Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the anime watchalong podcast Boku No Stop, which is currently covering the yuri anime Flip Flappers.
Well, here we are: How Do We Relationship, Volume 6. Miwa had her heart crushed, Saeko is trying to move on past their previous relationship, but the two are entangled yet again in a physical relationship but in an even more messy guise.
In the role reversal of the century, Saeko immediately apologizes to Miwa for treating her like a piece of meat–but much to her chagrin, Miwa is happy to be used because it means that she is still wanted. This time, it is Miwa who is using sex to escape how terrible she feels about herself, and the two end up in an ambiguous relationship. Over time though, Saeko helps bring Miwa back out of her depressive slump and back to school life. Eventually, Saeko shuts down their arrangement because for her, the love is gone.
Meanwhile, Saeko continues to slowly show more of her vulnerability to Yuria. In fact, she’s come to the realization that she is way more transparent about her feelings than she realized. When the inevitable happens and the two start dating, Saeko treats her with true kindness and consideration. It’s an incredible turnaround from the end of the previous volume, yet it feels completely earned. It seems bizarre to say, but, perhaps for the first time in the series, there are moments that are truly heartwarming.
Miwa is now forced to move on, and this is where things get a little…odd. With Shiho’s words still lingering in her head, she wonders if it would be easier to just date men instead. Weirdly, Saeko encourages this, which leads to a plot thread involving a handsome manager of a cafe where Miwa works. Now, sexuality is a fluid thing, but to my mind it would be very strange for the story, and for Miwa as a character in particular, if she fully explored this direction, even if only to reject it later. (Remember her turning down Tsurata in Volume 3?) Miwa admits to herself that she has some kind of abstract attraction to the “kind of guy” the manager is, but she isn’t convinced that she is really attracted to him.
This thought experiment doesn’t leave the hypothesis phase when she meets a new first year named Tamaki who bears a striking resemblance to Shiho. I would say this is another strange twist. In a way, it feels like falling back on old habits, especially when Miwa–before detecting any interest from the painfully blunt first year–states to Saeko that she might end up getting a girlfriend again after all. The volume ends hinting that the two may become closer very shortly.
Really, Saeko steals the show here. She shows an amazing amount of growth as a character. That said, I would have liked to see her at least take some responsibility for shutting out Miwa when her past came up. In fact, even after Miwa finally gave her the whole story on her Okinawa trip, Saeko did not fully reciprocate with Miwa by telling her about her middle school. I am hoping that her relationship with Yuria will give her the comfort she needs to address those issues head-on because they still feel unresolved. Nevertheless, this is the best version of her we see so far and it feels fantastic to see it on the page.
Miwa, on the other hand, acts really terribly in the early chapters by pushing on Saeko’s boundaries in a way that is quite uncomfortable to read in a couple of instances. Even after her recovery, she feels a bit unmoored in the second half of the volume. I trust that Tamifull will pull off her arc, but the path towards it is not entirely clear. Oh, and Shiho doesn’t make an appearance in this volume at all, which was disappointing to me.
I mentioned back in my review of Volume 4 that this manga captures the tumultuousness of college. Part of what contributes to that feeling is how the story tends to slip forward in large chunks of time. That becomes the most jarring in this volume, because Miwa’s rapport with Saeko changes seemingly on a dime. One chapter, she’s crying her eyes out realizing that any chance of dating Saeko again is truly gone, and the very next scene opens with her beaming to hear about Saeko’s first date with Yuria. It is nice to see that they are still friends and can openly discuss such things without hurt feelings simmering underneath like in the past, but it just feels too soon for the reader.
All in all, this volume felt a little more uneven than past volumes but improved greatly on later rereads. Its biggest flaw is lacking some narrative connective tissue that would have made certain plot turns feel more natural. Perhaps Tamifull felt that we had wallowed enough in the Bad Feels Zone and that it was time to kickstart the next phase. At any rate, with a new school term starting, there are still plenty of credits to earn.
Art – 8 Continues to carry the story well
Story – 7 More of a mixed bag than previous volumes, but with really high highs
Characters – 8 Finally, some serious growth for Saeko and some forward momentum for Miwa
Service – 2 The sex is the least “appealing” that it’s been so far
Yuri – 8 / LGBTQ – 7 docking it one yuri point for Mr. Cafe Man
Overall – 8
Tamifull loves a good callback, and this time he “swung” for the fences. See if you can spot it.
Erica here: Thank you so much Matt! I’ve got Volume 8 on my plate in Japanese and I have to say, I’m actually really interested in where this is going. ^_^
In Superwomen in Love! Honey Trap and Rapid Rabbit, Volume 4 this goofy story starts to do something it has not previously done.
