I’m in Love With the Villainess, Volume 1, written by Inori, illustrated by Hanagata, out from Seven Seas, was an extraordinary read. I mean that in the most positive way. This book was surprising in ways I would never have imagined it to be, in ways that blew me away.
Oohashi Rei, an adult who has always loved games, finds herself waking in the world of Revolution, her favorite otome game. Armed with encyclopedic knowledge of the world of Revolution, and skills given to the PC, Rei, now known as Rae Taylor, sets out to do the one thing she wants most….to romance the villainess, Claire François.
From the beginning, there were little touches that had me intrigued. For instance, the novel lacks Truck-kun. No one dies. Rei simply wakes up in the game as Rae. Although Rae is a teenager, she has not lost her adult perspective and there are decisions or commentary we get from her which are decidedly mature. About a third of the way through the story, Rae discusses something with us, the reader, and I just sat back and said, “huh.” No child thinks that way. It was about that moment, I realized I was reading something completely different.
In my review of ROLL OVER AND DIE, I said, “The premise makes it completely possible to kill your brain cells reading [the violent scenes] and not feel much. In that, I think the author does the readership a disservice.” and I’ve called My Next Life As A Villainess, “lazy writing.” These are not capricious comments. I believe in world- and character-building being key elements in making an excellent story. I have been a voracious reader since I was a child, I’m usually reading 6-8 things at once. I was a comparative literature major in college. I care about the way writers write as a reader and as a writer. I expect that world-building be done with a thoroughness that provides the story a solid three-dimensional base, even if most of the details don’t apply to this story specifically. Overwhelmingly, light novels do not do this and isekai (or isekai-adjacent) LNs tend to rely on tropes and handwaves to skip the relevant world- and character-building. I’m in Love With the Villainess does the work.
And then you hit a moment when Misha, Rae’s best friend, roommate and foil, turns to Rae and asks, “Are you gay?”…and the characters have a frank discussion about sexuality. Rae analyzes her experiences and feelings and we watch her do so – in so many words – then watch her reach an unusual conclusion, given that this is a webnovel.
But wait, there’s more. This little web novel, this penny-candy confectionery of literary effort, doesn’t stop there. There will be discussions of abuse of authority, and unfair sentencing, of political protests and economic inequality. And, they will make sense in the context of the story. The otome game is called Revolution, after all. ^_^
While all of this world-building is happening, Rae is cheerfully teasing Clare into bullying her, and enjoying every second of it. Never for a second does Rae stop enjoying herself. The more we learn about Rae, the more we come to learn about Oohashi Rei, who seems like a decent person, one we might be able to be friends with.
The only complaint I sincerely have is that there is a scene (I refuse to spoil) that ought to have been illustrated but was not. That is the only negative for this book. Thankfully…there is a manga! Yesterday I mentioned that I’m reading the manga for this series as it runs in Comic Yuri Hime magazine. There are some small differences in functionality, with each medium providing positive and negative qualities. We have not yet reached that specific scene in the manga, but I fervently pray for a few good screencaps. This is where the manga will definitely provide a benefit. On the other side, the novel format allows Rae more internal monologue and she is, IMHO, more relatable as a result.
Absolutely shout-out to Jenn Yamazaki and Nibedita Sen for the translation and adaptation here. Some of the translation lines were in and of themselves, sublime. I’ve never thrilled so much at the use of “There it was.” George Panella’s logo also gets a tip of the hat from me. Everyone at Seven Seas really pulled out the stops here for what is definitely, positively going to be one of my Top Ten Yuri of the Year. No question, this is the series to beat right now.
Ratings:
Art – 7 Adequate, but once again fails completely to illustrate anything significant or interesting
Story – 9 Takes the banal set-up and flies
Characters – 10
Yuri – 7 one-sided in this volume, but…
LGBTQ – Yes!
Service – 2 Implied and some other stuff
Overall – 9
Author Inori thanks their partner in the author’s note. That might have something to do with that discussion of sexuality.
I’m in Love With the Villainess is available digitally on Kindle and Bookwalker Global next week, in print at the end of November.
The novel series, Watashi no Oshi ha Akujyaku Reijou! (私の推しは悪役令嬢。) is available in full in Japanese on webnovel site Syoetsu ni Narou!. Volume 1, Volume 2 and Volume 3 are available in Japanese on JP Kindle. The covers for V2 and V3 are full of spoilery goodness.
Along with Yagate Kimi ni Naru Saeki Sayaka ni Tsuite, Volume 3, which will make it over here as Bloom Into You: Regarding Saeki Sayaka, Volume 3, in December, Yuri Light Novels got a lot gayer in 2020. ^_^
Many thanks to Seven Seas for the review copy.
In Volume 1, we met Iori and Minami, an career woman and a server at a izakaya whose relationship is surprisingly not fraught, and Saori and Shizuku, Iori’s little sister and Minami’s “sister” at the orphanage whose relationship is more of a light hand-to-hand combat than a battle.
