Archive for January, 2025


Comic Yuri Hime February 2025 (コミック百合姫2025年2月号)

January 31st, 2025

Two little girls playing on monkey bars in the snow.

Comic Yuri Hime February 2025 (コミック百合姫2025年2月号) begins with another cover “photo” by Hechima, this one labeled “Hey Let’s Make A Snowman if it snows!” Monday, January 2016 GMT +0900 /10 years old.

In Torii Shizuku’s “Yume to Koi de ha Tsuriawanai” the protagonist is convinced that she cannot fall in love and do well in school…and maybe she’s right, but he love interest thinks she can do both.

 “Watashi no Oshi ha Akuyaku Reijou,”  Rei and Claire fight over marriage expectations. For Claire, marriage is a contract that is not bout love, for Rae, her modern perspective is completely different.

“Muryoku Seijo to Munou Oujo ~ Maryoku Zero de Shoukansareta Seijo no Isekai Kyuukoku-ki ~” Nana and the Princess are committed to saving the village. As they begin tracking down the source of the miasma and seem to get close get close…they disappear.

“Muryoku Seijo to Munou Oujo ~ Maryoku Zero de Shoukansareta Seijo no Isekai Kyuukoku-ki ~” A villainess character has entered our world, but doesn’t seem to care about Machino….why is why is she here and where will she go?

Minato and Koharu go to a friend’s wedding and go all out in style “Koharu to Minato”. They are adorably excited to see each other dressed up.

In Utatane Yuu’s “Odoriba ni Skirt ga Naru” – Kiki and Michiru go for their hatsumode, make wishes, and they clear the air between them. Kiki is committed to their partnership at last.

SheepD’s “Kanaria ha Kiraboshi no Yume wo Miru”  takes a short, but grim look at Tsubaki’s life as a prostitute and presents the shock that her clients are, right from the get-go, women.

“Gakeppuchi Reijou ha Kuro Kishi-sama o Horesasetai!”  – while a war of words rages inside between Clarice and the representative of a merchant clan that wants her to owe them, an actual demonic fight rages outside between their guardians.

Ciel outs herself to save her brother in “Kiraware Majyo Reijō to Dansou Ouji no Kon’yaku.”

I’ve been reading “Gan no Hime”  since it launched and I have to dmit that, while I love the post-apocalypse scif fantasy, I just do not love the art. It’s a great story, though, traveling through the still-living relics of a cultural collapse.

I’m not reading about a third of the magazine, and there are always stories I read, but do not mention. 2/3rd of the magazine being interesting enough to read is a bleeding triumph.

Ratings:

Overall – 8

The March issue is already on shelves and I am ready to read it!





Mobile Suit Gundam: The Witch From Mercury, Season 1 Blu-Ray Steelbook, Disc 1

January 30th, 2025

The front and back cover and two blu-ray disks of a steelbook set. On the right is a girl with scarlet hair in a white uniform with black and gold collar, on the left is the same girl standing in front of a giant white robot with red, blue and yellow features. The two disk are gold and black.I managed to get through two of the 6 episodes on this disk without being enraged. Good for me!

In Mobile Suit Gundam: The Witch From Mercury Season 1, Blu-ray Steelbook, Disc 1, Suletta Mercury comes from provincial Mercury to Asticassia School of Technology. Suletta is sincere, a lot nervous and excited about this new experience and the people she will meet, but of course she has stepped into the middle of a class war. She is immediately sucked into duels for the hand of a girl who very much has no interest in being anyone’s prize. The mobile suit she pilots with skill is branded illegal and, of course, she is treated with disdain by both the elite Spacians and the downtrodden Earthians.

This story begins as many anime do – a young person wholly unsuited to a elite and codified environment shows up and sets everyone’s teeth on edge, upends the school rules and becomes the new punching bag of everyone who has an agenda…which is everyone. In this anime, all of that is accompanied by corporate misbehavior and intrigue, so that the duels fought by the children are a reflection of the machinations of the parents. Abusive parents creating unkind children who will forced to battle for no good reason whatsoever, at the risk of their mental and physical health sounds like more than one anime…but it is still absolutely enraging. Nonetheless, we cannot stop ourselves from rooting for Suletta and by extension, Miorine because that is how these things work.

