Archive for the English Anime Category


Best Student Council, Volume 4 (English)

October 4th, 2007

Best Student Council, Volume 4 is silly. I know that that will come as a shock to you. But it is. The volume is subtitled “The Secret Lives of Students,” which is pretty accurate for the first three episodes.

The first two episodes are a two-part look at two students with secrets – covert squad member Kutsugi Kotoha and Covert Squad VP Ginga Kuon. Because Kuon’s secret (which isn’t a secret to either Kanade or Nanaho) is shocking, Kotoha feels that Kuon is a huge threat – and that she will no longer take orders from Kuon. Of course, it all works out, because Kanade’s secret is also really obvious. (Sorry if that seems a bit obscure. I’m trying to not spoil too much.)

Episode three is both the funniest episode and the most painful of the entire series. Cyndi’s mother is due to arrive and we all learn that Cyndi has been telling her a pack of (not very intelligent) lies, which the entire Council spends a lot of time and money trying to make come true. The best scene of the episode has to be when several of the council members are forced to hula dance as Cyndi has dinner. The episode ends with a stunning confession by Cyndi about her true love, which happens to be the only male member of the cast. The only non-human, as well. I particularly liked Cyndi’s mother’s vile and crude Japanese language skills which frequently had her saying the exact opposite of what she meant – and usually very rudely, as well.

The final episode is an exploration of the fragility of women’s friendships. I’ve been a bit mean the last couple of weeks about Japanese men, so just assume the rant and let me explain a thing. In most cultures, when a woman got married, she was taken to her husband’s house and basically, never saw the light of day again. This relic still exists in anime/manga in the seemingly bizarre idea that after a women marries she will never again see friends or be able to work or anything. It seems bizarre to us that women would simply have to stop working, but lots of them do, still.

All of this is to explain why the fourth episode is supposed to be “funny.” In this episode, the two teachers deal with marriage meetings and their friendship. The moral of the story is the assumed “women’s friendships are weak, because as soon as a man comes into their lives, they stop being friends.” That this was mandated by culture and law never seems to sink into the superior male’s mind. (It’s not like they’d make a saying “Women’s friendships are weak, because after we’ve screwed ’em, we put them in a box and never let them out.”)

The bottom line – I hated this episode, and I hate all similar things, like Doki Doki School Hours‘s “Mika-sensei’s getting married we’ll never see her again,” episode. Welcome to the 12th century.

For the technicals, as usual, there’s no extras worth calling extras on the DVD and the case…well it has a case. ^_^

But aside from the irritating premise of the last episode this is another funny, silly disk of Best Student Council. With some serious Kuon time.

Ratings:

Art – 6
Story – 6
Characters – 7
Yuri – 2
Service – 4

Overall – 6

Not a lot of Yuri, but some good Kuon service, which has to be worth *something*. ^_^





Yuri Anime: Kashimashi Girl Meets Girl, Volume 2 (English)

September 24th, 2007

The subtitle of Kashimashi Girl Meets Girl, Volume 2 is “Triangles Hurt” but what it really ought to be is “Tomari lies to herself, then stops.”

Because that’s what this volume is about, mostly. Tomari, having seen Hazumu and Yasuna kissing, jumps to the obvious conclusion that that kiss was sealing a deal between them. Hazumu liked Yasuna and now, for whatever reason, Yasuna returns the emotion. Except….

Tomari berates herself for dragging up old memories of lil’ Hazumu and she talking about getting married, and berates herself more for being jealous of Yasuna. She pretends to be happy for Hazumu, but is obviously being eaten up inside.

After a day at the beach, in which Yasuna does everything she can to include Tomari as a friend, Tomari has to finally be honest. As much for herself, she tells Yasuna that she likes Hazumu, too. And in a moment of gracious acceptance, Yasuna acknowledges her as a rival. I liked that quite a bit – so different from the usual snarky girl “you’re not worth me being worried” kind of thing. Also, completely unrealistic, but hey – aliens, spaceship in humanoid form, duh. If we’re going to look for realism in our Yuri, *this* is not the place to start. ^_^

Having admitted her feelings to herself, it’s a short step across a wide chasm for Tomari to admit her feelings to Hazumu. Surprisingly, it’s Hazumu herself who creates the opening, by bringing up the same memory that Tomari had been mulling over in the beginning.

