Let’s recap the story so far in Kashimashi ~ Girl Meets Girl:

In Volume 1, Tomari has difficulty coming to terms with the fact that her best friend, Hazumu, has become a girl.

In Volume 2, Tomari has difficulty coming to terms with the fact that she has always loved Hazumu

In Volume 3, Tomari has difficulty coming to terms with the fact that she is *still* in love with Hazumu and is willing to fight Yasuna for her.

And now, in Volume 4, Tomari has difficulty coming to terms with the fact that Hazumu’s life may be coming to a premature end.

Looking at it this way, it sort of seems like Tomari’s really the protagonist, doesn’t it? ^_^ And, in a way, she is.

Hazumu, by her own admission, is incapable of making any decisions. Yasuna has made her decision, but will not do anything change the status quo, as befits her gentle, “proper girl” personality. Which leaves Tomari holding the whole ball of wax in terms of crisis, climax, angst and any other random emotions wandering around.

To my surprise, I find that I never originally reviewed this volume in Japanese, probably because it felt like, at the time, that the story pretty much screeched to a dead halt, and we were waiting for the series to run out of chapters so it could end. Now that I’m looking at it from a different perspective, it pretty much just looks like the next plateau of a fairly formulaic series. In every volume so far, the basic premise of Kashimashi has been watching Tomari tortured by something everyone else appears to have haphazardly accepted. Of course they haven’t, they’ve been wracked with doubt and despair, but as our focus is turned primarily upon Hazumu and Tomari, we’re not able to see it any more than Tomari does.

Just as Tomari finally does come to accept her (and Hazumu’s) feelings, Yasuna forces the situation to become more complex, by existing. She ends up acting as a catalyst for Tomari’s and Hazumu’s growth, without every really doing anything specific. In this case, it is the rumor of her leaving for New York that makes Hazumu scoop her up and kiss her. The irony of course is that Tomari has just learned the lesson “If you give in to the fear of losing something, you’ll never be able to keep it safe,” but Hazumu hasn’t.

As always, the adaptation and translation for Kashimashi is superb. Tomari is now, along with everyone else, referring to Hazumu as “she.” Tomari has also stopped speaking like an old man, which is nice. The page tones seemed to have reproduced a little roughly, leaving some moire patterns on pages with large toned areas, but unless that’s important to you, it’s easily enough overlooked. Once again, I really want to say, this book has the smoothest, most natural translation/adaptation I’ve ever encountered. It never fails to impress me.

Other than the fact that nothing really *happens* in this Volume, it’s quite excellent. If one took the essentially ridiculous plot complications away (aliens, time running out, etc), it would be a nice slice-of-life piece about a newly transitioned girl and the girls (and boys) who love her.

Ratings:

Art – 8
Characters – 7
Story – 7
Yuri – 9
Service – 4

Overall – 8

My thanks to Ted the Awesome (new nickname, as discussed at Anime Boston,) for sponsoring today’s review!

Perception without conception, is blind; while conception without perception is empty – Immanuel Kant

Volume 3 of Eternal Alice Rondo Key Princess Story slams us smack dab into a wall of the same theme, if you will, with which we were beaten soundly about the head and shoulders in Kannazuki no Miko – obsessions are bad.

Speaking as a person whose life is, at this juncture, greatly enriched by an obsession, I’d like to clarify that. *Bad* obsessions are bad. Good obsessions are easily rationalized as dedication, specialization and/or subject expertise. ^_^

In the case of the characters in Eternal Alice, obsessing about your best friend who never notices you, or your inexplicably adopted otaku half-brother or your dead best friend you accidentally killed while playing hide-and-seek or power or a fictitious character means you will be attacked by girls with questionable fashion sense and their own boring obsessions.

…that’s the lesson I got out of this book, anyway.

(The wife says, “woo-hoo! sign me up!)

That, and Aruto may die a raging bore, but not a virgin. Go, all you otaku – if Aruto can get some, surely there’s hope for you! Ignore the fact that he is a badly-conceived 2-dimensional drawing. Pretend he is real – then you will be just like him pretending Alice is real. Isn’t that ironic?

The art in Volume 3 is a train wreck, what passes for the plot is a thorn whip of angst and the characters become less and less interesting as we learn more about them.

There’s Yuri. Kirika and Lorina aren’t actually in love, but since they obsess so intensely over one another, they are no doubt paired in most readers’ minds. Kisa still has the hots for Kiraha. And Mika and Suwa, uh, yeah, them too.

Oh, and according the the color page, Kirika wears underwear. Were you as worried as I was?

Ratings:

Art – 4
Story – 4
Characters – 3
Yuri – 7
Service – 8

Overall – 4

I just finished re-reading the Kyoshiro manga yesterday. I can’t help but wonder if the artist half of Kaishaku went and got some art lessons or something – it’s miles better than this.

I find it eternally amusing that fangirls get angry with me for hating Kannazuki, which I don’t, and liking Kyoshiro, which I don’t, but only the fanboys seem to care about Alice.