Archive for the English Anime Category


Serial Experiments Lain Anime, Disk 1 (English)

July 24th, 2013

lain coverIt did not come as a surprise that Yoshitoshi Abe’s series Serial Experiments Lain has never been reviewed here on Okazu before. It predated the creation of Okazu by hair.  I have not seriously considered the thing for…well, more than a decade.

So here I am watching Serial Experiments Lain for probably the first time since 2001 or so. ^_^ The new DVD/Blu-Ray combo from Funimation has graphics of high enough quality to really show off the best – and worst – of what was cutting edge animation at the time.

Back in the late 90’s, early 00s, Yoshitoshi Abe was making a big name for himself. His drawings were dream-like, his stories ambiguous and rich with symbolism. In Haibane Renmei he explored what was interpreted by most as an afterlife and in Lain, he took a look at the still-new-to-consumers world of the Internet.

Serial Experiments Lain follows middle-school student Ishikawa Lain, a girl who appears to be fairly disengaged with her own life. When her father buys her a computer, she begins to change. Or that’s what all the synopses say. But that’s not what I’m seeing. I’m watching a story about three different Lains – one out of touch with her own life, one fully engaged in a virtual existence and one making the transition between the two. On Disk 1, at least, there is little linearity or continuity between these three Lains, and they are so different that we can identify them instantly by clothes, bearing, voice and actions.

We initially meet the first Lain, a dead-eyed tween, with not-quite friends. She’s naive, slightly disrespected by the people she hangs with, with the exception of Arisu, a classmate who acts like an older sister.. Her classmates swear they saw her at a club in town, which seems impossible. Her father buys her a computer, and she’s introduced to The Wired, a sort of meta-virtual world that we haven’t quite achieved yet; that cyberpunky Second Life where we’re all club-going cool kids and the drugs are weirder and even more dangerous than they actually are. Lain is already known in this cyberscape, although she has just entered it.

Drugs, swirly colors, psychos, clubbing, techno music…we must be in a cyberpunk story! And there’s Lain, in the iconic image , where our naive little protagonist is suddenly cool, modifying her computer with all sorts of exciting features that require massive cooling systems and giant hanging pipes designed to make computer geeks of the time jealous.

lain-image

But wait…suddenly an occult-horror story intrudes, and a prophecy written in blood becomes a feature of the story. And in the middle of  bizarre, distorted images of faces too close to a camera that isn’t there and words being said but not understood, Lain’s family may or not be real and Lain suddenly morphs from transitioning Lain into Lain of the Wired, the cynical, meta-Lain, denizen of the cyberworld who is being tracked by guys in black suits. The only person in all three continuities who care about Lain at all appears to be Arisu. She can see when Lain is “different” and she’s very, deeply worried for Lain, but clearly has nothing but her care and worry to give.

To say that Lain is a messy narrative is an understatement. One hardly has time to get used to the tropes of one genre before we’re thrust into another. The sidetrack into occult horror really killed the momentum of the cyberpunk stuff, and the black helicopters conspiracy seems bizarre, when it’s so layered with male gaze junkiness out of the blue that leads nowhere.

About Episode 5 (aptly named “Distortion”) my attention just began to wander. I began to note the symbolic use and non-use of color and super high-contrast light and sound in the backgrounds – which is when I came to my conclusion about the three Lains: There are three non-linear Lains, but only one of them is the protagonist.

Check back for Disk 2 and whether I’m on the right track. ^_^

Ratings:

Art – 4 The character art does not hold up, but the concepts of the art do
Character – 5
Story – Which one? 4-7 depending
Yuri – 2 Whether you see “more than friends” between Lain and Arisu is entirely up to personal interpretation at this point.
Service – 4 Lain is very proto-moe

Overall – 5 I don’t remember the end, and there were some bits that were not good, but overall it’s interesting, so I’ll split it down the middle for now.





Rose of Versailles Anime, Part 1, Disk 3 (English)

July 19th, 2013

The third disk of part 1 of Ryoko Ikeda’s Rose of Versailles=AAARRRRGHHH.

If you had asked me what my impression of the Rose of Versailles anime was before the new release, I would have said that it was “good, but hard to watch.” Disk 3 is a perfect embodiment of why.

“The nobles make up only 4% of France. Their lifestyle is supported by the other 96%.”

