Archive for the Revolutionary Girl Utena Category


Revolutionary Girl Utena The Movie: The Adolescence of Utena in N. American Theaters June 21-22

May 29th, 2026

Title poster for Revolutionary Girl Utena The Movie: The Adolescence of Utena, a brown-skinned woman with flowing dark hair in a flowing white dress floats diagonally upwards, a pale-skinned woman with flowing pink hair in a white school uniform jacket and shirts floats diagonally downward from the same center.It is with joy that I heard that Revolutionary Girl Utena The Movie: The Adolescence of Utena is getting a theatrical release in the United States (and, apparently Canada!) Yesterday, GKIDS made their official announcement and I spent some hours tracking down every theater I could find that will be playing this movie, so before I rave about why you should go see it, here’s the most important information, about where and when.

 

Where To Watch Revolutionary Girl Utena The Movie: The Adolescence of Utena

The following movie chains are carrying the movie.  The chain in my town is running the movie in my old hometown, but not here, so check for the nearest location.

AMC Theaters

Cineplex

Regal Theaters

Cinemark Theaters

The GKIDS announcement only mentions AMC, so do take a look at local theater chains…and, if there is a chain that is showing it that I have not included, let me know in comments. You don’t have to mention that the chain theater near you has it, unless it’s a chain I don’t have here.

 

When To Watch Revolutionary Girl Utena The Movie: The Adolescence of Utena

June 21-22, 2026

These are the most common dates, but I have seen 21 and 23 for some theaters. Check your nearest theaters for time and dates. 

 

Why You Should Watch Revolutionary Girl Utena The Movie: The Adolescence of Utena

In 1990s, we had two anime series that were foundational for the growing Yuri fandom.  One of the directors for Sailor Moon was Ikuhara Kunihiko. Under his direction in the third and the beginning of the fifth seasons, we were introduced to Sailor Uranus/Tenoh Haruka and Sailor Neptune/Kaioh Michiru. This young lesbian couple changed the world, by making an anime one of the very first portrayals of a lesbian couple on Japanese TV.

Following that series, Ikuhara built a creative team, known as Be-Papas, and they created an anime and manga series, Shoujo Kakumei Utena (少女革命ウテナ) Revolutionary Girl Utena in English. (This link goes the category on Okazu, where you will see many, many posts about the series and its influence. One of those posts was included in my book: Retrospective of a Revolution – 20 Years of Shoujo Kakumei Utena.)

This movie is the one of four alternate versions of the Utena narrative. The TV animation is a 39-episode fantasy exploration of magical and school shoujo tropes, gender, abuse and redemption. It’s fantasy and funny as hell, with intense and fabulous background music.  At the moment it is out of print, but if you check your library system, you might find one of the many releases available. I know I donated at least one to my library. The manga from Viz Media, is another iteration of the narrative. It is much less queer.  The manga for the movie, the fourth iteration, is largely the major influence for me to discover the history of the references in the series, launching me on my trajectory of learning the artistic and literary history of Yuri.

And then there is the movie. This movie is visually one of the most astonishing experiences I have ever had. I first saw it on a shitty VHS copy from an illicit video rental place, then was able to see it on the big screen at the Japan Foundation in NYC.  It is my eternal pleasure to have introduced this film at the Frameline LGBTQ+ Film Festival in San Francisco. At that time I spoke to an audience of 1200 people (about 1000 of which had no idea what it was about)  at the Castro theater, with Ikuhara himself sitting in the front row. 

This movie is a magnificent work, often intentionally inexplicable, (sometimes unintentionally) with symbolism that may appear profound, and may not. The music is gorgeous and meaningful. The voice acting is memorable, even more so as  we have lost Kawakami Tomoko, Utena’s voice actress.

Please go and see this movie while you can…and if you find you cannot understand it, just let it wash over you, like the roses on the dueling ground. I promise it’ll be worth it.





Mobile Suit Gundam: The Witch from Mercury

October 10th, 2022

In space, capitalism still sucks. And, with the addition of weaponized armored robots, it looks a lot like war. In a world where different corporate concerns are literally fighting for control of market share, a family is torn apart, but not before a young child bonds with her mother’s mobile suit in a way that no one else can attain. Now, 14 years later, Suletta Mercury has come to Asticassia School of Technology to train as a pilot, only to find herself in a series that was brilliantly summarized by Kat Callahan as “Revolutionary Mobile Suitena.” ^_^

At Asticassia, Suletta functions both as a blithering idiot-type protagonist and a True Hero TM type protagonist. She finds herself in the middle of a duel to protect a girl she doesn’t know and, as a consequence of winning the duel, is “engaged” to the girl, one Miorine Rembran, who lives in a small greenhouse on campus. By now, you’ve probably cottoned on to the fact that Mobile Suit Gundam: The Witch from Mercury is honestly, in some key ways, Utena in Space.

