Archive for the Artists Category


Yuri is My Job, Volume 10

January 9th, 2023

Pictured: 5 girls in an old-fashioned dark green Japanese school uniform pose in front of a large sunny window. In the front row, are three girls, one sitting to the side with pinkish hair and a bow tied in a "rabbit ear style on top of her head, a blonde in the middle, and leaning on her, a dark-haired girl, with her hair pulled up primly. In the back row are two older-looking girls. One with long-brown hair, and one with blonde hair and glasses. A white fancy bracket encloses the words in white: Yuri is My Job! In the top left corner in black, there is a 10 and the author's name: mimanI’m currently in the middle of reading Volume 11 of Watashi no Yuri ha Oshigoto Desu! so what a great time to take my pent-up feelings out on Yuri Is My Job, Volume 10! ^_^ /Insert scream here/

This series, which began with a parody of ‘S’ tropes as seen through the lens of a popular light novel series, and has always always been a rom-com, unless it wasn’t, suddenly…isn’t. Not really. For one thing, it’s gotten rather queer, almost despite itself (I jest. Miman is a capable author and knows what they are doing…) and the insertion of Yoko into the story has made it feel rather grown-up and darker than it had previously been. Have a bit of pity for Kodansha, a company that licensed a goofy comedy and now has a pretty heavy story on their hands.

There’s an important little thing that happens in this arc. Originally, Sumika gave her version of what happened in the cafe to Kanako and Hime. Now we’ve encountered Yoko, and Nene has given us her version. There’s one more version to go. Wait for it. It’s important.

We now officially have an unwinnable situation. Nene is fucking done with everyone and who can blame her? Sumika is in denial, Kanako is delusional, Yoko is toxic relationships on the hoof and Hime and Mizuki are pretty much relegated to supporting cast. I wasn’t sold on Hime previously, but here she steps up and is a genuinely good friend to Kanako. Too bad it’s too late. Kanako is not okay. I wish I could feel bad for her.

The climax of this arc hasn’t yet happened and I really have no idea what will happen, but I know what I want to see. I want Sumika and Nene to team up and take Yoko down. Will I get that? Tune back in and we’ll see!

Ratings:

Art – 10
Story – 10
Characters – 10 Nene is now my favorite character. Sumika, you’re killin’ me.
Service – 5 Large breasts
Yuri – 9 Looking for love in all the wrong places.

Overall – 9

I summed this volume up in my review of the Japanese volume 10 as “Yikes.” But what amazingly scripted and drawn “yikes” it is.

I must mention Diana Taylor for a great translation job here – everyone has their own voice. You can practically hear Yoko ooze. Jennifer Skarupa does a fine job matching the S/fx to the Japanese’ everyone on the Kodansha team is giving us an excellent reading experience! Cannot wait to see what they do with the two-page color spread that just ran in Comic Yuri Hime. (It was a lot of Yoko’s breasts.)

Volume 11 is out now in Japanese (and on my list of things I will review shortly!), but you’ll have to wait until June to see Yuri Is My Job!, Volume 11 in English.





Hello, Melancholic!, Volume 3

January 3rd, 2023

Beginnings are easy. You have an idea. There’s this character and stuff happens and it affects them and they react. Why are they there, what happens, how it affects them, can all be built up over time. But beginnings, they’re easy. The hard part is what happens after you’ve explained why they are there, and why that thing that happened affected them that way. Then, you have to buckle down and show what happened after that.

In Volume 1, we met Minato, an introverted and unusually tall first-year in high school whose love of music had been ruined, when she was traumatized by bandmates in her previous school. She is recruited by Hibiki, a second-year, to join an impromptu band club. It was a beginning that hit me hard. Re-learning to enjoy music, struggling to fit in, typical school stuff. We’ve all been some part of “there.”

In Volume 2, Minato and the rest of the band gel, and they give an amazing live performance. Minato takes her first steps out of her shell and in a moment of having had too much fun, admits she likes Hibiki.

