Archive for the Artists Category


Heimin No Watashi Desu Ga Koushaku Reijou-sama o Taburakashite Ikiteimasu, Volume 1 (平民の私ですが公爵令嬢様をたぶらかして生きています)

January 20th, 2025

Two women hug, as they look at us. One woman wearing a brown vest over a white shirt, with messy shortish black hair smiles quietly, a woman with long pink hair, wearing a white shift looks at us seriously.In all my many years reading and reviewing manga, my favorite thing is when someone I have been following for ages breaks out into mainstream publishing. It has been my sincere pleasure here on Okazu to watch artists take their doujinshi career to new heights with major publishers. Today is one of those days.

I have been following Kitao Taki since the early 2000s, when she was part of Sakuraike, a doujinshi team whose work I really enjoyed. We were fortunate enough to be able to include some of their work in ALC’s Yuri Monogatari anthology. In 2010, Sakuraike’s work was collected into a 2-volume series Kimochi no Katachi. Of course I reviewed Volume 1 and Volume 2 here on Okazu. When Kitao-sensei struck out on her own as circle BQ, I continued to follow her work, because I liked her formula of self-conscious butch and outgoing femme. ^_^ Well today, it is my very sincere pleasure to say that her work has continued to mature and grow and in 2024, her series published on the U-NEXT site, has been collected into a print volume by Kadokawa.

Heimin No Watashi Desu Ga Koushaku Reijou-sama o Taburakashite Ikiteimasu, Volume 1 (平民の私ですが公爵令嬢様をたぶらかして生きています) is an absolutely delightful fantasy series about Laila, a commoner, whose life is upended when her useless parents sell her off probably for drinking money. Laila is not the kind of girl to wait around and see what becomes of her, so while in the forest, she escapes. Lost and alone, Laila is found by the unlikeliest person imaginable – her old childhood friend Eva, the duke’s daughter.

Eva immediately scoops Laila up and brings her home, where the Duchess summarily tells her to get out, despite Eva and the tutor’s testimony. But when Laila protects Eva from an assassination attempt, she is given the position of Eva’s bodyguard and allowed to stay by her side.

It turn out that Laila is not only smart, and resilient, but she has a knack for mimicking what she sees. When Eva’s clingiest friend tries to drive Leila away with magic and cunning, Laila mimics her magic and ends up saving the friend, Lisette. She’s fast and strong, so her role as bodyguard suits her. Of course the leader of the school, a powerful duelist, Touka Remberk, challenges her, Laila is able to make a decent show before she loses. Touka immediately offers her friendship, as well. But all is not perfect in their school of magic. Eva’s cousin Catharine is an old-school Evil Psychotic Lesbian with girls draped all over her as she holds court and she wants Eva…gone. She’s not above deceit and abuse, even going so far as to have her thugs jump Laila. On the positive side, no one likes Catherine, except her henchicks. ^_^

One of my favorite things about Kitao-sensei’s art has always been the expressions on her hapless and helpless butch characters’ faces as they are swept up by the objects of their desire. Here we definitely get some  of those faces, but Laila is neither helpless nor hapless. She is concerned for Eva’s (and Lisette’s and a classmate who is blackmailed by Catherine, Martha’s,) well-being. She’s a tough commoner, and has confidence in herself, even if a magic school for nobles is out of her depth. Eva is very on Laila’s side and not at all stupid. Lisette, who initially seemed like she’d be an annoying tsundere, is not the enemy she initially seems. In fact, I bookmarked an amusing panel when Lisette is asked if she’s met up with Catherine and her response is to say “bleah” and stick out her tongue. It was very endearing and keeps the character likable.

In a conversation from earlier today, I commented that the thing I was enjoying most about Sorairo Utility was how Minami was being taught how to do things, rather than being shamed for not knowing how to do things.  Here too, bullying is not the plot driver. When the Duchess is ready to boot the commoner for surely she will not have the proper table manners, Laila simply mimics what she sees Eva doing and thus passes well enough. At school, Laila has never fought with a sword when she is challenged to a duel – how would she have ever had a chance to hold a sword, much less wield it in a duel? But she watches and learns and does her damnedest to use the skills she does have, earning her Touka’s respect. Catherine is the only real problem, but she will at least give Laila a chance to shine.

There is quite a bit of Yuri sprinkled about, as one might expect from an artist who has been working on Yuri doujinshi for 2 decades. Eva and Laila are almost immediately a ‘ship and undoubtedly set to be a couple. Lisette’s feelings for Eva are very deep admiration/desire. Touka might have a bit of a crush on Laila, and the two are given a really nice balcony scene. Catherine and her henchicks are definitely a throuple – and we know the henchicks are an item on their own. Nothing is explicit, but I expect we’ll see more as the story develops.

Kitao-sensei’s art is the best it has ever been. Action scenes are clear and fun to read. Characters expressions have always been a strength and she really gets to use a range, from Cath’s evil sneer to Laila’s seductive face.  Despite the potential for a lot of gut-wrenching, this series is a whole lot of fun. Congratulations to Kitao-sensei!

