In Volume 1, we were thrown into a torrent of emotion as beloved and competent office sempai Hiroko, has a passionate, if awkward, junior, Ayaka, who is doing everything she can to catch Hiroko’s eye. 

When Ayaka finally just tells Hiroko how she feels…Hiroko rejects her. As Ayaka grieves, her best friend Risa asks if Ayaka couldn’t find a way to going out with her. But, no, Ayaka is not able to give Risa what she wants. Everyone is unhappy. 

And then something important happens. The ladies at the lesbian bar unpack Hiroko’s baggage.. They explain to Risa and Ayaka just how much different things were 15 years ago and how being out carries a lot of weight for an older generation of lesbians. This is a crucially important bit of storytelling. Hiroko has her own personal heartbreak and the consequences that she’s been carrying, but also a lifetime of society forcibly rejecting queer people. Not like the conservative extinction burst attacks we’re seeing now, but the full confidence of a majority of society being queerphobic. Hiroko’s beloved sempai, a woman she admired and loved, took the fall for her and she cannot let that go lightly.

I love that this has to be explained…how genuinely wonderful for younger queer folks who rightfully see transphobia and homophobia as the problem, rather than themselves. But it does have to be explained, because while that kind of queerphobia still does exist-  people are still regularly thrown out of homes, lose jobs, access to family, children, housing, – it is nowhere as common as it once was. So for folks who have not experienced it, here is an example.

And, having learned the whole truth, Ayaka, Risa, and Hiroko are ready to move on. No, wait, Risa and Hiroko are, but Ayaka has other ideas. She’s still convinced that Hiroko just need convincing. In Ayaka fashion, that means she’ll choose the wackiest way to go about it.

Ratings:

Art – 8
Story – 8
Characters – 10
Service – 6 When Ayaka stops dressing for attention, it’s actually pretty funny
Yuri – 7
Lesbian – 9

Overall – 8

This volume manages to be funny and poignant with Sal Jiang’s fabulous reaction expression art. A good read, a fun read, and a read that I hope in 15 years will make almost no sense at all to the next generation of queer youth, who will be befuddled by anyone who doesn’t just automatically acknowledge their right to exist.