Archive for the Artists Category


Wandering Son Manga, Volume 1 (English)

July 17th, 2011

Wandering Son, Volume 1 is my vote for manga most likely to cause a quiet revolution without becoming a best seller.

As you know, if you pay attention to any manga news at all, Wandering Son  by Shimura Takako, is the story of two young people as they realize and deal with the fact that their gender does not match their bodies. In Volume One, we are introduced to the cast, and to the general situation in which Shuuichi and his classmate Yoshino start to deal with puberty and the disconnect they feel about their selves and the bodies in which those selves reside.

This past week I was pleased to be part of a discussion of this book at the Manga Out Loud podcast. I hope you’ll listen to it, as we discuss both the book and the anime in some detail.

The story itself is gentle…as I say in the podcast, almost tentative. This territory is difficult for many people to accept and the manga audience is not, for all that it enjoys stories of gender switching as comedy, as socially liberal as many might think. Shimura takes her time…and ours…to introduce the idea that a body may not be the right one to be in.

As a result, Volume 1 might feel a bit timid to those readers who are more used to Aoi Hana. Having just come off reading Volume 6 of Aoi Hana, I found myself a little surprised at the tentativeness of these first chapters…and then suddenly I realized that this manga is nearly ten years old. The strength Fumi shows was not born overnight and Shuuichi and Yoshino are younger than she is. After talking with the folks on the podcast, I realized what a profound revelation this series will be to people for whom this is an entirely alien discussion. And I’m utterly blown away by how deft and masterful Shimura has become in the last decade.

In conclusion, I’m going to cheat and quote Ed Sizemore from Twitter, when he said, “Wandering Son doesn’t just open up doors of perception for me, but makes me want to learn more about the real life experience of transgender people. To see world through their eyes so I can relate to them better.”

There will be no Wandering Son cosplayers, you won’t find Wandering Son figurines or headbands at conventions. But in these pages, Shimura can bring the thoughts and experiences of the transgender community to people who have never before thought about life from Shuuichi’s or Yoshino’s perspective. That is the revolution contained in the pages of Wandering Son.

Ratings:

Art – 7
Story – 8
Characters – 9
Yuri – 0

Overall – 8

I hope you will all consider buying a copy of the manga for your library (or request that it buy a copy, if it still has the budget to do so.) Let’s change the world, one manga at a time – starting with this one. I’ve already got a copy for my Libary. ^_^





Manga no Tsukurikata (まんがの作り方) Manga, Volume 5

July 14th, 2011

Before you even ask, yes, I’m just torturing myself by continuing to read this series. ^_^;;

In the first four volumes of Manga no Tsukurikata (まんがの作り方), we were introduced to Kawaguchi, a former mangaka who decides to take up the pen again, Morishita, a famous manga artist in her own right, and who is in love with Kawaguchi, and Takeda, who is a great admirer of Kawaguchi and of Sachi, Morishita’s professional penname.

In addition, we encounter Kawaguchi’s younger brother and her editor who seems to be seduced by the same glamour that Morishita is affected by. I call it a glamour because the Kawaguchi we’re seeing has…well…nothing going for her. She’s not too smart, not terribly creative, kind of lazy and yet, everyone loves her.

In response to importuning from her editor, Morishita decides to move to Tokyo and somewhat inexplicably Takeda decides to go with her. In the beginning of Volume 5 Kawaguchi visits them. In the early pages of the volume this panel appears:

For any number of reasons I think it a perfect analogy for the entire series.

In any case, Kawaguchi visits Morishita and Takeda, and we get to watch her reaffirm that she likes having Morishita around, but still doesn’t actually love her.

The rest of this volume is taken up with Takeda’s crisis of identity as she finally, painfully comes to terms with the fact that Morishita is her favorite manga artist, Sachi and while she adores Sachi and is thrilled to be able to help Sachi by doing housework and cooking for her, she really cannot stand Morishita.

And, erm…that’s about it for this Volume.

So, hey, more happened than in previous volumes, so I guess that’s good.

Ratings:

Art – 7
Story – 6
Characters – 6
Yuri – 3
Service – 1

Overall – 6

It always feels like this series is going to do something…and then…it never does.

This volume comes packaged with a short original doujinshi, “Ryuuna to Ichiko” in which a house fire brings a “cool” girl closer to the “nerdy” girl in class.





Yuri Manga: Kila Kila (キラキラ)

July 10th, 2011

Kila Kila (キラキラ) by Takemiya Jin, is a collection of one short serial, “Akogare no Itoshii Hito,” and a one-shot with the title name from Comic Yuri Hime.

The titular story is unrealistic and utterly adorable. Sayaka is obsessed with magazine idol Ria. She can just “sense” Ria’s aura she’s sure so, when one day a girl walks by and she senses Ria, she pursues the girl.

