Archive for the English Anime Category


Princess Knight Anime, Part 1 (English) – First Impressions

September 17th, 2013

rsdvd1378I’m currently reading a book on early 20th century Japanese girl’s literature and culture and the author carefully cautions readers to not interpret relationships through the lens of modern lesbian culture and I simultaneously thought, “Obviously” and “Screw that.” Obviously, because the girls themselves, living lives largely segregated from boys would not necessarily have interpreted their own forays into romantic, platonic love as “desire,” but screw that, because human nature does not change and some of those girls would have. I’ll talk about this more when I review that book, but it brings me to Princess Knight, Part One, from Nozomi/RightStuf.

I will not caution you to not interpret this cartoon in any particular way.

We know this was released in the late 1960s and we can see watching it, that it was heavily informed by Disney , Warner Brothers and Walter Lantz.  “Woop-woop-woop!” is the soundtrack of my youth, in many ways.  My youth, which, btw included Bugs Bunny cross-dressing as Carmen Miranda.

The Princess Knight TV series is new to me. I have seen the 3-episode series, but never the 1967-8 version. So, as I’m watching this release of Princess Knight, I’m honestly surprised at how much of a transgender narrative the beginning is. A Prince who is a girl, reminded at every turn that her life doesn’t match the gender role expectations of her body – and hounded by people who want to expose her. Wow, was I made uncomfortable by Duralamin and Nylon in this cartoon – far more than I was in the manga. Her mother rags on her to remember she is a girl, and not to forget herself, while her father rags on her to be a perfect boy. And *everyone* ignoring the fact that she is really quite fabulous as she is – a brave and strong and independent girl in pants.

As with Riyoko Ikeda’s Claudine, I can’t help but wonder if Sapphire might have been satisfied with her sex if she was given the privilege, position and power she deserved. And this is exactly why I call BS on the “don’t interpret it” cautioners. Why wouldn’t we interpret and discuss this through our own lenses? Isn’t that why we’re here, talking about this stuff in the first place?  There are a lot of ways in which this story would not have conflict – if the Kingdom wasn’t entailed to a male heir; if Duralamin wasn’t evil; if Sapphire was content to be a boy all the time and never deviated from the script. But instead, Sapphire wants the privilege of being a Prince, with the chance to indulge in the role of Princess, and to be left alone to be who she wants to be. It’s pretty obvious that, like Erminia after her, the idea of being Queen to some King  who will protect the country, never enters her mind as a pleasant option.

Let’s fully engage in interpreting Princess Knight through a modern lens. Is Sapphire transgender? Is she a cross-dresser? Is it merely because she is robbed of the ability to live and rule as herself that she indulges/delughts in dressing as a boy? Is she someone who now might consider herself genderqueer? My feelings are that she’s perfectly happy with the body of a girl and the privilege and independent life she gains as a boy. A happy tomboy who would be just that much happier if everyone got off her case. Your thoughts in the comments, please. ^_^

Ratings:

Art – Infamously low quality, but I was alive in ’67…what wasn’t low quality?
Characters – Pastiches of tropes of archetypes
Story – Rather more uncomfortable-making than I expected

Overall – 7

Thank to the generosity of TRSI for this review copy, And thanks to them,  I have 2 copies of this DVD to give away, so if you want to ponder the “do not ponder”ables of watching a 50 year old story with modern eyes, put your name and country next to you comment to win the set!





Vividred Operation Anime (English) Guest Review by Jennifer L.

September 4th, 2013

vividred

Welcome to another exciting Guest Review Wednesday! Today’s special treat is a review by Jennifer L. Once more I say this, with feeling, Okazu readers are the best. You make this blog better in a million ways. Thanks to Jenny and thank you all for reading. ^_^

Aniplex USA recently launched a new partnership with Hulu (subject to region limitations, of course), which has led to numerous new anime series being released through that streaming service. One of these is Vividred Operation, a magical girl / sentai anime with heavily-implied Yuri elements. The series centers around second year junior high school student Akane Isshiki, a papergirl with a flying bicycle, a little sister who acts as the adult in their family, and a mad scientist grandfather. In the first episode, we learn that the grandfather, Kenjiro Isshiki, developed a zero-point energy reactor known as the “Manifest Engine,” which now supplies 95% of the world’s energy needs.

