Archive for the Artists Category


Doughnuts Under a Crescent Moon, Volume 1

February 12th, 2021

Hinako understands what is “normal.” Her whole life she’s been told that for a woman, looking pretty, always smiling, wearing stylish clothes and makeup so that you can date a nice man and eventually marry and have a family is “normal.” And so, she does the normal things. But she knows she’s not “normal,” because she hates these things and hates herself for trying and failing to be what is expected of her. After yet another failed attempt at normality, Hinako meets a colleague, the apparently austere Satou Asahi, who is kind to her in a way Hinako has never experienced before. Slowly, Hinako begins to build a picture of what her own normal could be and it shakes her life up completely.

Yesterday I said that its rare to see a Yuri manga that really does the work – Doughnuts Under a Crescent Moon, Volume 1, by Shio Usui does the work. There are no major handwaves here. Hinako doesn’t meet Asahi, get swept away and they live happily ever after. Instead, Asahi becomes a role model for Hinako to build a life for herself that makes her happy, something she had never before considered. Hinako still struggles with doing what is expected because it is expected, but Asahi is there showing her that it does not have to be accepted. Asahi believes in Hinako. As Asahi and Hinako grow closer, Hinako starts to believe in herself, as well.

This manga was tied for first (along with three other manga) on the Okazu Top Yuri Manga of 2020. There’s no secret as to why – I love everything about this manga. Usui-sensei’s art is exactly in my wheelhouse, the characters are terrific, the narrative is centered on self-acceptance and growth as a human. I’m so pleased that you too can read and enjoy this series now that it’s out in English from Seven Seas.
Jenny McKeon’s translation is terrific and has caused me to coin a new phrase – “light touch” translation, by which I mean the translation avoids heavy-handed literality in favor of feel and sense – i.e., how do we, as humans in 2021 say that in English, as opposed to how it was written in Japanese.  I very much liked the light touch here, where it felt completely right.

Ratings:

Art – 8
Story – 8
Characters – 8
Yuri – 6
Service – 0 Not so much as a bath scene. What a pleasure

Overall – 8

As usual, the entire Seven Seas team did a great job bringing you one of my favorite manga I am reading right now as it is serialized in Comic Yuri Hime magazine. Some exceptional moments coming your way in Volume 2 when that hits shelves in July, I assure you.

My thanks to Seven Seas for the review copy, which means I will have an extra copy to give away when it shows up later this month.

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An utterly delightful Yuri manga about adults, centered on self-acceptance and growth as a human. Win-win-win!





Uminekosou days, Volume 3 (海猫荘 days)

February 7th, 2021

In Volume 1, wet met Mayumi, a woman on the run from the ruins of her life. She decides to become a teacher in a small seaside town, where she meets Rin, the former punk landlady of the small guesthouse in which she is living. In Volume 2, Mayumi finds herself drawn into the lives of the residents of the guesthouse and starts to make a place for herself among them.

Here we are at Uminekosou days, Volume 3 (海猫荘 days), the final volume of Kodama Naoko’s series from Comic Yuri Hime…and at last, we can see the core of Mayumi’s problems. Her “best friend” Touko has arrived from Tokyo and it is instantly apparent to us that Touko’s has been poisoning the well of Mayumi’s life for years. Whatever Mayumi might possibly ever have, Touko destroys it.

And wow, does Touko give it her best shot here, too. But Mayumi finally understands herself and tells Touko that she doesn’t get to make the decisions. Touko goes back to Tokyo and Mayumi is finally 100% the person she could always have been, as she sets off to solve a sudden crisis. In a final epilogue, we see all the characters happy, healthy and free to be who they are and love and live their lives the way they want.

This was a series that was, at the end of Volume 2, primed for going into some pretty dark territory, but instead, it sort of picked itself up, shook itself off and with a grand wave of the magic wand gave everyone a happily-ever-after ending. I’m still not sure if that was a positive or negative thing for the story, but I’m a little relieved as a reader. Yes, happily-ever-afters all around is a handwave, but did I really want another volume of Mayumi having her heart gutted by an obviously jealous and manipulative “friend”? No, I did not. So happily-ever-after it is and thank you very much.

Kodama-sensei’s work is a kind of knife edge for me. She’s at her best when her characters are broken; wounded, vulnerable, manipulative. I don’t actually enjoy stories about that, but Kodama-sensei has a habit of pulling things out. So every one of her series has a kind of sword of Damocles feel, as I wait for it to either get too dark for me to cope, or to wrap up. She’s getting closer with each series, to one day creating something that sandblasts me, but I stick around for the whole thing. ^_^

Ratings:

Art – 8
Story – 8
Characters – 7
Service – 3 less than previous volumes
Yuri – 7

Overall – 8

Seeing Mayumi stand up to Touko was worth the price of admission.