The nods to Revolutionary Girl Utena are very loud here at the beginning of the series. The opening credits borrow at least two visuals from the opening of Utena – The scene where Suletta and Miorine walk in opposite directions closely mirrors the same cuts in the Utena OP, the two protagonists spinning in the show logo – and the duels to become the fiance’ to a girl with no agency who grows things in a greenhouse loom rather large. Know your meme has a few related items, as well.  And Chuchu, of course. Chuchu is the wind beneath our wings. Chuchu’s rage is our rage and when she snaps, it’s the best moment on the whole disk. I was able to breathe again for a few minutes and stopped ranting at the absolutely shitty people around Suletta Mercury, who only wanted to make friends at school.

And finally, read your Shakespeare for other key references you don’t want to miss. The Tempest has it’s fingerprints all over this series. Suletta’s mother is Prospera, her Gundam is Ariel,  Gundam pilots get wrecked in a “data storm.” It is not subtle, but it doesn’t have to be. Prospero’s story isn’t his own, either.

The art of G-Witch is how these wildly different elements, all the back-and-forthing of every Gundam “the ruling body changes constantly and so do the rules and allegiances,” Utena and The Tempest are brought together. The series may not make sense, per se,  but it at least has us caring enough about the characters to keep us coming back. Even though we know that pain and suffering is the main plot point.

The steelbook itself is nice enough, but wow am I annoyed that we’re back to 5 episodes per disk, two discs per set and two sets for a season. I remember clearly when DVDs were sold as being able to hold way more than a measly few episodes. Capitalism, yay! We’re paying for the packaging here – there are no extras, either physical or digital.

But there is Yuri, even if it is borrowed whole from Utena at this point. Miorine Rembran is an angry Bride, but so was Anthy, who had has ages to learn to hide her rage behind a smile. As the Holder, Suletta is the worthiest of fiancés, but it will take them both time to figure that out.

Ratings:

Art – 9
Story – grumblegrowlgrrrr
Characters  –  Deep breath….8
Service – The service here is largely the Gundamy stuff. The different build, the launch sequences, all the mecha stuff being mecha stuff. For that audience – 10
Yuri – 2
Rage – 10

Overall – 8

More than a year has gone by since I watched this series and I’d forgotten how angry the child soldier hurtfest of Gundam is NOT FOR ME (TM). But I’m going to stick it out to see what is the closest thing to a happy ending that I can remember in a Gundam series.

 





Sheep Princess in Wolf’s Clothing, Volume 4

January 29th, 2025

A wolf girl in a trenchcoat, laden with packages, smiles as she is pulled along down a street by a sheep girl in a cute denim jacket and fluffy pink skirt.In volume 3, we saw Aki confess both her feelings and her concerns about their ability to make a relationship work to Momo, and Momo saying it was her problem to deal with convincing her family and the world. So they are now officially in a relationship! Even if no one can know… but those close to them can probably guess.

In Sheep Princess in Wolf’s Clothing, volume 4, we have Momo sneaking in affection for Aki in every spare moment, and a bit more on Aki’s back story. Kiku overhears Sakaki discussing their past, and that Sakaki might like her? Momo and Aki go to a book signing of Momo’s favourite author, who looks a bit familiar? Finally, a new recruit making friends with Aki sparks jealousy in Momo.

We finally get a bit more on Aki’s past, although it’s still somewhat vague – she ‘lost everything’, but we don’t really learn much more than that. We also see her first romance, and how it failed because Aki couldn’t communicate her feelings well. I actually appreciate that both of the leads have experienced love and loss of that love before, though in different ways, which informs their current attitudes towards their relationship. Ruminating on how her passiveness and inactivity ruined her previous relationship, it spurs Aki on to be more proactive in this one, albeit you can still tell it’s difficult for her. That said, she’s still not good with saying her feelings directly – something that will be addressed next volume, given the ending.

The foray into Sakaki and Kiku’s back story was nice to have, and honestly fits them both pretty well. It was actually interesting to see the difference between the rural discrimination versus the non-issue her white fur (possibly albino) is in the capital, where there are all sorts of animals and it doesn’t stand out. It felt a little simplistic that one person’s acceptance means more acceptance in a small community, but maybe it can be that simple? I don’t know, honestly.

I’m not a fan of jealousy plotlines, but I guess they had to have some sort of cliffhanger (more of a mild bump in the road really, this will have nothing but a happy ending and possibly something like a wedding judging by the Volume 5 cover). It’ll be solved with a conversation I’m sure, which will be in the next one: the fifth volume will be the last one, and it’s coming out in a month or so, so not long to wait. Then fluff. All the fluff. Possibly some fluffy sex.