Ratings:

Art – 9
Story – 8
Characters – 9
Service – Laila kneeling over Eva in bed was pretty servicey, yeah.
Yuri – 6, I expect that to go up.

Overall – 9

This is a super fun fantasy story by a long-time Yuri artist. Sample chapters in Japanese are available on Comic Walker, go take a look!  I’m very much hoping we’ll see a collected Volume 2 soon.





The Moon On A Rainy Night, Volume 6

December 27th, 2024

Two young women in summer yukata stand on a balcony looking at one another, as fireworks explode colorfully above them Volume 5 left us on a bit of a cliffhanger, as Saki accidentally allows her truest thoughts to be seen by Kanon.

The Moon On A Rainy Night, Volume 6, by Kuzushiro, picks up with Saki mortified beyond her ability to express and Kanon struggling to find words to address it. Luckily for both of them, life as a Japanese teenager is filled with enough activity to allow them both some space to roll around on their beds, screaming into the pillow.

Nonetheless, things are changing, Kanon has become aware that since she lost her hearing, she has not been a good friend to the people she leaned on. She takes a small step to caring about someone and something other than herself. Suddenly aware of all the people around her who have given her opportunities, Kanon is changing. Saki reaches out to the one adult she is pretty sure gets what she is going through, and Tomita returns to class with surprising results. Although they have spent most of the summer together, Saki suggests one special event for them to share watching fireworks together from her apartment balcony, where they take one more towards opening up to one another and to themselves.

Rinne finds herself changing as well. As a little sister, she was unable to help Kanon much, could only watch over her in a general sense. But she sees that Saki has changed her sister for the better and it’s made Rinne more willing to take a risk, a little despite herself. She encounters Chiyama, a girl with a condition that is not harmful but which has, and will, make her life difficult and unpleasant. Rinne decides to get involved and be a friend.

I have repeatedly said here and elsewhere (and to anyone I could pin up against a wall and tell) that I love this series. From my perspective – which is not that of an HHD person, but of a person who is chronically ill and had many of the same kinds of issues as both Saki and Kanon as a teen – this story does everything right.

Ratings:

Art – 8
Story – 9
Characters – 9
Service – 2 Saki and Kanon in yukata is definitely meant to serve.
Yuri – 4 It’s only just begun.

Overall – 9

The Moon On A Rainy Night is a masterwork of manga and an outstanding example of how good storytelling can help us to be better.

I cannot *wait for you to read the next couple of volumes! Volume 6 is out now from Kodansha.





Amayo no Tsuki, Volume 8 (雨夜の月)

December 19th, 2024

A girl with reddish hair in a green striped button-down shirt sits at a kitchen table eating with a smile. Across from her, a girl wearing a red blouse with her long, dark hair tied back in a ponytail, earnestly leans across the table. Volume 7 of Kuzushiro’s school life drama finished up the school festival arc and, while it had its fair share of maid costumes and cat-eared girls, it also resolved one of Kanon’s lingering akashic ties – her relationship to her former best friend, Ayano. Both young women have changed in the days since they last saw one another and are able to start over once again as friends.

Friends. Because of Saki, Kanon is able to be a better friend to Ayano, and interact with her classmates. Because of Saki, Kanon was able to participate in the school festival. Because of Saki…

In Amayo no Tsuki, Volume 8 (雨夜の月)Kanon is very aware that, while Saki has been there for her, she doesn’t really know her friend the way she would like to. This is new to Kanon. Since she lost her hearing, she’s been very much alone inside her head, but now, Saki makes her want to learn about another person. And, as she thinks about Saki…Kanon realizes that she thinks about Saki a lot. All the time. When the teacher mentions writing for a lover, when she wants to learn how to make macarons, when she hears that Saki has an upcoming recital, but she has not yet been invited. Or when she see’s Saki’s reaction to the news that her former piano teacher will come to the recital. What is that woman to Saki?

Saki, for her part is flailing in exactly the same way. Will Kanon be more upset if she is invited to a recital she cannot hear or not? Why does she immediately think of Kanon when the music she plays is described as being “for a lover.”

The sports festival is coming up, but first Saki has this recital. And when Kanon see Saki in a vintage dress with her hair styled…well, she’s going to have to deal with that, too.

This volume never once retreats from the  complexity of human lives. Yes, both Saki and Kanon, separately, have started to give voice to their feelings, but the business of school and life still goes on. They have obligations, but also take on new responsibilities for their own desire to become whoever they are.  It’s beautiful. I don’t think I have ever rooted for two fictional characters as hard as I root for these two.

Ratings:

Art – 9
Story – 10
Characters – 10
Service – We’ve seen them in yukata and maid outfits with animal ears , so more dress up? Yes.
Yuri – 6

Overall – 10

Volume 6 of The Moon On A Rainy Night is out now (and next on my to-read pile!) from Kodansha. Fireworks! ^_^

 





I’m in Love with the Villainess: She’s so Cheeky for a Commoner, Volume 3

December 2nd, 2024

Two girls in red fantasy school uniform and two little girls, one in pink and one in blue look up as they hold their heads up and out to us.By the time we get to Volume 3 of the Villainess’ side of the story, is there even anything left to learn? Well, in I’m in Love with the Villainess: She’s so Cheeky for a Commoner, Volume 3, the answer is a resounding “Yes.”

