Archive for the Artists Category


Kaketa Tsuki to Donuts, Volume 2 (欠けた月とドーナッツ)

June 17th, 2021

In Volume 1, we met Hinako, a woman who is crumbling under pressure to conform to society’s requirements for a “good” life and Asahi, a woman who has cast aside any interest in conforming for her own reasons. Usui Shio’s Kaketa Tsuki to Donuts, Volume 2 (欠けた月とドーナッツ) brings them to a whole new level of intimacy between two adult women who are very tentative about trusting someone else with their true selves. I know I have said this before, but it bears repeating – I adore this series. There’s nothing melodramatic here, just quiet real-life concerns, and two women whose loneliness had become a fact of their lives that they didn’t think they could do something about.

In Volume 2, Hinako is desperately trying to not impose on Asahi and Subaru but, equally desperately, loves spending time with them. When Subaru asks Hinako bluntly to please, please free her sister from her own choices, Hinako finds a little courage to admit that she actually wants to do that…and then, magically, takes steps to do so. It’s becoming increasingly obvious that her feelings for Asahi are more than she’s willing to cope with, until she meets Fuuka, Asahi’s ex (bing bing! the bell goes off in Hinako’s head) and best friend. Fuuka makes Hinako look her own feelings straight in the face and acknowledge them.

As for Asahi, we learn why she’s so removed from her own life. She’s made choices that prioritize Subaru over herself. This will not go unnoticed by her little sister, who simultaneously wants Asahi to have a happy life of her own, for herself to be free of obligation and to forge her own path forward. To be fair, Subaru really likes Hinako and is clearly rooting for the two older women to get together, for all the reasons.

I absolutely love everything about this story. The characters are all entirely likeable and we cannot help but root for them, not just to get together, but to be happy. I love the art, which is stylish and clean, and the constant touches that make this story feel so firmly rooted in adult women’s lives. Clothing and makeup and food and peer pressure and work concerns….these could be real people who you might know.

The struggles are internal, the drama is internal. This is not the explosive hyper-dramatic relationships of high school. It’s not even a messy relationship. It’s just really…tentative. And we want, so very much, for everyone to be happy. If Hinako and Asahi end up happy together, then yay for all of us. ^_^

Ratings:

Art – 9
Story – 9
Characters – 9
Yuri – 6
Service – 0

Overall – 9

Volume 1 is already available from Seven Seas and Doughnuts Under a Crescent Moon, Volume 2 is headed your way in August, so get ready for some grown-up feels!





Meisou Senshi – Nagata Kabi (迷走戦士・永田カビ)

June 13th, 2021

In my recent conversation on with the folks at Manga Mavericks about My Alcoholic Escape From Reality (a conversation that will go up on their Patreon later this month) we talked a little bit about this book as well. In the comments on Nagata Kabi’s TCAF spotlight, some lovely person expressed a wish that the author’s next book is about her hugging kittens. Well…it is definitely not that. 

Having given herself recognition that her comic essays are a valid form of artistic expression, Nagata-sensei has once again turned the spotlight on herself. In Meisou Senshi – Nagata Kabi (迷走戦士・永田カビ), she  tackles some of the things we might have been asking all along about her relationship with her gender and sexuality…and how that, and her physical and mental health,  affect and are affected by that relationship.

This is not an easy book to read. If anything, it open up whole new areas of discomfort. Content Warning: this book deals with sexual assault as a child. But, as we make our way through this in her wake, we can see (more clearly than we can with ourselves) how pieces of a life make up a whole. Her discussion of how  insurmountable was the effort of filling out the questions on a dating app, really struck home with me in regards to something wholly unrelated to dating.

Once again we see the power of a comic essay. This book contains increasingly intimate knowledge of her past, and tantalizing tidbits of her present, but we know we will never know the actual person through these.  These chapters are the comic equivalent of Van Gogh’s self-portraits….a visual record of her over time looking at a mirror and drawing what she sees. Some days the face that looks back at her is more haunted than others…sometimes it is almost happy. This records allows her to explore why that might be…and expose what the roots of that haunted look is.

I am curious, for reasons that will become immediately apparent when you read this book, what her parents thought of it. Nagata-sensei’s feelings about how she hurt her family in her initial volumes are made plain in later volumes and in her TCAF interview. This volume wasn’t going to make for light dinner table conversation and yet, I got the feeling that she and her family may have struck a bargain over this and while it may not be fun, they won’t be blindsided again.

Seven Seas has announced the license of this book as My Wandering Warrior Existence, which has a projected release date in English of March 2022. If you don’t want to wait, you can read this online in Japanese on Web Action. 

Yet again, I will not be rating this book, for reasons that will become apparent when you read it.

It is compelling.

Next up, we return to the beginning, with her plumbing the depth of her relationship with food, in Meisou Senshi・Nagata Kabi Gourmet De GO!  (迷走戦士・永田カビ グルメでGO！) the first chapter of which available on Web Action.





