Archive for the Artists Category


Futari ha Daitai Konna Kanji, Volume 4 (ふたりはだいたいこんなかんじ)

May 12th, 2022

In Futari ha Daitai Konna Kanji, Volume 4 (ふたりはだいたいこんなかんじ) Ikeda Takashi brings his specific brand of wacky slice-of-life to a fantastic conclusion.

In the first three volumes of this series (Volume 1 | Volume 2 | Volume 3) we met Inazuka Wako, an aspiring voice actress and her lover Sakuma Eri, a script writer. The two of them have a happy relationship and a life filled with friends, and colleagues and neighbors. Both Eri and Wako are a bit silly, the way people often are and the situations they find themselves in are likewise, the kinds of stories we tell friends over and over.

In Volume 4, some old issues are resolved, new-old issues pop up, new-new issues arise and in the end, Wako and Eri continue to live happily ever after. There’s a lot that happens, but I’m not going to tell you about any of it, except for one thing. My favorite bit of the book is the segment when Eri buys new glasses. Some of the panels of Eri trying on glasses are breathtakingly drawn. Eri looks like an actual human.  But she’s drawn in a way that is simply stunning. I could fall in love with that woman on the page. honestly.

The good news is that you will soon be able to read this series in English! The Two Of Them Are Pretty Much Like This, Volume 1 is headed our way in June, from Seven Seas, which makes this a fabulous Pride Month selection! This series has the same kind of wacky humor we loved in Ikeda’s Whispered Words, without the melodrama or misunderstandings. This is a great story about two queer women I’d have over for lunch any time, with the occasional heartbreakingly good portraiture.

Ratings:

Art – 9
Characters – 9
Story – 8
Service – Less than the other volumes
LGBTQ+ – 10

Overall – 10

A perfect ending to a fabulous series.

 





Amayo no Tsuki, Volume 2 ( 雨夜の月)

May 5th, 2022

In Volume 1, we met Saki, a high school student who plays piano, and her classmate (and piano teacher’s daughter), Kanon, who is hard of hearing. Kanon is initially uninterested in becoming close to Saki, but as Saki conforms her behavior more to Kanon’s needs, she starts to warm up.

In Amayo no Tsuki, Volume 2 ( 雨夜の月), Kanon’s world grows wider. And I really want to make the point here – that *how* Kanon’s world changes is not because she grows used to the hearing world, but that the people around make sensible accommodation for her, which allows Kanon to interact on her own terms. It’s an important distinction and really makes this story not just another disability/inspiration tale, but a lesson for those of us who are hearing on how we can adapt to help HHD folks without burdening them with our needs. I recently saw an exchange on Twitter that went like this: Q: “What is ASL for helpful asshole?” A: “Hearing.” — this becomes a key point of Volume 2.

Kanon’s teacher, Miura-sensei, sees Kanon sleeping in class and invites her to a club room for her to eat lunch. He seems to really understand that her being in a room with a lot of people talking is stressful. While they chat, he pitches joining the literature club where, he assures her, they just really, honestly, read books. Kanon takes the plunge and finds one of Saki’s friends there, who welcomes her and does her best to make Kanon feel comfortable. When Kanon reports that she’s actually considering joining the club she’s clearly surprised at herself.

There is a little trouble brewing in this volume. Saki meets Kanon’s little sister Rinne. Rinne is carrying a lot of baggage – some of which she admits to, about being the abled sibling in the family, and over-protectiveness of her sister, but there’s also a lot of anger she’s not really honest about. Rinne tries to scare Saki off. Some of what she says was true, but there’s a lot of jealousy there, too.

Kanon tells Saki the story of her former school and the bullying and whisper campaign that went on. She refuses to let Saki return the key to the music room and even invites Saki to a movie…..where they meet their teacher and his daughter. They discuss subtitles and how it would be so much nicer if movies were subtitled. I agree with this so much. It’s one of the main selling points for streaming services for me.

As Kanon is becoming more comfortable with their skinship, Saki is becoming more aware of Rinne’s accusations, and her own feelings. I hoping that Volume 3 sees an honest talk about this.

Ratings:

Art – 8
Story – 9
Characters – 8
Service – On principle only
Yuri – 3 Creeping up slowly

Overall – 9

Honestly, this is a fantastic manga. I’m going to write Kodansha and beg them to license it. Kuzushiro-sensei’s work has never been better, great characters, and a story that teaches the right lessons.





Interview With inori, Creator of I’m In Love With the Villainess

April 16th, 2022

I'm in Love With the Villainess Light Novel Volume 1Hello and welcome to an exciting interview. Today we welcome inori-sensei, creator of the I’m in Love With the Villainess series.