There’s no doubt, from the credits to the character named Chu-Chu, (with a mouse-ear like hairstyle) and, of course, the duels for Miorine, this homage is deliberate and not especially subtle.

But this is not Utena, it is Gundam, which has plenty of its own references. Also, interestingly, it may be Shakespeare’s The Tempest. Suletta’s Gundam is named Aerial and the head of the Mercury-based Shin Sei Development Company, Lady Prospera is a pretty strong nod in that direction. Prospera is also this season’s Char Aznable-helmet wearing character, because if we don’t have one of those is it really a Gundam? ^_^

As many people have pointed out, Miorine is not at all a passive Anthy. She’s actively seeking to effect change and it seems likely that she’ll be a key piece to overturning her father’s influence. Suletta has a normal sense of what is right and wrong, and she can see that there’s a lot of wrong stuff going on. They may be very good for each other. One hopes so. Guel Jeturk is already our Saionji character and we can see hints of the rest of the student council, at least in part. I sincerely dislike the character designs, and the school uniform, but that’s fine, it’s unimportant.

So this season is carrying quite a heavy load of symbolism and imagery in the first few episodes.  But don’t be deceived, this is still a Gundam and is therefore full of politics and business that have a tenuous relationship to how those things work in real life. If it did, Miorine’s father, Delling Rembrand, would have been removed by the rest of the board long ago. Corporate extortion is one thing, but having to listen to the shouting is not. Those 30 other board members could just pool shares and bounce his ass. He’ll be a drag as a big boss.

And then there are the Gundam themselves. Aerial takes on the heroic white/red/blue and yellow “main Gundam of this series”* design, with unrealistic and very cool transforming weaponry. I am a huge sucker for transforming weaponry, apparently. Honestly, the Gundam battles are among the best parts of the series thus far. I’m glad, too, because they’ve had decades to get that right and it would have been depressing if they weren’t.

I have no idea how much of or how long, this series will be wearing Utena cosplay, plot-wise, but I’m hoping that it sheds it and movse on to a powerful story of its own. I’ve only seen a few Gundam series but one that makes strong anti-war and anti-capitalism statements would be welcome, although I wouldn’t bet on that this time. At least we have a female lead and a couple right from the beginning…let’s see what they do with that.

Ratings:

Art – Good on tech, less good on people, let’s give it a 6
Story – Well, since at the moment it’s 3 series trying to figure out who’s boss, also a 6
Characters – Other than Delling, who is stupidly unlikable, I’ll go 7 and hope some of them go up in score
Service – Erm, not really, but I don’t know if I should be reassured or not
Yuri – Again, erm. It’s Utena, but we’re at the beginning and who knows what will develop. Say….2 for the homage.

Overall – A strong 7, with loads of room to get amazing…or not. Guess we’ll find out!

Mobile Suit Gundam: The Witch from Mercury is streaming on Crunchyroll.

* I know every Gundam is different and fans could tell me in great detail why. They mostly look the same to me, but I feel that way about cars and planes and other forms of transportation, too. Feel free to detail your feelings about Aerial in the comments. ^_^





Three Books For Fans of Revolutionary Girl Utena

December 15th, 2021

Today’s review is a video!

Revolutionary Girl Utena was a major gateway anime for a generation of Yuri fans. 20 years later, it is inspiring literature. Check out these three titles for their Utena references and roots!

 

Books mentioned:

Silk & Steel: A Queer Speculative Adventure Anthology on Kindle
Featuring stories by:
Ellen Kushner * Aliette de Bodard * Yoon Ha Lee * Neon Yang * Jennifer Mace * Django Wexler * Freya Marske * Claire Bartlett * K.A. Doore * Alison Tam * Ann LeBlanc * Cara Patterson * Chris Wolfgang * Elaine McIonyn * Elizabeth Davis * S.K. Terentiev * Kaitlyn Zivanovich

A/CINet Case Files: An Inside Job by Erica Friedman on Kindle

The Terra Ignota Series, by Ada Palmer

Too Like the Lightning
Seven Surrender
The Will to Battle
Perhaps the Stars

(links to Amazon, but these are available at any bookstore or site)

Today’s t-shirt: Hana & Hina Afterschool, by Milk Morinaga, from the 2018 Yuriten event:

Hana & Hina Afterschool is available in English form Seven Seas.





Revolutionary Girl Utena: After the Revolution

November 20th, 2020

Tenjou Utena was a girl who wanted to become a prince. She actually did rescue a princess…and became the power to revolutionize the world. But at what cost?

20 years have gone by and the members of the student council are still trapped in their own drama. The girl who gained the power to change everything had left them behind to find their own way out. Being mere humans, not princes, they had failed to do take the steps they needed to be free. If this sounds like a fanfic, well, it pretty much is. Like so many fanfic it begins with Touga, Saionji, Juri and Miki still caught up in the same dysfunctional relationships that bound them at Ohtori. 

