Archive for the English Anime Category


Kurau Phantom Memory Anime, Volume 2 (English)

February 13th, 2008

Pacing isn’t something I’m likely to notice in a show that I’m watching weekly. There’s a certain amount of repeated footage and dialogue that one expects in anime – as a cost-cutting measure if for no other reason. But in all sincerity, Kurau Phantom Memory, Volume 2, is one of the best-paced volumes of anime that I have ever watched.

Volume 2 starts in an oddly dissonant spot in the narrative. Kurau and Christmas are on the run from the GPO, but we see them sort of settled in again while Kurau fights off the aftereffects of her most recent fight. Despite the brief illusion of comfort, it becomes instantly apparent that their lives cannot and will not ever be quiet and settled again. They are still on the run, whether they – or we – like it or not.

Doug continues to be a Good GuyTM and helps Kurau and Christmas find haven for a short time in an obscure village. Kurau’s father’s former partner’s obsession with capturing Rynasapiens, and the GPO’s desire to suppress Kurau and Christmas almost ends in tragedy, but they manage to flee, just ahead of their pursuers. We learn that Kurau is getting stronger, as her desire to protect Christmas grows.

We see Kurau’s father, a sad old man who has to deny his daughter’s existence, and learn Ayaka’s painful backstory. Christmas’s own Rynasapien powers begin to awaken. And we learn that Kurau’s body appears to be functioning as a gateway for the Rynasapiens to return to their own world.

All of this is told in rapid-fire, incredibly well-paced episodes. With an excellent soundtrack and sticky opening and closing themes.

Extras are a “File Case” full of interesting staff and cast notes (and now I wonder if Vol. 1 should have had one of those, too…. Since this was “File 2”.) I still like the new art for the DVD cover – it lightens up a pretty heavy, dark piece of art.

Kurau and Christmas appear – to me at least – to have settled into a sisterly relationship. For the moment I don’t get any Yuri vibe from them. The cover art is probably the Yuriest thing about this volume, really. But I know some will see it regardless – after all, they do stand next to each other quite a lot. ^_^

Ratings:

Art – 8
Story – 8
Characters – 8
Music – 7
Yuri – 1
Service – 1

Overall – 8

I can’t help but be amused at my enjoyment of this anime…I am very cognizant of my previous reaction to the series’ end. I’ve been informed by “Friend of Yuri” and sponsor for today’s review, Ted (and btw, thanks Ted!!) that that he’s reluctant to get me the last volume given the fact that he already knows how much I hated it the first time. I sympathize. I’m reluctant to get it for myself, too.





My Zhime (My Otome) Anime, Volume 3

February 10th, 2008

Sincere thanks to Ted for sponsoring today’s review! Be a hero and sponsor a review of your very own by purchasing something off my Yuri Wishlist. You’ll get my sincere thanks, and the adoration of everyone who reads and enjoys the review. :-)

My Otome, Volume 3 is a total gyroscope of a story. You know how a gyroscope spins so fast that it looks like it isn’t really moving? That’s pretty much the feeling you get watching this volume of My Otome. Nothing is happening, but it’s not happening so fast that there’s an illusion that the story isn’t moving. Only, it is.

The first big exam for Otomes-in-training has arrived, and as is usual, the protagonist has no clue what anyone is talking about. Every else in Garderobe knows that this cross-country trek and cooking competition is a major portion of their grade – how Arika manages to not have heard of it even a little approaches a kind of genius. Sabotage strikes Arika and poor Erstin, and although they both survive, lots of nothing-really-happenings happen as a result. Sergey and Arika have a tense encounter, Nina starts to move her dislike for Arika out of “rival” into “person I most want to see die horribly” and Tomoe turns out to be Evil, and Psychotic. We’ve already seen evidence that she is a Lesbian, so we can add her to the list of EPLs.

The other main “nothing really happens” arc, actually explains a lot to us, the viewers, although just about none of the characters have enough pieces to put anything together. In a thoroughly predictable twist of fate, it turns out that Queen Mashiro, Nina and Arika all share a birthday. Huh, how ’bout that.