Over the years, I’ve been pleased to have interviewed some extraordinary creators here on Okazu. I’m especially pleased today because  ILTV, is a ground-breaking series. Riding the wave of isekai popularity, this series takes time to talk about very real issues in queer lives in Japan, and how queer folks have to deal with those issues.

It’s especially exciting to me that Comic Yuri Hime is running the manga of this series and choosing to engage with those issues. I’ve been reading Yuri for a long time, and it finally feels like CYH is ready to talk about queer people – and, even more importantly, show us in the Yuri stories we love.. ^_^

I hope you will please welcome inori-sensei with a warn Okazu welcome!

 

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Q1: Please Tell Us About Yourself

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I: Thank you for giving me this valuable opportunity. My name is inori, the author of I’m in Love with the Villainess. (ILTV)

 

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Q2: How did you become a writer? Was it something you wanted to do since you were young?

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I'm in Love With the Villainess Light Novel Volume 2I:  My becoming a writer was rather accidental. For health reasons, I was always taking care of my parents in a state close to being a NEET (Not in Employment, Education or Training), but the novel I wrote as a hobby was published commercially, and as a result I got a job as a writer.

…Even so, I have always wanted to be a writer since I was a student, and I have applied for a newcomer award sponsored by a light novel publisher.

The first time I applied, my work came in third for a fairly large award. “Maybe I have the aptitude” is what I have always thought.

Now that I can manage to eat just by writing, I’m really glad I can do that.

 

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Q3: Why did you begin writing Yuri?

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I:  There is no particular reason for me to write Yuri work; for some reason, when I try to write something, it naturally becomes a relationship between women. I have written a heterosexual story with a male protagonist, but it didn’t quite fit.

 

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Q4: Which artists have influenced you?

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I'm in Love With the Villainess Light Novel Volume 3I:  I’m not familiar with so-called general literary arts, but I’ve been reading light novels since I was a junior high school student. In particular, the work of a light novel writer named Shinobu Saeki has had a huge impact on me. She’s quite different from me in her style, but if I hadn’t read her work, I would never have been a writer like this now. Her work is still cherished on my bookshelf and I read it again from time to time.

 

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Q5: If you were not a novelist what kind of work would you be doing?

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I:  To be honest, I’m not very strong, so it would be quite difficult to work outside of being a writer. If ILTV hadn’t been published, I would still be dependent on my parents.

Since the world is a big place, I think I might have been able to so some kind of work but, in any case, I think I would have been forced to live a poorer life than I am now.

 

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Q6: Please tell us a little about your creative process. How long does it take to write a chapter?

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I:  As a commercial writer, my writing speed is uneven, and the time it takes to write one chapter is extremely unstable.

In the case of ILTV and She’s Such a Cheeky Commoner (SSCC), one chapter is about 30,000 to 40,000 characters in Japanese, but one chapter might have taken one week at the fastest and three months at the slowest. The maximum number of characters I have written in one day is about 100 sheets of 400-character manuscript paper.

 

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Q7: You began writing webnovels, ILTV is now a manga and a print novel. Can you tell us how it felt becoming popular?

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I'm in Love With the Villainess Light Novel Volume 4I:  At the beginning, ILTV seemed to be more popular overseas than in Japan. The very first commercial publication was, of course, in Japan, but it was only an ebook and was not well known, and sales were not particularly good.

After a while, English-speaking people such as Jingle and Angela, and Korean-speaking people such as 와타 오시 번역 did fan translation, and the readers who read them formed a fandom and supported them. Thanks to you, it has become more popular overseas.

These fandoms worked with publishers to release print novels in South Korea and then in North America. ILTV is now translated in 8 countries around the world. Against the background of this popularity, Comic Yuri Hime decided to serialize it – a great manga  with the power of a wonderful manga artist named Aonoshimo-sensei. As a result, it seems that the popularity of the series in Japan is gradually increasing, and in 2021 it was ranked 5th in the “Manga Ranking I Want to See Animated” at Anime Japan, one of the largest anime-related events in Japan.

At the end of last year, a long-awaited print novel in Japan was also released. In this way, the existence of ILTV is due to the fandom who supports me both at home and abroad. I would like to take this opportunity to thank you all again.

 

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Q8: Many fans wrote in to ask a question: How do you come up with ideas for characters? Fans were especially interested in the Demon Queen.

(This answer contain slight spoilers for Volume 5 of the series)

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Watashi no Oshi ha Akuyak Reijou, Volume 5I:  I think it’s a famous story for everyone who sees this interview, but the main character Rae has a model. My partner is Aki-san. She’s a very humorous person, so my first motivation was that I thought it would be fun to write a novel with such a person as the main character.

