Archive for the Artists Category


Pink Candy Kiss, Volume 4

February 25th, 2026

Cover of Pink Candy Kiss, Volume 4 by Ami Uozumi.Two women in green dresses embrace, lightly, looking forward at us, with soft unfocused eyes.by Eleanor Walker, Okazu Staff Reviewer

At the very end of volume 3, which I also reviewed here on Okazu, an unexpected character from Ema’s past reappears. It’s her mother and there’s clearly some history between them, as within the first two pages of of Pink Candy Kiss, Volume 4 she makes a snide comment about Ema’s hair and clothing choices. Ema also contemplates how long it’s been since she saw her, and how much older her mother looks. Hario does at least stand up for his wife, but the cruelty is very pointed and definitely hurts Ema in a way that I’m sure many of the audience will be able to relate to, so much so that she’s ready to give up on the cafe and have Hario handle it instead. There’s nothing like a mother’s love and support is there? At the end of this chapter, Takara asks Ema if she wants to run away. The next chapter opens with another confrontation with Ema’s mother, but this time it’s Takara standing up for her.

The “will they won’t they” dynamic continues to be the crux of this series, although I do worry about how much longer it can carry the story. We’ve known for a while now that Ema and Takara are head over heels for each other, and I just hope that we get a proper confession from someone sooner rather than later, since we did not in this volume. The characters are still wonderfully messy, flawed and above all, realistically human. For that reason, Pink Candy Kiss continues to be one of my favourite ongoing Yuri series, and I’m eagerly awaiting volume 5. I also think it would make a fantastic live action drama, if a company would be brave enough to produce it.

Ratings: 

Art – 7 It’s still a shame there aren’t colour pages with the chapter art on.
Story – 8 The living apart situation is still a little contrived, but the rest works very well. 
Characters – 10. Ema’s mother is vindictive, cruel and totally realistic, as is Ema’s reaction to her. 
Service – None. It still doesn’t need it. This is a story about women’s feelings, written by a woman for other women.
Yuri – 10 So much yuri.

Overall – 8

 





Scenes From Awajima, Volume 1

February 12th, 2026

A young woman with collar-length brown hair wearing a blue-grey smock dress style old-fashioned Japanese school uniform, stares down at the ground pensively, hands in her dress pockets.Takako Shimura is a polarizing name around these parts. Shimura’s work spends a lot of time delving into the lives of queer people, addressing real and fictional issues, without the author even identifying as queer. Does that Matter (TM)? Yes…and no, of course. It matters that Shimura-sensei takes nuanced and thoughtful looks at queer life. For some years and in some series, the use of stereotypes was more common and some portrayals rankled among the queer community, both in Japan and elsewhere. I have expressed some of these concerns myself.

Then there is Shimura’s narrative style. In early works it was often difficult to follow a story, as characters looped in and out of experiences in ways that felt repetitive, or even traumatic. This was particularly true in Wandering Son. But what has taken shape, through years of tying vignettes and ensemble stories together, is a unique style that takes some getting used to, but is rewarding in the end. Even Though We’re Adults is Shimura’s best and most fully realized narrative and characters, so if you are not familiar with the earlier, more haphazard style, it might be a bit confusing to get into an older work.

I say that, because it did take me a few volumes of Awajima Hyakkei to realize what, exactly I was reading. I reviewed Volume 1 and Volume 2 here on Okazu and read, though did not review, through Volume 4. Now we have Scenes From Awajima, Volume 1 in English, from Yen Press, and all my previous feelings about Shimura’s work come rushing back in a flood.

Awajima, in this instance, is the name of a very famous all-female musical revue troupe school. This story is ten years old now, and follows Shimura’s more meandering pathways, with vignettes about girls in the school now and in the past. These vignettes intertwine, as the current classes deal with the weight of expectations from mothers, aunts and grandmothers, even teachers, who once walked the hallways they do now.  The story is heavy at times, and does include the kinds of institutionalized bullying a real all-female musical revue troupe is infamous for, as well as personal slights of many kinds. The series will address many uncomfortable topics, from eating disorders to abuse. It also is about the hopes and dreams of young women…and adult women when they live in, or leave, that world.