We step aside from the main story a little to learn that Ayuki has no intention of ever telling the person she likes about how she feels. This will be the third time I have watched this episode and I’ve read it twice (once in each language) and I still think it looks like she likes Hazumu. I wonder if the mangaka started off with the harem idea, then changed courses for some reason.

This digression leads into our final episode of the volume in which we learn that Hazumu has a terminal case of the SPCD decideritis. She can not and has never been able to make up her mind. And there is still some small part of my soul that thinks that the fact that this is a plot complication is sad. (Aliens, Erica. Spaceship. Right, right….)

So at the end of the volume we’ve all moved forward into square one. Or should that be “triangle” one? Now, at least, all are clear on the landscape – Yasuna and Tomari both like Hazumu and Hazumu likes both of them and cannot decide between them. An admittedly difficult choice. Almost epic – the musician versus the athlete, the arts versus sport. Culture vs Activity. The result of this decision could change the world!

Or not.

The point is, the stage is set.

Technically this DVD was a mixed bag. It starts off really strong, with everyone referring to Hazumu as “she” then suddenly, for no reason, they all revert back to “he”. I watched the bits a few times when it first happened, because when they are referring back to Hazumu the child, it seems natural to use “he” but everyone somehow forgets to switch back when speaking of the current Hazumu. I wasn’t sure if that was an editing oversight, a translation decision, or no one noticed. But I did.

Aside from that the translation was pretty smooth, with the exception of the usual honorific thing that makes me unhappy. And the DVD comes with nifty interviews with the Japanese voice actors, which I always enjoy. They have nothing to say, but that’s okay – I like hearing them say it. ^_^

Ratings:
Art – 7
Story – 7
Music – 6
Characters – 8
Yuri – 8
Service – 6

Overall – 8

Thanks once again to the generosity and kindness of Media Blasters for giving me this DVD to review – and for allowing us to show Kashimashi and Strawberry Panic!, and most of all to premiere Simoun at Yuricon’s Yurisai event!





Burst Angel Anime, Volume 3 (English)

September 20th, 2007

Many, many thanks to Daniel P., who is one of my favorite “people who I have never met.” Once again, it is through his kindness and generosity that I am able to bring you a review of something shiny. In this case, the shinyness comes in the form of Burst Angel, Volume 3.

There’s some good in Volume 3, some bad and a lot of “now, where are we going with this?” and finally, towards the end, it appears as if the story might *actually* go somewhere. Where it goes is reasonably bizarre, but at least it’s off and running. :-)

If you recall, last volume, we had a story in which Kyouhei (which the American VA for the part pronounces “Kee-yo-hey” which obviously drives the *other* VAs a little crazy, because they keep saying “Kyou-hei” very pointedly at him) and Jo bash around the city, ostensibly to something something, but really so they can bond a bit.

This volume starts off with another “get to know” episode. In this case, we’re treated to a visual feast that is meant to introduce us to the complicated life of Sei-who-is-not-named-Beth. The obligations of her family/organization ties, and the trials of being a leader (and, in fact, what it means to be a leader.)

Sei-who-is-not-named-Beth is a good leader. The other guy, the bad guy for the episode, is not. It’s a simple moral – real leaders feel the weight of their followers’ trust as a responsibility, not as an invitation to do whatever they want. Duh.

So, because Sei-who-is-not-named-Beth is a good leader, Meg and Jo are inspired to help her escape an untenable situation. Meg is given some help through manipulation of qi, how convenient, and becomes, for a short time, a gungfu master. But it’s Jo who saves the day with lots of bullets.

The next episode is just wrong. This time it’s Amy and Kyouhei who bond in a very Alice in Wonderland type episode. Hacker Amy is dragged into a digital reality where a bunch of creepy FanBoys “invite” her to stay with them. The best part of this episode was Kyouhei’s low-res face in a box and the fact that the otaku created artificial bodies for themselves that are just as unappealing as their meat bodies probably were, with extra dorkiness for having monitors for faces. Because, obviously, all of us geeks want to be dorkish robot bodies w/freak faces. Obviously.
(Hello, writers? That’s your audience you’re dissin’ there….)