Sayaka’s 6th sense isn’t far off – the girl turns out to be Ria’s twin sister, Mari. Mari is not a model, but is an introverted, cynical girl with some understandable issues in regards to her famous sister.

Cynical as she is, Mari understands that Sayaka is befriending her to get closer to her sister and, as a result, when Ria learns of Sayaka’s existence, she expects to lose her new friend. What neither Mari, nor Sayaka expected was for Sayaka to find Mari’s own sparkle so alluring that she decides Mari is more important than Ria ever was.

The bulk of the book is taken up with a tale of a love triangle between sophisticated older sister Tsukiko, Nana who has a crush on her and her childhood friend Youko, Tsukiko’s blunt younger sister.

Youko and Nana argue over Tsukiko’s intentions and, even when Youko is proven correct about her playgirl older sister, she and Nana can’t repair the damage to their friendship, when Youko admits that she’s had feelings for Nana all along.

Years pass and Nana, with a new friend, Satomi, are out one day when she sees Youko….with what instantly appears to be a girlfriend. Nana is shocked, then appalled at her reaction of jealousy and suddenly, she realizes her feelings for Youko. She confronts Youko to learn if that is indeed her girfriend, and if Youko is happy. It is, Youko confirms, and she is. They part and Nana is left to realize that she might very well have thrown away something wonderful, but Satomi, in the most charmingly goofy way, picks up the pieces. The end comes with Nana realizing that she should not ignore Satomi’s feelings the way she ignored Youko’s  and they head off to live what we can hope will be happily ever after.

The final chapter revisits “Kila Kila” and allows Sayaka to reject Ria in front of Mari and to soundly kiss Mari so she knows these feelings are not one-sided.

As always, I enjoy Takemiya Jin’s work. I’m never going to try and convince you it’s beautiful and, if anything, I like it better when the characters are evil and scheming, rather than wide eyed and adorable. But still, it’s feel-good reading for me.

Ratings:

Art – 6
Story – 7
Characters – 8
Yuri – 9
Loser FanGirl –  6

Overall – 8

Takemiya-sensei’s work has a ring of verisimilitude when it comes to relationships between girls that series like A Channel or Yuru Yuri completely fail to capture. As a result, I can read something as utterly unrealistic as “Kila Kila” and still see the real-ness of the characters’ feelings where I watch a school girl life series like Yuri Yuri and see nothing at all I can relate to. ^_^





Revolutionary Girl Utena Anime Box Set – Volume 1 Disk 3 (English)

June 25th, 2011

Revolutionary Girl Utena: Student Council Saga Limited Edition SetBy the time you reach the third disc of the Revolutionary Girl Utena Student Council box set, you’ve already developed your ideas about what you think is going on. My ideas and yours may not be the same, but they are all valid. The show is consciously constructed to allow all our ideas to be valid. Now we, as viewers, have to allow each other’s ideas to be valid, too.

I’m going to tell you some of the things I think are going on (bearing in mind that while I know what is going to happen, I wont be talking about that – just what is happening on this disc. What I would REALLY like is to hear what you think is going on in the story. What are your thoughts about The End of the World – no spoilers, remember, just based on this first arc! – or about Touga, or the duels, or Anthy, Utena, whatever.

Okay, so here I go.

The disk begins with Saionji doing something very stupid, and being expelled for it. I have this belief that, in some way, all the members of the Student Council, by becoming members of the Student Council, were essentially consenting to being manipulated by the End of the World.

Which is why I personally find it hardest to watch Nanami being screwed with. She did not give this consent. Miki is innocent, but not unbsubtle. Nanami is a child. She is driven by delusion and fear and has no place in the duels. That Touga offers her up to them was, in my opinion an unforgivable crime.

Up to this point, it would be natural to think that Touga is the master manipulator here. He seems, to Utena at least, to be in control. It’s only at the end of the arc that we and he see that he wasn’t in control at all.

The last two episodes were as amazing as I remembered them to be.

In episode 11, Utena find herself stripped of her confidence, her purpose, her very self by Touga, who uses his good looks, his masculinity and his position to turn her into a “normal” girl, who needs a prince to rescue her.

And most important IMHO, is that in response to losing the duel Utena says simply, “Please don’t take Anthy away from me.” She would give herself up…but not Anthy.

In episode 12, Wakaba slaps some sense into her, by making her realize that “normal” is not normal for Utena. Utena challenges Touga to a rematch to regain herself – the self that wants to be a Prince, not be rescued by one. She defeats Touga without help from Dios or an enchanted sword – she defeats him with nothing but her determination and will. To awesome music. To regain Anthy. NOT to regain the Rose Bride, but to get Anthy back.

Most importantly, at that moment, Anthy is *surprised.* That alone is worth watching the final episodes for.