Ratings:

Art: 8 – fluffy as always!
Story: 5 – plot? What plot? All fluff.
Service: 1
Yuri: 10 – yuritopia ahoy

Overall: 7

As usual, enjoyable, pleasant, pretty unremarkable. Given the start of the series and Momo’s comments, I’m guessing the service quotient on Volume 5 may way go up.





From Bureaucrat to Villainess, Dad’s Been Reincarnated! streaming on HIDIVE

January 27th, 2025

In front of an oversized portrait of a middle-aged Japanese salaryman, with comb-over and glasses, stands the cast of a typical otome game. The protagonist character with pink hair in the center with the villainess, with long elegant blonde curls and a fan - both wearing fantasy school uniform of red jacket and white skirt, while the male love interested are arrayed around them.Are we tired of Isekai stories yet? Well, yes, and no. ^_^ The basic zero-reincarnates-as-a-hero premise was always pretty sad and got tired quickly,but that had more to do with the nature of their sad little power fantasies.   We’ve seen many stories, which still have room room for creativity. Even aside from a blockbuster like I’m In Love With The Villainess, there are  number of isekai and reverse isekai stories we’re reading now that have some cleverness or kindness or both. And, when a story both leans into its premise with gusto and has fun doing it, we’ll definitely make time for it.

Which brings us to From Bureaucrat to Villainess, Dad’s Been Reincarnated! streaming on HIDIVE.  This anime is based on a manga written by Ueyama Michiro  for Young King Ours magazine. Tondabayashi Kenzaburo is a 52 year-old salaryman who, after saving a little boy from being hit by a truck, finds himself in the body of Grace Auvergne, the villainess of the game his daughter is obsessed with, “Magical Academy: Love & Beast.”

Kenzaburo may not know much about otome games, but he has a lifetime of formal office manners, and with Grace’s “Elegance cheat” everything he does is translated flawlessly into faux European-esque, courtlyish, noble-like behavior.

Unlike the game’s original high-handed, cruel Grace as villainess character, Kenzburo practically adopts the game’s main character, Anna Doll, showering her with Dad advice for life and propping her up, so that the game villainess quickly becomes a beloved mentor. And, as a result of this new Grace being so kind AND beautiful AND talented Anna (and the other characters) develop an open crush on Grace that Kenzaburo doesn’t really see as a crush, so he is not opposed. Nor are we. The opening credits give us a glimpse of a uniformed Grace and gushing princess Anna at a formal dance and yes, I would like that, please. ^_^

This could easily be a creepy, tiresome story, but instead, it is wholesome and incredibly charming. This new Grace is making a positive impression all around the school, creating fans at high and low places. There are two running gags –  that Kenzaburo/Grace can’t remember the male love interests’ name  and that Kenzaburo is a HUGE otaku. Both are harmless, giggle-making fun.

The end credits deserve some explanation. Matsudaira Ken aka, Matsuken, was an actor who became popular in the late 70s’ who was best known for his samurai roles. He later had a hit song with Matsuken Samba II which you should totally watch the video of, so you can get an idea of what is going on with the end credits.  ^_^ The anime version leans away from the samurai towards the samba and is performed with perfection by the voice actors for Grace and Kenzaburo, M.A.O and Inoue Kazuhiko, respectively.
 
All in all, this series is very silly. An entertaining spin on the Anime->Isekai->Villainess sub-sub genre. And very welcome for finding one more new spin on an already played out trend, with just enough Yuri to get our attention here at Okazu. ^_^

Ratings:

Art – 7
Story – 8
Characters – 9
Service – 0
Yuri – 2 for Anna’s crush

While I’m waiting for *good* Sci-fi Yuri to be the hot new sub-sub genre, I can definitely live with this. ^_^





The Night Of Baba Yaga

January 26th, 2025

Bright red book cover, with white letter than read The Night of Baba Yaga, Akira Otani. On the lower portion, a blood-stained girl with yellow whites of her eyes and red irises, stares at us as if looking over a wall.by Matt Marcus, Staff Writer

CW: Rape (both attempted and implied), incest, violence, gore, misogyny, transphobia

The Night of the Baba Yaga came on my radar by way of a skeet from the Read Japanese Literature podcast as a part of Pride Month. A queer author’s English debut about an ass-kicking bodyguard and her charge, a yakuza princess? Sounds like a bloody good time! I just had one major concern: in the seedy male-dominated world of organized crime, how much will sexual menace play a role in the story for our protagonists?

