Archive for the Artists Category


Wandering Son: Volumes One & Two

August 23rd, 2026

Reading an older manga can be very edifying. Re-reading an older manga even moreso.

I have written at length in many places here on Okazu and elsewhere about my conflicting feelings about Shimura Takako’s work. But as I re–re-read Wandering Son, which I initially started in Japanese and of which I reviewed a number of volumes in English, before the series was discontinued. I was, and am convinced that bringing it out in hardcover was a terrific idea, but no grounded in good business sense.

Now Fantagraphics is taking a second stab at bringing out this series. With much more staid covers, these are two-volume omnibuses, something that helps the story flow a lot better. This will become important in later volumes, as the plot slows and change also slows.

But here in Wandering Son, Volume One and Two, we meet Shu, a trans kid who AMAB is very strongly contemplating the idea that they are a girl. We also meet Yoshino, AFAB, who wants to be a man. I say it that way, very carefully, because issues of gender and gender presentation in this book is complicated… and maybe not what you as a reader might be looking for.

In part, this is due to Shimura who, for many years has been writing queer stories. I don’t object to her doing so, but she has said that she is not herself queer. And to be clear I don’t mind that, either! If it’s working and people find joy in it, that’s great. I love her art, and I have enjoyed watching her story-telling grow and change. So what is my pain point? I am conflicted at Shimura mining queer trauma for content. It makes me feel… icky. In this older series, her story-telling is not so skilled and there will be pacing issues, but also some choices that will sit uncomfortably.

All this to say that, while I absolutely think Wandering Son is worth reading it, like Sweet Blue Flowers may not have aged well. The last twenty years we have seen tremendous change in the way we approach gender and sexuality. There is so much more nuance now, leading me to think that, if Yoshino and Shu had met genderfluid or nonbinary people as well as trans people, their choices might have been less along a binary and more somewhere in the middle. I know if someone had to me at 11 or 12 that non-binary was an option, I know I would have leapt for that.

Ratings:

Art – 7
Story – 8
Characters – 9
Yuri – 0

Overall – 8

Thanks so much to Fantagraphics for the review copy, and I really look forward to reading this series again!





Yuri Figure Drawing Salon and Flamecon in NYC Today!

August 15th, 2026

On an 8-bit like background of many colors, two girls illustrated in white, one with a red dress and bow in her hair, one with blue dress, witch's hat and broom.No YNN report for the next week or so, because we have entered “all the events all at once” season. ^_^

I will start my day today in Brooklyn, NY, at Yume, helping Rica Takashima out at her Yuri Touhou Figure Drawing Salon.

I’ll be bringing a small selection of doujinshi of several sizes for folks to look at from copybooks to zine style, to full color productions, so folks can see what artists in Japan are doing. 

Print options in Japan are astounding, and I will only be able to bring a few books, but if you ever get a chance to visit a Comic Market or doujinshi show in Japan, I highly recommend it!

 

 

Today and tomorrow is Flamecon, this year at the Marriott Marquis Times Square! The event is from 12:00 to 6:00 PM both days. I have a press pass and I am really hoping to get there for a while this evening. Check out these great panels!

Graphic Pride: Celebrating BL, Yuri, & LGBTQ+ Manga with Kodansha on Sunday at 1PM.

I’m hoping to make Queer Rage & Queer Joy: A Comics Reading Slideshow at 4PM today.

Also comics focused:

All Grown Up: Queer Comics for Adults

LGBTQ+ Representation in Comics for Youth

 

And anime!

Behind The Magic of Witch Hat Atelier with Coco (Anjali Kunapaneni) & Kodansha

Plus a ton of other game (gayme?) TV show, cartoons, crossplay and other media-related panels. It is a weekend of LGBTQ+ fun! Hope to see you there!





Pink Candy Kiss, Volume 5

August 10th, 2026

Two women stand close to each other in an intimate way, both facing the camera. The one on the left has long hair, the one on the right has short hair.

by Eleanor Walker, Okazu Staff Writer.

This review WILL contain spoilers.

It’s taken 5 volumes of Pink Candy Kiss, but we finally got the confession. It’s mutual, it’s as messy as everything which has come before and it’s all the better for it. The author says in the afterword “If it feels rough and ugly to you, then as the author, I’m pleased.” This is what I like so much about this series, it does feel rough and ugly sometimes, but it feels real because of that.

I worried in my review of volume 4 also here on Okazu that there was only so long the story could go without a confession, so I’m glad it’s finally happened. It happens at the end of the book and the rest of the volume leading up to it is mostly Ema and Takara talking to other people about their situation and feelings for each other. There are some other important moments though, like when Ema finally tells her mother she doesn’t want her in her life any more, which really shows how much she’s grown.