This final volume of the series once again takes us through key points in the main story, from Claire’s perspective. Although we already know what Rae was planning – and why – watching Claire struggle against what she had to see as blunt force manipulation is both powerful and frustrating. In a sense, now we are able to understand Rae’s desperation fully. But, also, we are given much deeper insight into the person whois and who became Claire François.

We learn the full story of her youth, the loss of her mother and the ripples from that death that continue through and after the revolution. To fill the backstories with details we would not otherwise understand, we get the perspectives of Claire’s father, and mother, Pip and Loretta, Manaria, Lene, Misha and more.
The epilogue let’s us look both backwards…and forwards to see what becomes of some of our noble cast.

I have been a huge fan of this series from the first moment I read it, back in 2020. As a reverse-perspective, this spin-off series manages to provide a lot of insight and new information, a promise that reverse-perspectives often don’t live up to.

As I said, of my review of the JP volume (which wasn’t even a year ago…wow) if you enjoyed the main series, whether light novel, anime or manga, I highly recommend you read this iteration. It’s going to add a lot of new information to what has happened.  And may even move you to tears.

Ratings:

Art – 7
Story – 10 Outstanding writing, yet again
Characters – 10 I cannot express to you how *good* the characters are here
Service – 3? 4? A bit, sometimes
Yuri/LGBTQ+ – Why yes, actually.

Overall – 10

I’m sorry to leave this series behind and hope there will be a published sequel one day.





Assorted Entanglements, Volume 6

November 20th, 2024

A woman in a business suit with short dark hair, holding a beer, hugs her younger sister in a white blouse and dark blue skirt her black hair in pigtails.

by Matt Marcus, Staff Writer

Last we left our ragtag crew of sapphics, dates were “enjoyed”, feelings were revealed, emotional wounds were bonded over. We were left just short of a handful of plot payoffs: will Kujou give in to Sugimoto’s trial date idea? Will Heke-sensei be able to game hard enough to earn the right to date her boss? Will Shizuku and Saori just hook up already?

In Assorted Entanglements Volume 6, three of our four pairings arrive at significant inflection points. One couple is embarking on a new adventure as a couple, one is pretending to do the same, and the third…well that one is about to get complicated.

For Saori and Shizuku, the twin-tailed “normie” decides to sneak out of the house at night for doughnuts and deadpans her way into Shizuku’s apartment (this time choosing to be let in through the door instead of smashing the window. Character growth!!). She continues to find herself drawn to the delinquent, and has begun to see through some of Shizuku’s self-loathing. While escorting Saori back to her house, Shizuku recognizes a woman from her past. This is setting up a Shizuku character arc, and I’m surprisingly here for it. Never would’ve thought I’d say that about Shizuku of all characters, but here we are.

As for our mangaka/editor duo, Heke-sensei finally achieves her level goal in the online FPS game, putting her on “even footing” with her gaming oshi. This means she can finally ask Shinohara out! However, she nearly chickens out after spending the day together on a date. Heke-san clutches out the “win” and the two finally come together as a couple. I’m satisfied that this didn’t get dragged out for another who-knows-how-many volume. Now, the real question left is will Heke-sensei be more capable of hitting deadlines now that her editor is her girlfriend?

And for our third major turning point, Kujou and Sugimoto go on the long-threatened trial date. Naturally, it’s at the most sapphic of date destinations: the aquarium! Sugimoto continuously props up Kujou in the face of her gym teacher’s unrelenting defeatism and emotional self-sabotage, which is, honestly, kind of sweet. Sugimoto isn’t actively putting the moves on her teacher (in fact, she doesn’t seem to recognize her long-growing feelings), but by the end of the date, Kujou has the realization that the two of them have gotten too close for their own good. I was starting to worry that Kujou would remain oblivious for a good while longer.

…Also Iori and Minami are there. There’s a silly miscommunication that gets blown out of proportion, complete with the obligatory punch (on panel this time!), but it ends with a sweet moment together. At this point for me, these two are mostly here as supporting cast for the Saori x Shizuku storyline.

Again, I have to say I’m impressed with the improvement of the storytelling from the early volumes. It’s a direct result of the shift to longer chapters allowing the characters more space to interact and to make something resembling plot progress. Hell, it’s making me invested in Shizuku’s backstory, and how the past’s resurfacing will affect her relationship with Saori in the present. A deep character drama this ain’t, but it has become much more than the series of gag strips it began as.

Ratings:

Art – 7 Continues to be solid
Story – 8 We’re actually starting to cook here, with each of the three “active” plot arcs developing
Characters – 8 There is the right amount of angst injected with the humor, allowing for good chemistry
Service – 4 For a real payoff for our Best Couple
Yuri – 8 / LGBTQ – 8 Aquarium date!

Overall – 8 Would invite this volume to go on a shopping date to Yodob*shi 

Volume 7 of this ensemble story of sapphic misfits is coming our way in February.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.