Archive for the Artists Category


Cutie Honey-A-Gogo Manga (English)

July 8th, 2018

From the moment you see the brokeback pose and the modern-yet-Op Art cover, you know that you’re in for a ride with Cutie Honey a Gogo. And then you look at the credits: Original Story by Go Nagai, Honey’s creator, Story & Art by Shimpei Itoh, creator of Hyperdolls and artist for Taisho Yakyuu Musume, with cooperation from Hideaki Anno, the Director of the 2004 Cutie Honey Live-Action Movie and you know that this manga is going to be out of this world. 

And so it is. 

Cutie Honey a Gogo is a 2007 iteration of the eternal heroine Kisaragi Honey, aka Cutie Honey, a transforming android, who fights against the grotesque and violent Panther Claw, run by Sister Jill. 

This volume has everything I could ever want in a Cutie Honey story. Nat-chan is strong (and angry) and goes a little soft because of Honey, Sister Jill is obsessed, useless authority figures abound, random and pointless BDSM is inserted and, in the final pages, at St. Chapel Girl’s School (woo-hoo!) we get a sweet little bit of Yuri between Naoko and Ayu.  Couldn’t ask for anything better. 

If I haven’t been clear, let me be plain – this is a bluntly violent manga in which there are many casualties, but not as violent the original manga in which no one survives. 

But then, as someone on Twitter noted (but I cannot find the post to credit) Dirty Pair sounds filthy, but it’s not and Cutie Honey sounds innocent, but it’s not. It never has been. When you step into a Cutie Honey story, expect fanservice and death to follow.

Ratings:

Art – 8 Shimpei Itoh was a great choice
Story – 9 For a Cutie Honey story, this pretty much is exactly right.
Characters – 9 Same
Service – Yes, duh. Itoh does a terrific job of translating Honey’s transformation into sequential art
Yuri – Dribs and drabs. Let’s call it a 3

Overall – 8

I’m so glad to see this most excellent iteration of such  a timeless, yet always questionable, series. ^_^ 





Anoko ni Kiss to Shirayuri wo, Volume 8 (あの娘にキスと白百合を)

July 5th, 2018

In Anoko ni Kiss to Shirayuri wo, Volume 8 (あの娘にキスと白百合を), it’s student council election time and arumour is floating around that Shiramine will be running. The thought doesn’t make Kurosawa as happy as she thinks she ought to be. 

But the true rivals for the position are Tatsumi and Torayama who, although roommates, really don’t much like one another. Forced to live with her rival due to family circumstances, Torayama is determined to beat Tatsumi., only she doesn’t. Annoyingly Tatsumi offers her the VP position, and they seem to have a truce. When at last Torayama is released by her mother to move into the dorm, she comes to the conclusion that she’s been very, very wrong about her rival. 

In the meantime, Shiramine has been told by her mother to move out of the dorm and come back home. Kurosawa supports her unconditionally, and the two move even closer than before. They are both getting very close to being people who could be in a relationship with each other and it be good for them. 

It’s been 8 volumes and 4 years and finally, I am able to see Shiramine and Kurosawa as a couple without having to squint too hard. I am now looking forward to their story progressing a bit.

Ratings: 

Art – 8
Story – 7
Characters – 7 
Yuri – 5
Service – 1 on principle only

Overall – 7

As a complete aside, have I mentioned that I really like the creative hairstyles Canno-sensei comes up with for this series? I do. It’s not that easy making a manga about girls in the same uniform that simple to differentiate. She does a really nice job with their hair. ^_^





Yuri Manga: Kiss & White Lily for My Dearest Girl, Volume 6 (English) Guest Review by Christian Le Blanc

July 4th, 2018

Hello and Welcome to Guest Review Wednesday, where we welcome back returning Guest Reviewer Christian LeBlanc! It took me a little too long to ask him to do this, especially as he is undoubtedly this series greatest advocate in North America. So, please welcome him, thank him and let us know your thoughts on this manga in the comments. In the meantime, the floor is yours, Christian!

Before going too far into this review, let me first declare my subjectivity, so you can keep this in mind while reading: I am a huge fan of Kiss & White Lily for My Dearest Girl. I get commissions of Chiharu and Izumi when I attend conventions. I proudly wore the 2018 Yuriten K&WL t-shirt while tabling at a con, as well as when I went to my local comic shop the morning this volume was released. I often listen to the drama CDs, even though I only understand about 5 to 10% of what is said. I have a playlist in my head of songs that I think “work” for certain characters. I celebrated when I saw my favourite couple ‘aged up’ for the Yuriten 2018 main illustration, because this confirmed they were still together years later. I loved a single chapter of Volume 5 *so hard* that Erica asked me to write this guest review for Volume 6. So when I say “Everyone should run out and buy three copies of this book!”, you should probably temper that advice and just buy the one copy instead.