Finally, finally, finally, the plot gets revving in the last two episodes. It doesn’t make more sense, mind you, but at least there’s an inkling of a plot. We move to Osaka, where their professional wrestling industry is being threatened by real monster. Jo saves the day, but is arrested by the sincere and zealous Osaka Police which is made up of a series of familiar stereotypes. The fact that one of these is Takane, the sword-wielding, ex-motorcycle gang member has absolutely *nothing* to do with the fact that I like this bit a lot. (Don’t believe me? Me neither. ^_^)

So, slowly, some of the random bits from previous episodes are gathered together (several by flashback, in case we forogt them,) and a even sillier than usual evil shadow organization begins to appear in the background mist. Or something. In any case, Jo shoots things alot.

In terms of Yuri, it’s way minimal. On Sei-who-is-not-named-Beth’s grandfather’s ship, Meg fantasizes about having cool martial arts skills and how she would save Jo and Jo would be all over her. That was basically all that we got. But it was kind of cute and harkened back to Meg’s similar, if slightly more explicit, fantasies in the manga.

The extras continue to be rewarding. Three radio dramas where Watanabe Akeno (Jo) and Toyoguchi Megumi (Meg) have tongue-twister showdowns, act out fan-created dramas and generally babble alot, and two extras where they talk in incredibly high-pitched voices about *nothing*. English cast commentary on the Amy in Wonderland adventure, where they saw the mildly suggestive scenes as being way filthier than I saw them as. And the usual color pamphlet with Japanese cast and crew commentary and purty pictures of things.

Ratings:

Art – 6
Characters – 5
Story – 5
Yuri – 1
Service – 6 (Breasts simply don’t do that. They just *don’t*)

Overall – 5

I’m surprised at how much of Bakuretsu Tenshi I remember since I watched all those many long years ago. I would have sworn that I had forgotten most of it, but nope.





Yuri Anime: Doki Doki School Hours, Volume 5 (English)

September 13th, 2007

It’s not like Doki Doki School Hours had much of a plot to begin with. It was much more an animation of 4-panel comics than anything else. You know…characters with one, maybe two dimensions to their personality, set up situation, rimshot for the punchline.

And what little plot the series had was thrown to the wind in Volume 4, when the writers ceased to write anything remotely having to do with what plot there was.

So you can hardly call it jumping the shark, when Volume 5 starts of with a parody of every shounen anime ever, inexplicably called “Beast Buster Katarina Nagare.” It’s especially inexplicable because it’s not like we’ve ever seen Iinchou interested in this kind of adventure anime/manga/game at all, and because, once again, the character gags remain the same (except for Iinchou inexplicably becoming a rogue warrior schoolgirl thingy.)

But what’s REALLY weird about Volume 5 is how, after apparently getting all the fanfic they could think of out of their system, the writers suddenly, for no apparent reason, return the the original school-year plot. It’s quite boggling. Unfortunately Doki Doki School Hours comes with no liner notes (or any extras…in fact, its *so* sparse I kind of think we’re lucky to get a case with the DVD,) so there’s no way to learn whether their madness had any method at all. Since there is no proof to the contrary, I’ll project…. No. ;-)

It also makes me a little sad to think that there are so many series I enjoyed more than this and would have loved to have a 26-episode run, and instead, this ridiculous piece of fluff got to go on waaaaaayyyyyy past the time the joke was dead, buried and forgotten.

That having been said, there’s nothing to make this particular volume any less amusing than any of the others. Nothing has changed, in fact. Rio and Kudo are still gay for Mika and Suetake, respectively, and everyone else is pretty much the same as they were when they first showed up in the series. Tominaga seems to have taken a hit on screen time (did she offend the producer?) which I feel bad about, because I think she’s my favorite character. Hang on, let me check:

Minako Tominaga

A brutally honest student who belongs to the cooking club. She is often shown moaning about being surrounded by the “idiots (etc…)” in her class, or telling people off. She loves slasher films.

Yup. She’s my favorite. :-D

Stuff happens in Volume 5. Some of it is school-type stuff, like the school festival, and some of it isn’t. The final episode is my second least favorite tedious plot complication (after the physical exam). Mika-sensei is having an Omiai (arranged formal matchmaking meeting) so of *course* she’s positively 1) getting married and 2) leaving school. The students stress, they get over it, and surprise! when the next semester comes, nothing’s any different.

While I hated the SPCD in this episode, I did love Kitagawa’s quite real issues at the thought of losing Mika-sensei – and how the other students pretty much acknowledged that. One more for the animated lesbians are better looking, smarter and more talented list; now they are more gracious and emotionally stable, too. ^_^

Ratings –

Art – 6
Story – 6
Characters – 6
Yuri – 4
Service – 3

Overall – 6

I keep waiting to get utterly sick of this series. So far it hasn’t happened. If I marathoned it you can be sure I’d be very very done with it, but as an occasional piece of brain candy, it’s plenty fine.





