â…This has been a really great conversation. Weâre really excited for the possibility of you joining our team here at Island Industries.â
âItâs a fantastic opportunity,â I hear myself say. I clench my jaw, thinking It better be, after six interview rounds.
âWe just have one last question for you. More of a case study, really,â says a man with closely cropped hair and narrow rectangular glasses. Iâve already forgotten his name, but I do know that he is some kind of VP. âWe dug into your background and found your little, ah, âside hustleâ at Okazu.â
I chuckle nervously. âOh itâs more of a hobby, reallyââ
âWe were hoping that your review ofâŠthat series with the android would give us some insight about your skills in the field of AI, but, alas.â My eyes dart quickly between him and the two other members of the interview panel, looking for some kind of reaction. None show any readable expression. âWhat we found more interesting was that you have yet to review Throw Away The Suit Together, Volume 3.âÂ
My pulse accelerates, and I can feel perspiration dampening my shirt under my suit jacket. âUm, yeah, thatâs a strange one. Hard to get a handle on it.â
âWell, we feel like this role requires someone who is able to forge a clear path in the face of ambiguity. Itâs a demonstration of decisive leadership.â The man pulls out a paperback book from behind his chair and places it on the conference room table. He spins it around so I can see the cover properly and slides it towards me. Two young women are dressed in office clothes, holding hands and looking straight at me with resolute eyes. âI want you to tell us, what is Keyyang-sensei trying to say with this series?â
I try to swallow the panic that rises in my throat. This is crazy, I think. The recruiter didnât tell me there was going to be ANOTHER case study. And what the hell does this have to do with this job??…You know what, fuck it. I need this job. Just remember your interview training. My voice shakes slightly as I begin. âO-OK, so let me start with laying out the situation.
âIn Volume 2, Haru and Hinoto lucked into some part time employment at a dive shop, which manages to buy them a few weeks of time before needing full time employment. However, neither are willing to actually make a realistic plan for the future. Instead, they revert to trying to hunt for the same kinds of jobs they were running from and find it impossible on this remote island. Haru overhears Hinoto call the college and ask about readmission, clearly setting up a conflict.
âSo, their relationship begins to break down because each side is feeling more and more desperate and are failing to communicate. Both manage to get interviews but neither land a job, so they rip up their marriage contract and go back to Tokyo and return to the grind they tried to escape.â
They also have a lot of desperate, sad sex, but Iâm going to leave that part out.Â
âSo, do you think the story is about the dehumanization of people who are forced to participate in capitalism?â asks a stern middle-aged woman, her hair pulled back into a tight bun that accentuates her sharp facial features.
âI mean, that is one part of the story, clearly. But that doesnât sit fully right with me as the central theme. The story is so laser-focused on these young women and their misguided decisions. A lot of escape stories like this would lead to the main couple living with little money but a lot of joy, and instead neither partner can give up the idea of joining a large established company. Not only is being, um, âlow incomeâ off the table for them, but they both tried to get jobs without going through proper channels or getting the credentials that would qualify them for those positions. Itâs like, they feel that they have the privilege to skirt around the issue of qualifications and merit, if only because they find doing things the âproper wayâ too stressful.â
âDo you think capitalism is inherently meritocratic?â The VP asks.
âWe sure like to pretend it is, but obviously those with moneyâand therefore powerâcircumvent the rules all the time. Maybe in this case, these girls simply werenât wealthy enough to pull off this plan of theirs.â
My last words hang in the air. Thirty seconds pass as we all sit in thought. Then, the third panelist, a stout, balding man with small, deep-set eyes who had been oddly quiet this entire interview, leans forwards and asks, âWhat do you think about the marriage license?â
I reply reflexively before I can formulate my thoughts. âIâŠI think itâs treated as the albatross weighing both Haru and Hinoto down, but also because it represents a non-legally binding relationship due to the lack of marriage equality in Japan, it kind of also represents nonconformity? Itâs, like, more radical than just bailing from the bustle of Tokyo and trying to make a life somewhere else.â
My pupils begin to dilate as the words flow out faster and faster. âItâs as if the problem isnât the girlsâ impulsiveness or the economic system. The core problem is more fundamental than that. Itâs simply that they donât follow the basic rules of society. They decided to stick out, and society punished them for it. So they must conform. Go back to Tokyo, get those degrees, throw out the dream of legal partnership. But that message is so hollow, isnât it? âDonât get too big for your britchesâ? âKnow your placeâ? Sure, their relationship survives this ordeal. But you could almost see a breakup down the road because the âdreamâ will always be too heavy a burden to bear. It tries to end on a hopeful note, but it ended up leaving a really sour taste in my mouth.â
The small man stares intently at me, but then leans back in his chair and presses no further. Mr. VP chimes in, âI think thatâs all we have on our side. Do you have any questions for us?â
Yeah, I do, like what the fuck just happened to this interview. âSo, I guess Yuri is pretty popular in the office, yeah?â I try to joke. âItâs an essential part of the job, it says so right in the posting.â the woman replies. I look down at the printout next to my notepad on the table. Reading the page, I knit my eyebrows in confusion. Yuri Solutions Architect? The hell isâŠ?
After a beat, the VP says, âHR will be reaching out to you for our final decision. Thank you for your time Mr. Marcus. Oh, and donât forget your scooter.â
âMy scooterâŠ? I donât own aâŠ.â I look to my right to see an old, well-worn moped revving up in the corner of the conference room. I recognize in terror that it’s Hinoto’s scooter, threatening to drive me toward ruin like it did it’s owner. Startled, I scramble out of the swiveling office chair and back away until I hit the full-length exterior window covering one wall of the room behind me. The scooter accelerates towards me, and the scream doesnât have time to leave my throat beforeâ
My iPad falls onto my face, startling me awake. I am on the living room couch in my apartment. I groggily tap the device to be greeted by my lock screen, an illustration page from Otherside Picnic. In the stark black and white image, two young women carry assault rifles down a side street of a derelict Japanese town. Superimposed atop the picture is large text that reads 3:12 a.m.
As I go to put the iPad away, I briefly see a LinkedIn job posting notification for a role at some company called Island Industries. I pay it no mind as I half-consciously shamble off to bed.
Art – 5
Story – 6
Characters – 5
Service – 3Â
Yuri – 9 / LGBTQ – 4
Overall – 5
Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.