So! Kiss and White Lily for My Dearest Girl, Volume 6, introduces us to Amane Asakura and Nina Yuunagi, who are in an open relationship – except Nina doesn’t really want it to be, but is scared she’ll lose Amane if she says anything about it. This is complicated by the arrival of Ryou Hiruma, who develops a crush on Amane (Amane has been helping her out with notes and chores while Ryou’s hand heals…and the crush is mutual). This is complicated even *more* when Nina and Ryou develop feelings for each other – poor Nina gets so twisted up with guilt and insecurity that she has a bit of a breakdown at Ryou’s place, where the gang all ends up meeting and hashing things out.

To put it in even simpler terms: since Nina wants to be in a monogamous relationship with Amane, she feels jealous when Amane and Ryou start getting close, and ashamed when she, also, starts to develop feelings for Ryou.

I was hoping this review would help me ‘get’ their relationship and enjoy them more, but the opposite happened. As interested as I was in reading a story about polyamory, the more I re-read this section, the more I’m convinced that this is a very unhealthy depiction of one. Nina would be a sympathetic character, except she shoves Ryou into some wet garbage, has murderous thoughts towards her right after, and forces a kiss on her later when she starts to develop a (one-sided, at this point) crush on her. Amane would be sympathetic, except when Ryou tells her about the pain Nina is in, Amane takes it personally and gets mad at Nina for not being honest with her. And for her part, Ryou doesn’t tell Amane she wants to get closer until after Nina tells her to back off, allowing ‘spite’ to be a motivator in her relationship with Amane.

Our trio achieves perfect equilibrium by story’s end, and maybe they’ll all be happy together from here on out after they’ve had their touching heart-to-heart, but I can’t help thinking that as soon as Amane falls for someone outside their circle, their happiness will vanish into thin air faster than a fart in a hurricane.

In contrast, returning heavyweights Chiharu Kusakabe’s and Izumi Akizuki’s relationship is much stronger and healthier, and much more fun to read. Izumi wrestles with the concept of polyamory after receiving a flower from Amane (this happens early in the book, before Ryou even appears), but ends up charming the hell out of Chiharu when she gets caught returning the flower (in any other series, seeing your girlfriend handing a flower to someone else would result in chapters and chapters of drawn-out misunderstandings; Canno’s abundance of new characters forces her to abandon these clichés in order to keep things moving, which I find really fresh and appealing). For her part, Chiharu gets a surprise visit from her former crush Hoshino-senpai, forcing her to deal with the last of her lingering feelings towards her, which culminates in a beautiful scene between her and Izumi. We also get a mini-chapter with these two at the end, as well as a very quick check-in with the other couples from the series. There’s even a 4 koma that shows how Ryou hurt her hand, revealing herself to have been the reason Chiharu had to attend an emergency disciplinary committee meeting and be late for her date with Izumi (Canno puts a *lot* of thought into her linking elements).

If you didn’t like Chiharu and Izumi from Volume 2, I don’t know that this volume will turn you around on them. If, however, you’re on the right side of history and swoon over the cute interplay between Izumi’s boundless affection and Chiharu’s cool, sarcastic exterior that hides a painfully shy but deeply loving interior, then you’ll love this book. I think it’s fantastic whenever we get to see a couple being a couple – so many romance stories are about characters falling in love; we don’t get nearly enough stories like this about people just *being* in love.

There’s a really sweet moment where Chiharu tells Izumi the reasons why she’s late for their date – Izumi is stung, but she falls forward into Chiharu’s shoulder for comfort, instead of turning away in anger. That one small detail is incredibly touching to me, as is Izumi’s trust in Chiharu when she realizes, hey, she didn’t do anything wrong (it just took her by surprise).

There’s one even smaller detail which I think is even more important, and possibly more affecting. At one point, Izumi thinks to herself: “Like in a tv show, you have just this one special person…and they tell you you’re special too…maybe this thing with me and Senpai is the same old story. Someone somewhere decided on the ‘mold.'” To Izumi, her relationship with Chiharu is the most natural, normal thing in the world, because of course it is, and I love seeing anybody feel that way. I don’t know if Canno intended it to be such a powerful beat (Izumi’s only thinking it because she’s mulling over Amane’s proposal of polyamory, which Izumi had never thought of before), but it’s right up there as one of my favourite moments in comics, and I think it’s perfect that this was published in time for Pride Month.