Turns out the answer is a lot!

It begins right away too. Our POV character Yoriko Shindo is kidnapped off the street by a gang of goons working for a local high-level boss Genzo Naiki and is immediately forced to strip to “prove” that she’s a woman. (Genzo made sure to add a crack about trans women here for good measure.) Already the vibes are rancid, and it does not get any better from there. Put more succinctly, in the 116 pages of this book, the phrase “raped to death” was used three times.

This all kicks off because Genzo is in need of a bodyguard for his 18-year-old daughter, however he is too psychotically protective of her “virtue” to trust any of his men to do the job. Luckily for him, Shindo just happened to pick a fight with some of his men that night. After being subdued, she is pressed into service on the threat of…well, you know. Bad stuff.

Shindo is, of course, a social castoff with a strange background. She’s half-foreign, was raised by her grandparents, which included bizarre (and, to be honest, abusive) training that made her a formidable fighter. She isn’t just capable of throwing fisticuffs—she relishes the thrill of it. She’s quippy and feisty. We are supposed to think that she’s cool, but she’s a little too cool.

Our yakuza princess in question, Shoko, has had her life completely controlled by her father. Her mother ran off with one of Genzo’s subordinates some ten years prior, and while the boss continues to hunt for his absent spouse, he has groomed Shoko to be something of a direct replacement. (Do we find out that this is more literal than we’d like? Yes, yes we do.) 

Now, what could have salvaged this story is the rapport between Shindo and Shoko. This is a classic pairing: a rough-and-tumble low-class scrapper and an uptight, sheltered girl who cannot escape her circumstances. Of course they are going to clash at first, but eventually emotional walls will come down, trust will be built, and eventually love will bloom.

That isn’t what we get here. The story barely spares any words on building their relationship. Shoko hates Shindo’s guts on sight, and they share maybe two scenes together before a turning point, where Shoko saves Shindo from being gang raped by a group of Genzo’s men. After that, Shoko can no longer hold her steely façade in front of Shindo, but at no point I would say that they emotionally bonded at all.

There is one specter lurking in the background of the story: an associate of Genzo’s who is described as a complete pervert for torture, particularly of the sexual kind. The first of two twists in this book is that this man is Shoko’s fiancé. None of this makes sense considering how protective and possessive Genzo is of his daughter, but fuck it, we need a Big Bad, so why not this guy? Shindo, out of some sense of duty, decides that she can’t let Shoko be married off to this pervert, so they end up running off together, much like Genzo’s wife and henchman had done years prior. (Oh, and in the process Shindo gets to repay the favor by saving Shoko from being raped by her father too. Symmetry!)

The last section of the book is where most of the queer themes show up, as the two begin living life together under false personas. Their bond turns into something of an “honor-bound” queer platonic relationship with a little bit of Gender thrown in. To be honest, it wasn’t well seeded prior to the end of the book, and the series of vignettes we do get are pretty scant. It is the only element of the book that isn’t heavy-handed.

The second twist to the story is one that I will not spoil, but my reaction to it was less “oh, that’s neat!” and more “oh, ok.” The ending tries to wrap the story with a dramatic showdown, but it feels under-baked.

The one lone bright spot for me were the fight scenes, particularly the first one. They were all properly visceral and well-choreographed. With the title and Shindo’s love of dogs, I was expecting a certain amount of John Wick influence, but I was pleasantly surprised it comes through strongest when Shindo is breaking bones.

Sam Bett is credited with the translation, and I think overall he did a good job of it. There is one line of dialogue that I found particularly groan-worthy (hint: it includes the phrase “thunder thighs”), but I assume that the source material carries most of the blame for it.

All in all, this is very much a novella that really badly wanted to be an exploitation film. If you are looking for a grimy crime family story with a dash of queerness, then you should let this Baba Yaga haunt you for an evening or two.

Rating:

Overall – 6 For the number of severed sex organs presented to us for our trouble

As a shoutout, I read this book through The Japan Foundation via the Libby iOS app. There isn’t any yuri manga available in the catalogue at this time of writing, but there are queer-themed books and such that may be of interest. Best part is that it’s free for those in the US and Canada, so long as you have a library card.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.