Archive for the English Manga Category


K-ON! Manga, Volume 1 (English)

November 16th, 2010

After two soul-scouring days, I couldn’t think of anything better for my mental well-being than reaching for Yen Press’ translation of K-ON, Volume 1.

There are so many things to like about K-ON! and really, only a few things not to like, so let’s get those out of the way first.

If you like your manga to have *meaning* and significance and plot and other IMPORTANT things, then K-ON! will be a disappointment to you. It’s a 4-koma, which means it’s a comic strip, meant to be superficial amusement. Like the cake Mugi serves, it’s refreshment, not nutrition.

And there is service. Of course there is service. For the same reason that western female action stars wear service-y clothes or pose provocatively, there are maid costumes and panty shots because that is what is expected by the largely male Japanese audience. For those of us not so sad as to require glimpses of underwear to make a series good, there is, at least, not very much service. This series mostly confines service in later volumes to pin-up chapter splash page art and a few silly dress-up scenes.

That’s it for the downside. On the upside is a biggie – this is a 4-koma comic strip that is actually *funny.* It made me laugh out loud a number of times. More importantly than humor though, it’s fun, entertaining, it makes me smile. In fact, that would be a good summation of the series – it makes me smile.

For the three of you who aren’t familiar with K-ON!, the story follows the daily life and club activities of the keionbu, the Light Music Club, (here translated as the Pop Music Club, a choice that is ably justified in the Translation notes) and the members thereof – flaky club president and drummer Ritsu, bubble-headed lead guitarist Yui, rich girl Tsumugi on keyboards, and bassist, lyricist and dysfunctionally shy Mio. The fact that they are all reasonably talented and Yui approaches idiot-savant levels of skill is the handwave we accept to make the story work. Added to the mix is the incredibly funny all by herself club advisor and homeroom teacher, Sawa-chan-sensei, whose secret makes me laugh every time they drag it out.

What made the anime stand out is the extra-super-duper bubblegum-pop stickyness of the music. There’s just no way to get Fuwa Fuwa Time out of one’s head once one has heard it. in fact, the only CD I bought this time in Japan was the double CD Studio Mix/Cassette Mix of K-ON! songs、Houkago Tea Time II. I just adore how loopy the songs are.

What makes the manga a fun read is – everything. Ritsu’s flakiness, Mio’s teasable personality, Mugi’s play-along mentality and Yui’s bubble-headedness. But I admit to a special fondness for Mugi – not just because her fantasies are the sole Yuri in the first volume, but because she’s she so ready to do whatever the silliest, most-fun, least-responsible thing suggested is. She’s always game for…whatever. Mugi is my favorite character.

I suppose I should spend a moment reviewing Yen’s production. It’s very good. The only visible difference is the paper. Glossy color vs matte color pages just isn’t an issue to me. In every way this presentation holds up to the original. The *only* thing Yen does that sort of jars has nothing to do with the production value at all. They present translation notes in a left-to-right format, but put the pages in a schizoid order, so that they are neither really right-to-left or left-to-right. Reading from the Left, they are Page 3-4-1-2 and reading from the Right they are laid out 2-1-4-3, neither of which works. I understand that when the book is held open it’s 1-2, then turn the page to 3-4, but it’s really schizoid when you consider it from a larger perspective. Again, not a complaint, just something of note.

Detractors insist that the characters don’t seem real, or that there’s nothing to the story or that they just don’t see the appeal. All of these are completely valid, but I have to say that I have rarely watched or read a series that reminded me of my days in band in high school. K-ON! reminds me quite a bit of the best of those days.

Ratings:

Art – 7
Characters – 10
Story – 9
Yuri – 3 for “Mugi-vision”
Service – 3 for the whole underwear thing, but other than that, it’s probably more like a 1

Overall – 9

I LOVED the Music Theory 101 on the last pages. A nice, friendly touch to end a nice, friendly volume with the ladies of Afterschool Tea Time.

Thanks very much to Yen Press for allowing me an advance look at this volume. It was the best thing I’ve read in days by far and away. ^_^





Zombie-Loan Manga, Volumes 8,9,10 (English)

November 12th, 2010

Zombie-Loan, Vol. 8Zombie-Loan is a “loud” manga. The characters scream a lot, they fight a lot, they shout at one another a lot. There is a lot of expository discussion by characters who “hmmph” dismissively at the protagonists’ lack of knowledge, then proceed to monologue the entirety of the story, with punctuations of shouts of denial by the listeners.

For an action manga, there’s a lot of talking.

For a complicated plot, there’s lots of fighting.

For an occult story, there’s a ton of humanity …

Zombie-Loan, Vol. 9…and for a story about people, there’s a lot of handwaves of magic, and spells and powers being thrown around.

In the end, I find Zombie-Loan to be absolutely exhausting with very little payoff.

However, by Volume 10, Michiru is really starting to get a clue or three about her own existence and in a cliffhanger/climax she begins, for the first time, to truly assert herself.

To save Koyomi no less, although it might be too late.