Yuri Anime: My Zhime (Mai Otome), Volume 1 (English

August 31st, 2007

How many fanfics have we seen where the main characters are transplanted to a different location, time or situation than the original source material? The Senshi at an agricultural college, the girls of Marimite visiting (or attending school in) some North American location that just *happens* to be the same place the author lives or attends. There are many series that do that kind of thing within the context of the actual series.

Star Trek:Next Generation used their omnipresent Holodeck to allow a sort of time and space travel (mostly so we could see that characters play dress up) and Xena:Warrior Princess had a few stories which fans called “Uber-Xena” stories, in which Gabrielle and Xena were portrayed as more modern, but equally as silly, characters. (Which led to a whole genre of “Uber-Xena” stories, many of which were better than the actual series. I wrote one Uber-Xena story myself, In the Hall of the Mountain Queen, a title which came to me in a very memorable dream.)

And so we find ourselves regarding the series, My Zhime, aka Mai Otome, in which the characters of Fuuka Academy from My HiME are now suddenly on a planet much like our earth, but more feudal. The HiME are now become Otome – the human nuclear arsenal of each country. The school at which young women are trained to become Otome candidates, Garderobe, is the center of the new conflict. And while all the characters from HiME are moved to the new time/place/location/ their roles, ages and, in some cases personalities, have been altered to fit the new storyline.

I had planned of holding off reviewing this series at all until I finished reviewing all of the My HiME DVDs, but last weekend I decided that I wanted to watch Volume 1. Then, as I watched it, I remembered all over again why I thought it was a vastly superior series to the original. Mostly because it starts off as stupid fun with a hint of plot, continues to be stupid fun with an actual plot, and ends as stupid fun and who cares about the plot, which short side trips to wallow into meaningless angst. The difference is that, IMHO, HiME primarily wallowed in angst with pretensions of having a Serious Plot ™, when in reality, it was all meaningless angst and plot was a self-fulfilling prophecy with reset.

My Zhime, Volume 1, starts off with the arrival of a strange girl from out of the wastelands, at the sophisticated and cosmopolitan city of Windbloom. Yumemiya Arika is strange in the she is a stranger, and that she is clearly an uncultured bumpkin……and she’s just kind of strange, too. But in a good-hearted, honest bumpkiny kind of way. She’s convinced that her mother was, or maybe is, an Otome, so after her guardian dies, she’s come to Garderobe to find her mother. After she witnesses the coolness that is Meister Shizuru Violeta, the Graceful Amethyst, Arika decides to become an Otome, as well.

This plunges her directly into intrigue and politics on both the micro- and macro-cosmic levels, as the great rulers decide her fate and in school as the new student is assessed for her level of threat to the status quo. Because not everyone at Garderobe will become an Otome – only the most talented few. Arika’s immediate rival, Nina, can’t stand the girl, so of course they are assigned to be roommates, along with sweet, blonde, starlet-like Erstin. And this is when I remembered how much I liked this series.

As Arika runs around Garderobe trying to find the council and defend herself (and Chie gets her first lesbian cred powerup) she’s the butt (pun intentional) of many stupid physical, servicey gags. But as she runs around, and later, as she meets her new classmates, I found myself happy to see every familiar face, from Yukino and her pet Haruka, to Ers, or Irina. In fact, as Irina introduced herself I felt something almost nostalgic blossom within me.

This is your basic shounen heroine action series. There will be many battles of one kind or another; an outclassed, apparently idiot savant heroine who will battle her way to the top; magical/mecha creatures; did I mention battles?; conspiracies, politics, intrigue on the grand scale and bullying, teasing and misunderstanding on the small scale; and service.

Yuri in Volume 1 is limited to a single knowing look shot at Natsuki by Shizuru, as she teases Arika in a decidedly sexual way, and Chie’s instant high reading on the Yuri-ometer. Yuri in Zhime is a popular fetish, so we’ll be seeing more as the story progresses.

Art – 8
Characters – 8
Story – 7
Music – 7
Yuri – 3
Service – 6

Overall – 7

All the characters I like are older, cooler and gayer. Is it any wonder I like this series better? ^_^