Archive for 2025


Motherlover

May 11th, 2025

Two women lie in the grass looking deeply into each other's eyes. One is a heavy-set white woman, with bright orange hair tied in a braid wearing glasses and a yellow-and-white striped tank top. The other woman is Asian with black hair, tied back in a high pony tail, wears a dark gray tank top, and has tattoos on her right arm.By Matt Marcus, Staff Writer

Where would we be without our mothers? As a parent myself, I’ve felt starved for stories about parenthood within the world of Yuri media. In fact, a large amount of Yuri centers on characters that explicitly reject the notion of having children and raising a family, and not without good reason. That’s valid and I support it. But it leaves out a few avenues for telling new stories, which is why I was excited to discover the topic of today’s review.

Motherlover is a spinoff comic (launched on Mother’s Day, of course) centered on two random characters from Lindsay Ishihiro’s long-running autobiographical comic How Baby. After creating them, she felt compelled to give them their own story. The first leading lady, Imogen, is a quintessential Midwestern homemaker, managing a household of four kids; her counterpart is Alex, a Cool Artsy Queer mom who has moved back into her parents’ house after their recent deaths.

Both leads are well-rounded characters. Imogen became a mother at 19 and flunked out of college before meeting her current husband. Her inexhaustible capacity to care for her children is only matched by her insecurity about her limited life experience. Alex, meanwhile, pushes away people who love her as a result of the emotional abuse she suffered from her extremely strict parents.

The core of the story is the dynamic between Imogen and Alex. Their friendship feels lived-in and believable, which further sells you on their compatibility as their feelings for each other deepen. You could even say that they are a bit too accepting at times; even when one is venting ugly honest feelings, the other never takes offense. It’s as if they are committed to each other before they are committed to each other. There is no moment of doubt that their connection will break, which makes for a breezy read even when the topics get heavy.

Putting my Serious Critic hat on, I would say I wish the children had more space to be characters. For instance, how did Alex’s daughter Nolan feel about her mother’s previous partner? How does her feelings parallel Imogen’s kids feelings about their parent’s divorce? The only one of the five children who is given any spotlight is Imogen’s oldest, but their arc is so siloed from the core of the story that it could have been cut without affecting the plot at all. I’ve read enough of How Baby to know that Ishihiro knows how to talk about motherhood in a raw, vulnerable, and hilarious way, but not much of that transferred over to this story.

I also find myself wishing that the issues around Imogen’s marriage didn’t boil down to cheating. I thought Ishihiro did a great job sketching Imogen’s husband as a man who is controlling and withholding, but not in a domineering manner. The way he perpetuates Imogen’s insecurity by shooting down her ideas of going back to school is compellingly insidious; it felt so strong to me that I found myself disappointed when the breaking point of their marriage turned out to be infidelity. It’s believable, but a bit expedient.

One thing that occurred to me is that this is a queer love story where very little of the challenges center on queerness: Imogen never struggles with her gay awakening, Alex doesn’t encounter hostility from the community for being loudly out, a young character comes out as trans and basically no one bats an eye. It represents a kinder world than the one we live in, and I’m sure many readers will love that part of it. (Yes, there is some queerphobia represented in the text, but it’s treated with a light touch.) My feeling is that, in a story where being a parent is the premise, I would have liked to see it tackle what it means to be a parent who is queer, AND what it means to be the parent of a queer child (though I felt the coming out scene was well-handled). To be clear, all of these critiques are quibbles for what is an easily enjoyable story.

While the comic is complete and free to read online, I was unaware of it until seeing an announcement of a physical release from Iron Circus Comics. It’s a lovely softcover book with glossy hearts embossed on top of the matte finish of the cover. The art and paneling is solid and translated well to the printed page. Also, I was pleased to see Abby Lehrke in the credits as a proofreader, given her involvement with A Certain Manga Series Set In College that I am fond of.

If you are looking for the perfect sapphic comic for Mothers’ Day, this would be one to pick up, but I’d say it can be enjoyed and celebrated on the other 364 days of the year as well, just like your mother. (And would it kill you to call every once in a while?)

Art – 8 Solid and clean
Story – 8 Tightly paced; could have been expanded but would have required a longer page count
Characters – 9 Everyone is well written, though some characters could have had more to do
Service – 1 Domestic snuggles is as spicy as as it gets
LGBTQ – 10 70% of the named characters are queer, so it gets high marks

Overall – 9 The best Mom-meets-Mom story on the market

Yes, Ishihiro is aware of the SNL skit of the same name; it’s mentioned on the comic’s About page.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.





