Archive for the Artists Category


Aisarete mo Iindayo, Volume 1 ( 愛されてもいいんだよ)

September 2nd, 2021

In Amano Shuninta’s Aisarete mo Iindayo, Volume 1 ( 愛されてもいいんだよ) we meet Kimura Rin, an office worker who is being sexually harassed by a superior at work. She has no allies among the women in the office, and the harassment is exactly on the line that some men think is being friendly, but is not that, at all.  As she cries alone in the bathroom of the restaurant where her group is having their after-work drinks, Rin encounter Ryou, who thinks she needs to fight back. Ryou tells Rin that she is a lesbian sex worker for ‘Yuritopia’ and tells her how much it costs. Rin takes her up on it, and that experience changes everything.

Rin quits her job and decides to become a sex worker. There’s a lot to learn and of course that learning curve is the story. She sleeps with a Yuritopia sempai and it just serves to highlight how out of her depth she is. Even Ryou turns out to be not what she seems, as the cast at Yuritopia seem kind of cliqueish and not at all kind. Which, I will admit, bothered me quite a bit (and  didn’t make the Yuritopia manager look good. She was nice, but if her employees are jerks, then, uh…something’s not okay.)

Eventually, she gets her first date, a repeat customer of the company who likes to go out with the new girls. The situation is confusing, until she figures out what that customer is looking for and she gets her first high rating. She’s on her way in her new life!

My absolute favorite scene was probably the most ridiculous one, where Rin chooses her working name. She’s stressed out and unsure. The manager gives her a cup of hot chocolate to soothe her nerves (hey, here’s some caffeine and sugar, that’ll relax you!). Rin takes a sip and as the sweet, warm flavor fills her, she decides her name will be Cocoa. It was very her. ^_^

Amano-sensei’s art is really interesting in this series. It’s well-drawn, but she’s focused on partial views, shadows and  skewed perspectives which really works well to communicate Rin’s feelings. As the story ends, the panels become straighter, the backgrounds a little more detailed, giving us a much more grounded feeling.

This volume ends with an interview with Obou, a straight male representative of a lesbian sex work organization, Club Tiara. the same organization made “famous” by Nagata Kabi-sensei in My Lesbian Experience With Loneliness.  I knew it was a guy who ran that, but it still makes me feel icky that it’s not a woman in charge, so I declined to read the interview, but the questions seemed to focus on the technical details. What are the various courses, how are cast chosen, that kind of thing.  I checked out Club Tiara’s site and found that they offer options for women, men and couples, which makes perfect sense. They have specific infor for lesbian customers, a phone service, naturally, and a guide to using their service. I didn’t  check to see if they do streams or sexts. As websites go, it’s got a welcoming, not an exploitative “Hot girls live! XXX!!” feel, which is reassuring. If anything, their site felt a bit like a josei manga magazine. I don’t know if this is something I want for myself, but am glad that it exists in the world.

They also are promoting a number of manga on the Club Tiara site, including Nagata-sensei’s and Lesbian Fuuzoku Anthology from Ichijinsha that I reviewed here on Okazu, along with the sequel.

Ratings:

Art – 8
Story – 8
Characters – 8 Rin really grew on me
Service – Not really? It’s about sex, and isn’t coy or creepy; the art is artsy, rather than explicit. So sex, but no fanservice.
Yuri – 9

Overall – 8

Volume 2 is out now in Japan and I imagine I’ll read it, (probably on Bookwalker, since I’m out of space..again. ^_^





Yuri is My Job, Volume 7

August 19th, 2021

In Volume 6, Mituski poured her hear out to Hime and instead of bringing them closer, as she hoped, it may have separated them forever.

In Yuri is My Job, Volume 7, everyone at Liebe Café is trying to patch up the rift between Hime and Mitsuki. Except one. Kanako has absolutely had it with what she sees as Mitsuki’s self-indulgent attitude to Hime. She’s not wrong…but she’s not right, either.

Hime has come up against a wall that she has long wanted to avoid. There are only two people in the world she has trusted with her truth and they each need something from her she can’t give them. Hime’s decided to take herself out of the story, in order to keep anyone from being hurt…and thereby hurting them both.

