vary. ^_^

I adore Amano Shuninta’s art always, and the loose lines of faces and hair in this volume absolutely are in the gold for me.

Ratings:

Art – 9
Story – 8
Characters – 9
Service – 2 implied, mostly
Yuri – 10

Overall – 9

Amano Shuninta’s Touma-kun (冬馬くん) is a beautifully designed and executed story, by a talented Yuri artist.

In my head, Touma-kun is voiced by Paku Romi, specifically using her voice from the Hatsu/Koi Shimai drama CDs where she played Hiiragi Touko. ^_^





Yuri Studio Video Sneak Peek for Okazu Patrons!

May 9th, 2021

New Yuri Studio Video Sneak Peek for Okazu Patrons!

Become an Okazu Patron today and get early access to videos and input on what we’re going to talk about! If you’d like to be named in the credits join us at the Producer level or higher and you’ll be in the credits of every video!