Yuri Network News – (百合ネットワークニュース) – May 10, 2025

May 10th, 2025

In black block letters, YNN Yuri Network News. On the left, in black silhouette, a woman with a broad brim hat and dress stands, a woman in a tight outfit sits against the Y. Art by Mari Kurisato for OkazuYuri Anime

Rafael Antonio Pineda has the details and a trailer for the upcoming anime adaption for Young Ladies Don’t Play Fighting Games on ANN.

I have finally had a chance to watch The Rose of Versailles movie on Netflix and…I thought it quite wonderful. I’ll work on a review for this week.

Other News

We have a lot of reading to do this week! ^_^

Speaking of Rose of Versailles, let me recommend this 2023 article from Mehitabel Glenhaber on Anime Feminist, An Inner Revolution Of The Japanese Women: The Rose of Versailles as feminist historical fiction, which is a fantastic read.

Lucas and Steve take a look at anime that center on Cute Girls Doing Cute Things (Cutely) on This Week in Anime: Adorable Young Women Performing Lovable Activities. In 2023, I wrote a piece about that same thing, from the perspective of recovering from Long Covid in The Joy of the Everyday: Emotional Intimacy Between Women in Slice-of-Life Anime.

While I expect that most Okazu readers will be familiar with these, I also want to share Melanie Höpfler’s article on Crunchyroll, Anne Shirley and Other Anime Based on Novels.

While this is not anime-specific, it is the 5th anniversary of The Magical Revolution of the Reincarnated Princess and the Genius Young Lady novels. Follow the linked hashtag on X for some celebratory art by artists we know and love. ^_^

ANN’s Ken Iikura-Gross has details of a new anime-exhibition in Girls Band Cry Exhibition Brings the Anime’s Locations into the Real World.

Steve Jones look at what might be considered Rock Is A Lady’s Modesty‘s weakest episode and finds that he can’t stop talking about Tina. ^_^

Coop and Chris from ANN take a look at the wonderfulness and availability-  or lack thereof – of Classic Manga in This Week in Anime: Can’t Beat the Classics. They do also discuss The Rose of Versailles manga. ^_^
 

 

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Yuri Visual Novels

We have two new Yuri VNs on the Yuricon Store. Many thanks to our returning intern Yuzhou for the help getting that section of the store updated before we head into our Yuricon site redesign.

A Witch Is Getting Married, “a story about finding comfort in uncertainty. It is also a story about witches, ghosts, pumpkin-headed parental figures, and weird little bat guys.”

Girls Made Pudding, which was reviewed here on Okazu by Staff Writer Christian Le Blanc, is a post-apocalyptic girls survival game with a cat girl maid and food.

 

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Yuri Manga

I’ll be playing catch up for a bit on If My Favorite Pop Idol Made It to the Budokan, I Would Die in English, but we have Volume 7 up on the Store!

Don’t miss Gakeppuchi Reijou ha Kuro Kishi-sama o Horesasetai!, Volume 2 (崖っぷち令嬢は黒騎士様を惚れさせたい!) as Clarice finds she actually is falling for Frost-sama. ^_^ 

 

If you’d like to support Yuri journalism and research, Patreon and Ko-Fi are where we currently accept subscriptions and tips.  Our goal now, into 2025, is to raise our guest writers’ wages to above industry standard, which are too low!

Your support goes straight to paying for Guest Reviews, folks helping with videos, site maintenance, managing the Yuricon Store and directly supporting other Yuri creators. Just $5/month makes a huge impact! Become part of the Okazu family!

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Spoil Me Plzzz, Hinamori-san! Volumes 2 and 3

May 9th, 2025

by Luce, Okazu Staff Writer

It’s Luce, back with a double review, which brings us to the end of this little series – were we spoiled, or was it more spoiled milk? 

In volume one, we met Hinamori Ichigo, a girl who has looked up to the seemingly prefect Suo Yaya… Only to become Suo’s outlet for her crushing desire for validation and praise! Honestly, this girl is a mess, but what can she do? Ichigo is weak for a pretty girl… Even if they’re kind of pathetic at times.

In Spoil Me Plzzz, Hinamori-san! volume two, Ichigo and Suo go on a ‘date’ – to get some clothes for Suo, whose fashion sense is… non-existent. We meet Kujo Hitomi, the girl who is always second place in their year, angry that she’s always losing out to Suo. Turns out… she needs some praise, too. Finally, after some competition between her and Suo, all three girls end up starring in the film club’s movie – and it’s a romance!