All is not sunny, however, because seven years ago, the reactor (built on an artificial island off the coast of Tokyo which clearly owes design inspiration to Shimizu’s “green float” paper study) overloaded, killing Akane’s father, and seriously wounding her mother, who is still in the hospital throughout the series. The incident admitted an extradimensional alien force, the “Alone,” to the world. The powers that be, however, refused to believe in the Alone, and blamed Dr. Isshiki for the incident. Isshiki, we learn, has been preparing ever since then to fight the Alone when they inevitably return to try and destroy the Manifest Engine again… which they do in the first episode. How has he been preparing? By creating “pallet suits” keyed to his granddaughter Akane, which run on the “Vivid System” to make her (and eventually, her friends) into superheroines, of course!

There is plenty to dislike in this series. The characters are relatively two-dimensional, with the initial emotional problems they have quickly erased by the power of friendship. Fan-service abounds: virtually every shot in which we look past a character is a butt /crotch shot… many of them lined up so that we’re looking between a character’s thighs at whatever she’s looking at. There’s at least one Magical Girl transformation in each episode, which features lingerie-clad early-teen girls looking awfully happy to be getting suited up in their pallet suits. In addition, however, there’s a secondary transformation which occurs, in which two of the girls “dock,” combining into a single, more powerful version which has large, bare, bouncing breasts as she gets suited up.

There’s also a lot of “but never mind that,” going on. The alone came through seven years ago, but waited for our heroines to get old enough to fight them before they attacked? Well, never mind that. Dr. Isshiki is in disgrace and making no money, so his granddaughter has to work multiple part-time jobs to support the family, but somehow the mad genius has the money to create the pallet suits? Well, never mind that. Dr. Isshiki’s work on the pallet suits comes to fruition in an explosion which “somehow” transfers his conciousness into a stuffed animal? Well, never mind that. Dr. Isshiki, now in a stuffed-animal body, can somehow move, talk, and needs to eat and drink? Well, never mind that.

In spite of these drawbacks, I find myself very much enjoying the series. Interestingly, other than Dr. Isshiki himself, males essentially don’t exist within the series. They appear on screen from time to time, have a line or two, and then disappear, never to be seen again. This series is all about the Girl Power. The executive director of the Manifest Engine is a woman; her secretary / assistant is a woman. The Japanese Defense Forces pilot who becomes the heroine’s contact with the Establishment is a woman. And, of course, the heroines and the anti-hero are all junior high school girls.

There are strongly implied Yuri elements. When the Mad Doctor tells Akane and her best friend Aoi that they can / have to “dock” to become stronger to fight the Alone, and that the docking is accomplished with a kiss, Akane is puckered up and ready to go… with Aoi being initially hesitant, but then falling into the plan when Akane talks about how Aoi’s friendship makes her “tingly all over.” The two friends embrace in their underwear, and become one.
There is some interesting word play going on with the character names. Akane means “madder” in Japanese, and madder is a root used to create red dye. Aoi, her best friend, has blue eyes and blue hair, and Aoi of course means “blue.” The third girl to get a pallet suit, Wakaba, has a name meaning “young leaf,” and as you might guess, is the green member of the team. Fourth comes Himawari, “sunflower,” who becomes the yellow heroine. Each of these girls in turn “docks” with Akane to become an older, more powerful version of herself to defeat an Alone. Later in the series, Wakaba and Himawari develop a secondary intense relationship between themselves as well.

The series hits all the tropes of the Magical Girl series, almost as if checking them off on a list. I can’t decide if it’s deconstruction, pastiche, or just laziness on the part of the creators, but if you like that kind of thing, this is just the kind of thing you like.

Art – 7
Story – 3
Characters – 3
Yuri – 3
Service – 9

Overall – 5

Bottom line on this series: I’m enjoying watching it, but if Final Fantasy XIV wasn’t constantly overloaded to the point I can’t log on, I probably wouldn’t have watched the whole thing.

Jennifer Linsky is a nurse in North Carolina. More of her writing can be found on Jenny’s Blog Thing of Doom.

E here: Fantastic review, Jenny! Thank so much. To your point about it seeming like they used a checklist…you’re not imagining it. There are a number of fandoms that really, actually do checklist. (If the tsundere character isn’t twin-tails and a rehead, the series is no good. Or if the series doesn’t have a dashing blond, a brooding dark-haired guy and shota character, it’s no good.) They do it so they hit most of the main fetishes of the intended audience, of course.