Ratings:

Art – 10 (Very fittingly, the only rough spot is when Amane, Nina and Ryou have a group hug)
Story – 10 (I averaged 6/10 for Amane’s, Nina’s and Ryou’s section, and 14/10 for Chiharu’s and Izumi’s section. You know, to be fair and impartial.)
Characters – 10 (see above)
Service – 3 (There’s a topless scene, played with zero salaciousness, which I think is neat; no, I rate this a 3 just for the expressions on the faces of Chiharu and Izumi when they kiss)
Yuri – 10. “How on earth did they let you in high school?” Chiharu asks Izumi; because she tested so highly in Yuri, obviously, which is the most important pre-requisite for attendance at Seiran. Now that I think of it, even the cats outside the school are probably in a Yuri relationship: “You’re so cuddly. Cuuuuute! Maybe you’re sisters?” Oh, Nina. You’re so naive.
Overall – 11, and you should buy three copies.

Erica here: As it happens, I love this volume. In a series that for me is cut, rather than meaningful, this volume stands out as a really excellent and important volume. I liked it in Japanese and generally consider it to be my favorite volume to date.





LGBTQ: My Solo Exchange Diary (English)

June 12th, 2018

Back in February, I reviewed Hitori Koukan Nikki (一人交換日記), the sequel to Nagata Kabi’s breakout hit essay manga, Sabishi-sugi Rezu Fuzoku ni Ikimashita Report (さびしすぎてレズ風俗に行きましたレポ) , which was translated as My Lesbian Experience with Loneliness. Now the sequel is out in English from Seven Seas as My Solo Exchange Diary, and I wanted to sit down and take another look at it.

As I point out in my review of the Japanese edition, this volume revolves around Nagata-sensei’s need for human relationships and independent life as a whole individual and the depression and dysfunction which make it hard for her to have those things. And, as I’ve pointed out repeatedly since I read this volume, becoming famous for having created a brutally personal diary of one’s crushing depression isn’t going to be the thing that helps with that depression. Nagata-sensei is honest about her need for praise, her desire to build a healthy ego and her challenges in doing so. It can make for a frustrating, fascinating, hopeless and hopeful ride in this volume. 

Towards the end, she has a chance to finally make a connection with another human, someone who genuinely seems to like her, but she’s blocked by her essential inability to return that affection. This is not a character we are talking about – the is a real person living a real life. So, while reading the Japanese version, I felt hopeful that we’d see her able to reject what keeps her trapped, but after this last week, I’m reminded that we have no “cure” for depression and no matter what we hope, it may never get better. All we can do is hope that the woman behind the name “Kabi Nagata” can find a way out of this. And we wish for that selfishly, as much for ourselves and the next volume of this journey, as we do for her, which is perhaps horrible, but true.

Ratings:

Art – 7 It’s developed into a distinct style
Story – 8
Character – 9
Service – 3
LGBTQ – 7

Overall – 8

While talking with folks from Seven Seas, I commented that as I read this, I kept wishing there was something we could do for her. Short of thanking her for her honesty and courage, there’s little we can do, except root for her from a distance. 

Thank to Seven Seas for the review copy and congrats on having another best-seller. ^_^ Now I’d like Takemiya Jin’s and Nishi UKO’s work please.





Awajima Hyakkei Manga, Volume 2 (淡島百景)

May 20th, 2018

In Volume 1 of Shimura Takako’s Awajima Hyakkei (淡島百景) we take a look at the students of a school that sounds a lot like the school for a well-known all-female musical revue troupe.

Volume 2 explores the emotions and experiences of former students, graduates and top stars of the troupes and their legacies in regards to current students. 

The book is not particularly linear, and, like the previous volume, implies emotional and romantic relationships between students, rather than showing them directly. It also jumps around in some of the stories, showing us relationships between students, in and out  through years of knowing  – or not – one another. 

Like the first volume, it’s easiest read if each vignette is approached on it’s own as a standalone tale. Few of them have clear beginnings and endings and we often get sidetracked in the middle, which is pretty much exactly like life. 

In this volume, the strongest story was the shortest, a mere chapter in the beginning, about Kayo and Sana, a pair who might have been something important to one another in a different reality.

There’s a palpable sense of loss, or what might have been in this series. It’s as much about the things people don’t chose to say or do as it is about anything else. 

Ratings:

Art – 8
Story – Variable, averaging 7
Characters – 7, adults are often jerks
Yuri – 2
Service – 1 on principle

As a survey of “one hundred views” of a specialty school, it’s quite good for a weekend dose of melancholy.