I honestly started to wonder how Suo functions at all with how many things she’s shown to be useless at. It was just too over the top with Suo’s inability to do things. How has she done readings in class if she’s that bad? How is she top of the grade when she’s… like this? Have they never done swimming lessons in physical education? I guess she studies, and I know book smarts aren’t necessarily people smarts, but in the second volume, the gap felt too wide to be the same person. Ichigo makes a good point at the start that kindness gone too far is more like self-sacrifice, and I preferred the vignettes that focused on those kind of issues rather than ‘actually I’m terrible at reading things out loud’. I feel like a more interesting ending might have been that she was putting some of it on for an excuse to spend more time with Ichigo – which would have worked out, seeing as Suo is pretty awkward.

I guess that’s the issue with gag manga – you have to stick to the gag, more or less. Them walking home in the rain and Suo getting drenched protecting Ichigo, only to complain about it? Yeah, makes sense. Her being horrific at reading a text out loud? Too much. I’m probably taking it too seriously, but comedy only works when it toes the line to a degree. It has to be funny within the realms of the universe, not make you question it. Suo having zero fashion sense made sense for her character. I suppose my issue is that it didn’t grow up from the gag very much. I never felt much like there was anything much behind the characters, even towards the end, it felt quite superficial.

All in all, the second volume was easily the weakest. I really wondered where we were going with Kujo – namely, I’m not bothered about love triangles, especially when there is so little thought in them. And I’m really not fond on the uber competitive always-in-second character… Particularly when I can see no evidence that the character in first had done anything for it! You gotta do a bit more than just have a character say they’ll be studying for me to think they’re smart, especially to the point of being first in the year. Particularly when they shown to be pretty useless at a lot of things.

The third, and final, volume balances things out a bit more. We get what could potentially be considered a part of Suo’s inciting incident for her need for perfection, but it didn’t really hit enough for the level she’s at. The ending was pretty cute, and very true to the series, but it also just kind of fizzled out. I wonder that it might have been cancelled.

Overall, I enjoyed it to a degree, but it’s not really a recommendation – if you like silly Yuri, this might be for you, but there are probably better ones out there.

 

Story: 4

Art: 6

Yuri: 7

Service: 5, of course there’s a pool scene, and nobody ever wears anything other than a bikini (a personal gripe of mine, YMMV)

Overall: 5

 

A bit of a swing and a miss, for me. Or a hit, an out and a weak hit. I suppose. At least it was short!





Oshi ga Budokan Ittekuretara Shinu, Volume 10, (推しが武道館いってくれたら死ぬ)

May 8th, 2025

A girl with long reddish hair in two ponytails, wearing a a pink dirndl-style dress with petticoats and long black boots. She runs away from us, but looks back over her shoulder at us, sadly.Volume 9 left me weak with relief as Eripyo and Maina actually had a conversation. But as we look at the cover of Oshi ga Budokan Ittekuretara Shinu, Volume 10, (推しが武道館いってくれたら死ぬ), we can see that this volume will be different. All previous volumes portrayed Cham Jam or another idol group. This volume only has Reo. And we know why… Reo is retiring.

This whole volume focuses on the ripples in the water when the well-liked and talented lead of a small-time idol group retires. Reo is not the only one whose life will change. Of course the entire group now will be different with only 6 members – they no longer have a center position! Every member of Cham Jam has to reconcile their personal and professional feelings about Reo and decide if the group is strong enough to continue.

And then there are the fans. Kumasa has been very vocal about how his fandom for Reo changed his life for the better. If she retires, what will he have to look forward to? The volume gets very deep into this because for all three of our resident fans, the group is secondary to the passion they have for their favorite, specifically.

And then…Reo retires. I was kind of surprised, honestly. Right up to the very end, I was just sure something would bring her back. Once again, good opportunities were missed by the management company. Who better to add to the management team than the former lead? But, no. And then they miss the opportunity of centering Maki and Sorane as a lead *pair.* Gosh this management team is a bunch of dipshits. It would have enraged Aya for lulz, as an added benefit. But no one asks me. ^_^; When the management announces who will join the front row all hell breaks loose, not. It’s an insane choice for the business, but it’s brilliant for the story.

