Archive for the English Manga Category


Syrup, A Yuri Anthology, Volume 3

May 28th, 2021

Syrup, A Yuri Anthology, Volume 3‘s Japanese name is Syrup NIGHT Hatsuyoru Yuri Anthology, (シロップ NIGHT 初夜百合アンソロジー) and I want to make that very clear, because the title explains why I never reviewed it in Japanese. An entire anthology about women’s “first time” with each other is exactly the kind of fetish about women’s sexuality that I, personally, can live happily without. Virginity is a stupid social construct that is used to control women’s bodies and sexuality, and fetishizing it is a thing people who are not me might do.

That said, Syrup, A Yuri Anthology, Volume 3 is a collection of shorts by names you will undoubtedly recognize from other Yuri anthologies. Creators in this anthology include Itou Hachi, Iwami Kyouko, Ikeda Takashi, Sal Jiang, Canno, Morinaga Milk and a few other names that are new to me. The stories range in tone, from melancholy loss to embarrassed comedy and whether or not you find them sexy will be entirely personal. For me, the strongest stories were Iwami Kyouko’s “Spare Key,” and Canno’s “The Story of the First and Last Night,” which was also a ghost story about grief.

I found it impossible to even read Itou Hachi’s story, which was basically the same lolicon animal-eared girls story they always provide, but in this case, the age issue was impossible for me to ignore. I am telling you this not to offend those of you who enjoy Itou’s work, but to warn those of you who don’t…this one is really not a thing I want to keep in the house.

Ratings: All are variable, as it’s an anthology.

Overall – 7

If 18+ Yuri anthologies are your boom, and you like – or would like to get to know – the creators in this collection, or enjoy this particular fetish, undoubtedly, you’ll enjoy this volume. Seven Seas bringing out 18+ Yuri will certainly appeal to some folks. It wasn’t for me, and I knew that going in to it, but it may well be for you! I can’t call this hentai or porn, even, but as an 18+ anthology, it didn’t hit a single mark on my “sexy” scorecard.





I Love Yuri and I Got Bodswapped with a Fujoshi, Volume 1

May 24th, 2021

If you are a long time reader of Okazu, you know that I have almost never enjoyed a body-swap comedy manga, because the comedy has almost always been about the wrong things. But here we are again…and this time, there may be hope?

Reiji Yoshida is a Yuri fan.

Reiji is also a super-uptight, mildly self-loathing teen boy. His obsession is *blackmail-level top secret,* never to be shared with anyone. His classmate, a well-adjusted and outgoing fujoshi, Mitsuru Hoshina, inspires his worst fears. How is she not…y’know..terrified all the time? Of course, Reiji’s not asking that, it would be self-aware and he’s not in the business of understanding his fear. So, when Reiji and Mitsuru swap bodies, she’s all over his collection and learning to love Yuri and being a boy, while Reiji cowers in fear of…mostly everything.

I Love Yuri and I Got Bodswapped with a Fujoshi, Volume 1 is meant to be a comedy. I know it is, because use of the phrase “hijinks ensue” in the write-up indicates that it is. But I have some “but…”s ready. For brevity’s sake, I’ll stick with the most obvious point: It is supposed to be absolutely hilarious that Reiji is so terrified of his interest being uncovered. Why? How? In what society on this planet is a male adolescent shamed for being into girl-girl anything? So let’s just set Reiji aside completely for this volume. He adds very little to the story except silly noises and facefaults. ^_^

If we stop paying attention to Reji (who is absolutely unlike any actual human, much less any Yuri fan I have ever met in half a century of life) we’re left with Mitsuru. Mitsuru is an absolutely delight. She’s ridiculous, unfettered, unembarrassed and, when she wakes up in Reiji’s body is totally all-in on watching his anime and reading his manga and finding something to love. In fact, I think they missed the real plot here – if Mitsuru was a Yuri-loving girl and Reiji a closeted BL fan the whole thing would have so much more sense. Instead, we get a kind of dysmorphic Reiji, who apparently loathes men’s bodies, and it also really uptight about his own body and his Yuri fandom, which feels like yet another different – and better – story, we might have read. Oh well. ^_^ To Reiji’s credit, he does start watching and reading Mitsuru’s BL and finding things to like about it.  This is, by far, the most endearing bit of the manga. And it gave me a little hope.

Ajiichi is a creator whose work is mostly Yuri, and so I was a little surprised to see Reiji’s discomfort with his own fandom. And his discomfort made me uncomfortable about him as a protagonist. I don’t expect teens to be more than half-cooked, but. Dude,it’s comic books and cartoons, no one gives a shit – and if they do, it’s them. Trust me on this.

