Archive for the Artists Category


Oshi ga Budokan Ittekuretara Shinu, Volume 8 (推しが武道館いってくれたら死ぬ)

March 3rd, 2022

Yippee! A whole volume of this manga in which I never once wanted to shake the daylights out of the creator!

Ahem.

But seriously, Oshi ga Budokan Ittekuretara Shinu, Volume 8 (推しが武道館いってくれたら死ぬ) was… nice. No obnoxious jokes about Maina and Eripyo not being able to communicate in an excruciating way.

The volume begins with a nice juxtaposition of the Cham-Jam members delving into Youtube videos and dreaming about more opportunities (as well as Aya eating her weight in doughnuts.) This smoothly dovetails into several collaborations between Cham Jam and singers from other groups (notably, Reo’s old group Maple Doll.) Once again, the personal lives and relationships of the other girls in Cham Jam is the best part of the story.

And then the volume winds down and I steeled myself for the dumb joke du jour. And it came, as I expected it would.

There is a running gag in the series that Okayama, where Cham Jam performs, is best known for being the setting of the story of Momotarou. Cham Jam always brings kibi dango with them as a gift, because that’s the local souvenir. More specifically, because they can never think of another notable thing about Okayama. So, Cham Jam is invited on another group’s show and they are struggling to come up with something unique about Okayama, beyond kibi dango.  Maina is wearing a cute shirt and is asked if it’s a local exclusive brand. Embarrassed, she admits it’s a 480 yen shirt – at which point her adorableness is discovered by the world at large. Suddenly, Maina becomes “480-chan.” Obsessed with 480-chan, Eripyo buys things for 480 yen, talks about 480 yen, to the point of mania. (So, no change for her, really.)  At their next appearance, “480-chan” has a line of fans waiting to get a handshake! Eripyo is blown away that she’s actually got to stand on line to speak to Maina  – she is in heaven! Ecstatic that Maina has been discovered at last, Eripyo cannot wait to see her favorite.

When she finally sees Maina for the first time in a while, Eripyo starts to call her “480-chan…” but stops. Maina, for once(!) figures out what’s going on in time and asks Eripyo to call her to please call her “Maina.” Eripyo turns to the line behind her and calls out “Her name isn’t 480-chan, it’s Icchii Maina!”…then she turns back to Maina. I actually cheered, as she said, “Right, Maina-chan?” And Maina smiles and says “Right!”

I practically cried with relief. Thank goodness. A whole volume without once wanting to commit an act of violence.  I ought to give it a 10 just for that…..

Ratings:

Art – 8
Story – 9 I didn’t hate a single page. It’s a Cham Jam miracle!
Character – 8
Service – 0
Yuri – They had a conversation and it wasn’t incoherent. 10

Overall – 10 There.  Good job, Hirao-sensei. See? You can do it.

You can find this manga on Amazon JP, Bookwalker JP (where I read it) or CD Japan, if you’d like one <bleep>ing volume of this series that isn’t utterly enraging. ^_^





If We Leave on the Dot, Guest Review by Patricia Baxter

February 23rd, 2022

Hello and welcome to another Guest Review Wednesday on Okazu! I am super excited to welcome a new guest reviewer to our blog. Patricia has been an enthusiastic YNN Correspondent and now I am super pleased to have her as part of our Guest Review staff! Please give Patricia a warm, Okazu welcome! Kind comments are always appreciated. ^_^

My name is Patricia Baxter (she/her). I am a bisexual autistic writer who has previously written articles concerning how media represents different marginalized communities. You can find more of my work through my personal website “Autistic Observations”.

Yukawa Kayoko is a quiet thirty-one-year-old woman working in an office building, who typically hangs up her winter coat on the office coat rack rather than place it behind her chair. Through a series of coincidences, Kayoko finds that a co-worker, outgoing twenty-six-year-old Mizuki Kaori, has accidentally placed her apartment keys into Kayoko’s coat pocket. After this chance encounter, the two women begin to see each other frequently after work, keeping in touch and planning outings by leaving each other notes in their coat pockets. As these meetings progress, Kayoko finds herself surprised to discover that her feelings for Kaori extend far beyond friendship, and, in a moment of courage, confesses her feelings to Kaori. Thus begins this series focusing on the tender romance between two working women.

Inui Ayu’s If We Leave on the Dot is the yuri manga equivalent of cotton candy. Kayoko and Kaori are two extremely cute, nearly permanently blushing, women who wear consistently adorable outfits and eat consistently delicious-looking food together. Every chapter had at least one moment that made me feel at ease, thanks to the various expressions of love felt and displayed by the couple and the embodiment of that love by enjoying the pleasures of everyday life together.

