Magical Girl Lyrical Nanoha EXCEEDS Gun Blaze Vengeance, Episodes 1-4

July 30th, 2026

In a ruined landscape in front of a city, Fate and Nanoha stand in their barrier jackets, holding their sentient weapons, while a girl burns brightly behind them.It has been a long while since I reviewed a Nanoha franchise entry. In fact, it’s been more than 10 years! And truthfully, I love The Nanoha franchise very much for what I would like it to be, far more than for what it is. 

But here we are again, 22 years after my first post about Magical Girl Lyrical Nanoha, with a new entry and I once again both really like it and don’t in nearly equal portion. This time for exciting new reasons! Magical Girl Lyrical Nanoha EXCEEDS Gun Blaze Vengeance, is streaming now on Crunchyroll and I had a chance to watch the first four episodes.

Let’s get the negatives done first, so we can focus on the positives. The story is…generic. It’s true that the fighting in earlier Nanoha entries were hardly works of literature, but ends of the world, and eternity-eating books are abstract enough that we don’t have to sit through grimdark blood and guts. In this new world, mutating gross monsters are the foe and there is a lot of blood and guts.

The other negative is the same as the original series in that the trauma, loneliness and misery of young girls is mined for entertainment. And in this, the misery has notched up. We’re not just watching them be emotionally and psychologically manipulated, but physically hurt as well.  We understand that this is to increase our empathy for the young women in question…but, eww. It’s just a nasty habit of anime’s that children’s suffering is regularly turned into motivation for revenge, i.e., everyone is fridged, all the time. 

So, Episode 1, a double-length episode, introduces us to Kuze Shiina and her sister Setsuna, an abandoned girl she took in. They live on a remote island. The entire world has been infested by ravenous monsters called Majin, cleverly translated here as Diaboli. Shiina is a very talented hunter, since the government and experts have abandoned them. Within seconds it becomes apparent that her and Setsuna’s happy life is not going to last, and so, we are treated to our first two of many tragic stories. But things are not what they seem and Shiina will lose something and gain it again all at once.

Shiina leaves the island and comes to the city, where we see an adult Yagate Hayate is in charge of the fight against the Diaboli. But it is 13-year old Takamachi Nanoha that saves Shiina, and asks her to be part of the new task force. C.P.. being abandoned by the government, Shiina refuses, but eventually becomes part of the EXCCEDS taskforce.

As of Episode 4, the typical nude transformation scenes have been left behind. In my book, that is a huge plus. Those made it hard to recommend Nanoha, because they wee so obviously pro-creeper.

And while we have not yet seen them except as a still, Hayate’s Knights got a mention. I cheered when Raising Heart and Bardiche had lines. Bardiche is my favorite character. I even have a lovely metal keychain replica of him. This is an approximately accurate size picture of it. This is the kind of shit I pick up when I’m in Japan, get home and think…okay, what am I gonna do with that?

Now that the story is lined up, the next few episodes proceed to introduce our frenemy squad. These are girls who have been abused and suffered and are doing good work fighting assassinating the people who profit off the Diaboli, but of course will be our enemies and then, ultimately part of the Nanoha extended family.

Immediately, Shiina meets Towa, and they become friends right away. They will be the Nanoha and Fate of this series. Towa’s mission is good, the way she and her friends go about is understandable…but we all know that they are going to be “befriended.” before the end.

And in this, Magical Girl Lyrical Nanoha EXCEEDS Gun Blaze Vengeance hits the sweet spot for me, even though the monsters and the people who profit off them are the most generic, unmagical, overdone plot ever. Because Nanoha is not about the fights, those some of those have been excellent. Nanoha is about family.  I talk about this in a 2012 essay The Concept of Family in the Magical Girl Lyrical Nanoha-verse, this idea of bringing people into one’s family, giving love and affection to the outcast and unwanted, is one of the key features that makes the Nanoha francise appealing, even despite a legacy of sexualization of young women. This progression of friend to enemy to family is a repeated theme in this series.  By the end of Episode 4, it is clear where we will find our newest family members.

For Yuri fans, since we’ve returned Nanoha and Fate to their tween years, they are once again in the time just after A‘s. We know this, because in this iteration, Fate introduces herself as Fate Testarrossa Harlaown. Fate, to our eyes, has more of an interest in Nanoha, and blushes when she is in proximity to the other girl, while Nanoha proudly declares Fate her “best friend.” Again, undoubtedly, we’ll see emotional intimacy, tears and reconciliation between Shiina and Towa, as we did with Nanoha and Fate.

To be very honest, I felt Episode 1 did not do the series justice at all. The banality of the “invasion of the mutating monsters” just left me feeling like it was a magic-less world. Nanoha has clarified that her “magic” is not an innate ability, but that it can be learned, as we know. In this world, science and magic are nearly the same. 

But as the story proceeds, I felt it move closer to the Nanoha-verse, and not just because more familiar characters arrived on screen. Whether they are fighting monsters, magical items running amok or megalomanics, when it comes down to Nanoha, it’s always about humans connecting.

Ratings: 

Art – 9 Actually really good! Gone are the days of cheaping out on this series
Story – 6, but I’m willing to give it a chance
Characters – 8 Nice to see old friends and make new ones
Service – 2 Much less than it used to be. I’m so glad.
Yuri – Who knows?

Overall – 7

It was a bit of a slow start, but we’ll see where it goes.

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