 





Watashi no Yuri ha Oshigoto Desu! Volume 7 ( 私の百合はお仕事です!)

February 5th, 2021

When we left Volume 6 of Miman’s “Yuri concept cafe” series,  Hime has rethought her desire to stay at the cafe, throwing the rest of the staff into complete chaos.

In Watashi no Yuri ha Oshigoto Desu! Volume 7 ( 私の百合はお仕事です!), the staff makes Hime and Mitsuki sit down and talk everything out. It does not go as planned. Or, well, sort of yes it does. The outcome just isn’t what they wanted.

Mitsuki makes her case…and she’s really pretty bad at making that case, frankly. Years of pining quietly for the friend she remembered has unmade her ability to see Hime in front of her as a real person. But – in an amazing scene – when Mitsuki ends up talking to some of her classmates, she finds that they giver her very good advice, and she is able to speak honestly with one, who is kind and supportive to her. That one scene may well have repaired a lot of damage in that girl.

Kanako finally lances the wound her anger has become. She lashes out at Mitsuki and she’s only a little wrong. But she is also wrong and Sumika has to hold her back, before she does new damage. The bits Kanako gets right, and the conversation with her classmate, force Mitsuki to rethink things. Ultimately, though, Hime is the one with final say. In her desire to not hurt Mitsuki…she hurts her very much.

The ensemble here is perfect. Kanako’s anger, Hime’s reticence, Sumika’s overwhelming need for things to stay the same, and Mitsuki’s cruel honesty make a tense, yet never quite overwrought, volume. Seven volumes into this series, if you’re not already reading it, this review is not going to be the thing that draws you in, but for a series that started with a silly premise, a bunch of mostly-unlikable characters and a handful of unrealistic plot complications, Miman-sensei has been really deft at managing this narrative into something interesting.

Ratings:

Art – 8
Story – 8
Characters – 8
Service – 1
Yuri – 7

Overall – 8

Another messy af relationship, but somehow I feel like this story will pull together in the end.





Even Though We’re Adults, Volume 1

February 4th, 2021

Takako Shimura’s Even Though We’re Adults, Volume 1 is a very strong opening to a series I still have no idea in what direction it is going. Ayano, a teacher, meets Akari when she stops by a place for a drink. They end up sleeping together. Both Ayano and Akari want to see each other again, but when Ayano does come to the restaurant Akari works at, she’s accompanied by her husband.

Ayano tells her husband that she’s interested in Akari and he basically has no idea what to do with that information. He’s in love with his wife, and he’d like a child with her, but thinks (fears?) that she’s slipping away. Ayano isn’t sure what she wants, except that she is sure she wants to see more of Akari. Akari is in a worse spot; with a history of failed relationships, the last thing she needs is to be falling for a married woman…but that is definitely what is happening.

Quite a lot of manga people I know who are also queer, including myself, have very ambivalent relationships with Shimura’s work. She does seem to focus quite a lot on gender and sexual minorities, with varying degrees of verisimilitude. In my personal opinion, this story feels equal parts solid and kind of icky. It may also be that I’m not particularly thrilled to have either another “messy relationship with a married woman story” or a story that makes the lesbian performatively self-loathy. At the same time, there are elements here that keep bringing me back to this story, which is at Volume 4 now in Japanese.

One of the best things about the series so far is the art. There are moments, especially when Shimura-sensei is using the watercolor style she often relies on for covers and color art, when she really shines. I talked about this a little in my review of Volume 2 in the Japanese, as well.

As always, the team at Seven Seas has done a great job. Shimura-sensei is great with *moments,* but has a harder time sustaining conversations over a scene. Translator Jocelyne Allen and adapter Casey Lucas allow the conversations to flow naturally. Everything about this book – the lettering and design, as well as the writing and art – is given room to get out of the way of the characters and let them tell their story. I’m  not at all sure where that story is heading, but I guess I’m here for the ride!

Ratings:

Art – 8
Character – A not-sure-yet 7
Story – Same 7
Yuri – 8
Service – 1 Hardly any, in fact. The 1 is mostly on principle

Overall – 7

Thanks very much to Seven Seas for the review copy! Volume 2 is slated for a summer release. I’m definitely going to have to bump up Volume 3 in Japanese on the to-read pile and see what happens.