Sumika wants things to stay the same, Kanako’s ready to be there for Hime, Mitsuki wants someone to understand her for once, and Mai, attempting to smooth over the rough areas, causes cracks to appear elsewhere.

This is an extraordinary volume in what initially appeared to be merely a Marimite parody. We are full on in deep emotional drama and although I read this with every issue of Comic Yuri Hime, I have absolutely no idea where it might take us or how we will get there! That’s always very exciting.

Extra chapters here take us a little into Miman-sensei’s life last year and character and café trivia. Everything about this book kept me on my seat. Lots of emotional moments and I’m just so interested to find out what happens!

Ratings:

Art – 8
Story – 8
Characters – 8
Service – 1
Yuri – 7

Overall – 8

Wrapped in old-fashioned school uniforms and Yuri tropes, Yuri is My Job is a compelling Yuri drama, wholly grounded in the present.





Watashi no Yuri ha Oshigoto Desu! Volume 8 ( 私の百合はお仕事です!)

August 12th, 2021

Phew. For a manga that started as a light-hearted romp through Yuri tropes, this series sure has got intense. Hey, wait, I’m sure I’ve said that about other stories that started as light-hearted romps through Yuri tropes, before. Hrm. It’s almost like comedy is a good way to draw readers in, but for a story to be sustainable it needs more. This seems like a good topic for a video…and I just happened to have planned the next video after this upcoming one to be this very topic! How about that.

In Watashi no Yuri ha Oshigoto Desu! Volume 8 ( 私の百合はお仕事です!) it is the belated celebration of Mitsuki and Kanako’s birthday at the cafe. Hime is in attendance, but will she stay? Mitsuki puts her own issues aside and convinces Hime to stick around.

Mai, always looking for marketing idea, decides to take the crew on a trip to a hotel that could totally pass for Liebe Academy. An overnight! Everyone is excited. But Mai has made some choices that, if I were Sumika, I’d be like, “Dude. No. This is a bad idea.”

So in between photoshoots of loving schwestern, Mitsuki is dealing with, gosh, the fact that she’s rooming with the girl she loves, who has rejected her and her extremely voluptuous body in a public bath. I’m so vexxed for Mitsuki, stop beating on this girl already!

But things are about to get more complicated as Sumika’s own lily is blooming. And she already knows Kanako’s feelings, so…yikes?

Good heavens, do I want to reshuffle this whole mishegas. BUT, I wouldn’t and I couldn’t and I won’t. Miman-sensei is perfectly capable of writing their own story and keeping it compelling and dramatic without me.

A great volume from a series that has pretty consistently had great volumes.

Ratings:

Art – 8
Story – 8
Characters – 9
Service – 4
Yuri – 8

Overall – 8

Volume 7 of Yuri is My Job! is out now from Kodansha, and I guess I should have reviewed that before this one, oh well. ^_^ In any case, this is a great series and you should be reading it.





Oshi ga Budokan Ittekuretara Shinu, Volume 7 (推しが武道館いってくれたら死ぬ )

August 9th, 2021

Until late last night, this review was going to be completely different. I had a whole review planned out and was all ready to joke about Path #4 on my Choose Your Own Adventure and then mere pages from the end of the volume, it went to hell in the form of a “joke” so excruciating, so forced, so stupid, I just stared, aghast.

So instead of the review I was going to write about how, Oshi ga Budokan Ittekuretara Shinu, Volume 7 (推しが武道館いってくれたら死ぬ ) was maybe not so bad, maybe it had gotten past it’s awful, terrible, unfunny plot complication that Maina and Eri can’t communicate well, or at all, it fucking SLAMMED down a joke, so bad that I hate the creator twice – once for making me think they can write a story, maybe, and once for not being able to write a goddamned story.

I know, I know. I KNOW. I do this every time with Hirao Auri. At this point we all just have to admit it’s a form of flagellation. Leave me to my hair shirt and flail.

You want to know the worst part? For 6 chapters this volume was GOOD. It really was! Maina and Eri could get whole sentences out and the absurd thing that happened actually made things better and the back stories of all the other ChamJam members had depth and the struggle with using their real names was interesting and it was a solid volume! And then in the fucking omake chapter….it goes to hell. For a stuuuuuupid, unfunny joke.