Ratings:

Art – Too many /ack!!/ faces, but otherwise solid
Story – I’m honestly not sure here, because of my own biases. Is this funny? I can’t tell
Characters – Mitsuru is the reason I would (and probably will) read volume 2. “Reiji is a total zero” is a whole mood here
Service – Not as much as you might think, since Reiji’s a prude
Yuri – Tangentially

Overall – 7, with potential for better or for worse

As this volume comes to a close Mitusuru’s childhood friend, who has an obvious crush on her, waltzes in as a new plot complication. I know how I’d handle it, but I would suck at writing body-swap comedy (because it is never funny,) so I almost kind of want to see what happens? Love isn’t going to save the day, but I’d be super happy if Mitsuru redeems Reiji’s tormented soul.

Thanks very much to J-Novel Club for providing me a review copy!





The Rose of Versailles, Volume 3

May 21st, 2021

As I sat down to write today’s review, it dawned on me that I had never covered Volume 3 of The Rose of Versailles. So today, we will nod towards it, as we stride past headed for the last volume to deal with the Revolution and it’s aftermath.

In Volume 3 of The Rose of Versailles, Oscar’s choices come piling down upon her head. In a complete reversal of everything she had been asked to do with her life, her father barters her hand in marriage to her rival since she was young, Captain de Girodelle. Unsurprisingly, this puts Oscar into a very uncomfortable place. Of course she does not want to be married off without her consent, and also she believed that acting as a son, her father would not just treat her as collateral. To find that she had accomplished so much, only to have it be treated as irrelevant is, obviously, enraging. To young feminists of the 1970s this would reflect the exact situation they were – and, let’s be real, still are –  facing in the workplace.

Oscar has a new uniform made for herself, and at last attends the balls of Paris, to seduce women and show herself supremely uninterested in Girodelle or marriage. Meanwhile, Andre’s eyesight is deteriorating and Oscar begins to think of him more as a man, rather than a servant. Andre tries to force himself on her, but they withdraw from one another. Pushed to her limits, Oscar dedicates her life to war, and leaves to visit the Queen one last time.

The story, then, becomes a kind of slow avalanche of horrible decisions made in the worst way for the worst reasons. The Dauphin dies and Marie holes up in the Petit Trianon, refusing to deal with the people of France at all. The commons try to meet and are locked out of the building, the army starts to split at the seams and Oscar sides with the common people. She learns the truth about her Gardes members, how family and friends are being killed or starved and she becomes enraged, demanding answers of people who don’t care. Alain and the Gardes help Andre cover his failing sight, but they all know that death is waiting, Andre ends the book wishing that Oscar and he might be lovers, even knowing that his wish cannot come true.

There are a lot of tears. We’re given more space here to sympathize with Marie Antoinette than we have before, but it’s still hard to see her as  a victim of anything except her own selfishness. Oscar will stress for many pages about her gender and sex. Had she been a man, Rosalie would have ended the conversation, but she is not and she is neither transgender nor a lesbian. She’s embraced her fate to live a man’s life as a woman, but in the end her father never respected that, even though it was his wish that she do so.

Ratings:

Art –  Sublime and Oscar in bell-bottoms.
Story –  Grim, but magnificent
Character – Everyone has a moment when it is impossible to like them.
Yuri – One almost feels bad for any woman Oscar pretends to seduces to show up Girodelle
Service – Shirtless Andre, attempted rape, Oscar in new uniform

Overall  – Hard to read, but absolutely compelling

If I were going to sum up this volume with one emotion, I’d say “anger.” It’s not a righteous anger, not yet, but the signs are all there.  In a sense it’s good that the end is on the way in the next volume. After the last few years of anger and inequality and the same kinds of violence and deadly economics as we see in this story, reading this volume feels too much like reading the news sometimes. Something has to break, and we all hope like hell that it’s not us.

Kudos to UDON for another glorious volume of this epic story. It was my very sincere pleasure to be part of that team.

Volume 4 and Volume 5 are now available for you to read and experience!





Superwomen in Love, Honey Trap & Rapid Rabbit, Volume 1

May 17th, 2021

When the evil Antinoids attack and human life is at risk, the hero Rapid Rabbit will appear to save the day! Buy what happens to humanity when Rapid Rabbit is almost defeated? This question is answered in the opening pages of Superwomen in Love, Honey Trap & Rapid Rabbit, Volume 1 by sometime, out now from Seven Seas.

What happens is, of course, that the evil Honey Trap, manager of the Antinoid Army, falls head over heels in love with Honjou Hayate, a part-time costume hero show actress and full-time real-life superhero! This grown-up version of a sentai show is both fun and a little creepy at the same time. In my review of the Japanese edition, Hero-san to Moto Onna Kanbu-san, Volume 1 (ヒーローさんと元女幹部さん) I wrote, “Sometimes, like Honey, we all just need a attractive, athletic, female hero to sweep our evil plans away.” But I also know from Volume 2 and Volume 3, the story will get a little darker and also a little Yuri-er. ^_^;  I’m going to trust sometime to give our heroes the redemption arcs they deserve and the power-ups we crave.