The next character to be born was Claire, who was in line with the genre of “villainess” that was used on the novel posting site Syousetsuka ni Narou (Let’s Become a Novelist) at that time. However, I didn’t think it would be fun for her to simply be a villain, so she was written as a character with conviction and aesthetics as a villain. Many of the other characters were created due to the needs of the story.

The Demon Queen you asked about was created as the most suitable character for writing Chapter 17 “The Truth of the World”. As a prototype, there was “Demon Queen” that appeared in my other work that was not released, but Demon Queen of ILTV was created as a character who burns themselves up from a love without salvation. The idea is that there is a gadget called “Looping World” came first, and from that gadget was born a cast that functions most effectively for the story, that is, “Daemon Queen” of ILTV.

 

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Q9: Do you read any Yuri? What kind of series do you read? ——————————————————————————————–

I:  I may not have read as much as you can imagine, but I think I have read a fair amount. I  read Maria-sama ga Miteru, which is famous as a classic, Bloom Into You, which sparked the recent Yuri boom, and Revolutionary Girl Utena in the old days.

Recently, I’m paying attention to The Demon Girl Next Door (まちカドまぞく, which is streaming on HIDIVE) by Izumo Ito. At first glance, it’s a loose four-frame manga, but in reality, it’s a very readable manga with a bold story hidden in the base. The second season of the anime The Demon Girl Next Door 2-chome (まちカドまぞく 2丁目) will also be broadcast this season, so please pay attention to it.

 

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 Q10: Do you have anything you’d like to ask your overseas fans?

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I would like to ask you: What do you want from the ILTV series and me?

Especially for the former, I sometimes hear requests for a promotional video, CD drama, animation, etc., but I haven’t really reached out to know how many of those voices are. I would be grateful if you could send what you want from the ILTV series to the Yuri Hime editorial department and GL Bunko. Here is the contact information, so please do not hesitate to contact them when your time and passion allow:

Yuri Hime editorial department: https://ichijinsha.co.jp/inquiry/yurihime/

 (Enter your name, email address, type of inquiry (* opinions / requests to the editorial department), inquiries from the top Contents) The form looks like this:

And you can write GL Bunko here: [email protected]

 

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Q11: Your series has been translated in to many languages. Do you have a message for overseas fans?

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Thank you for your continued support. I’m really happy that “your support” is not a metaphor or mere flattery. There is a line in the commercial of the famous Japanese painkiller Bufferin that “half of Bufferin is made of kindness,” but, definitely “half of inori is made with the support of fans.”

ILTV Has come to a close, SSCC will continue a little longer. I would like to try new works, so please continue to support me.

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Thank you very much Sensei! I have written Comic Yuri Hime to tell them I would like an ILTV anime, and I hear that a lot of other people have done that, as well. We will continue to ask for that and other media. And of course support any new projects you start.

 

If readers want to offer direct support, also please consider subscribing to inori-sensei on Pixiv Fanbox: https://inori-0.fanbox.cc/.

And of course, you can support I’m in Love With the Villainess by buying both the light novels and manga from legitimate sources. Volume 5 of the Light Novels is on the way in late summer from Seven Seas! I can’t wait for you to read it. ^_^





Amayo no Tsuki, Volume 1 ( 雨夜の月)

April 14th, 2022

Saki loves piano. Or does she? She loves taking lessons with her teacher, she’s sure of that. But her teacher is leaving…

In Amayo no Tsuki, Volume 1 ( 雨夜の月), on the street, heading towards lessons, Saki bumps into someone. A lovely girl about her age, drops piano music. Saki helps her pick it up. The girl gestures at her, but Saki doesn’t understand. The next day in school  the girl turns out to be a transfer student, named Kanon. Kanon is hard of hearing, but can read lips and speak. Their teacher asks Saki to help Kanon out, but Kanon tells Saki to leave here alone.

Saki heads to the new music teacher her teacher recommended and the final coincidence drops into place. Her new teacher is Kanon’s mother, a veritable ogre of a teacher. 

Saki finds that she cannot leave Kanon alone and just keeps trying to be a friend to the new girl. There is a clique that is clearly out to bully Kanon, but Saki is not having any of it and protects Kanon. Kanon appreciates that Saki always turns towards her when she speaks, which helps her to lip-read. Slowly, Kanon opens up to Saki. When her impossible piano lessons are over, Saki retreats to Kanon’s room, the sound-proof music room behind the house. There, she learns, Kanon finally feels relaxed, without the mosaic of fractured background noises of daily life around her. There, if Kanon gets close, she can hear Saki. And there, Saki starts to rethink her love of piano….