“The majority of that 96% are poor and starving, unable to see a doctor when they are sick!”

Doesn’t that sound too painfully contemporary to be comfortable? It’s *way* too close to truth to be comfortable for me.

I squirm in discomfort at Marie Antoinette and the nobles, I am pained for Oscar, I’m homicidal on behalf of Rosalie and I’m more sympathetic than I could ever have imagined to Robespierre’s cause. And I’m frustrated beyond my ability to express that our 4% is doing the same exact things that the French nobility did. I find comfort only in the fact that while rampant greed and hatred by government still exists, and life is still cheaper than it ought to be in the world I imagined I would be living in now, at least statistically speaking, the world is less violent than it ever has been. Cold comfort.

Oscar fights a duel and I can’t even enjoy how cool she is.

Art – 8
Story – 9
Characters 9
Yuri – 0
Service – 2 (Oscar’s new uniform isn’t as cool as the all-white one.)

Overall – 8

The only redeeming moment, is Oscar saving Rosalie. This will bear fruit later, but otherwise this disk is tsk, dammit and AAARRRRGHHH.





Rose of Versailles Anime, Part 1, Disk 2 (English)

June 30th, 2013

The second disk of part 1 of Ryoko Ikeda’s Rose of Versailles, is chock full of court intrigue and setting up the story by introducing many of the players in upcoming episodes. Oscar is now captain of the guard to the impulsive, vain and child-like Marie Antoinette. While she admires her Queen’s faithfulness to her emotions, Oscar is very well aware of the fact that those emotions unchecked will lead the people around her to disaster.

Madame DuBarry might have won the battle, but she loses the war. When the King dies she has no allies, no resources and nowhere to turn. By the time she leaves Versailles, she’s already an afterthought. Kids, this is why when you sign on to a start-up, make sure your exit strategy is in the contract.

Almost immediately we move on – two skeins will combine to create one tragedy. A poor family; a good daughter and an evil daughter, and a doomed love affair will set the scene for the next disk. France, as the narrator keeps pointing out, is heading towards a crisis.
Ratings:

Art – 8
Story – 9
Characters 9
Yuri – 0 (So far. Wait for it.)
Service – 5 Oscar swearing to die for Andre and Marie was pretty service-y

Overall – 8

In my 21st century reboot of this story, Rosalie is a hard-working college student and Jeanne is sleeping her way up a corporate ladder. ^_^ I’m taking bids, cable TV networks. This will be a hit!





Rose of Versailles Anime, Part 1, Disk 1 (English)

June 17th, 2013

There is no question in my mind when I call Ryoko Ikeda’s Rose of Versailles a classic. Historical drama is always “timeless”, but centuries after the French Revolution and decades after the debut of the anime, we are still compelled by the story of Lady Oscar Franciois de Jarjeyes and her Queen, Marie Antoinette. Now that Part 1 has been released by Nozomi/RightStuf, there are synopses and reviews all over the place, I reviewed the series once, way back in 2004. The story of the French Revolution is well-known. ^_^ I will confine myself this time to talking about the captivating and charismatic lead of the series – Oscar.

We begin the anime introduced to the peculiar circumstances of Oscar’s upbringing, raised as a boy although her sex is not a secret. With  this simple plot device, Oscar is disassociated from her predecessor, Princess Knights Sapphire. No one is being fooled by Oscar, everyone is content to take her as she appears – young, beautiful, as talented at sword fighting as any man, a natural leader who just happens to be a girl.

So, it struck me very hard that, in the first disk, both her father and Andre’ misunderstand Oscar so badly.

Her father hears Oscar reject the role of Captain of the Royal Guard and takes it as a personal insult. His argument is “Don’t you understand what you’re doing to my reputation?” But of course, she doesn’t care – and why should she? He doesn’t care about her. That much is obvious when he chooses a life and a name for her. Her father is clearly using Oscar as a pawn in his game. This is not to say he isn’t proud of her accomplishments (and, no doubt takes credit for her looks and athleticism, as well). To some extent it’s understandable that he has no idea who she is – what father knows who his 14 year old daughter is?  And so, while he completely misunderstands, even when she tells him she does not want to “babysit a girl”, he can be vaguely forgiven.