When the episode (and the first arc) ended, I began spontaneously applauding. Again. As I have every time I have watched this series.

It’s gonna be a long, long, few weeks before the next set arrives!

Thanks again Nozomi/RightStuf for making it possible to watch this remastered version.

Ratings:

Art – 8
Story – 10
Character – 9
Yuri – 4
Service – 1

Overall – 9

The music video for “Revolution Rondo” blew my mind more than anything else in Utena ever has. It was filmed in New York City, which was just…entirely unexpected.

Here’s an interesting aside. On Twitter today I mentioned that what I would love to see is a ridiculously high budget live action version of the moment Utena draws the sword from Anthy. Just that scene. At which, a very good friend of mine from way back mentioned that there is a rumor of a pitch in Hollywood for an Utena movie…and that Variety is supposed to be doing an article about it next month. I guess we’ll see if that article ever happens…. Thanks for the heads up, Rob!

Now it is your turn – what are some of your thoughts on this arc?





Hourou Musuko/ Wandering Son Anime (English)

June 22nd, 2011

Many of you have, over the last few years, written in to tell me about Shimura Takako’s series Hourou Musuko, Wandering Son, to ask me when I would review it, to remind me to add it to the News Reports.

As many of you have noticed, I have not reviewed it as of yet. The reason for this is relatively simple – while Hourou Musuko is undoubtedly a masterpiece, it’s not really Yuri.

But, it *is* a masterpiece and a masterpiece dealing with gender transitioning, which is something that manga and anime typically play for laughs at best, rather than handling it with any seriousness or sensitivity. So, I guess it’s time to review this series, already. ^_^

My problem now is – I don’t know what to really say about it, other than it is one of the very finest, most beautiful anime series I have ever watched.

Hourou Musuko is not the first time Shimura has dealt with gender in a story. Her Boku ha Onna no Ko was the first time I ever encountered her work. I was not overwhelmed by any of the stories in that collection – certainly nothing in it impressed me the way Aoi Hana did. But Hourou Musuko is something amazing, even compared to that.

Somewhere after Boku ha Onna no Ko ( the cover of which has a cameo as a poster in the Hourou Musuko anime,) Shimura reached deep into herself and found a real story – a touching story – a painful and beautiful story – about two young people grappling with the fact that they are born into the wrong bodies. Hourou Musuko is emotionally gripping in a way that very, very few anime ever can hope to be. Shu-chan, the mtf heroine and Yoshino, the ftm hero, are people I would gladly spend more time with.

Art, music, voice acting was all sublime. I can say nothing but “wow” about it.

In this short anime, there were two scenes that really stood out to me – the scene where Yoshino gives Shu-chan her name and said that she’d take his, which was so touching I honestly couldn’t speak for an hour afterwards. And the scene during the school festival, when the kids all go into another class’s horror house, just to be able to gain catharsis by screaming.

As for Yuri. Well, the anime begins with the 33rd chapter of the story, as Shu-chan begins middle school, so I believe we skipped one potential Yuri relationship. I will, when the manga touches upon it, mention it. In the anime, however, I’d like to talk about Yoshino and Saori. They don’t really have a relationship, but by the end of the anime, there is some very tentative movement in that direction, IMHO. Of course, as Yoshino is a boy, temporarily in a girl’s body, this would not be a lesbian relationship, even if it were to exist. As Saori had some feelings for Shin-chan, who also feels he has been given the wrong body, it seems to me that any relationship that developed between Saori and Yoshino could legitimately be labeled Queer. Shu-chan has a relationship with a girl that, as Niki points out in the comments, isn’t being perceived as lesbian yet, but is clearly another Queer relationship.

Because this series is a masterpiece, it did terribly in the TV ratings for that slot. This cannot really be a surprise, precisely because everything really is on a standard curve of deviation. That means that the good will be appreciated by less people than the average – and the stunningly excellent will only ever be appreciated by a few. Nonetheless, this anime was stunningly excellent and, as I contemplate reading the manga, for the first time, I find myself frightened by it a bit. It might just be too good. I have always managed my expectations of manga and anime, and don’t want to see my ability to find balance compromised. On the other hand, I don’t want to be disappointed, either. So, I find myself in the position of convincing myself to not expect too much, but also not to let Shimura’s fully blossomed genius ruin anything else for me.

By the time I finish the manga, I fear that all that will be left for me to read and enjoy will be Aoi Hana and GUNJO.

Anyway…if you haven’t watch the anime yet, do. It’s a masterpiece.

And then buy the manga, which is being put out by Fantagraphics. Don’t forget to buy an extra copy for your library – they *need* this book.

Ratings:

Art – 9
Story – 9
Characters – 9
Yuri – 0
Service – 0

Overall – 9

This, more than any series I have ever reviewed here is a LGBTQ masterwork. In the future that I want to  inhabit, it will be considered a classic.