Kayoko and Kaori are probably one of the sweetest pairings I’ve read in a romance manga, yuri or otherwise. Their relationship is built on mutual love and trust that is palpable with each chapter of the manga. And when the few instances of low self-esteem and jealousy creep up on the pair, instead of letting the negative feelings fester for an absurd number of chapters (as some romance manga are wont to do), they have emotionally honest discussions about their feelings, which help maintain and strengthen their partnership. It’s refreshing to read such a wonderful example of an emotionally mature relationship, with a couple able to weather through such relatable insecurities and doubts.

This is made even more intriguing by the fact that the majority of the series focuses on the relationship between two women who are very clearly adults who are established in their careers. While there are quite a few examples of yuri manga focusing on the lives of adult women, a lot of series focus on the lives of university students, or women in their early twenties. For Kayoko to experience her first major romantic relationship at thirty-one, is very reassuring for any readers in their thirties, as it can still be rather difficult to find romances focusing on women older than twenty-something.

Alongside If We Leave on the Dot’s many positive achievements, it is also noteworthy for how it addresses the topic of Kayoko and Kaori’s sexualities. When the series takes time for the couple to think about sexuality, it is typically are less about Kayoko and Kaori’s individual sexual identities and personal self-discovery, and more about how other people will react to or perceive their relationship. One example of this occurs during a company celebration, where Kayako mentions that she is in a relationship and loves her partner very much, but aside from those vague mentions, cannot go in-depth in describing her partner to her colleagues, despite sitting right next to the person she loves. Instead, Kayoko and Kaori have to share a quiet, tender moment, holding hands under the table, hiding in plain sight from their co-workers. Not long after this Kaori goes to meet up with her close friends, despite feeling happy talking about her relationship with Kayoko, she feels “Tired…from dodging their questions”, as she had to misdirect her friends by calling Kayoko her “boyfriend”.

This is a rather massive contrast in comparison to a lot of fluffy yuri romances, where the closest thing to an examination into LGBTQ+ issues is the main character(s) briefly getting confronted by the heteronormative expectations society places on women, and even then it is only there as a cursory issue. Instead of placing her characters in a bubble separated from the struggles of the real world, Inui’s If We Leave on the Dot takes time to showcase and legitimize the frustrations and exhaustion that queer women experience on a regular basis.

With its relaxing and down-to-Earth depictions of the everyday life of a same-gender couple, If We Leave on the Dot is one of my all-time favourite yuri romances that I highly recommend.

Ratings:

Art: 7.5

Story: 8

Characters: 9

Service: 0 for the first three volumes, 2 for volume 4 (due to a bathhouse trip and the couple beginning to sexually explore each other’s bodies in a manner that is sincere rather than salacious)

Yuri: 10

Overall: 9

If We Leave on the Dot is currently only available through the online manga subscription service Manga Planet, though the first chapter is free to read. There is a range of options for subscribing to the service depending on reader preference.

Erica here: Thank you so much Patricia! I agree with everything you’ve said. The mood between Kaori and Kayoko is very relaxing and warm. I loved all four volumes of the series in Japanese, Teiji ni Ageretara. That was my first taste of Inui Ayu’s work  – work that I continues to enjoy. Her autobiographical series, currently running in Comic Yuri Hime, Kyou mo Hitotsu Yane no Shita, has much the same warm, fuzzy feeling, with a bit more LGBTQ+ identity.

 




I’m in Love with the Villainess, Volume 2

February 11th, 2022

I’m in Love with the Villainess, Volume 2 is a super fun volume of this story. In many ways, it’s the first turn away from goofy comedy to serious story. This volume contains the first of many conversations about sexuality and gender that this series will provide. I know I reviewed this back in February, in digital, but I wanted to take a look at the print volume as well. ^_^

For the first time, we really meet the three princes, the love interests of the game “Revolution, “and get to know their personalities. This is followed by the student ranking, where we finally understand that Rae, as protagonist of that game, is overpowered and formidable. And how obsessed she really wad with the game…and Claire.

This is followed by a magical battle against a giant water slime, that forces Claire to save Rae, but also keeps Rae on the lonely path she had set for herself. We know this because this is the volume where Misha asks Rae if she is homosexual. I want to stop and say that the art in that section is devastating, as we see Rae with her usual smile, talking about the old her, about how she’s used to her love not being returned – and –  how she’s convinced herself that Claire’s happiness is enough. Devastating…and irrelevant as we know. Phew.

And then(!) the volume wraps up with the lead-in to the Academy Knights arc…and more magic battles, lest we forget that this is a magic isekai. ^_^

Following the manga is a bonus story about Claire and Relaire bonding, which of course is ridiculously cute, and character descriptions.

Many thanks to Joshua Hardy on translation, Courtney Williams handling the lettering, Nicky Lim for the cover design and the rest of the team at Seven Seas for an enjoyable reading experience.

Ratings:

Art – 9
Characters – 9
Story – 9
Service – 1 Very little for this series
Yuri – 10

Overall – 9





Hello, Melancholic!, Volume 1

February 7th, 2022

It is my incredible pleasure today to introduce you to one of my favorite series of 2020, Yayoi Ohsawa’s  Hello Melancholic!, Volume 1.