Hario comes to Takara’s office and they end up going for lunch together, when he voices his unease about Ema to her. We learn a little more about how he and Ema ended up getting together, and how he feels now. Whilst he is grateful for her new found confidence since Takara came back into her life, he also feels uneasy but can’t think why. He’s probably too naive to think his wife is in love with another (wo)man, but it’s going to have to come out eventually.

Pink Candy Kiss continues to be one of my favourite ongoing series. I will, of course, be picking up the next volume to find out what the fallout  is, but at this point, I have to wonder if anyone is going to get a happy ending.

Ratings: 

Art – 7. It’s still a shame there aren’t colour pages with the chapter art on.
Story – 7. Not a lot happened but at the same time an awful lot happened
Characters – 10 
Service – None. It still doesn’t need it. 
Yuri – 10

Overall – 8





There’s No Freaking Way I’ll Be Your Lover! Unless…, Light Novel Volumes 5 & 6

July 13th, 2026

by Eleanor Walker, Okazu Staff Writer

The harem is assembled, Renako is officially dating both Mai and Ajisai, and Satsuki has also thrown her hat into the ring under the guise of “well if you’re already dating 2 people, why not add a third?” and Kaho is just sort of… there?
So begins Season 2 of the novel series “There’s No Freaking Way I’ll Be Your Lover! Unless…” the previous 4 volumes of which I’ve also reviewed here on Okazu. Like so many stories which continue after the main couple (or throuple in this case) gets together, these two volumes definitely suffer from the “what now?” problem. As cute as it is to read about happy people in love, stories without any conflict don’t tend to be very interesting.

2 girls, one with long blonde hair, the other with not quite as long light brown hair in school uniforms of white blouse and grey plaid, hugging each other and a small plushie of another girl.Volume 5 introduces a brand new rivalry with a group of 5 girls from Class B, who as far as I can remember have never even been mentioned in the previous 4 volumes. They stylise themselves as the 5-ddesses as opposed to our main characters the Quintet in Class A (for those who don’t speak Japanese, 5 is “go” so it should be read “go-ddesses”. I kept reading it as five-ddesses even after it was explained, but puns are hard to translate so…) Their leader is Takada Himiko and for reasons unbeknownst to the reader at this point, she’s declared a rivalry with the Quintet and challenges them in the upcoming inter class athletics competition. Most of the rest of this volume is dedicated to the training and competition, and I honestly found it so boring I don’t really have much to say about it.

It should hopefully be obvious at this point that I found volume 5 rather a slog to get through. It’s much thicker than any of the previous 4, and even the author in the afterword says it probably should have been split into two smaller volumes. I would agree, either that or cut a lot of it out, which they say was also an option but they couldn’t get rid of any of it. I personally disagree, and am of the opinion that there was a lot which could have been cut out. The whole book read to me like the author wasn’t expecting the series to continue past volume 4, and now suddenly had to come up with a new external complication to try and advance the plot and relationships. If we’d been introduced to this other group or at least Himiko right from the beginning, them challenging the Quintet wouldn’t now seem so sudden and out of place, especially as we later learn that Himiko was a model when she was a child and had lost out to Mai. It just seems odd that we are now several months into the school year and they’ve just appeared out of nowhere.

2 pink haired girls, one in the foreground one in the background, making a V with her fingers against her forehead, the one in the back looks put out.Volume 6 however was more enjoyable because unlike the 5-ddesses, we have encountered Renako’s younger sister Haruna since the beginning of the story. She’s always been the opposite of Renako; sporty, extroverted, popular and fashionable. She’s the one who helps Renako change her image for starting high school, and often seems more mature, despite being the younger sister. In volume 5 she does agree to help Renako practise basketball for the inter class competition, but in volume 6 she takes a larger role. She, much like Renako did in the past, decides to stop going to school one day and it’s up to Renako and the Quintet to try and figure out what’s going on between Haruna and her friends Minato and Seira. Because she’s actually been a part of the story right from the beginning, this arc is actually interesting enough that I do want to know why the sudden change in her behaviour and how this will force Renako to grow as an older sister and support her for a change. Another mystery character called Lucie randomly appears too, and it’s not until the very end of the volume that we are told she’s claiming to be Mai’s fiancee, which just feels like it was added in as a cliffhanger to end the volume on, rather than actually being an important part of the story. This volume is the first part of the Haruna story, which will conclude in volume 7, and Season 2 itself will conclude at the end of volume 8 according to the afterword of volume 7. Volume 9 doesn’t currently exist in Japan, there are 2 side story volumes which will be released in English later this year and summer next year according to Seven Seas’ website.