I’m in Love With the Villainess, Volume 3

June 8th, 2021

As I said of the Japanese edition of  I’m in Love With the Villainess, Volume 3, “We’ve already established that all norms are off the table in this series, so the plot here is a little bit of everything – school drama, romance, socio-political drama, and some other things and then the demons arrive. From this point on the book is spinning plates and juggling balls and then an axe or two on a high-wire.”

And indeed, we are handwaved into an idyll that will be shattered, trod upon, and sliced and diced and none of it – not one word – hit me as hard as the final scene in a throwaway side story. (T_T)

Former daughter of the nobility and school villainess, Claire Francois and her wife, the supernaturally powerful and gifted protagonist of the game Revolution, Rae Taylor, are living a reasonably comfortable life. Given that this life was built in the ruins of a revolution to take down a monarchy, it’s a very sweet life. Their adopted daughters are energetic and precocious. They have jobs. Why would anyone give up all that they have carved out for themselves?

The answer is of course that Claire believes in her upbringing – that, as a (former) noble, she has standards  and serving her country is the core of her beliefs. That her country is, maybe less worthy than she hoped, is a given. Instead of rethinking society into a more equal structure, all the government wants to do is create a new kind of second-class citizen of women and queer folks. That’s only just about 100% likely.

But instead of wrestling with rich men’s refusal to share power, we head off to the Nur Kingdom. At which point, I would like to digress and discuss my personal interpretation of the country names. As I see it, they are as follows: Bauer is kind of Germany; Alpes is Austria; Sousse is Switzerland. That’s kind of straightforward.

Okay let’s do Nur. In Japanese its written as ナー, so more like “Naa”

What country might that be? Hm, I wonder what aggressive militaristic country is threatening to Japan right now. It’s not hard to see that Nur is China, and Rusha (Russia) is “north” of that.

I want to note that Frieda, who affects a fake French accent here is from Melica, or, as I think of it, ‘Merika. Because ‘Xico and Nacada (or something like that) will get a mention next book and there will be reasons. So, while this is my interpretation and not at ALL a criticism of the translation, I think of Frieda as a really annoying American. For reasons.

As I thought of all this, I realized that, in the smallest and most tedious way possible, I’m kind of in Rae’s position. I know what’s coming, but I don’t know how it might turn out, only how it has turned out, when it’s over.  So gosh, how irritating for Rae. ^_^;

In any case, as with Volume 1, Volume 3 is mostly introduction and set up and I will also say that not every question posed here will be answered in V4. Which is why I stare with longing at GL Bunko’s listings waiting for a V5 to be listed.  inori-sensei has also posted all the final chapters of this arc and her story from Claire’s perspective on pixiv fanbox and I hope that will bring up the page count enough for the next volume soon.

Now I will return to reading the manga for my fix. And waiting for V5 in Japanese or V4 in English, neither of which have a date as of yet. In the meantime, we may enjoy the sweet scenes of domestic bliss, holidays and celebrations and what will pass (for now, eff you new government) as their wedding. And that’s still not the queerest part of the book.

I mentioned that the emotional impact here for me was, rather than the childrens’ trials, the final chapter where Claire experiences a Rae who does not love her and how bereft her life becomes. That one got me in the gut.

Ratings:

Art – 8
Story – 9
Characters – 10
Service – Kind of, but I’m alright with any and all of it.
Yuri – 10
Queer – 10

Overall – 10

There are STILL questions I have even after Volume 4. In the meantime, I have one question for you – what did you think of Dorothea? I adored her, as you might imagine and need a lot of fanart of her. ^_^ Sadly she’s too cool and competent (and adult /eyeroll/) for most fan artists, who seem to prefer Lily or Philene. Sigh. Poor me.





Hello, Melancholic!, Volume 3 (ハロー、メランコリック!)

June 2nd, 2021

When we last saw them, Minato had just blurted out that she liked Hibiki. As we begin Hello, Melancholic!, Volume 3 (ハロー、メランコリック!) everything between them is so normal it’s making them both uncomfortable. The pressure is going to build and the rest of the band is just waiting for it to blow. In the mean time, new first-years have joined and Minato is now a sempai

But, we’re not done yet, because Hibiki’s online posts opens an opportunity for Minato that she is absolutely not at all ready to take. A local band of adults – one that has a reputation for a high level of musical proficiency – has invited Minato to try out for a position as backup, a high honor. Minato’s good enough, but she is emotionally still so scarred from her previous experience in trying out for a band position that she rejects the chance. Even when Hibiki helps her to confront her fears, Minato continues to retreat into herself, eventually lashing out at Hibiki.

This too comes to a head, after Minato asks the only other second year in the group for advice. Luckily for her, Emma is a good advice giver and in a moment of clarity, Minato realizes that she’s never had a friend to ask advice from – and it takes her breath away. Finally everything comes down to a confrontation, and as the rest of the band eavesdrop outside the door, Hibiki and Minato say some things that they need to say. Minato works through last lingering doubts about Hibiki going off to college with help from the ever-chill Sachiko and Chika.  The book ends with Minato (sporting a new look) and Hibiki meeting up again on a spring day a year later.