Minato’s goal in life, is to slip through without being noticed. This goal is difficult, as she is unusually tall, a little shabby and her voice is rough with disuse. She’s extremely nervous and afraid of offending anyone. So when she notices someone playing music in her school that, notably, has no concert bad, she’s intrigued despite herself. And…she has been noticed. The upperclassman she saw finds her, and Minato’s life is completely turned around.

Hibiki is a 18-wheeler truck of a personality and she’ll wheedle, cajole and beg if it gets her what she wants. A fair objection at this point is that she’s really not listening to what Minato wants and that may make some readers uncomfortable. If you’re able to let that go in hopes that Hibiki’s plan is pure of heart, I can assure you that it is. All she wants is to have fun and play music! 

As I said in my review of Volume 1 in Japanese, “Hello, Melancholic! is a story of a life redeemed from the darkness. It’s a joy to experience sneaking out and jammimg with Minato and a delight to see her lifted by Hibiki and given space and imprimatur to spread her wings and fly.”

But you don’t have to rely on me to convince you. Instead, let me once again share this magnificent 23 minute voiced manga promotional video from Ichijinsha. This is the promo video Ohsawa-sensei refers to in the author’s note. If this doesn’t convince you, feel free to walk away and not look back. But for me, this was a clincher. It even has an original piece of music, but for me, it was the color that nailed the point.

 

 

Minato has been traumatized, but Hibiki is a perfect psychopomp to help move past her trauma. By giving Minato a welcoming space – even if Minato can’t quite stop waiting for the other shoe to fall- she’s able to start healing. We’ll see so much more of that in the upcoming two volumes.

I want to thank Margaret Ngo and Marykate Jasper for their translation and adaptation and Mo Harrison for the evocative lettering. There’s no actual music in this manga, but the sounds of music making are very visible. It’s important for the lettering to capture that. Thanks to the whole team at Seven Seas.

Lastly, I’m absolutely delighted that we finally have something from Ohsawa Yayoi! She had a bunch of one-shots that became her Black Yagi/Strange Babies series, which I adored and I still hope to see 2DK, G Pen, Mezamashitokei. in English one day. In the meantime, we have this three-volume story that is,something I wish we got more of – people being empower in small, but important ways, to grow.

Ratings:

Art – 9
Story – 8
Characters – 8
Service – 2 A bit, but Hibiki’s doing it on purpose
Yuri – 1

Overall – 8 because it’ll get better and needs room to go up. ^_^

Finding yourself and friendship in band. There’s nothing more I could ask of a high school manga.





Watashi no Oshi ha Akuyaku Reijou., Volume 3 ( 私の推しは悪役令嬢。)

January 27th, 2022

In Volume 1, Oohashi Rei, found herself waking in the world of her favorite otome game and free to pursue the villainess of the game, the highborn noble, Claire François. In Volume 2, Rae begins to worm her way into Claire’s life, turns out to be overpowered and adopts a baby water slime that she names Relaire. (I’m in Love With the Villainess, Volume 2 manga in English hit shelves yesterday! So you can read that for yourselves.)

In Watashi no Oshi ha Akuyaku Reijou., Volume 3 (私の推しは悪役令嬢。),by inori, with art by Aonishimo, character designs by hanagata, Rei and Claire, along with Rei’s roommate Misha, the princes of the game and other students compete to become members of the Academy Knights, the school’s student council.

The first half of this volume is filled with the battles for these positions…and they give us a better idea of the skills and styles of our main players. I will venture a small spoiler – they all get in to the Knights.  Having been made part of the Knights, Claire and Rae head out into their first task  – solving a late night mystery!

The final half of the book details the Knights’ preparation for the Founder’s Day event, the Royal Academy’s school festival.  The Knights settle on a gender-switch cafe and we get to enjoy the prices dressed as maids, and Claire, Rae and Misha dressed as butlers.

All of this is charming and wonderful, but I’m going to share my favorite panel of the volume:

Look at Thane playing with Relaire in the background! Isn’t that squee-worthy? ^_^

This kind of thing is why I genuinely love the manga. It’s the same story as the novels, but with little details thrown in that really just level it up. Aonoshimo-sensei’s art really adds points to what is already a fantastic story.

Because I bought this volume at Melonbooks again (in order to score an awesome acrylic standee) it came with this lovely insert. There is a comic on the other side in which they play dress down with Lene.

Ratings:

Art – 8
Characters – 9
Story – 9
Service – 4 Dressing and undressing
Yuri – 9

Overall – 9

 

I’m currently reading Ichijinsha’s brand new print version of the first novel, Watashi no Oshi ha Akuyaku Reijou ~Revolution ~, Volume 1 (私の推しは悪役令嬢。-Revolution-) and I’m not tired of this story yet!