The art in this manga are very action series-like, with loads of power ups, explanations of  armor and weapons and interpersonal bantering in the middle of battle. There’s also some cute art when it comes to Honey and Hayate’s personal relationship and while we get slightly suggestive comments and fantasies, there’s very little actual service beyond the costuming. As a result of the art being so action-y, I want to call attention to Mercedes McGarry’s lettering which in some places was superlative. I know exactly how complicated it is to replace art s/fx and I always appreciate when a letterer has the skill and is given the time to do so. While the dialogue is not literary, I also want to nod at Amanda Haley’s translation which has to make sense of nonsensical gadgets.  As always, my thanks to everyone on the Seven Seas team for an authentic reading experience.

Ratings:

Art – 8
Story – 7
Characters – 7
Service – 4 Bikinis
Yuri – 4

Overall – 7

A villain falls in love with a hero and they team up to fight the bad guys, but will love save the day? Find out in Volume 2, which is  heading our way in late summer!





My Alcoholic Escape from Reality by Nagata Kabi

May 14th, 2021

Right now the first Virtual Toronto Comic Arts Festival is underway on Youtube and this week we had the pleasure of watching Deb Aoki doing a pre-recorded interview with Nagata Kabi, the creator of comic essay My Lesbian Experience With Loneliness, and its sequels. This interview will be available online until May 21, so definitely watch it while its available – its not often we North Americans get a chance to see our favorite manga artists.

This month also saw the release of Nagata-sensei’s newest work in English, My Alcoholic Escape From Reality, detailing her bout with alcohol-induced pancreatitis. As with her previous works, this book covers a number of personal details, physical and emotional. She made it very clear in the interview that she has regrets about the way she talked about her family in previous books and she addresses that in the book, as well.

In my review of this book in Japanese, I said, “We’ve watched Nagata-sensei struggle with food, with alcohol, with depression, and now with her pancreas. It’s all very heavy going, but as a reader I don’t feel like I have the luxury of wallowing since, for any bleak feelings I might have, I have to believe that it’s harder for her. To some extent, the only thing we can do is be distant, abstract cheerleaders on the sidelines of the parts of her life she chooses to share with us. We have to know were not getting the whole story – and we have to be okay with that. So we mentally pull for her and send good thoughts.”

And, indeed, we do mentally pull for her and send her good thoughts and she could see that in the interview chat, if she was interested. Especially now that we’ve put a face to the name, I imagine fans will care about her even more. Which makes this book harder to read, not easier, honestly! But there are two things I want to note – one, the second half of the book is less about her struggle with her physical body and more about the creative struggle…which I interpret as a very positive thing. The creative struggle, while no less real, is also much more abstract and requires the ability to think about something other than the pain in one’s abdomen. I’m sure we can all identify with how difficult it is to work when we don’t feel good. It’s a testament to her strength of will that she could work in such circumstances.

The second thing I noted in my review of the Japanese volume was that she’s back with East Press for this book. They aren’t the biggest publisher she’s worked with, but I’m kind of happy that she’s with them again. They are a very pro LGBTQ content company. Her newest book series is with Futabasha, another company that has been really positive for queer manga creators and content, so I’m very much looking forward to seeing what they do together!

Following this all up, Seven Seas announced the license of her next book, Meisou Senshi・Nagata Kabi(迷走戦士・永田カビ) as My Wandering Warrior Existence. You can read this online in Japanese on Web Action. This has a projected release date in English of March 2022. But wait, Nagata-sensei is working on *another* series now, Meisou Senshi・Nagata Kabi Gourmet De GO!  (迷走戦士・永田カビ グルメでGO！) the first chapter is also available on Web Action in Japanese. This is the story she alludes to in this volume – a food manga. I am really looking forward to this, as it’s an audacious and amazing concept having a food manga written by a woman with eating disorder and a contentious relationship with food. It should be fascinating.

Ratings:

Art – 8 Her style has really grown and visibly become more confident
Story – 8, by which I mean it can be gut-wrenching
Character – 9 ^_^;
Service – ? There’s some details in there.
LGBTQ – N/A, but wait. The next book is about her gender and sexuality

Overall – 8

Watch her TCAF interview and then take a look at this book translated ably by Jocelyn Allen. I also want to nod in the direction of the lettering and retouch folks, Karis Page and Gwen Silver, since Nagata’s pretty heavy on the in-art sound effects here. Thanks to the entire Seven Seas Team for their work on this book, and to TCAF staff, Jocelyne Allen for her delightful translation and interpretation and Deb Aoki for another great interview.