The extra chapter delves into Emma’s secret life with an older woman.

Okay, you’re probably looking at this and wondering why I picked *this* story for day two of Pride Month, since I’m usually so intentional about my choices? (I hope you notice that I’m intentional.) Well for a couple of reasons – things that happen in this series that I think are very relevant to right now.

One – this is a story about a kid who had been bullied and it is not a miraculous story of redemption or perseverance. Minato slowly, carefully sheds some of the baggage she was burdened with, but it’s not without risk to her and to survive it, she just grows. The whole school isn’t applauding her, she isn’t made prom queen, this isn’t a Hollywood story. Minato finds some people who help her grow up and grow beyond the damage – I honestly wish this was a narrative that we got more often. Most of us who were bullied don’t get a reckoning, we just get old and the things that weighed us down, don’t anymore. I was in college when one of the kids who had bullied me as as a tween was sitting in a class I walked into. She saw me and said something rude and I just…laughed at her. I mean, really? Was I supposed to care what she thought? It was too ridiculous to imagine.

Two – and this made me cheer out loud. Minato, all upset at losing Hibiki to college, assumes Chika and Sachiko will be going to school together. As it turns out, Chika’s going to trade school to be a dental hygenist, Sachiko’s going on to a private school. Minato, shocked, asked if they aren’t upset at never seeing each other and they stare at her like she’s turned purple. Why? Because they have cell phones, for pity’s sake. Cell phones and days off and maybe they’ll move in together, but really – there is no reason that high school is the end of it allTM. Why wouldn’t they keep seeing each other?

Three – yesterday was pretty heavy going with The Rose of Versailles and tomorrow is pretty heavy going and I wanted something light and fun and a story about a girl meeting and falling in love with her sempai in band is about as close to an autobiography as I’ll ever get in a manga. ^_^

Ratings:

Art – 9
Story – 9 More conflict in this volume is a good thing, as Minato becomes less passive
Characters – 9
Service – 1
Yuri – 9

Overall – 9

Thank you Ohsawa-sensei for this utterly delightful story.





The Rose of Versailles, Volume 4

June 1st, 2021

What better way is there to start off Pride Month than to begin with revolution, with a fight against the status quo and respectability? What better thing can we do in 2021 than to remember why we celebrate this month, than to tear down systemic oppression and fight for our freedoms?

Sit yourself down, make yourself some tea, maybe a crepe, and buckle in, because we’re about to get historical. The Rose of Versailles, Volume 4 will cover the last days of the French Revolution, and of Oscar François de Jarjeyes’ life in noble service to the undeserving ancien régime of France. The parallels to right now are once again uncanny and distressing.

As the book opens, Oscar and Andre’ finally confront the one thing they have never discussed in a lifetime of friendship – their feelings for one another. They consummate what little of their marriage they will ever have.

The next morning, committed to the cause of the people, Oscar leads her troops to one of the most resonant moments of the Revolution – the day the canons of the Bastille were turned, not upon the prison, but upon the town. This scene makes me tremble, to be honest. In recent years, in cities all over the US, the canons were indeed turned upon the people…and it has come very close to making a difference, but never quite close enough. Even in 18th century France, the Revolution, while it ushered in new ideals, failed to bring the kind of change the commoners were fighting for – food, justice, the right to live without harassment.

We are asked to watch as the characters we learned about face the guillotine, the mob, or are cut down in battle. It’s never an easy story, but one we need to be able to get to the end of. With Fersen’s death, which was slightly more complicated than the narration makes it seem, the story as such, is over.

We take a deep breath, because the neither the series nor the story is truly over. Instead we are plunged from the real horrors of history into a gothic horror, complete with a virgin-killing, blood-bathing protagonist, a murderous creepy doll, and Oscar’s niece Lulu. Get used to Lulu, she’ll be back. This final story gives us some predatory lesbian behavior from the Marquise de Montclair, which I find somehow refreshing, after the guillotine and the spectre of an uncaring elite staring at children dying without interest.

And so, the main narrative of The Rose of Versailles comes to an end, as the République Française begins. But wait! There’s more! More evil women, more mysterious disappearances, more predatory lesbians and more Lulu on the way in The Rose of Versailles, Volume 5! (Which is the part I worked on first, oddly, with translator Mari Morimoto.)

Ratings:

Art – 9 Honestly fantastic
Story – 9 A lot happens, good and bad
Characters – 9 We’re going to do some rethinking about people here
Service – Not visually, but there is some in Montclair’s behavior
Yuri – Same as above

Overall – 9

My hat is off to Jocelyne for the fine translation and Jeannie Lee for the great lettering. Andy Tsang’s cover design is amazing. Again, my thanks to the UDON team for making this a pleasure to work on. Gonna say…I’m still blown away that I was able to help out.

All I have to say this pride month is Vive la Révolution! There’s still so much yet to fight for. Let’s get out there and fight for every last queer kid, so in 30 years they can be clueless gobs about us on the neural network. ^_^