I just picked up Volume 11 (spoilers on the cover!) in Japanese and kinda want to see what’s going to happen and also want to bash something heavy into my head because reading this manga is my equivalent of a hair shirt. ^_^;

Ratings:

Art – 8
Story – 9
Character – 9, except Motoi who is still awful. Thank heavens for his sister Rena, who, even in abstensia, is twice the man he is.
Service – 0
Yuri – Idol/fan lives are complicated.

Overall – 9

If My Favorite Pop Idol Made It to the Budokan, I Would Die, Volumes 1-10 are available in English now from Tokyopop and Volume 11 is on the way this month, if you too want to marvel at the ineptitude of Cham Jam’s management in this dark comedy about provincial idols groups.





Renai Bakudan

May 7th, 2025

Title card for Renai Bakudan, with a pink neon outline title over a bomb shape, and 6 different characters looking at us. Guest Review by Patricia Baxter.

After spending two long years in prison for protecting her best friend, Juri Kido is at a loss of what to do next. Juri’s older sister, and only remaining family, has made it very clear that she wants nothing to do with her, and her worldly possessions only amount to the clothes on her back and a paltry assortment of personal items. There is only one thing that Juri is sure of, and that’s her best friend Chihiro “Ten” Tenma, the same friend she saved two years ago. Ten has a home in the Japanese coastal town of Akiyama, and has offered Juri a place to stay until she is able to get back up on her feet again. Juri is deeply grateful for her friend’s kindness, but is also understandably worried about her future prospects, as having a criminal record will no doubt make job hunting all the more difficult. But what Juri doesn’t know is that Akiyama is no ordinary town; this is the place where she will meet her soulmate. And in the midst of all of this is the love hotel that will turn Juri’s life around: Hotel Bakudan.

Renai Bakudan is the newest yuri visual novel developed by Noodletub Games, whose previous titles all focus on romantic relationships between sapphic women. It is also a sequel to Love Bakudan, which also takes place in Akiyama, but thankfully knowledge of the previous title is not necessary to play and understand Renai Bakudan. The game is a semi-kinetic visual novel in the sense that there is no way for the player to fail whichever route they choose to play, but there are four segments that are sprinkled throughout each route that allow for some player interactivity: two Hotel Bakudan work shifts and two “Explore Time” interludes. The two hotel shifts have Juri selecting a hotel room for the various quirky clients, and their even quirkier kinks, to best suit their needs, while Explore Time has her explore Akiyama and see how the rest of the cast is spending their free time away from the central narrative. If the player correctly navigates these four sections they will gain four original erotic stories that they can read in the “Extras” menu, and finding all four in the route will unlock a special erotic novel that focuses on different side characters, along with some extra scenes. That being said, you can intentionally fail or skip these sections if you have already gotten a novel or just want to progress, and the game will not punish you. Each romance route takes somewhere between three to four hours to read depending on your reading speed. The types of sexual activities the player can experience are clearly labeled on the game’s Steam and itch store pages, including highlighting which route engages in BDSM, Mirai Mishima’s route, so they can make an informed choice based on interest and comfort level.

Renai Bakudan is a game that was clearly made with a lot of love and passion by the developers, which is evident in the game’s visual presentation. One example of this is how the game displays each of its romance routes in the form of “Beanflix”, a Netflix-inspired “film” lineup where the player chooses their route based on a film poster and description, visual flourishes based on “film genre”, and an opening title sequence. Other notable instances include whenever Ten goes on a livestream a Twitch-inspired chat is visible in the upper corner, Juri’s character arc being bookend by imagery of the cityscape overlaid by VHS scan lines, and one really impressive use of the user interface to showcase a character’s name in one of the routes. While the character designs did not grab my attention as much as other visual novels, I did appreciate that the cast was clearly composed of adult women with visible signs of age on their bodies. Three of Juri’s love interests are women in their thirties or older, which is a nice change of pace for the dating sim genre where women are typically relegated to their teens, twenties, or immortal beings that conveniently look visibly youthful.

Another area the game excels at is the amount of effort given to its large ensemble of characters. The cast, including the non-romanceable secondary characters, are each written with care and feel like genuine friends to Juri in each story route. While I wouldn’t go as far as to say they feel like “real people”, as the character writing leans into tropes those familiar with Japanese media can identify, they certainly remind me of the chaotic shenanigans that friends can get into, and they clearly always have each other’s best interests at heart. There are a couple of really standout characters in the game, especially Hazuki Mishima, who were written with such an impressive amount of depth they felt like they could be the protagonist of their own game. Some of the game’s routes, specifically Ten and Natsuki’s, feel like a perfect blend of romance and character development, where the couple, and their developing relationship, feel perfectly in tandem with the story beats. After completing them I genuinely felt like Juri had undergone a fulfilling character arc and that her love interests were able to showcase their ambitions and skills.