Now we are at Volume 3 of Hello, Melancholic! by Ohsawa Yayoi and all the beginning stuff has been laid out. What can possibly happen? Well..a lot.

Hibiki will be graduating. Minato’s basically in denial about that. She concerned that Hibiki (and the rest of the band) will reject her. And in the middle of this, Hibiki, ignoring everything that is laying between them, pushes Minato to take the chance of a lifetime. It doesn’t go well when they try and talk it out the first time. Minato is concerned that every joy she has is too fragile to survive the moment.

I loved this series when I reviewed it in Japanese and my fondness for it carries over into the final volume of the English language edition. Girls finding love in band…well, I’ve been there, so yeah. ^_^ Ohsawa Yayoi’s art continues to improve, her characters’ expressions of shock and pain and joy are just fantastic.

The translation by Margaret Ngo and adaptation by MaryKate Jasper was terrific. You could *hear* their voices as Hibiki and Minato have it all out. Extra props to Seven Seas for bumping up almost all the lettering to full retouch. It looks fantastic. I know it’s harder and takes longer, but thank you Mo Harrison for the effort.  Once again a top effort from the team at Seven Seas and an outstanding reading experience. Now can we get 2DK, GPen Meshamashitokei, I wonder?

Beginnings are easy, but picking the first manga I review of the year is hard.  Hello, Melancholic! wraps up something that feels like it began a long time ago, and now we’re all ready to move on into what’s ahead. ^_^

Ratings:

Art – 9
Story – 9 More conflict in this volume is a good thing, as Minato becomes less passive
Characters – 9
Service – 1
Yuri – 9

Overall – 9

 

I’d give this adorable 3-volume series to anyone who wanted a feel-good schoolgirl Yuri story.





Ayaka-chan ha Hiroko-sempai ni Koi Shiteru, Volume 2 (彩香ちゃんは弘子先輩に恋してる)

December 22nd, 2022

In Volume 1, we met the popular and charming work sempai, Hiroko, who is the object of Ayaka’s ardor. Ayaka tries very hard to gain Hiroko’s attention, but Hiroko remains a bit stand-offish. What can Ayaka, a woman who loves women, do to gain the woman of her dream’s attention? Unbeknownst to Ayaka, she is making an impression. The only problem is that Hiroko, also a woman who loves women, thinks Ayaka is a clueless straight girl sent to torture her.

In Ayaka-chan ha Hiroko-sempai ni Koi Shiteru, Volume 2 (彩香ちゃんは弘子先輩に恋してる), the heat ramps up as Ayaka drowns her misery at a local lesbian bar, only to learn, that Hiroko-sempai is a regular!

In the meantime, Hiroko is trying to resist the irresistable Ayaka, not realizing that she’s also queer as the day is long. But, even if she was, would a workplace romance be a good idea? The chaos levels rise, until Ayaka can stand it no longer.

She bursts into the office and demands everyone listen to her publicly and clearly state her feelings for Hiroko-sempai.

This is very much a “wackiness ensues” farce of a Shakaijin Yuri manga. You can just about hear Khaturian’s Sabre Dance playing in the background, while doors slam and people run to and fro. The resolution of this manga will also be anticlimactic. It’s the tension between ladies’ woman Hiroko unable to give in to her desires and Ayaka wearing another tantalizing – yet professional – outfit and trying to get sempai’s attention that is the plot.

Those readers who find the Black & White series by Sal Jiang a bit too much to swallow, might enjoy the playful goofiness and cuter art of this series. I’m here for the ridiculousness of the scenarios that surely could not exist in a real office for even a second. The more ridiculous this story gets, the more I enjoy it.

Ratings:

Art – 8
Story – 8
Characters – 10
Service – 6 When Ayaka stops dressing for attention, it’s actually pretty funny
Yuri – 7
Lesbian – 9

Overall – 8





Otona ni Nattemo, Volume 7 (おとなになっても)

December 8th, 2022

In Shimura Takako’s Otona ni Nattemo, Volume 7 (おとなになっても) a lot happens.