Mashiro meets and is befriended by the Prince of Zipang, Takumi, but as both are incognito, they just think that the other is a commoner. Arika (because of course, with all the graceful, accomplished and beautiful Otomes-in-training at Garderobe, the only one who could possibly take Mashiro’s place is the one bumpkin in the place) pretends to be the Queen, while poor Akira, who is already pretending to be a boy, now has to pretend to be the Prince of Zipang as well.

Shizuru proves that her gaydar is good and sees right through Akira’s drag king act. Later, when Akira *has* to use her mouth to give Takumi medicine, Shizuru is completely unflappable as everyone else reacts to what appears to be a m/m kiss by pointing out that that’s another type of love. So the Graceful Amethyst comes through like a seasoned lesbian. Points to her.

Important stuff does really happen in the middle of all this silliness and chaos. Among them, the development of a definite triangle between Nina, Sergey and Arika is probably the most icky-making, but it is pretty significant.

On the good side, we get to see Chie and Akane materialize. ^_^

It’s episodes like this that pissed off a lot of viewers. Where My HiME was, about this point in the story growing very serious, My Otome simply refuses to. I see that as a positive – we’re not being fooled into taking this more seriously than it deserves. But I can see where the humor wears thin, too. I will give it this – until Mashiro used Marie Antionette’s line about “let them eat cake” I’d never really thought about it as an expression, not of disdain, but of complete cluelessness. (I’m not in the habit of thinking about Marie Antionette much, I’ll admit.)

The one extra is bizarro world side story as Shiho “maki-maki”s everyone, causing much of the havoc that fills the exam arc.

Ratings:

Art – 7
Characters – 7
Story – 6
Music – 7 (I like the various materialize themes)
Yuri – 1
Service – 7

Overall – 6

My *only* complaint about the anime remains the same as was the first time. What complete ass makes girls trek cross-country in the woods wearing bloomers and boots? That’s just absurd. I hate the writers for doing that, and every single person who found that cute, sexy or otherwise in any way not completely dumb.

I’d also like to register a complaint with Amazon. PICK A SPELLING, for pity’s sake. My Otome, My Hime-Z, My Zhime. Pick ONE. Stick with it. Thank you. It’s like Ikkitousen all over again.





Burst Angel Anime, Volume 4 (English)

January 23rd, 2008

Slowly, slowly, I am working my way down the piles of items to review. This item sort of fell to the bottom of that pile with all the new incoming. My apologies to today’s sponsor, Daniel, for the delay.

Burst Angel Volume 4 is pretty much where the series lost my attention the first time around. I was having difficulty holding my attention on it this viewing, as well. Time after time, I had to stop starting a second thing while the DVD was playing. The story just sort of loses focus. Perhaps because BA is really a 13-episode series wearing a 24-episode season? I dunno. I’ll leave that to the philosophers.

The volume starts off pretty strong, with the end of the Osaka arc, complete with tragedy, loyalty, heroism and pride in Osaka that just bursts out of the screen. Thinking about it, if the Osaka arc has been lengthened by another episode, and the entire series was just that arc, I think I would have liked it better. Well, okay, the Bible Black rip-off arc was pretty good too. But the rest of the episodes…meh.

Immediately after the big bang full of sound and fury signifying nothing, we move into a series of filler episodes. The first of these is the backstory when Jo met Meg. It’s a little lighter-handed than the expanded OAV version of the story, so Meg remains a lovable incompetent with bad fashion sense and large breasts that jiggle. Jo saves her.

This is followed by a simply hysterical episode where everyone wears terrifying bathing suits and there is a big monster with tentacles. Meg gets nabbed. Jo saves her.

In the final episode we are treated to heavy-handed Jo-ness. Jo’s past – hinted at in her and Meg’s backstory – is catching up with her. She ends up joining forces with a samurai-esque guy to fight an out-of-control robot. And to be really, really honest, I can’t remember a single thing about this episode.