However, despite Renai Bakudan’s many strengths there are a few noticeable stumbling blocks into making it one an exemplary visual novel, particularly in terms of accessibility. At various points in the game I encountered negative visual stimuli that cannot be toggled off, which made it difficult for me to look at the screen. Natsuki’s route has an incidental scene at a karaoke where a disco ball is shown glittering, and while it only lasted a few seconds, it was still so intense for me that I had to put a hand in front of my face while it occurred. Dao’s route also has two back-to-back instances of intense screenshake during the climactic scene at the docks, which was dizzying and unpleasant. Having the ability to toggle off flashing lights and reduce screenshake would have been really beneficial for me, and I highly recommend that Noodletub Games keep these elements in mind when they develop their next game.

Another unsatisfying part of the game is that while there are some character routes that feel like satisfying conclusions to Juri’s character arc, some of them give the impression that Juri is just an incidental character in the story. This is unfortunate, since Juri’s character introduction really makes you want to root for her to turn her life around, so seeing her pushed to the sidelines while her love interest is the only one with meaningful character development is rather disappointing. Additionally, the romance route with Mirai Mishima left a bad taste in my mouth, not because of her professional as a yakuza or her BDSM sex scenes, but because multiple routes, including her own, showcase how constantly abusive she’s been to her younger sister, Hazuki Mishima. While Hazuki is far from a perfect person, like Juri she is shown to be a woman who wants to change her life for the better, and while she is able to do so in some routes, it usually involves leaving behind the little support network she was able to make for herself in Akiyama.

Like many romance games, your enjoyment of certain character routes is highly dependent on your personal interests in your prospective partner, and if you are interested in specific kinks. It will also depend on your willingness to take the game’s hard and fast developments, both in terms of the narrative and the interpersonal relationship between Juri and her partner, in stride. The erotic novels that the character can collect are a mixed bag, with the stories focused on original characters being typically flat and trope-y, while the novels focused on Renai Bakudan’s ensemble can feature some of the best written erotica in the game. There is also a side novel, Tokugawa Blues, that can be unlocked after the player completes their first route, which features a more in-depth look into the backstories of many of the yakuza affiliated characters in the game. While it is extremely impressive to see so much work to turn a work that was originally written as prose into a visual novel engine, complete with visuals and audio, if you are not interested in learning more about the characters, and do not enjoy descriptions of intense violence, I would suggest skipping it. Also, I found it odd that in a game that is entirely composed of sapphic women in both the ensemble cast and erotic novels, that there wasn’t at least one confirmed transgender woman in the game. Including trans women in a narrative that is entirely focused on showcasing the diverse range of stories that queer women can inhabit would have been an extremely welcome addition, and help make Akiyama feel more like the sexually liberated paradise that Juri lovingly extols.

Overall, Renai Bakudan is an extremely ambitious yuri visual novel that, while enjoyable, feels as though it is missing something that could have made it really exemplary. Noodletub Games clearly has the skill to pull off well crafted erotic visual novels, and write some extremely likeable characters, but I feel they could be better executed if their resources were spread across fewer character routes and significantly less extra reading material. If you’re looking for an erotic game, exclusively focused on sapphic characters with a lot of different character dynamics, you most likely won’t be disappointed, but if you’re looking for a title with deeper character development, you will probably find this to be lacking.

Renai Bakudan is available for purchase on Steam and itch.io for $19.99 USD, which equates to $25.99 in CAD.

Ratings:

Art: 9 (visual presentation), 7 (character designs)
Story: 6 – 8 (Varies based on route)
Characters: 5 – 9 (Some characters, like Hazuki Mishima, are extremely well written, while others are rather flat)
Service: Yes (This is an adult only visual novel with explicit sex by default. Mirai Mishima’s route has BDSM sex scenes, Dao Amarin’s route is for those with a mommy kink, one secondary character wears a maid outfit all the time, among many other discussions and depictions of sex)
Yuri: Yes (the entire cast is sapphic women)

Overall: 7

Erica here: Thank you to Noodletub Games, for the review copy of Renai Bakudan. ^_^