Zombie-Loan, Vol. 10The rest of the characters remain rather uninteresting to me, to be honest. The more the two boys yell, the less I can hear them. So it’s rather unfortunate that the bulk of these three volumes is mixed up in Shito’s backstory of angst, incestuous affection, misery, eternity, depravity and more angst. Snooze.

Just to sort of extra super duper piss me off, it turns out that Yomi, while living inside Koyomi, is a sort of refined male spirit made from the unwanted male children of Koyomi’s family. So…the one bit of Yuri we had to hold on to is not, and Koyomi is reduced to a vessel and a nonentitiy just as we were kind of getting to like her.

 

Ratings:

Art – messy
Characters – angsty
Story – scattered
Yuri – nonexistent
LoserFanBoy – must exist

Overall – loud

I’ve read a few of the recent chapters of Zombie-Loan in GFantasy magazine, and it’s more of the same – screaming, always with the screaming. But they’ll have to do it without me. 10 Volumes is more than enough for me to decide that this manga is just too loud for me to read.

I would like to take this opportunity to thank Kate Dacey for Volume 10 of this set. It will be going to a good home at the library. Thank you very much!





Click Manhwa, Volume 6 (English)

October 18th, 2010

Click: Volume 6 (Click (Netcomics)) (v. 6)In the first 5 volumes of Click, I was able to pretend there was some Yuri and have therefore reviewed it. In Volume 6, there is none; the one “Yuri” character has disappeared from the narrative – literally. A few times someone comments, “gee where is she?” and is met with the complete and total unconcern of any of the main characters. So much for Heewon. She got a panel or three eventually, but no one really cares that the “beeyotch” is missing.

So today I’m going to use my review to “beeyotch” about something apparently inconsequential. The icky-making bad translation of “gay sex” terms in manga and manhwa.

You know, there’s this whole Internet thing, which *ought* to be able to help manga companies (who somehow manage to employ not one single gay person among their staff) to get the right equivalents to things like Uke and Seme, Tachi or Neko. But. Apparently Not.

When ADV and Infinity translated Yuri as “girl-on-girl” I assumed that it was LoserFanBoy-itis and laziness combined to not give a fuck. What do I blame “catcher” on? Seriously? “Catcher?” Is it that no one at Netcomics knows the term “Bottom” or did they think this was funnier? Is this a literal translation for the term in Korean? I don’t know. All I know was that every single time someone threw “…and you’re the catcher, no less” at someone else as an insult, I squirmed in discomfort. First of all, I can’t think of a single thing bad about being a bottom. Or a top, or anything. It’s just sex, for pity’s sake! What *is* the big deal about who is on top?

Secondly, the fact that on the one hand, there’s a doctor admonishing Jinhoo (whom I loathe) on the one hand that being gay is rare, but not perverted and on the other, there’s every single character throwing accusations of gayness around like it’s a booger. Gah. And the rare line….? Gauchet’s Disease is rare. Gayness, not rare. Just not a majority. A minority is not the same thing as “rare.”

The only character I like in this series is Taehyun. He is so much better a man than Jinhoo that at this point I want him to find someone not in this series at all and live happily every after with someone who would never grace the pages of this story.

Oh, and Fake BL. Joonha is a a girl, as we mention like every other panel, so there is no Boy’s Love in this series and the whole fakey BL thing is absolutely gag-making.

So, so very done with being the “catcher” here. I think I’ll “pitch” this manhwa into the circular file.

Ratings:

Art – hasn’t gotten better, which you’d think it ought to
Story – same
Characters – same
Yuri – .1 (Since we have to assume Heewon is still pining for Joonha)
BL Service – This would be the only reason to read this

Overall – N/A I can’t even rate it. I’m striking it from my memory. (Hear that brain? Make it so!)

The one truly wonderful thing about this manhwa is that it provides me with a brand new Okazu Hero, Nadia C.! Nadia, email me at anilesbocon01 at hotmail dot com for your Okazu Hero badge, suitable for display on social media profiles and websites!





Yuri Manga: Jormungand, Volume 4 (English)

October 10th, 2010

There are a lot of things to like about Jormungand….was the way I wanted to start this review, but in reality, there is *very little* to like about this series. I just happen to like it anyway. ^_^

In Volume 4, the gang is wrapped up in protecting “Dr. Miami” from an enemy she doesn’t even know is there. Most of the rest of the volume is taken up in a game of chess with an ex-actress-turned-arms dealer/negotiator.

Extra time is spent on Valmet and the good Doctor kvelling over Koko in a spectacularly impotent manner, while both USA pawn “Schokolade” and ex-actress Amalia Torohovsky are macking on Koko probably half in reality and half in my imagination. It hardly matters who likes who because the storyline is rushed and inconsistent and while it makes sense overall…it’s not particularly well-conceived or executed.

The real problem here in Volume 4, though, is that the art is utterly craptastic. There is one panel in the entire volume that looks nice. The rest look so rushed, so dashed off, so plain old *bad* that it’s hard to take seriously. NOT that we were taking a manga about happy-go-lucky arms dealers seriously or anything. It just looks like the entire volume was drawn under deadline, while the artist had the flu, while the editor shouted at him.