One last note: the series is also streaming on Crunchyroll, and will be ad-free if you have an account.. Thank you again!





Hyakko Complete TV Series Anime, Disk 1 (English)

August 29th, 2013

When I was asked if I’d like a copy of Hyakko, Complete TV SeriesHyakkoCTS I believe I replied something to the effect of, “Yeah, I vaguely remember it being Yuri-sh, but I don’t remember what or why.”

Now I have watched the first disk and I remember what, but there may be no answer for “why?”.

Hyakko, an anime that is obviously based upon a 4-koma gag manga, is set at an absurdly large school. The apparent protagonist is Ayumu, who is immediately soppy enough not to threaten the audience for whom this comic is presumably intended.

Ayumu runs into snooty Itsuki, who is also lost in the preposterously large school. They then encounter Torako who is the hyper-energetic, slightly cool until she speaks, force of chaos type and her nearly-silent, always eating friend, Saotome.

The themes of each segment are the typical for school life gag comics; school clubs, uniform checks, school life stuff, etc., with   bwa-wa-waahhhh~~~  humor predominant.

Yuri comes in the form of class representative Andou Nene, a flamboyantly odd girl who leers and drools over the other girls in the class. Underneath her general perviness, she might possibly even have an actual interest in Torako, but that is well beside the point.

Ratings:

Art – 6
Story – 3
Characters – 3
Yuri – 3
Service – 5

Overall – 5

As I watched Disk 1, I had the image of the staff on this being told about it and all reaching for cigarettes, sucking them down in one breath and sighing.

Sometimes Hyakko is marginally amusing, but not usually during the punchlines.

Here’s the funny part of this review – after damning this series with faint praise, I have an extra copy to give away! If you promise to write a review of Disk 2, I promise to send it to you! Name and country in the comments to win. Entering is a commitment to write  a review of Disk 2, ‘kay?  ^_^

Thanks to TRSI for this review copy – and for the give away copy!





Crowdfunding begins for Riyoko Ikeda’s ‘Dear Brother’ Anime on Animesols

August 12th, 2013

AnimeSols announced the beginning of Round 2 of crowdfunding for classic anime DVD sets yesterday, Japan time. With several sets already funded (Creamy Mami,  Black Jack) they started round 2 off with a bang that’s sure to please classic Yuri fans – Riyoko Ikeda’s  melodrama Oniisama E, Dear Brother.

AnimeSols is streaming the anime (which is also available legally on Viki.com), Episode 1 is up already (region limitations may apply.)

Crowdfunding is open until November and it’s off to a strong start already, with a very decent chance of being 1/4 funded by end of the first day. (Of course I have already pledged. I love this series for all its crazy. Here’s my first review of the series and my most review of it. I make no apologies about my feelings about Saint-Juste. ^_^

I feel completely confident that all the Yuri and Shoujo fans out there will make this happen. We already have Rose of Versailles. I can’t think of anything better than sitting Dear Brother right next to those. ^_^

Please share the news with your mailing lists, Tumblrs, Blogs, Groups and the like. This is one of the oldest classic Yuri anime we’ll ever get a chance to own. ^_^





Rose of Versailles Anime, Part 1, Disk 4 (English)

August 8th, 2013

The final disk of part 1 of  Rose of Versailles is SO. FULL. OF. MELODRAMA.

The thing about Rose of Versailles is – we know going into it, there really can’t be too many happy endings. If we know anything about the French Revolution, we know that most of the people we are following on the screen will be dead or exiled by the end of the story. But knowing that there will be one happy ending and one alone does not make it any nicer as we watch the universe kick Rosalie around a bit for no reason. Even obnoxious little spoiled Charlotte goes from oppressor to oppressed.

Honestly, I would wonder how the leaders of the country could have been so blind, but then articles like this one pop across my desk and I shake my head and stop wondering.

The art remains as hyperbolic as the plot, but every time I think it’s all just too much to handle, I check Wikipedia, to find that that bit was actually more true than not.

Oscar faces her own conflicting desires and puts them aside for duty…again. And we watch, wishing we had an Oscar we could call on to explain their duty to our nobles. She’s too wonderful. Far too wonderful to be real.

Ratings:

Art – 8
Story – 9
Characters 9
Yuri – 1
Service – 3 (Oscar in formal whites!)

Overall – 8

Next up, Part 2 and the Affair of the Necklace. I don’t know if I can do it….