Overall, if you’re really desperate to see what happens beyond the anime, give this a go but I’m of the opinion you could comfortably skip volume 5 especially and not really miss much. I hope if this arc does get animated they cut out a lot of the padding, as there’s definitely some potential under the bloat. Either that or the editor does a better job for the next volumes.

Ratings:

Art – 6
Story – 4
Characters – 4
Service – 8 The obligatory colour page bath illustration at the beginning of both volumes is a tradition at this point.
Yuri – 7

Overall – 5





Rica Takashima × Akiko Morishima Talk Event Report

July 9th, 2026

Last month, folks in Japan had the chance to attend a historical discussion of Yuri in the 1990s and the birth of Yuri in America, with creators Akiko Morishima and Rica Takashima. Our Japan Correspondent Sasori is here with a report on the proceedings!

Signboard for lonliness books in Higashinakano, with a poster that read "Yuri Story" and features Rica and Miho from the cover of "Rica 'tte Kanji!> by Rica Takashima.

 

I’m headed to loneliness books in Higashi-Nakano, to meet two Yuri icons, Rica Takashima and Akiko Morishima.

Rica Takashima is best known for her series Rica ‘tte Kanji!?, one of the first English translated yuri manga. Her later sequel in 2025 being New York Love: Rica ‘tte Kanji!? I remember when I first read her works in the US anthology Yuri Monogatari!

Akiko Morishima is the creator of Hanjuku Joshi, Rakuen no Jouken (The Conditions of Paradise), Yurikuma Arashi, as well as many other yuri manga. She also did cover illustrations for Hajimete no Yuri Studies: Queer/Feminist no Shiten kara (Introduction to Yuri Studies: From Queer and Feminist Perspectives). She is now serializing Hitorimi Desu (Living Single) (KADOKAWA/CandleA), about the life of a single lesbian in her sixties.

(Sources from the description of the event)

Walking into the bookstore was like walking into a manga gallery, the entire wall was lined with Takashima-san’s works! Under her original manga pages, were magazine publications as well as By My Side and all the Yuri Monogatari anthologies. I’ve never seen all of them lined up before, it felt like a yuri time capsule. 

A wall with original art pages by Rica Takashima displayed in plastic sleeves.

Seeing close up manuscripts of the manga is always a treat because you can see all the typography glues in the speech bubbles and hand done screen tones. I also liked seeing the English translated manga surrounded by their respected JP publications.

Table with Japanese and English language Yuri art and books, and pins with art by Rica Takashima.

My only wish was that I had infinite money to buy more books! There was so much on sale.

A shelf with multiple editions of Rica 'tte Kanji!?, and Yuri Monogatari, By Your Side

Original art by Ric Takashima displyed on the wall.. Color images of Rica and Miho, as well as original pages of Rica 'tte Kanji!?

Lined next to the manuscripts were small shikishi and original prints, sifting through the prints in the binder was so satisfying.

Original pages of Rica 'tte Kanji!?

 

Close up on art and books for sale, original work by Rica Takashima and By Your Side.

A print image of Rica and Miho in the snow with a grocery bag.

 

The talk started at 20:00 ( 8:00) in the middle of the bookstore. There were a total of about 15-20 people, so a really comfortable turnout. Takashima sensei began by passing around a bowl of American candy, and she knew her stuff, there were Twizzlers and airheads in there! Both Takashima and Morishima sensei were very upbeat and could back and fourth really well about honestly any topic as well as their respected works .

Takashima sensei talked about what it was like living in New York and brought up the history of Yuri, often referencing By Your Side and even Fun Home. I also liked Morishima sensei’s response to some questions about gender equality, and she also talked about being a fan of Sailor Moon and Cutie Honey.

Other topics covered were the current lesbian fashion of the past and present (Butch military styles, overalls, and more feminine attire), the lesbian bar scene, and a shared love of mini skirts.

It was kind of like listening to two friends reminiscing about the past, which was very comforting.

A photo of a small, cute bookstore crammed with books, and a talk event space in the middle.

The talk went a little past it’s allotted time, but I was able to buy some cute stickers and a copy of Tokyo Love, that Takashima sensei signed with an adorable sketch of me, complete with heart eyes. I was hoping I could stay a bit longer to see if Morishima sensei had any books, as I am also a huge fan of hers, but sadly I had to catch the late train home.

A close-up up Toyo Love - Rica 'tte Kanji!? cover and two Rica/x Miho pins.

I’ll be sure to revisit the loneliness bookstore, not only for the awesome LGBTQ+ rep, but also because it’s rare to see so many English publications outside of Kinokuniya.

If you ever find yourself in Higashi-Nakano, be sure to take a peak, maybe you can buy some issues of Yuri Monogatari!