So, while the anime is in one sense heading towards a climax, the tension that draws *me* into a series has been lost. Too much filler between one arc and the other, maybe? Too much something, or not enough.

Yuri from here on in can be summed up as “Jo seems to be fond of Meg.” (You remember that line? It was from the official Vandread description of Jura. “Jura seems to be fond of Barnette.”) We’ve established just about all the relationship we’re going to get between Meg and Jo, and the series has shifted focus away from them as partners to Jo alone. And while there will be thrills and spills and shoot-outs and giant robots from here on in, somehow…it’s less compelling than the action that was wrapped around utter stupidity. Not *every* action series needs to have a plot. Sometimes we’re okay just watching Jo kick ass. We might even be willing to be kidnapped to have her save us. ;-)

Ratings:

Art – 5
Characters – 6
Story – 5
Yuri – 1
Service – 7 (someone came up with those bathing suits…)

Overall – 5

Last volume I said I was surprised how much I remembered. This volume I’m not surprised to see how much I forgot.





Yuri Anime: Simoun, Volume 2 (English)

January 19th, 2008

It’s “Hold the Presses” weekend here at Okazu! It is with much thanks that I review the second volume of Simoun today. The fantastic folks at Media Blasters got me a pre-press copy this time, so I could get a jump on this review. ^_& (That doesn’t get you out of giving me a real one, guys! )

Because this is a pre-street copy, I don’t have case, cover or the physical extras (or lack thereof) to comment on, but I’m still asking for all the cover art to be collected into a book or something for the final volume.

(February 25, 2008 Note: I received the street copy – thanks John! – and other than the pretty disk, there’s no physical extras.)

I was assured that some of my suggestions were taken into consideration for this volume. In general, I feel like the subtitling was more smooth all around, but still no romaji or kanji for the opening and ending songs. I’d *really* like to see that. It used to be the standard for DVD releases – when did that stop? No typos at all that I found. Well done! And did I mention that they keep the honorifics? They do. Write them and tell them that you prefer it that way, so they expand it to other titles.

The story of Simoun, Vol.2 is…compelling. Not good. Not interesting, or entertaining – compelling. I had to sit through the whole disk, because just watching one episode was just not enough.

The volume begins with Chor Tempest, now officially on milk runs, bearing up under the spiteful potshots from the other Chors, showing that they are still jealous of what was – and may once again be – the finest of all Chors.

Mamina arrives, with a belly full of arrogance born of desperation and Yun comes burdened with multiple layers of duty and guilt.

A peace conference brings hope, then tragedy, then hope again. And Dominura uses the time-honored tradition of shared suffering to bring out the best in her heterogeneous Chor. Traumatic events make Neviril recognize the one thing that she and Aer share.

I have a lot of notes from this volume, but the one thing I wanted to comment on is that Anubituf may well have put his finger on it, when he says that it might be better for Chor Tempest to not return to the Arcus Prima. I thought that was exceptionally insightful – and maybe even prophetic.

The final episode is so heavy with irony it seemed a bit overburdened and maybe not the best place to end the volume, but then…

The extras include a really fabulous commentary from the director and the artistic director/character designer. The director comments that he quite specifically wanted this series to avoid dramatic formula. So, the last episode’s ironies were laid down *purposefully* to be that heavy-handed. He wanted a realistic, yet contrived world, and one that had many things left unexplained. I was so pleased to learn that that had been done with a specific vision, rather than as some haphazard reflection of lack of time and/or resources. And there’s a couple of great revelations in this extra that would be spoilers, so I won’t share. Just do watch this, even if you don’t usually watch the extras.

The other extra, an interview with Parietta’s and Kaim’s VA would have been good, but kept being interrupted and cut short by the irritating “host” lollipop with eyes, a computer modulated voice and a rampant case of condescension.