But Andre’. He has been by Oscar’s side from the time they were small. Surely he understands that Oscar is not objecting to the position or the life of a soldier, but being relegated to caretaking a *girl*? Apparently not, because as she rides away, he calls out to her, telling her that this is her last chance to regain her womanhood. I gaped at his cluelessness. But then, he’ll be clueless about a lot of things for a while yet to come.

What makes Rose of Versailles work as a story once the characters are established and they get to Versailles,  is that it is laid out with plausibility. So plausible, in fact, it came as a shock to learn how much Ikeda’s characterizations deviate from reality. I have tremendous sympathy for both Marie Antionette  and Madame du Barry and would love to see a story built around them that cast them in the roles of celebrity and CEO respectively, to see how their story might play out in the 21st century.

Speaking of 21st century, let’s look at how distance makes us see Oscar differently than she might have appeared when she debuted in the 1970s. Ikeda writes her without any recognition of the influence of the Church on things such as gender roles, but then it had been more than 300 years since Joan of Arc was killed in France and Europe was fully engaged in the Age of Reason. So the Oscar we see in the anime is a girl raised as a boy and who is both capable and competent enough to wear the privilege she has been given. At no point in time in Disk 1 does she appear to pine away for more feminine accouterments, nor does anyone attempt to shame her for her appearance or position. We, from our distance from the Revolution (and from  the original manga and anime) can look at Oscar’s adaptation of the male role and argue whether we might consider her merely cross dressing or transsexual (and later we can argue a bit about her sexuality, as well, for fun. ^_^)

What I think is plain is that Oscar, with her white uniform, represents a kind of ideal, a “pure” nobility. She believes in her word and in the social compact. The excesses and politics of Versailles repulse and bore her, but she will do everything she has to to do to do her job as well as it can be done. Here in Disk 1, the theme of “Duty” is established and this concept, more than anything else, will drive the rest of the story.

I’m reminded once again that I can only take a little of Rose of Versailles at a time. Like Oscar, I prefer to be out in the field or woods than watching court gossip. ^_^ But you know, once I started watching this story again, I’m also reminded just why it’s a classic. It’s that good.

Ratings:

Art – 8 Strongly 70s. Gotta love those eyes.
Story – 9
Characters 9
Yuri – 0
Service – 6 Even the women of the Court know Oscar’s uniforms are all service, all the time. ^_^

Overall – 8

When much of what we like in anime now is long forgotten, Rose of Versailles, and the drama of the French Revolution, will remain.





Yuri Anime: Sweet Blue Flowers / Aoi Hana Disk 3 (English)

June 6th, 2013

swbDisk 1  is about beginnings and Disk 2 is about endings.  I’d sum up Disk 3 of Sweet Blue Flowers as somewhere between “what does not kill us makes us stronger” and “time heals all wounds.” Disk 3, is, in fact, about growing up and moving on.

Sugimoto’s sister’s wedding has arrived and with it, the house of cards that Yasuko has built must begin to crumble. When she tries to have it all work one last time, Fumi does something that won my wholehearted admiration when I read it the first time – she tells her to get lost. Not like that, of course, Fumi is kind, but firm, telling Sempai to learn to move on gracefully. Which is what Fumi then does.

To move forward, Fumi turns her thoughts backwards, setting in motion the remaining volumes of the manga. Knowing that very shortly the series will come to an end, I wonder if Fumi and Akira can both move on gracefully – and I absolutely hope they will. The end of the anime reminds me that the friendship between them is a good one. I’d hate to see it end.

I do have one complaint. The translation for Fumi’s lines in this last disk lost her “voice” entirely. She sounded exactly like Akira who sounded like Shinobu. In other words, everyone sounded like a 20 year-old guy. Fumi’s language is very pretty – she’s soft-spoken in voice and words. Akira sounding like Shinobu is one thing – she’s kind of mean to him, but Fumi? It could have been worse, but it could have been better.

This anime  is beautifully animated, well-acted by some newcomers to the voice acting world. It was strongly written and has pretty much set a standard for Yuri anime for many that is going to be very, very hard to beat.

I’m once again thankful to Nozomi/Rightstuf for bringing it over and to all of you for supporting them and buying the series. Now we need anime to roll around through the current non-Yuri phase and pick up something of interest to us once again. ^_^

Ratings:

Art – 9
Story – 10
Characters – 10
Yuri – 8
Service – 3

Overall – 10

Whether we want to move forward or not, this disk reminds us, the rest of the world will not stop for us. ^_^