I was just commenting today on the Okazu Discord, that I have come to dislike the neologism “shoujosei.” It elides the perspective of adult women, lumping them in with the needs, desires and perspectives of children. Scenes From Awajima is about students, but it is not a Shoujo manga. I cannot imagine a child reading this (or Journal With Witch, or Even Though We’re Adults or any other Jousei work) with any understanding – or interest – in what is going on.  Shoujo and Jousei are different and lumping them together infantilizes adult women. At Okazu, at the very least, we’ll remain aware that adult women deserve their own place in the world. A genre of our own was important for Yuri. It is equally important for adult women for many of the same reasons.

Scenes From Awajima does include some Yuri, as one might expect. In that environment, with girls literally training to perform gender and romance, it cannot be surprising that intimacy and romance develops between students sometimes. And sometimes it has lasting repercussions. 

For the best reading experience, go into Scenes From Awajima gently, letting the stories play out around you, moving through time and space, while you just watch and listen. As characters become more developed names and situations will stick in your mind and you’ll find that things tie together in some ways and and in other ways have horrible messy loose ends. Much like life. ^_^

Ratings:

Art – 8
Story – Variable
Characters – 7
Yuri – 3
Service – 1 on principle

Overall – 7, but will improve with time

An anime adaptation is on the way in April, trailers are already available. I think the story will be tidied up a bit for the anime.

Thanks to Yen Press for the review copy, via ANN, where I reviewed this for the Winter Manga Guide, as well. ^_^

 





Amayo no Tsuki, Volume 11 ( 雨夜の月)

February 5th, 2026

Cover of The Moon on a Rainy Night, Volume 8. In a classroom, a young woman in a school uniform with collar-length blonde hair plays a piano while another girl with long, dark hair, leans on the piano and watches her.The sports festival has passed, th school festival is in the books. As the noise and activity dies down, Kanon and Saki are picking up their relationship, once again not entirely sure how to proceed in Amayo no Tsuki, Volume 11 ( 雨夜の月)

Photographer Hamaoka has a new idea – instead of thinking about costumes and scenery, she wants to capture Saki and Kanon at school, in their day-to-day activities. She watches them in the classroom, sitting behind the gym and, finally, in the music room. Kanon asks Saki to play her exhibition piece, while Kanon watches and feels the piano vibrations. The picture Hamaoka captures is magnificent and terrifying, as Kanon plainly sees her own emotions for the first time.

Kanon turns to Ayano for advice.who makes some extremely salient, and for Kanon, brutal points. Saki also has a run-in with a student from her former school, which makes her realize she’s been misinterpreting things for a long while, about herself and the people around her.

As the volume closes, they meet up once again. Will they find the bravery and honesty they need to speak to each other? Volume 12 won’t be out until spring, so we’ll just have to wait for that and the upcoming anime!

Ratings: 

Art – 9
Story – 9
Characters – 10
Service – 1
Yuri/queer – 6/5

Overall – 9 

The story is very much on the edge of Saki embracing (or rejecting) her identity as a woman who loves women, and Kanon as becoming open to romance at all.It’s an awkward moment, but so interesting and critical. This book continues to be one of my favorite reads. Every volume  is excellent. 

Volumes 1-8 of The Moon on A Rainy Night are available in English from Yen Press.





Heimin No Watashi Desu Ga Koushaku Reijou-sama o Taburakashite Ikite Imasu, Volume 3 (平民の私ですが公爵令嬢様をたぶらかして生きています)

January 26th, 2026

Cover of Heimin No Watashi Desu Ga Koushaku Reijou-sama o Taburakashite Ikite Imasu, Volume 3 / 平民の私ですが公爵令嬢様をたぶらかして生きています by Kitao Taki. A red-headed girl leans over a dark-haired girl, stroking her face with predatory expression. They both look at us and are wearing the same fantasy school uniform of red and white.In Volume 1 we meet Laila, a commoner who parents sold her into slavery so they could debauch, and Evangeline “Eva” Mayer, the daughter of a Duke, and Laila’s childhood friend who, through accident, runs in to Laila and is able to take her as a bodyguard to the Royal Academy. In Volume 2, Laila deal with some prejudice and bullying, but her magical abilities are so significant, her fighting skills so good and her personality strong enough that she gains the respect of some of the students. 