Watashi no Oshi ha Akuyaku Reijou. Volume 3 (私の推しは悪役令嬢。)

January 25th, 2021

I don’t really know how to review this book. ^_^;  There’s so much to tell you and so little I can say!

In Volume 1, we met former office worker Oohashi Rei, who wakes up one day in the world of her favorite otome game, “Revolution,” as the protagonist Rae Taylor. As Rae, she opts out of the usual romance routes and instead focuses all of her acumen and knowledge of the game on her actual interest, the villainess Claire François. Then the revolution comes crashing down over the two of them.

In Volume 2, Claire and Rae, now a couple, work together to create a better world for themselves, their friends, their country, and…

spoiler warning/ Because both these books are available from Seven Seas in English, I am going to assume you have read them. If you have not read them, this review will contain inevitable spoilers, starting with the cover, because it is right here next to these words and I can’t hide that. If you haven’t read the first two volumes, this review may be largely incoherent and there are even MORE spoilers ahead. Don’t keep reading if you want to avoid spoilers. Do go read Volume 2, then come back. ^_^ /spoiler warning
So, going back to my previous statement.

Claire and Rae work together to create a better world for themselves, their friends, their country, and…their children.

Watashi no Oshi ha Akuyaku Reijou. Volume 3 (私の推しは悪役令嬢。), which I read on US Kindle in Japanese*, begins a year after the revolution. Claire, Rae, and their children Aleah and Mei**, the orphans they adopted in the tear-jearker epilogue to volume 2, are a happy family who are dealing with some major issues that are clearly foreshadowing future plots. Rae and Claire are teachers at the Academy they formerly attended as students, when they are approached by the government with a life-changing request: Diplomatic relationships with the Bauer Kingdom’s former (possibly current?) enemy, the Nur Empire is being established. A team of exchange students are being shared between the two countries. Several students from the Academy are going…and so are Claire and Rae, who decide to take Aleah and Mei with them.

We’ve already established that all norms are off the table in this series, so the plot here is a little bit of everything – school drama, romance, socio-political drama, and some other things and then the demons arrive. From this point on the book is spinning plates and juggling balls and then an axe or two on a high-wire.  And it all works, except I have about 300 questions. ^_^  I’ll just hope that some of that is clarified in future chapters and, eventually, volume 4.  I was worried through the entire first half of the book about two things that were never the problems I thought they’d be. But…what? Why? How? I’m not unsatisfied, I just want more!

I’m going to be really impatient until all of you have read it, too, so I can scream all my questions at you! ^_^

The second half of this volume are a series of deeply schmaltzy and satisfyingly goopy extra chapters that cover a number of celebratory events in Rae and Claire’s life, like birthdays and Christmas and their wedding. Rae and Claire get more and more touchy as the story goes on. Apparently Inori-sensei has offered up the bed scenes as an extra on her Pixiv Fanbox (which I think is a terrific idea and admit, I’m tempted. For the record, her Fanbox is being translated into English and Korean, so don’t be afraid to support her.) Rae and Claire’s wedding is a very pointed commentary on modern Japanese life and laws and an incredibly sweet scene. For a second time, the final scene of the book had me reaching for the tissues. How far Claire and Rae have come in a year is laid bare for all for us to see. (happy tears)

But, Erica! I hope you are flailing your hands at me in an attempt to get my attention. Did you say Rae and Claire’s wedding?!? Yes. And that is not the only wonderfully gay bit – nor is it arguably, the most important gay thing in this book. There are at least three other incredibly important conversations that I hope like heck have made a difference for someone, somewhere. And Rae and Claire are VERY clear about what they are to one another to the people around them in so many words.  They are physically affectionate with each other and with the twins, as well. I honestly loved that affectionate kisses and hugs and touching were just normalized in this story.

Ratings:

Art – 8
Story – 9
Characters – 10
Service – Kind of? You’ll have to trust me that its fine, really.
Yuri – 10
Queer – 10

Overall – 10

Absolutely fantastic, but I have so many questions.

What about <spoiler>? What did they do?
What is the deal with <spoiler and spoiler>?
Were the <spoiler> there for shits and giggles?
What is going to happen with <spoiler>????
Why on earth is <spoiler>?????????

*The one thing I do honestly like about using Kindle for Japanese-language books is the translation function. It’s not perfect, but it helps not having to do more than highlight a term once the JP dictionary has been downloaded.

** In case it is not obvious, Aleah rhymes with Claire in Japanese and Mei rhymes with Rae.