What if you had the chance to remake the entire world in order to save the person you love…and learned that the world was never what it seemed?

The first thing you will note about Watashi no Oshi ha Akuyaku Reijou., Volume 5, (私の推しは悪役令嬢。) by Inori, with illustrations by Hanagata, is that it is a large-ish volume. That is because there is a lot to get through.

We left Volume 4 with a number of major and minor plot points up in the air. Since, once again, you will be able to read I’m In Love With The Villainess, Volume 4 this winter from Seven Seas, I will not spoil those plot points, except to say that they are mostly all entirely relevant to Volume 4 and only one is relevant to Volume 5. This volume mostly takes place in the Nur Kingdom and when I tell you “the world was never what it seemed,” please consider that as much of a spoiler as you will get from me beyond the cover art, which is also a spoiler. I’m actually glad I read this on Amazon’s Kindle app, because the translation dictionaries made it that much easier to wade through some of the terminology. My Japanese vocabulary is not up to economics and finance, and other specific disciplines.

Because so much happens here – loss and gain and loss once more and salvation and damnation and eternity, it’s actually impossible to talk about it, so I will content myself with the least important thing I told Sean Gaffney as I messaged him to spoil the living hell out of it. If you are familiar with Doctor Who, you will entirely understand how everything in this book works…and how it must work. ^_^ This leads to the only criticism, if you can even call it that, I have. Because of that specific narrative structure, there was no way to give it a punchy ending, which was perfectly okay. It ended as it had to…and then didn’t end for a few more post-epilogue shorts. When you like your characters, it’s hard to let go, I understand completely. ^_^ 

Inori-sensei’s writing has evolved. Originally published as a webnovel, the chapters moved quickly, were carefree and goofy. The story began to take on a serious bent as the plot unfolded in later volumes. Through everything, the writing was very, very aware of LGBTQ+ issues in the real world. This is true through the very end of the story. What has changed is that the writing now is very visually descriptive, where before it was narratively descriptive. Inori-sensei clearly has the currently running manga and any potential future anime (which has not yet been proposed, the author’s note states) in mind. That kind of writing works very well here in what must be described as a grand, sweeping, epic finale, in a way that it would not have in the earlier volumes.

Typical of a Light Novel, the art is portraiture and serves to illustrate the characters, rather than the scene. Hanagata’s art has also improved and evolved, which is kind of fascinating, because we got to watch it in real time.

So what can I tell you about this volume? I can tell you that a couple of times I thought the story was going to make me cry. It didn’t…until it did, and the character that did that, was probably one of two characters I would have absolutely guaranteed that you could not get me to care about. ^_^

While this book wraps up every loose end – even the ones it creates – and finishes the story as such, Inori-sensei is still hard at work. “She’s Such a Cheeky Commoner,” is the story (not entirely the same content) from Claire’s point of view. You can read the webnovel of this if you become a subscriber to Inori’s Pixiv Fanbox.

Ratings:

Art – 9
Story – 9
Characters – 10
Service – Very little, for perfectly good reasons.
Yuri – 10
Queer – 10

Overall – 10

I said of Volume 3, that it was juggling and plate-spinning on a high wire, I called Volume 4 a “wild ride.” Volume 5 of Watashi no Oshi ha Akuyaku Reijou. was an epic parade of the entire circus. ^_^