In Revolutionary Girl Utena: After the Revolution, co-creator of Revolutionary Girl Utena Chiho Saito, revisits the Student Council members. Touga and Saionji are finally allowed to cast off the lingering ghost of  the Chairman of Ohtori, and find the camaraderie with each other that had been twisted into a toxic rivalry. Juri discovers in herself a more honest reason to keep fighting and is able to let go of of regret and failure. Miki is finally able to have an honest discussion with Kozue about their relationship.

Viz Media’s reproduction of this 20th anniversary manga is so excellent, I’m almost sorry that they didn’t give it a hardcover edition to match the box set of the original manga. Adrienne Beck’s translation kept the voices we already knew so well. Sara Linsley went out of her way to do an award-worthy lettering job. She’s detailed how she hand-drew the sound effects to match the Japanese volume on Twitter. Designer Alice Lewis did a terrific job and I know that Nancy Thistlethwaite as editor gave it the most loving treatment possible. It looks terrific. Great job folks.

Like so many fanfic, this manga is excellent, right up to the point where it fails to do the last thing it needed to do. Because, as she says in the afterword, Saito-sensei was unwilling to allow Utena to grow up…indeed, she youthens her for this story, Utena and Anthy’s reunion is not of this world, but very much in a world that only the two of them occupy. I had read the chapters as they came out in Flowers hoping desperately that we’d get to see Utena and Anthy together in the “real” world. It’s wholly understandable why this was the path chosen…it’s just not the one I wanted. ^_^ OTOH, Juri is still with Shiori and Utena and Anthy do find each other again, so that’s something. Depending on what your fandom of Utena is rooted in, your mileage will vary. For me, this was a beautiful, but ever-so-slightly unsatisfying story.

Ratings:

Art – 9 I have repeatedly mentioned that Saitou-sensei’s art is amazing.
Story – 8 One point off for not giving Utena and Anthy the time and page count lavished on the student council
Characters – 8
Yuri – 5
Service – 3 Naked Anthy is still a thing.

Overall – 9

I guess I’ll just have to stick with my own Utena fanfic for now, since Saito-sensei and I don’t share a vision. If it were up to me Kozue and Shiori* would not have been given so much real estate. ^_^

* I don’t dislike Shiori….I just don’t like Juri and Shiori together. Juri deserves someone better.





Live-Action: Shoujo Kakumei Utena ~Shirokibara no Tsubomi Musical (少女革命ウテナ ~白き薔薇のつぼみ~)

October 10th, 2018

In Spring 2018, to celebrate the 20th anniversary of the Shoujo Kakumei Utena franchise, a stage play musical was performed in Tokyo. Now the Shoujo Kakumei Utena ~Shirokibara no Tsubomi Musical (少女革命ウテナ ~白き薔薇のつぼみ~) is available  on DVD, Blu-ray and streaming on Amazon for folks in JP.

Now, if you have been a Utena fan for a long time, you may remember that in the early 2000s, there had been a Utena Musical stage play. And, should you remember that musical, you will remember that it was, in a word, excruciating. The word “unwatchable” also comes to mind. ^_^;

We set the memory of that earlier musical aside to watch the new musical and found that we generally enjoyed it. 

There were a few glaring weaknesses, primarily that the boys couldn’t sing. This is a pretty major problem in a musical. And, in comparison to all the female leads, especially Anthy and Utena’s actresses, Yamauchi Yuka and Nouji Ami, it was a pretty stark failing. 

But that aside, there were a number of elements that made the play move along well. In Utena”s first duel with Saionji at the climactic moment, they switch swords. It was a low-tech way to communicate a moment of intense magic. Instead of focusing on drawing the sword from Anthy’s chest, which was handled with little subtlety, the focus of this musical is the actual relationships of the characters. Time is given to everyone’s back stories. In the first act we clearly see the delusions that make up Miki’s and Juri’s pasts. And Tatemichi Riona as Juri did a convincing flinch away from B-ko when she got too close.

The second act was much tighter than the first, with a number of highlights. Yokoi Shojiro, who plays Saionji, has a brilliant moment when, defeated by Utena a second time, he creates his own Shadowgirl scenario and enters it himself. It was both a funny and profound moment. It was, my wife points out, very self-aware of the play. As one of the few wholly original moments, it worked beautifully.

The final scenes are extraordinary and moving, as Nouji does an excellent job of communicating Utena’s despair at having been defeated by Touga. Takeuchi Yume is brilliant as Wakaba, motivating Utena to take control of herself.  Nouji notches up the acting with a very emotional climax, where her need to get through to Anthy is pretty darn convincing. (My wife had stepped out of the room and returned as the play wrapped up. She noted immediately that it looked like Nouji had been crying. And she had been, fairly realistically.)

For staging, dueling concepts and acting, it was worth watching. For fans of the Utena story, this was a pretty decent re-telling of the first 13 episodes of the anime.

Ratings:

Overall – 8

 If the boys had been able to carry a tune, it would have definitely been a 9.