Other than the terrible storytelling and horribly inadequate art, Volume 4 had a lot to like about it. (^_^);;

Ratings:

Art – 2
Story – 5
Characters – 8
Yuri – 4
Service – 4

Overall – 4 if you’re anyone else but me

By Volume 4, you have either decided that you enjoy this series, or you don’t. Nothing I could say, good or bad would convince you otherwise. I like it, despite the obvious flaws. I like Valmet, I like Dr. Miami, I like Schokolade, I like insanely violent women, so, I obviously like Koko, too.





Manga Moveable Feast: Afterschool Nightmare Manga (English)

September 26th, 2010

After School Nightmare Volume 1Mashiro is a hemaphrodite. From the waist up he is male, but his internal organs and lower half are female. This might not be a big problem in the long run, except today he just got his period for the first time and he’s really uncomfortable with the idea of being a woman. What Mashiro wants more than anything else is to just be a guy. Mashiro is the protagonist of Setona Mizushiro’s After School Nightmare.

Soon, Mashiro’s gender will be much more important and much less important than he could ever have expected. A mysterious teacher – who does not appear to actually exist – leads Mashiro to a basement in the school – which also does not exist – gives him no useful information whatsoever, and sets him to participate in a group nightmare shared by a number of students. Each student appears in the nightmare as their internal vision of themselves and they experience each other’s darkest and most traumatic secrets, while competing for a key in order to “graduate” from school. In the meantime, students are randomly and rapidly disappearing from the school and no one seems to be noticing.

In his first nightmare, Mashiro appears in the girl’s uniform, thus giving away his secret. He encounters a homicidal girl who had been raped. Knowing each other’s secret, they become friends, then start to date. Kureha is comfortable with Mashiro because she knows he is not quite fully a guy, and Mashiro wants to prove to Kureha that she can be friends with a guy.

Mashiro has a male rival from his days in the kendo club, a tall, dark, broody guy named Sou. Sou knows that Mashiro is “really” a girl, and one day, kisses Mashiro.

Thus an uncomfortable triangle begins, with Sou pursuing (in a broody, semi-rape-y, i.e. BL-ish, kind of way) Mashiro, while Mashiro clings to Kureha, (in a codependent and needy, i.e., lesbian-ish kind of way.)

When Kureha and Mashiro first kiss, his thought is that he is “kissing another girl,” which puts the lie to his insistence that he is a guy.

As his relationship with both Sou and Kureha becomes more uncomfortable, he’s learning more and more about the nightmares he and the other students are experiencing. In heroic fashion, his true desire is to save as many of the others as he can, rather than focus on “graduating,” himself.

The story is very ably drawn, and I really can’t complain about characters or dialogue. The plot holds together nicely and the tension between Mashiro and Sou is palpable. But…I didn’t *enjoy* the two volumes I read. For several reasons.

The first, and most systemic reason was the air of “I know something you don’t know.” Having one character driven by that is irksome, but acceptable. The third character who gives a “knowing smile” or “humphs” knowingly, or says something like, “Because I know what happens next,” it’s off my list.

Secondly and probably more critical – I didn’t like Mashiro. Full stop. He’s a woman without breasts who wants to be a man. Fine. I don’t like getting my period either and it makes me bitchy too, fine. But. Dude, go find a professional, talk to them about gender reassignment. I’m not saying it’s not a big deal, but it seems like the way to go for you. It’s not like it’s an impossible thing. (This sounds more insensitive that it is – I understand that it IS a big deal in real life, with many repercussions. This is a manga. It is a horror-romance manga. Not real life. Breathe before you send me that angry comment.)

Ultimately, I found it hard to be sympathetic to Mashiro for a reason having nothing to do with his gender issues at all – he’s an *idiot.* Gee, let’s see, people are being dragged into these nightmares and some of them are “graduating” AND people are disappearing from school. Hrmm…any connection? No, I didn’t think so.

Thirdly I really didn’t like the way Mashiro treated Kureha. She accepted (and loved) him for exactly *what* he was, and he spends most of Volume 2 trying to change her. Bleah.

Fourthly, oh come ON! Sou is a jerk. He says he’ll rape a woman to make a point that he *really likes her.* What is it with BL fans and rape? I am so not getting the appeal. UGHUGHUGH, I cannot stand broody, non-verbal, driven-by-animal need Heathcliff/Angel/Edward types. Gah.

And lastly, the nightmare scenario is unpleasant and silly and I don’t see it going anywhere good. I’m not much for wallowing in people’s pain.

So I hit the end of Volume 2 and said, “That’s enough.”

In my head, I took Kureha, carefully got her out of the school, found her a nice girlfriend and we all moved on and lived happily ever after. ^_^

Ratings:

Art – 8
Story – 7
Characters – 8 (like or dislike them, they made an impression and forced a reaction)
Yuri – depends on whether you’re on Mashiro’s or Kureha’s side
Service – 6 It’s pretty pandery whichever way you look

Overall – 5

Having typed this, I will now go read the rest of the MMF posts for this series and see how (again) I completely disagree with everyone else! ^_^