Overall though, a slick and pleasant edition of *still* one of the best stories in anime. Now give me romaji/kanji lyrics and the remaining cover art and I’ll be happy. ^_^ It’s a great series.

Ratings:

Art – 8
Story – 9
Characters – 8
Yuri – 4
Service – 4

Overall – 8

Best scene? When Mamina and Yun arrive and Floe snarks that she’ll probably say something like Chor Tempest doesn’t live up to it’s reputation (translated as “is a letdown”) and the giggling when Mamina says it word for word. Very like a passel of girls, war or no. ^_^





Best Student Council Anime, Volume 6 (English)

January 8th, 2008

Best Student Council, aka Gokujou Seitokai, was never a Yuri series. It is, however, a series about love. And much love to Ted, the sponsor or today’s review! (And thanks, too, for Volume 5, which I did not review here, because there really was just nothing relevant to our interests…)

One of the things we’ve talked about on and off, here and on the Yuricon Mailing List, is the obsessive propensity for Fans of both genders to eroticize practically every relationship they see. The commonly held assumption is that this is because Fans tend not to have erotic entanglements of their own, even though that is not true. So why do we insist on seeing couples every where we look? I’ll leave the answer to the philosophers and psychologists among you. I just wanted to note that there really aren’t any couples in this anime. Just in our imagination.

Volume 6, the last of the series, is more about love than any of it’s predecessors. But the love here is the love of family, of friends, and the family you make with your friends – something that I’m sure a lot of GLBT people can relate to.

In Volume 6, we finally hit the wall we always knew was coming – Kanade is required to leave school and become the new Jinguji clan leader. This is apparently paramount to becoming Emperor, so that in order to function as leader, she needs to be locked in a box and “protected” by scads of black suits from ever leaving. Of course, the girls of the Gokujou Seitokai reject this idea. Individually, they leave the school to see Kanade, discover that they all had the same idea, and finally band together. They aren’t trying to rescue her – they just want to see her, they rationalize. Rino is, of course, the most vociferous in her wish to do so. But all the others, drawn by the common love of their leader, are glad to join her in her quest.

Because this is an incredibly silly comedy anime, need I say that their quest is successful? Probably not, but I do want to mention that in order to succeed every single loose end and tertiary character that ever appeared in the anime, reappears to help the Seitokai gain access to the Jinguji enclave. So Rein meets her father at last, and Sayuri’s rival appears randomly to help her fight, etc, etc.

Ultimately, it’s Rino who makes the difference, as her Jinguji power – the ability to transmit her voice and feelings vocally and telepathically – manifests fully. Thus dooming her to life as a member of this ridiculously elite family against her mother’s wishes. Pfft. And of course, because this series is what it is, they all get to bask in Kanade’s wonderfulness again.

The epilogue to the story is well summed up, by someone, Ayu, Rino, Puu-chan, I don’t remember. As Kanade “graduates,” then immediately installs herself as the chairman of the school, and Nanaho becomes the new Seitokaichou, and Rei and Sayuri run in screaming about an emergency, someone comments that it all looks exactly the same as before. Bwah bwah bwaaaah~ It’s meant to be funny, but I bet every viewer was vaguely relieved, because we don’t *want* anything to change. Then it wouldn’t be funny anymore.

This series showed wonderful examples of filial affection, maternal affection, family bonds, best friends to the point of being sisters, rivals who respect one another, sisterly devotion, peers who work together, adult female relationships, and respect and admiration for a beloved leader. And other than Kaori’s thing for Kanade, why do we insist that they are all couples?  Haha at us.

Ratings:
Art – 6
Story – 6
Characters – 7
Yuri – 2
Service – 4

Overall – 7

Two final notes. Despite all the above, I still see Nanaho and Kuon as a couple. Just wanted to say that. Secondly, I forgot to add Kanade to the list of Nabatome Hitomi characters that all hang out in the “fun idea, but actually a bad story” thing from a few days ago – so, Eriko, Nobue, Shizuma, Letti and Kanade,