As Saki finds herself thinking more and more about Kanon, and how intimate they are, she also starts to realize that it was never piano she loved, maybe, but it might well have been her piano teacher.

In school, while the bullies scheme, Saki’s friends join her and Kanon. Kanon is finding it harder to isolate herself, even as the effort of talking with new folks exhausts her. When Kanon makes an effort to go shopping with her, Saki decides to learn sign language to hopefully make that less stressful for Kanon…one day.

Saki is awakening to a new self, Kanon is awakening to a new self and this fact is the key strength of this series. Kanon is very clear that she does not need or want a hearing person to be her savior or her guardian, but she is becomingly less resistant to Saki as a friend. Saki is starting to get a hint that her feelings for Kanon are not just friendship, but she can see that friendship is more important. I actually want to know what will become of them and I kind of hope it’s not either/or.

This is the first new series by Kuzushiro-sensei in a while and I’m pretty pleased with the way it’s turning out. Her art is solid, she’s come a long way, with a recognizable style. The pacing is good, although I could lose the creepy bullies constantly threaten to make life hard for Kanon. But over all, I’m glad it neither fetishizes nor romanticizes deafness. Instead, it is a bit of an explainer manga, which gives Kanon a chance to speak for herself and to correct Saki’s mistakes and misunderstandings.

The volume ends with a few chapters of another Kuzushiro series that had too much screaming for me to enjoy it. Adults in an office just don’t scream that much… but Egao no Taenai Shokuba Desu., Volume 1 (笑顔のたえない職場です。) might be more your cup of tea.

I didn’t know what to expect with this series, but what I have gotten is a pretty solid series from a creator I really like.

Ratings:

Art – 8
Story – 7 Rough spots here and there, but it finds its own pace before the end of the volume
Characters – Same
Service – Implied only
Yuri – Implied only, but…

Overall – 8 by the end

Amayo no Tsuki is not a manga about DHH people, it has a character who is hard of hearing in a Yuri manga. If you are a DHH reader, and you have had a chance to read this manga, I would welcome your  opinion, which will obviously be from a different point of view than mine.





Watashi no Oshi ha Akuyaku Reijou. -Revolution-, Volume 1 (私の推しは悪役令嬢。-Revolution-)

April 7th, 2022

It’s almost impossible to believe that I have never actually read the Japanese Volume 1 of this series, but it is true. I had read some of it as a webnovel, when it was licensed by Seven Seas, before I had a chance to pick up the GL Bunko digital edition. I read and reviewed Volume 1 in English a year and a half ago, in fact, and then ran ahead to read the rest in Japanese, because it was that good. Until now, it was only available in digital form in Japanese.

Well, now Ichijinsha has licensed the series for a print release and, finally, I have had a chance to read the first novel in Japanese. Watashi no Oshi ha Akuyaku Reijou. -Revolution-, Volume 1 (私の推しは悪役令嬢。-Revolution-) was just as excellent as I remembered. Company drone Oohashi Rei wakes up as the protagonist of her favorite otome game, and decides to romance the villainess, the high-minded daughter of nobility, Claire François. Rae Taylor’s actions are ham-handed, but her experience with the game gives her powers and knowledge that offers many advantages.

Having had a year to experience the entire story from Rae’s point of view (and some of the story from Claire’s point of view) I can now see many things that were seeded to be resolved later…and some hints of the Truth (TM) about the world. It’s nice to see those things being seeded way back in the beginning. I know many more will also appear in the next two volumes. The overtly queer content still makes this series stand out from a lot of Yuri work. I’ll never get tired of that. ^_^

Ichijinsha did a great job on the book, with color dust cover, color character page up front (with hanagata’s original art for the GL Bunko cover as  fold out. The cover for this edition is a new work by hanagata. All of the original illustrations are included and two extra stories. The first story is from Lene’s point of view, the final bit from Misha’s. I think I’d love to have this whole story once more from Misha’s point of view, for reasons that are a spoiler. ^_^

Ratings:

Art – 7 Portraits of the people, mostly, rather than the scenes
Story – 9
Characters – 10
Yuri – 7 one-sided in this volume, but…
LGBTQ –10
Service – 2 Dressing and undressing, Rae acting like a perv….

Overall – 9

This print edition doesn’t add anything new to the story, but it gives us a definitive volume for lovers of this series. If you’re still a holdout and where waiting for a print edition in Japanese, now is the time to grab a copy. Although, I won’t lie, having the Kindle translate feature makes reading the GL Bunko volumes a breeze.

It will be such a pleasure to be able to give this series more space on my shelf. ^_^