In Volume 3 of Kitao Taki’s Heimin No Watashi Desu Ga Koushaku Reijou-sama o Taburakashite Ikite Imasu (平民の私ですが公爵令嬢様をたぶらかして生きています) the 4 major houses are set against each other in a battle of wits, magic and combat by the King, who mostly wants some entertainment. He’d also like to get a feel for how strong this commoner is and to show off his beloved grandchild Eva’s power. 

The Mayer family starts down a member, but a masked (but not disguised, really) person joins them…with intel. The competitions get more and more complicated in the first round. There is no clear winner going in to the second round which is a dungeon that the King needs clearing. But once in the dungeon the students find that there’s some very serious magic in the dungeon, and the magic is going to mimic the person they want to fight the least. Eva and Laila watch in trepidation as another Laila walks out of the mist….

I know I say this every volume, but I really do enjoy Kotao Taki’s manga. And this story is building on itself, well away from simple romantic comedy to a full-blown epic adventure, with tons of fighting, magic and intrigue.Will Laila and Eva end up together? Probably, but that is not the story. I’m still holding out for Laila, Lisette and Eva kicking Catherine’s butt and all out ass whoop. ^_^ It’s also nice to read a fantasy that isn’t an isekai for a moment. 

For loads of action, adventure and a pleasant bit of Yuri seasoning, I’m really enjoying this series. 

Ratings:

Art – 9
Story – 8
Characters – 9
Service –  1? Very little, as everyone is busy fighting
Yuri – 4, as everyone is busy fighting

Overall – 9

From Volume 3 on, this book is only available in digital format on Amazon JP, Bookwalker and other online platforms. Thank heavens for Bookwalker.





There’s No Freaking I’ll Be Your Lover! Unless… ~Next Shine~

January 21st, 2026

There's No Freaking I'll Be Your Lover! Unless… ~Next Shine~ promo art. The 5 faces of the main characters, all wearing different, characteristic, expressions, above some information in Japanese giving the airing information

by Eleanor Walker, Okazu Staff Writer

**SPOILERS BELOW**

This sequel was announced at the end of season 1 in September 2025, and originally premiered in Japanese cinemas in November 2025, then on Japanese TV at the very beginning of 2026. REMOW has also brought the series to Western fans on Youtube, as they did for the first series.

 

All 5 main cast of No Freaking Way I'll Be Your Lover, Unless...members in their school uniforms, with Renako standing slightly forward of the others, a maid cosplay outfit over her arm. Kaho is immediately behind her, jumping and punching her fist into the air

This series is basically an almost exact adaption of volume 4 of the novel series, which I reviewed here on Okazu. As such, if you didn’t enjoy the first season, there is absolutely nothing for you here. This is solely for the fans who wanted more. The animation, art, music, and voice acting haven’t changed at all in style from the original 12 episodes. Picking up where season 1 left off, we can now properly meet the final member of the harem, Koyanagi Kaho, an extroverted cosplayer with a few secrets of her own, and a jealous streak as well.  There is however one very important difference between this adaption and the original novel, which ends with Renako confessing to both Mai and Ajisai and asking to date them both, but the anime ends with a screen showing a text message from Satsuki saying “Hey, you’re already dating two at once, so one more wouldn’t hurt, right?” Obvious sequel bait aside, I do respect that the show didn’t make Renako pick just one of the girls, and actually committed to the harem premise.

It’s nice to see a yuri anime get a sequel, especially when it was announced pretty much at the end of season 1. I hope the bait which was dangled in front of us is taken and we get “Season 2” of the series animated some day.

Ratings:

Art – 7
Story – 6
Characters – 7
Service – 7. Renako has now bathed with every member of the group in animated form.
Yuri – 7

Overall – 7