We left Akari and Ayano having been carefully not seeing one another for some time, as Ayano’s divorce proceeds. When they meet again, they mutually decide to begin over, but the rumor that Ayano is having an affair begins to spread.  In school, Ichika’s life has become more complicated as she’s refusing to return to class. I’m honestly way more invested in the well-being of the children than I want to be. ^_^;
Eri and Wataru are reeling as their relationships fail. Neither the adults nor the children are particularly alright.

But Akari and Ayano are doing a pilgrimage to Akari’s hometown, visiting her childhood haunts. They are taking time to talk through their lives – something they have never had a chance to do. It’s good for them. There is a particularly charming moment, when they fantasize about having gone to school together…who would they have been and how would they have related to one another? The art is especially cute as they (as adults) imagine each other as children.

When they return, they find that the rumors are picking up steam. But they have made a decision. They tell Akari’s family that she is moving out…and moving in with Ayano.

Shimura-sensei’s art is not refined in these chapters, but there’s a sense of motion, and emotion, that is subtle and intense.  When she’s good, she’s really good. This story is one of the adultest mange I have ever read. I cannot imagine being a teenager and giving a hoot about anyone in this manga for any reason. ^_^

Ratings:

Art – 8
Story – 8
Characters – 8 I don’t think I dislike anyone…. there’s no bad guys here
Service – 0
LGBTQ+ – 6, maybe? Lives are changing while we watch

Overall – 8

Little girls and and friendship and school, adults and marriage and divorce and choices with consequences. This series would make a pretty solid live-action drama.
 





I’m In Love With The Villainess, Volume 5

November 14th, 2022

I have already read, enjoyed and reviewed this volume twice previously. The first time in Japanese and the second time in digital format, because I did not want to wait for the print edition. Now, at last, I have the print edition in English, from Seven Seas of I’m In Love With The Villainess, Volume 5.

Why did I read it again? Because as much as I love digital books for their convenience and accessibility, I find that I actually do read print differently. My eyes tire at a faster rate when I read text on paper than words on a screen, so a print book is a chance for me to slow down, take time with the words, the emotions, the feel of the story, rather than rushing through it for the content of the story.

In this final volume of the Demon Queen arc, we learn the Truth of The World. So many of the fragments we have been told suddenly make sense.  What was at first a grand, epic, high-fantasy tale, has become something far more complex…and far more interesting because of it.

When I read this book this first time, I reviewed it thusly, “What if you had the chance to remake the entire world in order to save the person you love…and learned that the world was never what it seemed?”

And when I read this series the second time, I said, “Stories in which communities come together to build a better tomorrow. The fact that the leaders of this particular community are queer women is delicious icing on this sweet and satisfying narrative cake.”

In between these two things is a fascinatingly complex series of connections that use everything we have learned in the first 4 volumes, but almost without exception, use them in ways we could not have expected. Things that seemed like they might have become a whole side quest on their own are resolved almost offhandedly, but only to allow space for something far more interesting and relevant. In the end, this is a series about how people form relationships and how complicated it is to make space in the world for those relationships to thrive.

Ratings:

Art – 9 hanagata presents characters as cute and moe, but the art is visibly improved from the first volume
Story – 9
Characters – 10
Service – Very little, for perfectly good reasons
Yuri – 10
Queer – 10

Overall – 10

The worst thing about this series is that it ends. It had nerve making us care so much about fictitious characters and situations. Luckily for the ILTV fandom our enthusiasm has made the series more popular now than ever. If you’d like to lend a hand, drop into the voting for the “Next Light Novel Award” which will begin at 13:00 JT on November 16th and give your vote to inori-sensei’s work – the LNs could use a little love in Japan.

Thanks to the Seven Seas team, and especially to translator Keven Ishizaka for making this book very readable.