Yes, we get it. Eri is not screwed together tightly we get it. But no, that..no. My fucking god, how does the editor not jump over the table, screaming. This is why I am not a editor for a living, kids. I would be behind bars, ranting about excruciating characters and terribly, awful unfunny jokes that ruined acceptably interesting volumes.

Ratings:

Seriously? This manga is fucking enraging.

ARRRRRGGGGGGHHHHH

To express my feelings properly, I would like to share this image that was created by my friend Erin Finnegan as part of a comic she drew to fully illustrate her feelings on the end of the KareKano manga.

This panel lives rent free in my head. Especially when I am reading something by Hirao Auri.


One last note….Aya’s kimono, was genuinely, perfect. That joke worked.





Even Though We’re Adults, Volume 2

August 6th, 2021

Yesterday I said we were playing a “choose your own adventure” in reading works by creators you already had opinions about. Yesterday, we walked down Path #1 with a work that was pleasantly excellent. Today we’re doing a second path, as we look at Even Though We’re Adults, Volume 2 by Shimura Takako.

In Volume 1, we met Akari, a lesbian who has had some bad luck with partners and Ayano, a married woman, for whom Akari falls. If indeed that was the sum and total of the plot, it would be merely all right, but in this series, nothing ever is exactly what it seems to be.  Ayano is not at all the person she appeared to be and, we learn in this volume, there was a whole other Ayano in school, where she was tall and boyish.

Akari …well, she’s a decent human and it’s hard to not like her. She’s just looking for someone to be happy with and it’s not at all making her happy that she has feelings for a married woman. In fact, she’s pretty damn pissed about it. In this volume we also learn that she has previously been down this road and it did not go well for her, so we can completely sympathize.

Even Ayano’s husband Wataru is decent. He’s a guy whose life has been thrown into a series of chaotic situations and he’s trying to stay afloat. When his father becomes ill in Volume 2, he and Ayano get roped into moving back with his abrasive mother and shut-in sister. He too, one can completely sympathize with.

So, you may wonder why I consider this a path down the “what is this going to be like?” game. And to explain that, I have to tell you a secret. … I don’t actually like Shimura Takako’s work that much.

I don’t hate it, I just think she’s either a straight (or officially closeted) woman who has made a career of writing queer characters who…don’t act like people actually act. Her works has been insightful only rarely and sometimes torpedo their own good intentions.  As a result, she’s gotten a huge amount of queer cred, most of which I think is unearned. More damning, her storytelling has been…inconsistent. Sweet Blue Flowers is a narrative mess with flashes of brilliance, but Wandering Son is literally filled with repeated scenes and conversations.. On top of that, her endings are occasionally pat and irritating. So, call me very pleasantly surprised that all the characters here (except, so far as you know) Mom, are written with nuance and sympathetic perspective.*

These characters have been written with the kind of nuance I crave in manga…especially manga written for adults. Sure, sex and violence have their place, but surely being adult means we can more layered and thoughtful writing, too, not just more violence and sex. Here everything is just working in concert to create a strong whole.

So for a creator whose work has, in the past, left me feeling disappointed or even exploited, Even Though We Are Adults is an absolute masterwork of storytelling. The art is perfectly fine, but it still is finding its stride and I talk about that in my discussion of Volume 2 in Japanese.

Ratings:

Art – 7 with flashes of 9
Story – 8 Not easy, but well told
Characters – 7 easy to sympathize with, but like? That’s another story.
Service – 0
Yuri – Yes, definitely. Akari is gay, Ayano may be bi or questioning but it’s all question marks now.

Overall – 7

*I’m not the only one to feel exactly this way, as the Mangasplaining Podcast spent an entire excellent episode talking about this series and they touch on all these things. I love this podcast, not just because some of the folk on it are friends. ^_^ It’s a great podcast for folks who love manga, I recommend it highly

Volume 3 will be available in October and while I have already reviewed it in Japanese, am looking forward to it in English as well. Translator Jocelyne Allen’s work is always fantastic. Casey Luca on adaptation,  Rina Mapa on lettering and retouch, Hanase Qi’s great cover design and Shannon Fay on Editing; The entire Seven Seas team is doing excellent work here for a terrific reading experience of a complicated, adult story.